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back, baby!","\u003Cp>A letter from the editor, after a 2+ year hiatus~ 🙂\u003C\u002Fp>\n","2026-11-14T13:33:52",2026,"Nov 2026",[90],11,[92],"RI",429,{"src":95,"srcset":96,"width":97,"height":98,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2026\u002F11\u002Fdaisy_reissue-crop.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2026\u002F11\u002Fdaisy_reissue-crop-768x335.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2026\u002F11\u002Fdaisy_reissue-crop-1536x670.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2026\u002F11\u002Fdaisy_reissue-crop.jpg 2000w",2000,873,[100],{"id":101,"name":102,"slug":103},1307,"ReIssue Editor","reissue-staff",{"id":105,"slug":106,"title":107,"excerpt":108,"date":109,"year":110,"formattedDate":111,"typeIds":112,"typeNames":115,"wordCount":118,"isBlack":10,"image":119,"contributors":123},2112,"a-haunting-resolve-small-file-media-and-states-of-resolution","A haunting resolve: Small-file media and states of resolution","\u003Cp>Yasmine Whaley-Kalaora previews the fifth annual Small Media File Festival.\u003C\u002Fp>\n","2024-10-06T23:06:13",2024,"Oct 2024",[113,114],6,9,[116,117],"Moving Image","Review",1138,{"src":120,"srcset":121,"width":74,"height":122,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F10\u002Fsmallfile-web.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F10\u002Fsmallfile-web-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F10\u002Fsmallfile-web-1536x864.jpg 1536w, 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https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002F20240501digestifsplash.jpg 1080w",358,[143],{"id":101,"name":102,"slug":103},{"id":145,"slug":146,"title":147,"excerpt":148,"date":149,"year":110,"formattedDate":150,"typeIds":151,"typeNames":152,"wordCount":153,"isBlack":66,"image":154,"contributors":157},2056,"reissue-digestif-whats-on-april-16-30-2","ReIssue Digestif: What’s on April 16–30","\u003Cp>Here’s our picks for what’s happening April 16–30.\u003C\u002Fp>\n","2024-04-15T07:46:53","Apr 2024",[90],[92],1343,{"src":155,"srcset":156,"width":122,"height":141,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002F20240416digestif-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002F20240416digestif-splash-768x255.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002F20240416digestif-splash.jpg 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https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002Fnisha-splash.jpg 1920w",893,[175,179],{"id":176,"name":177,"slug":178},1350,"Alex Jensen","alex-jensen",{"id":180,"name":181,"slug":182},2050,"Nisha Platzer","nisha-platzer",{"id":184,"slug":185,"title":186,"excerpt":187,"date":188,"year":110,"formattedDate":150,"typeIds":189,"typeNames":190,"wordCount":191,"isBlack":10,"image":192,"contributors":195},2033,"reissue-digestif-whats-on-april-1-15-2","ReIssue Digestif: What’s on April 1–15","\u003Cp>Here’s our picks for what’s happening April 1–15.\u003C\u002Fp>\n","2024-04-01T07:59:53",[90],[92],1384,{"src":193,"srcset":194,"width":122,"height":141,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F20240430_Digestif_Banner_Blank.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F20240430_Digestif_Banner_Blank-768x255.jpg 768w, 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https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002Fsarah-splash-1536x441.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002Fsarah-splash-2048x588.jpg 2048w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002Fsarah-splash.jpg 2250w",2250,646,[215],{"id":216,"name":217,"slug":218},2013,"Sarah Wong","sarah-wong",{"id":220,"slug":221,"title":222,"excerpt":223,"date":224,"year":110,"formattedDate":203,"typeIds":225,"typeNames":226,"wordCount":227,"isBlack":10,"image":228,"contributors":231},2006,"reissue-digestif-whats-on-march-16-31-2","ReIssue Digestif: What’s on March 16–31","\u003Cp>Here’s our picks for what’s happening March 16–31.\u003C\u002Fp>\n","2024-03-15T07:49:21",[90],[92],1305,{"src":229,"srcset":230,"width":122,"height":141,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F20240315digestifsplash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F20240315digestifsplash-768x255.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F20240315digestifsplash.jpg 1080w",[232],{"id":101,"name":102,"slug":103},{"id":234,"slug":235,"title":236,"excerpt":237,"date":238,"year":110,"formattedDate":203,"typeIds":239,"typeNames":240,"wordCount":241,"isBlack":10,"image":242,"contributors":246},1979,"to-touch-the-ten-thousand-things-without-dependency-interlocking-wounds-and-intuitions-with-fan-wu-and-julian-hou","To touch The Ten Thousand Things without dependency: interlocking wounds and intuitions with Fan Wu and Julian Hou","\u003Cp>Amy Gottung, Julian Hou, and Fan Wu in conversation about Wu’s recent album, \u003Cem>touch the Ten Thousand Things without dependency \u003C\u002Fem>, released on Hou’s label, Second Spring in December 2023.\u003C\u002Fp>\n","2024-03-04T08:48:54",[166],[168],3256,{"src":243,"srcset":244,"width":74,"height":245,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FTTTWD-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FTTTWD-splash-768x254.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FTTTWD-splash-1536x509.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FTTTWD-splash.jpg 1920w",636,[247,251,255],{"id":248,"name":249,"slug":250},1986,"Fan Wu","fan-wu",{"id":252,"name":253,"slug":254},1994,"Julian Hou","julian-hou",{"id":256,"name":257,"slug":258},1995,"Amy Gottung","amy-gottung",{"id":260,"slug":261,"title":262,"excerpt":263,"date":264,"year":110,"formattedDate":203,"typeIds":265,"typeNames":266,"wordCount":267,"isBlack":10,"image":268,"contributors":271},1968,"reissue-digestif-whats-on-march-1-15-2","ReIssue Digestif: What’s on March 1–15","\u003Cp>Here’s our picks for what’s happening March 1–15.\u003C\u002Fp>\n","2024-03-01T07:58:02",[90],[92],980,{"src":269,"srcset":270,"width":122,"height":141,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F20240301-digesifsplash2.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F20240301-digesifsplash2-768x255.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F20240301-digesifsplash2.jpg 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1920w",575,[288,292,296,300,304,308,312,316,320],{"id":289,"name":290,"slug":291},1946,"Neil Wedman","neil-wedman",{"id":293,"name":294,"slug":295},1953,"Kathy Slade","kathy-slade",{"id":297,"name":298,"slug":299},1954,"Jenifer Papararo","jenifer-papararo",{"id":301,"name":302,"slug":303},1957,"Myfanwy MacLeod","myfanwy-macleod",{"id":305,"name":306,"slug":307},1959,"John Collins","john-collins",{"id":309,"name":310,"slug":311},1955,"Shannon Oksanen","shannon-oksanen",{"id":313,"name":314,"slug":315},1958,"Robert Kleyn","robert-kleyn",{"id":317,"name":318,"slug":319},1960,"Patrik Andersson","patrik-andersson",{"id":321,"name":322,"slug":323},1952,"Ian Wallace","ian-wallace",{"id":325,"slug":326,"title":327,"excerpt":328,"date":329,"year":110,"formattedDate":279,"typeIds":330,"typeNames":331,"wordCount":332,"isBlack":10,"image":333,"contributors":336},1919,"reissue-digestif-whats-on-february-15-29","ReIssue Digestif: What’s on February 15–29","\u003Cp>Here’s our picks for what’s happening February 15–29.\u003C\u002Fp>\n","2024-02-15T06:49:38",[90],[92],1400,{"src":334,"srcset":335,"width":122,"height":141,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F02\u002F20240215-digestifsplash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F02\u002F20240215-digestifsplash-768x255.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F02\u002F20240215-digestifsplash.jpg 1080w",[337],{"id":101,"name":102,"slug":103},{"id":339,"slug":340,"title":341,"excerpt":342,"date":343,"year":110,"formattedDate":279,"typeIds":344,"typeNames":345,"wordCount":346,"isBlack":10,"image":347,"contributors":351},1910,"submerged-perspectives-dion-smith-dokkie-at-gallery-gachet","Submerged Perspectives \u002F\u002F Dion Smith-Dokkie at Gallery Gachet","\u003Cp>Kitt Peacock reviews Dion Smith-Dokkie’s solo exhibition, \u003Cem>This Will Be The First of a Thousand Worlds We Give Life To\u003C\u002Fem> at Gallery Gachet.\u003C\u002Fp>\n","2024-02-05T09:09:13",[114],[117],1186,{"src":348,"srcset":349,"width":350,"height":173,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F02\u002Fdionsplash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F02\u002Fdionsplash-768x312.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F02\u002Fdionsplash-1536x623.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F02\u002Fdionsplash-2048x831.jpg 2048w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F02\u002Fdionsplash.jpg 2200w",2200,[352],{"id":353,"name":354,"slug":355},790,"Kitt Peacock","kitt-peacock",{"id":357,"slug":358,"title":359,"excerpt":360,"date":361,"year":110,"formattedDate":279,"typeIds":362,"typeNames":363,"wordCount":364,"isBlack":10,"image":365,"contributors":368},1890,"reissue-digestif-whats-on-february-1-14-2","ReIssue Digestif: What’s on February 1–14","\u003Cp>Here’s our picks for what’s happening February 1–14.\u003C\u002Fp>\n","2024-02-01T09:28:53",[90],[92],1446,{"src":366,"srcset":367,"width":122,"height":141,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F01\u002F20240201-digestifsplash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F01\u002F20240201-digestifsplash-768x255.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F01\u002F20240201-digestifsplash.jpg 1080w",[369],{"id":101,"name":102,"slug":103},{"id":371,"slug":372,"title":373,"excerpt":374,"date":375,"year":110,"formattedDate":376,"typeIds":377,"typeNames":379,"wordCount":381,"isBlack":10,"image":382,"contributors":386},1884,"to-make-things-which-we-do-not-know-what-they-are-the-paintings-of-elizabeth-mcintosh","To make things which we do not know what they are \u002F\u002F The paintings of Elizabeth McIntosh ","\u003Cp>An expanded review of Elizabeth McIntosh’s recent solo exhibition at Catriona Jeffries Gallery, \u003Cem>Real Relationships\u003C\u002Fem>, by Andrew Witt.\u003C\u002Fp>\n","2024-01-22T01:53:14","Jan 2024",[378,114],7,[380,117],"Essay",2362,{"src":383,"srcset":384,"width":74,"height":385,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F01\u002Fwitt-splashy.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F01\u002Fwitt-splashy-768x160.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F01\u002Fwitt-splashy-1536x320.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F01\u002Fwitt-splashy.jpg 1920w",400,[387],{"id":388,"name":389,"slug":390},1453,"Andrew Witt","andrew-witt",{"id":392,"slug":393,"title":394,"excerpt":395,"date":396,"year":110,"formattedDate":376,"typeIds":397,"typeNames":398,"wordCount":399,"isBlack":10,"image":400,"contributors":403},1858,"reissue-digestif-whats-on-january-8-31","ReIssue Digestif: What’s on January 8–31","\u003Cp>Happy new year! Here’s our picks for what’s happening this January.\u003C\u002Fp>\n","2024-01-08T11:05:00",[90],[92],1391,{"src":401,"srcset":402,"width":122,"height":141,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F12\u002F20240108-digestifsplash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F12\u002F20240108-digestifsplash-768x255.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F12\u002F20240108-digestifsplash.jpg 1080w",[404],{"id":101,"name":102,"slug":103},{"id":406,"slug":407,"title":408,"excerpt":409,"date":410,"year":110,"formattedDate":376,"typeIds":411,"typeNames":412,"wordCount":413,"isBlack":10,"image":414,"contributors":417},1855,"presidential-speech-a-love-letter-to-the-ecu-community","Presidential Speech: A Love Letter to the ECU Community","\u003Cp>Mickey L.D. Morgan offers an institutional critique of Emily Carr University of Art + Design.\u003C\u002Fp>\n","2024-01-08T04:07:59",[378],[380],2060,{"src":415,"srcset":416,"width":74,"height":122,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F01\u002Fron-graffiti_70.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F01\u002Fron-graffiti_70-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F01\u002Fron-graffiti_70-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F01\u002Fron-graffiti_70.jpg 1920w",[418],{"id":419,"name":420,"slug":421},1872,"Mickey L. D. Morgan","mickey-l-d-morgan",{"id":423,"slug":424,"title":425,"excerpt":426,"date":427,"year":428,"formattedDate":429,"typeIds":430,"typeNames":431,"wordCount":248,"isBlack":10,"image":432,"contributors":436},1779,"fear-soups-the-soul-baby-book-by-amy-ching-yan-lam","Fear Soups the Soul \u002F\u002F Baby Book by Amy Ching-Yan Lam","\u003Cp>Tiziana La Melia reviews and reflects on Amy Ching-Yan Lam’s 2023 debut poetry collection, \u003Cem>Baby Book\u003C\u002Fem>, published by Brick Books.\u003C\u002Fp>\n","2023-12-04T07:55:17",2023,"Dec 2023",[378,114],[380,117],{"src":433,"srcset":434,"width":74,"height":435,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002Fbabybook-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002Fbabybook-splash-768x240.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002Fbabybook-splash-1536x480.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002Fbabybook-splash.jpg 1920w",600,[437],{"id":438,"name":439,"slug":440},1778,"Tiziana La Melia","tiziana-la-melia",{"id":442,"slug":443,"title":444,"excerpt":445,"date":446,"year":428,"formattedDate":429,"typeIds":447,"typeNames":448,"wordCount":449,"isBlack":66,"image":450,"contributors":453},1761,"reissue-digestif-whats-on-december-1-31","ReIssue Digestif: What’s on December 1–31","\u003Cp>Happy year’s end! Here’s our picks for what’s happening this December.\u003C\u002Fp>\n","2023-12-01T09:02:10",[90],[92],1393,{"src":451,"srcset":452,"width":122,"height":141,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F12\u002F20231201-digestif-replace.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F12\u002F20231201-digestif-replace-768x255.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F12\u002F20231201-digestif-replace.jpg 1080w",[454],{"id":101,"name":102,"slug":103},{"id":456,"slug":457,"title":458,"excerpt":459,"date":460,"year":428,"formattedDate":461,"typeIds":462,"typeNames":463,"wordCount":464,"isBlack":10,"image":465,"contributors":469},1755,"in-praise-of-hockey-players-on-canvas-artworkers-from-class-division-to-new-solidarities","In praise of hockey players on canvas: Artworkers from class division to new solidarities","\u003Cp>Steff Hui Ci Ling responds to Mitch Speed’s essay, “Notes on the Control of Society Through Art and Culture.”\u003C\u002Fp>\n","2023-11-23T08:01:09","Nov 2023",[378],[380],4478,{"src":466,"srcset":467,"width":74,"height":468,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002Fsteffsplash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002Fsteffsplash-768x246.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002Fsteffsplash-1536x492.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002Fsteffsplash.jpg 1920w",615,[470],{"id":471,"name":472,"slug":473},1057,"Steff Hui Ci Ling","steffanie-ling",{"id":475,"slug":476,"title":477,"excerpt":478,"date":479,"year":428,"formattedDate":461,"typeIds":480,"typeNames":481,"wordCount":137,"isBlack":10,"image":482,"contributors":486},1704,"together-again-healing-in-community-in-nisha-platzers-back-home","Together Again: Healing Through Community in Nisha Platzer’s back home","\u003Cp>Alex Jensen reviews Nisha Platzer’s 2022 film, \u003Cem>back home\u003C\u002Fem>, which premiered in Victoria, BC at this year’s Antimatter Media Arts Festival.\u003C\u002Fp>\n","2023-11-20T08:46:38",[114],[117],{"src":483,"srcset":484,"width":74,"height":485,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F10\u002Fbackhome-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F10\u002Fbackhome-splash-768x235.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F10\u002Fbackhome-splash-1536x470.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F10\u002Fbackhome-splash.jpg 1920w",588,[487],{"id":176,"name":177,"slug":178},{"id":489,"slug":490,"title":491,"excerpt":492,"date":493,"year":428,"formattedDate":461,"typeIds":494,"typeNames":495,"wordCount":496,"isBlack":10,"image":497,"contributors":500},1741,"reissue-digestif-whats-on-november-16-30","ReIssue Digestif: What’s on November 16–30","\u003Cp>Here’s our picks for what’s happening November 16–30.\u003C\u002Fp>\n","2023-11-16T09:20:39",[90],[92],1196,{"src":498,"srcset":499,"width":122,"height":141,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002F20231116digestifsplash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002F20231116digestifsplash-768x255.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002F20231116digestifsplash.jpg 1080w",[501],{"id":101,"name":102,"slug":103},{"id":503,"slug":504,"title":505,"excerpt":506,"date":507,"year":428,"formattedDate":461,"typeIds":508,"typeNames":509,"wordCount":510,"isBlack":10,"image":511,"contributors":515},1731,"educate-and-act-resources-on-palestinian-refusal","Educate and Act: Resources on Palestinian Refusal","\u003Cp>A staff compiled list of actions, audio, books, and media on Palestine, and the Israeli-Palestinian conflict.\u003C\u002Fp>\n","2023-11-08T08:59:36",[90],[92],1331,{"src":512,"srcset":513,"width":74,"height":514,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002Fpalestinesplash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002Fpalestinesplash-768x227.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002Fpalestinesplash-1536x454.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002Fpalestinesplash.jpg 1920w",568,[516],{"id":101,"name":102,"slug":103},{"id":518,"slug":519,"title":520,"excerpt":521,"date":522,"year":428,"formattedDate":461,"typeIds":523,"typeNames":524,"wordCount":525,"isBlack":10,"image":526,"contributors":530},1721,"she-wants-a-condom-for-kissing-maiko-jinushi-at-centre-a","She Wants a Condom for Kissing \u002F\u002F Maiko Jinushi at Centre A","\u003Cp>Lin Li reviews Maiko Jinushi’s \u003Cem>Intimacy and Distances\u003C\u002Fem>, curated by Makiko Hara, at Centre A.\u003C\u002Fp>\n","2023-11-03T14:04:26",[114],[117],1308,{"src":527,"srcset":528,"width":74,"height":529,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002Fmaiko-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002Fmaiko-splash-768x298.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002Fmaiko-splash-1536x595.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002Fmaiko-splash.jpg 1920w",744,[531],{"id":532,"name":533,"slug":534},1720,"Lin Li","lin-li",{"id":536,"slug":537,"title":538,"excerpt":539,"date":540,"year":428,"formattedDate":461,"typeIds":541,"typeNames":542,"wordCount":543,"isBlack":66,"image":544,"contributors":547},1708,"reissue-digestif-whats-on-november-1-15","ReIssue Digestif: What’s on November 1–15","\u003Cp>The Digestif is back! Here’s our picks for what’s happening November 1–15.\u003C\u002Fp>\n","2023-11-01T10:25:27",[90],[92],1220,{"src":545,"srcset":546,"width":122,"height":141,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F10\u002F20231101digestif-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F10\u002F20231101digestif-splash-768x255.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F10\u002F20231101digestif-splash.jpg 1080w",[548],{"id":101,"name":102,"slug":103},{"id":550,"slug":551,"title":552,"excerpt":553,"date":554,"year":428,"formattedDate":555,"typeIds":556,"typeNames":557,"wordCount":558,"isBlack":10,"image":559,"contributors":562},1688,"computer-whisperer-tunnel-visioning-through-a-socket-of-ido-radons-artwork","Computer Whisperer: tunnel vision through a socket of Ido Radon’s artwork","\u003Cp>Hannah Möller responds to Ido Radon’s work from the exhibition \u003Cem>Devin Ronneberg & Ido Radon: Inhuman \u002F\u002F Alien\u003C\u002Fem> curated by Diane Hau Yu Wong at Canton-Sardine.\u003C\u002Fp>\n","2023-10-25T08:43:05","Oct 2023",[205,114],[207,117],1261,{"src":560,"srcset":561,"width":74,"height":122,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F10\u002Fido-hannah-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F10\u002Fido-hannah-splash-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F10\u002Fido-hannah-splash-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F10\u002Fido-hannah-splash.jpg 1920w",[563],{"id":564,"name":565,"slug":566},1687,"Hannah Möller","hannah-moller",{"id":568,"slug":569,"title":570,"excerpt":571,"date":572,"year":428,"formattedDate":555,"typeIds":573,"typeNames":574,"wordCount":575,"isBlack":10,"image":576,"contributors":580},1675,"transmission-most-fragile-sound-of-the-sun-volume-1","Transmission Most Fragile \u002F\u002F Sound of the Sun Volume 1","\u003Cp>Ryley O’Byrne reviews \u003Cem>Sound of the Sun Volume 1\u003C\u002Fem>, a UNIT\u002FPITT mixtape curated by Catherine de Montreuil and Marisa Kriangwiwat Holmes.\u003C\u002Fp>\n","2023-10-10T08:33:14",[114],[117],1399,{"src":577,"srcset":578,"width":74,"height":579,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F10\u002Fsoundofthesun-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F10\u002Fsoundofthesun-splash-768x295.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F10\u002Fsoundofthesun-splash-1536x590.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F10\u002Fsoundofthesun-splash.jpg 1920w",737,[581],{"id":582,"name":583,"slug":584},1679,"Ryley O'Byrne","ryley-obyrne",{"id":586,"slug":587,"title":588,"excerpt":589,"date":590,"year":428,"formattedDate":591,"typeIds":592,"typeNames":593,"wordCount":594,"isBlack":10,"image":595,"contributors":598},1666,"resilient-relations-an-embodied-history-of-siksika-female-horse-racing-in-aitamaakotamisskapi-natosi-before-the-sun","Resilient Relations: An embodied history of Siksika female horse racing in Aitamaako’tamisskapi Natosi: Before the Sun","\u003Cp>Ella Adkins reviews Banchi Hanuse’s 2023 film, \u003Cem>Aitamaako’tamisskapi Natosi: Before the Sun\u003C\u002Fem>, playing at this year’s Vancouver International Film Festival.\u003C\u002Fp>\n","2023-09-26T08:34:10","Sep 2023",[113,114],[116,117],1242,{"src":596,"srcset":597,"width":74,"height":122,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F09\u002Fb4thesun-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F09\u002Fb4thesun-splash-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F09\u002Fb4thesun-splash-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F09\u002Fb4thesun-splash.jpg 1920w",[599],{"id":600,"name":601,"slug":602},1665,"Ella Adkins","ella-adkins",{"id":604,"slug":605,"title":606,"excerpt":607,"date":608,"year":428,"formattedDate":591,"typeIds":609,"typeNames":610,"wordCount":611,"isBlack":10,"image":612,"contributors":616},1639,"reissue-digestif-whats-on-september-16-30","ReIssue Digestif: What’s on September 16–30","\u003Cp>Our staff picks for what’s happening September 16–30.\u003C\u002Fp>\n","2023-09-16T07:22:39",[90],[92],1262,{"src":613,"srcset":614,"width":122,"height":615,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F09\u002Fdigestifsplash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F09\u002Fdigestifsplash-768x232.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F09\u002Fdigestifsplash.jpg 1080w",326,[617],{"id":101,"name":102,"slug":103},{"id":619,"slug":620,"title":621,"excerpt":622,"date":623,"year":428,"formattedDate":591,"typeIds":624,"typeNames":625,"wordCount":626,"isBlack":10,"image":627,"contributors":631},1635,"aloneptu","Aloneptu","\u003Cp>A short story accompanying the album of the same name, by author Dave Biddle under the alias NAP and Linear Flux.\u003C\u002Fp>\n","2023-09-11T09:38:24",[205],[207],3272,{"src":628,"srcset":629,"width":74,"height":630,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F09\u002Faloneptu-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F09\u002Faloneptu-splash-768x249.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F09\u002Faloneptu-splash-1536x498.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F09\u002Faloneptu-splash.jpg 1920w",622,[632],{"id":633,"name":634,"slug":635},666,"Dave Biddle","dave-biddle",{"id":637,"slug":638,"title":639,"excerpt":640,"date":641,"year":428,"formattedDate":591,"typeIds":642,"typeNames":643,"wordCount":644,"isBlack":10,"image":645,"contributors":649},1640,"languid-becoming-in-felix-kalmensons-gamodi","Languid becoming in Felix Kalmenson’s Gamodi","\u003Cp>Casey Wei reviews Felix Kalmenson 2023 film, \u003Cem>Gamodi\u003C\u002Fem>, playing at this year’s Vancouver International Film Festival.\u003C\u002Fp>\n","2023-09-11T09:27:54",[113,114],[116,117],792,{"src":646,"srcset":647,"width":74,"height":648,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F09\u002Fgamodi-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F09\u002Fgamodi-splash-768x289.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F09\u002Fgamodi-splash-1536x578.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F09\u002Fgamodi-splash.jpg 1920w",723,[650],{"id":651,"name":652,"slug":653},444,"Casey Wei","casey-wei",{"id":655,"slug":656,"title":657,"excerpt":658,"date":659,"year":428,"formattedDate":591,"typeIds":660,"typeNames":661,"wordCount":662,"isBlack":10,"image":663,"contributors":666},1618,"feline-love-story-aracha-cholitgul-at-nap-gallery","Feline Love Story \u002F\u002F Aracha Cholitgul at Nap Gallery","\u003Cp>Rhys Edwards reviews Aracha Cholitgul’s \u003Cem>Morning Garden Sun\u003C\u002Fem> at nap gallery.\u003C\u002Fp>\n","2023-09-05T07:19:55",[114],[117],780,{"src":664,"srcset":665,"width":74,"height":122,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F09\u002Frhys-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F09\u002Frhys-splash-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F09\u002Frhys-splash-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F09\u002Frhys-splash.jpg 1920w",[667],{"id":668,"name":669,"slug":670},805,"Rhys Edwards","rhys-edwards",{"id":672,"slug":673,"title":674,"excerpt":675,"date":676,"year":428,"formattedDate":591,"typeIds":677,"typeNames":678,"wordCount":679,"isBlack":10,"image":680,"contributors":683},1610,"reissue-digestif-whats-on-september-1-15","ReIssue Digestif: What’s on September 1–15","\u003Cp>Welcome to Fall! Here’s our staff picks for what’s happening September 1–15.\u003C\u002Fp>\n","2023-09-01T07:35:56",[90],[92],1295,{"src":681,"srcset":682,"width":122,"height":615,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F08\u002F20230901digestifsplash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F08\u002F20230901digestifsplash-768x232.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F08\u002F20230901digestifsplash.jpg 1080w",[684],{"id":101,"name":102,"slug":103},{"id":686,"slug":687,"title":688,"excerpt":689,"date":690,"year":428,"formattedDate":691,"typeIds":692,"typeNames":693,"wordCount":694,"isBlack":10,"image":695,"contributors":699},1588,"reissue-digestif-whats-on-july-16-31","ReIssue Digestif: What’s on July 16–31","\u003Cp>Here’s our staff picks for what’s happening July 16–31.\u003C\u002Fp>\n","2023-07-16T09:27:34","Jul 2023",[90],[92],1030,{"src":696,"srcset":697,"width":74,"height":698,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F07\u002F20230716-digestifsplash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F07\u002F20230716-digestifsplash-768x219.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F07\u002F20230716-digestifsplash-1536x438.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F07\u002F20230716-digestifsplash.jpg 1920w",548,[700],{"id":101,"name":102,"slug":103},{"id":702,"slug":703,"title":704,"excerpt":705,"date":706,"year":428,"formattedDate":691,"typeIds":707,"typeNames":708,"wordCount":709,"isBlack":10,"image":710,"contributors":714},1572,"reissue-digestif-whats-on-july-1-15","ReIssue Digestif: What’s on July 1–15","\u003Cp>Here’s our staff picks for what’s happening July 1–15.\u003C\u002Fp>\n","2023-07-01T10:03:18",[90],[92],1230,{"src":711,"srcset":712,"width":122,"height":713,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002F20230701-digestif-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002F20230701-digestif-splash-768x252.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002F20230701-digestif-splash.jpg 1080w",355,[715],{"id":101,"name":102,"slug":103},{"id":717,"slug":718,"title":719,"excerpt":720,"date":721,"year":428,"formattedDate":722,"typeIds":723,"typeNames":724,"wordCount":725,"isBlack":10,"image":726,"contributors":729},1562,"reissue-digestif-whats-on-june-16-30","ReIssue Digestif: What’s on June 16–30","\u003Cp>Here’s our staff picks for what’s happening June 16–30.\u003C\u002Fp>\n","2023-06-16T08:23:35","Jun 2023",[90],[92],1035,{"src":727,"srcset":728,"width":122,"height":713,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002Fdigestif-01162023-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002Fdigestif-01162023-splash-768x252.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002Fdigestif-01162023-splash.jpg 1080w",[730],{"id":101,"name":102,"slug":103},{"id":732,"slug":733,"title":734,"excerpt":735,"date":736,"year":428,"formattedDate":722,"typeIds":737,"typeNames":738,"wordCount":739,"isBlack":10,"image":740,"contributors":743},1553,"reissue-digestif-whats-on-june-1-15","ReIssue Digestif: What’s on June 1–15","\u003Cp>Here’s our picks for what’s happening  June 1–15.\u003C\u002Fp>\n","2023-06-01T09:44:15",[90],[92],892,{"src":741,"srcset":742,"width":122,"height":615,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002F20230601digestif-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002F20230601digestif-splash-768x232.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002F20230601digestif-splash.jpg 1080w",[744],{"id":101,"name":102,"slug":103},{"id":746,"slug":747,"title":748,"excerpt":749,"date":750,"year":428,"formattedDate":751,"typeIds":752,"typeNames":753,"wordCount":754,"isBlack":10,"image":755,"contributors":759},1541,"what-are-we-talking-about-when-we-talk-about-images-of-care","What are we talking about when we talk about images of care?","\u003Cp>Andrew Witt investigates the discourse of care within the practice of photography.\u003C\u002Fp>\n","2023-05-23T10:31:12","May 2023",[378],[380],4172,{"src":756,"srcset":757,"width":74,"height":758,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002Fwitt-splash-2.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002Fwitt-splash-2-768x206.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002Fwitt-splash-2-1536x413.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002Fwitt-splash-2.jpg 1920w",516,[760],{"id":388,"name":389,"slug":390},{"id":762,"slug":763,"title":764,"excerpt":765,"date":766,"year":428,"formattedDate":751,"typeIds":767,"typeNames":768,"wordCount":769,"isBlack":10,"image":770,"contributors":774},1536,"reissue-digestif-whats-on-may-16-31","ReIssue Digestif: What’s on May 16–31","\u003Cp>Here’s our staff picks for what’s happening, May 16–31.\u003C\u002Fp>\n","2023-05-16T11:06:02",[90],[92],918,{"src":771,"srcset":772,"width":122,"height":773,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002F20230516digestifsplash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002F20230516digestifsplash-768x198.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002F20230516digestifsplash.jpg 1080w",278,[775],{"id":101,"name":102,"slug":103},{"id":777,"slug":778,"title":779,"excerpt":780,"date":781,"year":428,"formattedDate":751,"typeIds":782,"typeNames":783,"wordCount":784,"isBlack":10,"image":785,"contributors":789},1486,"it-lives-on-the-back-of-a-truck-mobile-art-spaces-on-the-island","It lives on the back of a truck: Mobile art spaces on the island","\u003Cp>Kara Stanton interviews Victoria-based curator\u002Fprogrammers Dani Neira and Alexis Hogan about their mobile art projects.\u003C\u002Fp>\n","2023-05-11T12:19:12",[166],[168],3141,{"src":786,"srcset":787,"width":74,"height":788,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002Flichen-feature.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002Flichen-feature-768x558.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002Flichen-feature-1536x1117.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002Flichen-feature.jpg 1920w",1396,[790,794,798],{"id":791,"name":792,"slug":793},924,"Kara Stanton","kara-stanton",{"id":795,"name":796,"slug":797},1516,"Dani Neira","dani-neira",{"id":799,"name":800,"slug":801},1520,"Alexis Hogan","alexis-hogan",{"id":803,"slug":804,"title":805,"excerpt":806,"date":807,"year":428,"formattedDate":751,"typeIds":808,"typeNames":809,"wordCount":98,"isBlack":10,"image":810,"contributors":814},1528,"we-know-they-are-watching-you-you-know-they-are-and-they-know-that-you-know-wang-guofeng-at-canton-sardine","We know they are watching you, you know they are, and they know that you know \u002F\u002F Wang Guofeng at Canton-Sardine","\u003Cp>Kristin Man reviews \u003Cem>The Spiral of Spectacle: the image bank of Wang Guofeng\u003C\u002Fem> at Cantion-sardine.\u003C\u002Fp>\n","2023-05-08T09:17:01",[114],[117],{"src":811,"srcset":812,"width":74,"height":813,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002Fwang-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002Fwang-splash-768x201.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002Fwang-splash-1536x402.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002Fwang-splash.jpg 1920w",502,[815],{"id":816,"name":817,"slug":818},1529,"Kristin Man","kristin-man",{"id":820,"slug":821,"title":131,"excerpt":822,"date":823,"year":428,"formattedDate":751,"typeIds":824,"typeNames":825,"wordCount":826,"isBlack":10,"image":827,"contributors":831},1522,"reissue-digestif-whats-on-may-1-15","\u003Cp>Here’s our staff picks for what’s going on, May 1–15.\u003C\u002Fp>\n","2023-05-01T09:19:43",[90],[92],915,{"src":828,"srcset":829,"width":122,"height":830,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002F20230501-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002F20230501-splash-768x219.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002F20230501-splash.jpg 1080w",308,[832],{"id":101,"name":102,"slug":103},{"id":834,"slug":835,"title":836,"excerpt":837,"date":838,"year":428,"formattedDate":839,"typeIds":840,"typeNames":841,"wordCount":842,"isBlack":10,"image":843,"contributors":847},1515,"broken-time-and-the-intergenerational-marigold-santos-at-saag","Broken Time and the Intergenerational \u002F\u002F Marigold Santos at SAAG","\u003Cp>Godfre Leung reviews Marigold Santos’ \u003Cem>the pace and rhythm of time, floating \u002F ang tulin at kumpas ng oras, lumulutang\u003C\u002Fem> at Southern Alberta Art Gallery.\u003C\u002Fp>\n","2023-04-17T11:31:09","Apr 2023",[114],[117],1038,{"src":844,"srcset":845,"width":74,"height":846,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002F20230417-godfre-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002F20230417-godfre-splash-768x248.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002F20230417-godfre-splash-1536x495.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002F20230417-godfre-splash.jpg 1920w",619,[848],{"id":849,"name":850,"slug":851},518,"Godfre Leung","godfre-leung",{"id":853,"slug":854,"title":855,"excerpt":856,"date":857,"year":428,"formattedDate":839,"typeIds":858,"typeNames":859,"wordCount":860,"isBlack":10,"image":861,"contributors":865},1505,"e","E","\u003Cp>In a short story by Genki Ferguson, a high pitched sound grows louder and louder…\u003C\u002Fp>\n","2023-04-16T20:34:55",[205],[207],1674,{"src":862,"srcset":863,"width":74,"height":864,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002Feee-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002Feee-splash-768x242.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002Feee-splash-1536x485.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002Feee-splash.jpg 1920w",606,[866],{"id":867,"name":868,"slug":869},1508,"Genki Ferguson","genki-ferguson",{"id":871,"slug":872,"title":147,"excerpt":873,"date":874,"year":428,"formattedDate":839,"typeIds":875,"typeNames":876,"wordCount":877,"isBlack":10,"image":878,"contributors":882},1501,"reissue-digestif-whats-on-april-16-30","\u003Cp>Here’s our staff picks for what’s happening, April 16–30.\u003C\u002Fp>\n","2023-04-15T14:13:21",[90],[92],940,{"src":879,"srcset":880,"width":74,"height":881,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002F20230416digestifsplash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002F20230416digestifsplash-768x212.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002F20230416digestifsplash-1536x424.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002F20230416digestifsplash.jpg 1920w",530,[883],{"id":101,"name":102,"slug":103},{"id":885,"slug":886,"title":186,"excerpt":887,"date":888,"year":428,"formattedDate":839,"typeIds":889,"typeNames":890,"wordCount":891,"isBlack":10,"image":892,"contributors":895},1480,"reissue-digestif-whats-on-april-1-15","\u003Cp>Our staff picks for what’s going on, April 1–15.\u003C\u002Fp>\n","2023-04-01T10:38:47",[90],[92],653,{"src":893,"srcset":894,"width":122,"height":830,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002F20230401digestif-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002F20230401digestif-splash-768x219.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002F20230401digestif-splash.jpg 1080w",[896],{"id":101,"name":102,"slug":103},{"id":898,"slug":899,"title":900,"excerpt":901,"date":902,"year":428,"formattedDate":903,"typeIds":904,"typeNames":905,"wordCount":906,"isBlack":10,"image":907,"contributors":911},1474,"lines-like-hands-like-borders-christian-vistan-at-unit-17","Lines like hands like borders \u002F\u002F Christian Vistan at Unit 17","\u003Cp>Lauren Lavery reviews Christian Vistan’s \u003Cem>from–about\u003C\u002Fem> at Unit 17.\u003C\u002Fp>\n","2023-03-22T09:57:04","Mar 2023",[114],[117],803,{"src":908,"srcset":909,"width":74,"height":910,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002Flauren-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002Flauren-splash-768x222.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002Flauren-splash-1536x443.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002Flauren-splash.jpg 1920w",554,[912],{"id":913,"name":914,"slug":915},739,"Lauren Lavery","lauren-lavery",{"id":917,"slug":918,"title":222,"excerpt":919,"date":920,"year":428,"formattedDate":903,"typeIds":921,"typeNames":922,"wordCount":923,"isBlack":10,"image":924,"contributors":927},1468,"reissue-digestif-whats-on-march-16-31","\u003Cp>Our staff picks for what’s happening, March 16–31.\u003C\u002Fp>\n","2023-03-15T12:59:09",[90],[92],750,{"src":925,"srcset":926,"width":122,"height":830,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002F20230315digestif-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002F20230315digestif-splash-768x219.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002F20230315digestif-splash.jpg 1080w",[928],{"id":101,"name":102,"slug":103},{"id":930,"slug":931,"title":932,"excerpt":933,"date":934,"year":428,"formattedDate":903,"typeIds":935,"typeNames":936,"wordCount":937,"isBlack":10,"image":938,"contributors":943},1460,"charitable-gambling-artist-run-centres-and-the-alberta-charitable-gaming-model","Charitable gambling: artist-run centres and the Alberta charitable gaming model","\u003Cp>Alexa Bunnell explores the impact of the charitable gaming system on the Alberta arts community.\u003C\u002Fp>\n","2023-03-07T16:13:24",[378],[380],2277,{"src":939,"srcset":940,"width":74,"height":941,"alt":942},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002Fbunnell-splash-2.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002Fbunnell-splash-2-768x300.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002Fbunnell-splash-2-1536x599.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002Fbunnell-splash-2.jpg 1920w",749,"Splash image for \"Charitable gambling\"",[944],{"id":945,"name":946,"slug":947},1459,"Alexa Bunnell","alexa-bunnell",{"id":949,"slug":950,"title":951,"excerpt":952,"date":953,"year":428,"formattedDate":903,"typeIds":954,"typeNames":955,"wordCount":956,"isBlack":10,"image":957,"contributors":961},1454,"a-fiery-pool-in-the-rain-rebecca-brewer-at-catriona-jeffries","A Fiery Pool in the Rain \u002F\u002F Rebecca Brewer at Catriona Jeffries Gallery","\u003Cp>Andrew Witt reviews Rebeca Brewer’s exhibition \u003Cem>Eidetic Cloud\u003C\u002Fem> at Catriona Jeffries Gallery.\u003C\u002Fp>\n","2023-03-06T08:50:27",[114],[117],1017,{"src":958,"srcset":959,"width":74,"height":960,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002Fwitt-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002Fwitt-splash-768x165.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002Fwitt-splash-1536x330.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002Fwitt-splash.jpg 1920w",413,[962],{"id":388,"name":389,"slug":390},{"id":964,"slug":965,"title":262,"excerpt":966,"date":967,"year":428,"formattedDate":903,"typeIds":968,"typeNames":969,"wordCount":970,"isBlack":10,"image":971,"contributors":974},1442,"reissue-digestif-whats-on-march-1-15","\u003Cp>Check out our picks for what’s going on, March 1–15.\u003C\u002Fp>\n","2023-03-01T07:23:59",[90],[92],704,{"src":972,"srcset":973,"width":122,"height":830,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002Fsplash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002Fsplash-768x219.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002Fsplash.jpg 1080w",[975],{"id":101,"name":102,"slug":103},{"id":977,"slug":978,"title":979,"excerpt":980,"date":981,"year":428,"formattedDate":982,"typeIds":983,"typeNames":984,"wordCount":985,"isBlack":10,"image":986,"contributors":990},1436,"what-is-left-unsaid-jagdeep-raina-at-libby-leshgold-gallery","What is left unsaid? \u002F\u002F Jagdeep Raina at Libby Leshgold Gallery","\u003Cp>Simranpreet Anand reviews Jagdeep Raina’s exhibtion \u003Cem>everything left unsaid\u003C\u002Fem> at Libby Leshgold Gallery.\u003C\u002Fp>\n","2023-02-23T08:51:51","Feb 2023",[114],[117],1235,{"src":987,"srcset":988,"width":74,"height":989,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F02\u002Fraina-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F02\u002Fraina-splash-768x276.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F02\u002Fraina-splash-1536x553.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F02\u002Fraina-splash.jpg 1920w",691,[991],{"id":992,"name":993,"slug":994},1086,"Simranpreet Anand","simranpreet-anand",{"id":996,"slug":997,"title":998,"excerpt":999,"date":1000,"year":428,"formattedDate":982,"typeIds":1001,"typeNames":1002,"wordCount":1003,"isBlack":10,"image":1004,"contributors":1008},1416,"resonant-frequencies-a-conversation-with-sara-gold","Resonant Frequencies: A Conversation with Sara Gold","\u003Cp>Kayla Guthrie interviews experimental sound practitioner Sara Gold.\u003C\u002Fp>\n","2023-02-21T08:25:07",[166],[168],2385,{"src":1005,"srcset":1006,"width":74,"height":1007,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F02\u002Fsaragold-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F02\u002Fsaragold-splash-768x204.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F02\u002Fsaragold-splash-1536x408.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F02\u002Fsaragold-splash.jpg 1920w",510,[1009,1013],{"id":1010,"name":1011,"slug":1012},1419,"Sara Gold","sara-gold",{"id":1014,"name":1015,"slug":1016},1420,"Kayla Guthrie","kayla-guthrie",{"id":1018,"slug":1019,"title":1020,"excerpt":1021,"date":1022,"year":428,"formattedDate":982,"typeIds":1023,"typeNames":1024,"wordCount":1025,"isBlack":10,"image":1026,"contributors":1029},1410,"reissue-digestif-whats-on-february-15-28","ReIssue Digestif: What’s on February 15-28","\u003Cp>Staff picks for what’s going on, February 15–28.\u003C\u002Fp>\n","2023-02-15T08:44:02",[90],[92],975,{"src":1027,"srcset":1028,"width":122,"height":830,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F02\u002Fdfsdg.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F02\u002Fdfsdg-768x219.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F02\u002Fdfsdg.jpg 1080w",[1030],{"id":101,"name":102,"slug":103},{"id":1032,"slug":1033,"title":1034,"excerpt":1035,"date":1036,"year":428,"formattedDate":982,"typeIds":1037,"typeNames":1038,"wordCount":1039,"isBlack":10,"image":1040,"contributors":1044},1390,"magic-as-pedagogy-transforming-art-and-self-with-megan-hepburn-patrick-cruz-and-julian-yi-zhong-hou","Magic as Pedagogy: Transforming art and self with Megan Hepburn, Patrick Cruz, and Julian Yi-Zhong Hou","\u003Cp>Coco Zhou examines the role of magic in art making.\u003C\u002Fp>\n","2023-02-06T09:05:19",[378],[380],2373,{"src":1041,"srcset":1042,"width":74,"height":1043,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F02\u002Fcoco-julian-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F02\u002Fcoco-julian-splash-768x210.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F02\u002Fcoco-julian-splash-1536x420.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F02\u002Fcoco-julian-splash.jpg 1920w",525,[1045],{"id":1046,"name":1047,"slug":1048},847,"Coco Zhou","coco-zhou",{"id":1050,"slug":1051,"title":359,"excerpt":1052,"date":1053,"year":428,"formattedDate":982,"typeIds":1054,"typeNames":1055,"wordCount":913,"isBlack":10,"image":1056,"contributors":1061},1383,"reissue-digestif-whats-on-february-1-14","\u003Cp>Check out our bi-weekly happening selection for February 1–14.\u003C\u002Fp>\n","2023-02-01T08:37:24",[90],[92],{"src":1057,"srcset":1058,"width":1059,"height":1060,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F01\u002FScreen-Shot-2023-01-31-at-9.07.25-PM.png","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F01\u002FScreen-Shot-2023-01-31-at-9.07.25-PM-768x213.png 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F01\u002FScreen-Shot-2023-01-31-at-9.07.25-PM.png 1075w",1075,298,[1062],{"id":101,"name":102,"slug":103},{"id":1064,"slug":1065,"title":1066,"excerpt":1067,"date":1068,"year":428,"formattedDate":1069,"typeIds":1070,"typeNames":1071,"wordCount":1072,"isBlack":10,"image":1073,"contributors":1077},1373,"like-a-slab-of-never-ending-concrete-finding-form-for-sickness-in-freshwater-salt-and-bed-zine-3","like a slab of never-ending concrete \u002F\u002F finding form for sickness in freshwater | salt and Bed Zine Issue 3","\u003Cp>Kara Stanton reviews two zines that engage with sickness, space, and time.\u003C\u002Fp>\n","2023-01-24T16:41:30","Jan 2023",[114],[117],1355,{"src":1074,"srcset":1075,"width":74,"height":122,"alt":1076},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F01\u002Ffreshwater-splash-1.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F01\u002Ffreshwater-splash-1-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F01\u002Ffreshwater-splash-1-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F01\u002Ffreshwater-splash-1.jpg 1920w","Splash image from freshwater | salt.",[1078],{"id":791,"name":792,"slug":793},{"id":1080,"slug":1081,"title":1082,"excerpt":1083,"date":1084,"year":428,"formattedDate":1069,"typeIds":1085,"typeNames":1086,"wordCount":1087,"isBlack":10,"image":1088,"contributors":1092},1370,"everything-i-do-must-be-observable-colin-campbell-and-lisa-steele-at-or-gallery","“Everything I do must be observable.” \u002F\u002F Colin Campbell and Lisa Steele at Or Gallery","\u003Cp>Hamish Hardie reviews \u003Cem>“I Almost Ran Over Liza Minnelli Today”: Colin Campbell and Lisa Steele in L.A., 1976-77 \u003C\u002Fem>at the Or Gallery.\u003C\u002Fp>\n","2023-01-23T09:12:43",[114],[117],1100,{"src":1089,"srcset":1090,"width":74,"height":1091,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F01\u002Fhamish-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F01\u002Fhamish-splash-768x298.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F01\u002Fhamish-splash-1536x596.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F01\u002Fhamish-splash.jpg 1920w",745,[1093],{"id":1094,"name":1095,"slug":1096},1371,"Hamish Hardie","hamish-hardie",{"id":1098,"slug":1099,"title":1100,"excerpt":1101,"date":1102,"year":428,"formattedDate":1069,"typeIds":1103,"typeNames":1104,"wordCount":1105,"isBlack":10,"image":1106,"contributors":1109},1356,"reissue-digestif-whats-happening-january-16-31","ReIssue Digestif: What’s happening January 16–31","\u003Cp>Happy new year! Here’s our event round-up for January 16–Jan 31, 2023.\u003C\u002Fp>\n","2023-01-16T07:27:14",[90],[92],957,{"src":1107,"srcset":1108,"width":122,"height":830,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fdigestif-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fdigestif-splash-768x219.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fdigestif-splash.jpg 1080w",[1110],{"id":101,"name":102,"slug":103},{"id":1112,"slug":1113,"title":1114,"excerpt":1115,"date":1116,"year":1117,"formattedDate":1118,"typeIds":1119,"typeNames":1120,"wordCount":1121,"isBlack":10,"image":1122,"contributors":1127},1345,"coming-home-home-when-you-return-at-antimatter-2022","Coming Home \u002F\u002F “Home When You Return” at Antimatter 2022","\u003Cp>Alex Jensen reviews “Home When You Return,” a program that screened at Victoria’s Antimatter Media Art Festival 2022.\u003C\u002Fp>\n","2022-12-21T13:29:20",2022,"Dec 2022",[113,114],[116,117],1497,{"src":1123,"srcset":1124,"width":1125,"height":1126,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F12\u002Fhome-return-splash-scaled.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F12\u002Fhome-return-splash-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F12\u002Fhome-return-splash-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F12\u002Fhome-return-splash-2048x1152.jpg 2048w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F12\u002Fhome-return-splash-scaled.jpg 2560w",2560,1440,[1128],{"id":176,"name":177,"slug":178},{"id":1130,"slug":1131,"title":1132,"excerpt":1133,"date":1134,"year":1117,"formattedDate":1118,"typeIds":1135,"typeNames":1136,"wordCount":1137,"isBlack":10,"image":1138,"contributors":1139},1335,"reissue-digestif-whats-happening-december-12-jan-1","ReIssue Digestif: What’s happening December 12–31.","\u003Cp>Rolling into the new year, here is our do-not-miss list for December 12, 2022–Jan 1, 2023.\u003C\u002Fp>\n","2022-12-12T10:22:39",[90],[92],1264,{"src":1107,"srcset":1108,"width":122,"height":830,"alt":7},[1140],{"id":101,"name":102,"slug":103},{"id":1142,"slug":1143,"title":1144,"excerpt":1145,"date":1146,"year":1117,"formattedDate":1147,"typeIds":1148,"typeNames":1149,"wordCount":1150,"isBlack":10,"image":1151,"contributors":1154},1329,"all-of-herself-to-elicit-nuance-crystal-pite-angels-atlas","All of Herself to Elicit Nuance \u002F\u002F Crystal Pite: Angel’s Atlas","\u003Cp>Andrea Valentine-Lewis reviews \u003Cem>Crystal Pite: Angels’ Atlas\u003C\u002Fem>, a documentary delving into the work of choreographer Crystal Pite.\u003C\u002Fp>\n","2022-11-29T12:01:45","Nov 2022",[113,114],[116,117],926,{"src":1152,"srcset":1153,"width":1125,"height":1126,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fcrystal-pite-splash-scaled.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fcrystal-pite-splash-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fcrystal-pite-splash-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fcrystal-pite-splash-2048x1152.jpg 2048w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fcrystal-pite-splash-scaled.jpg 2560w",[1155],{"id":1156,"name":1157,"slug":1158},774,"Andrea Valentine-Lewis","andrea-valentine-lewis",{"id":1160,"slug":1161,"title":1162,"excerpt":1163,"date":1164,"year":1117,"formattedDate":1147,"typeIds":1165,"typeNames":1166,"wordCount":1167,"isBlack":10,"image":1168,"contributors":1169},1318,"reissue-digestif-whats-on-november-28-december-11","ReIssue Digestif: What’s happening November 28–December 11","\u003Cp>The holidays are upon us! Check out our do-not-miss list for November 28–December 11.\u003C\u002Fp>\n","2022-11-27T21:36:06",[90],[92],1089,{"src":1107,"srcset":1108,"width":122,"height":830,"alt":7},[1170],{"id":101,"name":102,"slug":103},{"id":1172,"slug":1173,"title":1174,"excerpt":1175,"date":1176,"year":1117,"formattedDate":1147,"typeIds":1177,"typeNames":1178,"wordCount":1179,"isBlack":10,"image":1180,"contributors":1181},1310,"reissue-digestif-whats-on-november-7-20","ReIssue Digestif: What’s happening November 7–20","\u003Cp>Our do-not-miss list for November 7–20.\u003C\u002Fp>\n","2022-11-07T09:23:32",[90],[92],917,{"src":1107,"srcset":1108,"width":122,"height":830,"alt":7},[1182],{"id":101,"name":102,"slug":103},{"id":1184,"slug":1185,"title":1186,"excerpt":1187,"date":1188,"year":1117,"formattedDate":1147,"typeIds":1189,"typeNames":1190,"wordCount":1191,"isBlack":10,"image":1192,"contributors":1196},1309,"contact-at-a-distance-mediating-vessels-at-massy-arts-society","Contact at a Distance \u002F\u002F Mediating Vessels at Massy Arts","\u003Cp>Andy Zuliani gives an expanded review of \u003Cem>Mediating Vessels\u003C\u002Fem> at Massy Arts Society.\u003C\u002Fp>\n","2022-11-07T08:58:17",[378,114],[380,117],3258,{"src":1193,"srcset":1194,"width":74,"height":1195,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fandy-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fandy-splash-768x217.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fandy-splash-1536x434.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fandy-splash.jpg 1920w",543,[1197],{"id":679,"name":1198,"slug":1199},"Andy Zuliani","andy-zuliani",{"id":1201,"slug":1202,"title":1203,"excerpt":1204,"date":1205,"year":1117,"formattedDate":1206,"typeIds":1207,"typeNames":1208,"wordCount":1209,"isBlack":10,"image":1210,"contributors":1215},1277,"work-that-has-guts-antimatter-marks-25-years-of-media-art","Work that has guts \u002F\u002F Antimatter marks 25 years of media art","\u003Cp>Paolino Caputo interviews Todd Eacrett, festival director of Antimatter [media art], about the festival’s 25 years of programming.\u003C\u002Fp>\n","2022-10-28T12:33:53","Oct 2022",[166,113],[168,116],2637,{"src":1211,"srcset":1212,"width":1213,"height":1214,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F10\u002Fsplash-2.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F10\u002Fsplash-2-768x559.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F10\u002Fsplash-2.jpg 1165w",1165,848,[1216,1220,1224],{"id":1217,"name":1218,"slug":1219},1275,"Paolino Caputo","paolino-caputo",{"id":1221,"name":1222,"slug":1223},1276,"Todd Eacrett","todd-eacrett",{"id":1225,"name":1226,"slug":1227},1285,"Deborah de Boer","deborah-de-boer",{"id":1229,"slug":1230,"title":1231,"excerpt":1232,"date":1233,"year":1117,"formattedDate":1206,"typeIds":1234,"typeNames":1235,"wordCount":1236,"isBlack":10,"image":1237,"contributors":1242},1266,"on-memorializing-through-truth-and-fiction-an-interview-with-tara-mcguire","On memorializing through truth and fiction \u002F\u002F An interview with Tara McGuire","\u003Cp>Paloma Pacheco interviews Tara McGuire about her book of memoir-fiction, \u003Cem>Holden After and Before: Love Letter for a Son Lost to Overdose.\u003C\u002Fem>\u003C\u002Fp>\n","2022-10-21T17:16:44",[166],[168],2869,{"src":1238,"srcset":1239,"width":74,"height":1240,"alt":1241},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F10\u002FHolden-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F10\u002FHolden-splash-768x431.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F10\u002FHolden-splash-1536x862.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F10\u002FHolden-splash.jpg 1920w",1078,"Splash image for \"On memorializing through truth and fiction\"",[1243,1247],{"id":1244,"name":1245,"slug":1246},1233,"Paloma Pacheco","paloma-pacheco",{"id":1248,"name":1249,"slug":1250},1268,"Tara McGuire","tara-mcguire",{"id":1252,"slug":1253,"title":1254,"excerpt":1255,"date":1256,"year":1117,"formattedDate":1206,"typeIds":1257,"typeNames":1258,"wordCount":173,"isBlack":10,"image":1259,"contributors":1264},1259,"touching-from-a-distance-communication-and-belonging-in-riceboy-sleeps","Touching from a distance: Communication and belonging in Riceboy Sleeps","\u003Cp>Max James Hill reviews writer-director Anthony Shim’s 2022 film \u003Cem>Riceboy Sleeps\u003C\u002Fem>.\u003C\u002Fp>\n","2022-10-10T14:40:12",[113,114],[116,117],{"src":1260,"srcset":1261,"width":74,"height":1262,"alt":1263},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F10\u002Friceboysleeps-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F10\u002Friceboysleeps-splash-768x244.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F10\u002Friceboysleeps-splash-1536x489.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F10\u002Friceboysleeps-splash.jpg 1920w",611,"Feature image from Riceboy Sleeps (dir. 2022, Anthony Shim)",[1265],{"id":1266,"name":1267,"slug":1268},1263,"Max James HIll","max-james-hill",{"id":1270,"slug":1271,"title":1272,"excerpt":1273,"date":1274,"year":1117,"formattedDate":1206,"typeIds":1275,"typeNames":1276,"wordCount":1277,"isBlack":10,"image":1278,"contributors":1284},1240,"what-is-read-in-the-wax-will-leave-when-it-is-cast-labour-and-memory-at-the-act-art-gallery","“What is read in the wax will leave when it is cast” \u002F\u002F Labour and Memory at The ACT Art Gallery","\u003Cp>Sam Weselowski reviews \u003Cem>Labour and Memory\u003C\u002Fem>, an exhibition of work by Ayla Dmyterko, Sonya Iwasiuk, and Darlene Kalynka exploring Ukrainian-Canadian realities.\u003C\u002Fp>\n","2022-10-01T21:33:24",[378,114],[380,117],1876,{"src":1279,"srcset":1280,"width":1281,"height":1282,"alt":1283},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F10\u002Flabourandmemory_splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F10\u002Flabourandmemory_splash-768x233.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F10\u002Flabourandmemory_splash-1536x466.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F10\u002Flabourandmemory_splash.jpg 1851w",1851,561,"Feature Image: Labour and Memory",[1285],{"id":1286,"name":1287,"slug":1288},1239,"Sam Weselowski","sam-weselowski",{"id":1290,"slug":1291,"title":1292,"excerpt":1293,"date":1294,"year":1117,"formattedDate":1295,"typeIds":1296,"typeNames":1297,"wordCount":1298,"isBlack":10,"image":1299,"contributors":1303},1234,"anyox-and-geographies-of-solitude-documenting-destruction-and-preserving-place-in-contemporary-landscape-film","Anyox and Geographies of Solitude: documenting destruction and preserving place in contemporary landscape film","\u003Cp>Paloma Pacheco reviews \u003Cem>Anyox\u003C\u002Fem> by Jessica Johnson and Ryan Ermacora, and \u003Cem>Geographies of Solitude\u003C\u002Fem> by Jacquelyn Mills. Both films screen at Vancouver International Film Festival, running from September 29th — October 9th.\u003C\u002Fp>\n","2022-09-30T10:56:14","Sep 2022",[113,114],[116,117],1700,{"src":1300,"srcset":1301,"width":1125,"height":1302,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F09\u002Fanyox-splash-scaled.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F09\u002Fanyox-splash-768x235.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F09\u002Fanyox-splash-1536x469.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F09\u002Fanyox-splash-2048x626.jpg 2048w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F09\u002Fanyox-splash-scaled.jpg 2560w",782,[1304],{"id":1244,"name":1245,"slug":1246},{"id":1306,"slug":1307,"title":1308,"excerpt":1309,"date":1310,"year":1117,"formattedDate":1295,"typeIds":1311,"typeNames":1312,"wordCount":1313,"isBlack":10,"image":1314,"contributors":1318},1218,"on-love-and-immobility-christopher-k-hos-cx-889-at-vancouver-art-gallery-offsite","On love and immobility \u002F\u002F CX 889 by Christopher K. Ho at Vancouver Art Gallery Offsite","\u003Cp>Amila Li 李嘉怡 reviews Christopher K. Ho’s \u003Cem>CX 889\u003C\u002Fem>.\u003C\u002Fp>\n","2022-09-06T16:41:54",[114],[117],952,{"src":1315,"srcset":1316,"width":74,"height":1317,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F09\u002Fonlove-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F09\u002Fonlove-splash-768x234.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F09\u002Fonlove-splash-1536x467.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F09\u002Fonlove-splash.jpg 1920w",584,[1319],{"id":543,"name":1320,"slug":1321},"Amila Li 李嘉怡","amila-li-%e6%9d%8e%e5%98%89%e6%80%a1",{"id":1323,"slug":1324,"title":1325,"excerpt":1326,"date":1327,"year":1117,"formattedDate":1295,"typeIds":1328,"typeNames":1329,"wordCount":1330,"isBlack":10,"image":1331,"contributors":1335},1213,"do-the-bone-work-danielle-louise-allard-on-learning-the-basics-while-building-a-career","Do The Bone Work: Danielle Louise Allard on learning the basics while building a career","\u003Cp>EA Douglas interviews artist Danielle Louis Allard.\u003C\u002Fp>\n","2022-09-06T09:58:29",[166],[168],2456,{"src":1332,"srcset":1333,"width":74,"height":1334,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F09\u002FDLA-splash-replace.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F09\u002FDLA-splash-replace-768x214.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F09\u002FDLA-splash-replace-1536x429.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F09\u002FDLA-splash-replace.jpg 1920w",536,[1336],{"id":1337,"name":1338,"slug":1339},1029,"EA Douglas","ea-douglas",{"id":1341,"slug":1342,"title":1343,"excerpt":1344,"date":1345,"year":1117,"formattedDate":1346,"typeIds":1347,"typeNames":1348,"wordCount":1349,"isBlack":10,"image":1350,"contributors":1354},1200,"locating-again-erdem-tasdelens-a-minaret-for-the-generals-wife","Locating Again \u002F\u002F Erdem Taşdelen’s A Minaret for the General’s Wife","\u003Cp>Yasmine Whaley-Kalaora reviews Erdem Taşdelen’s \u003Cem>A Minaret for the General’s Wife\u003C\u002Fem> at the Richmond Art Gallery.\u003C\u002Fp>\n","2022-07-06T10:34:03","Jul 2022",[378,114],[380,117],2404,{"src":1351,"srcset":1352,"width":1125,"height":1126,"alt":1353},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F07\u002Fminaret-splash-image-scaled.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F07\u002Fminaret-splash-image-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F07\u002Fminaret-splash-image-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F07\u002Fminaret-splash-image-2048x1152.jpg 2048w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F07\u002Fminaret-splash-image-scaled.jpg 2560w","Splash image of A Minaret for the General's Wife.",[1355],{"id":125,"name":126,"slug":127},{"id":1357,"slug":1358,"title":1359,"excerpt":1360,"date":1361,"year":1117,"formattedDate":1346,"typeIds":1362,"typeNames":1363,"wordCount":1364,"isBlack":10,"image":1365,"contributors":1368},1194,"it-starts-with-a-lullaby-take-care-my-boy-by-kite","It starts with a lullaby \u002F\u002F Take Care, My Boy by Kite","\u003Cp>Dion Smith-Dokkie reviews Kite’s latest iteration of\u003Cem>Take Care, My Boy\u003C\u002Fem>, at SFU’s Fei and Milton Wong Experimental Theatre in March 2022.\u003C\u002Fp>\n","2022-07-05T11:18:01",[114],[117],1052,{"src":1366,"srcset":1367,"width":74,"height":122,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F07\u002Fdion-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F07\u002Fdion-splash-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F07\u002Fdion-splash-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F07\u002Fdion-splash.jpg 1920w",[1369],{"id":1370,"name":1371,"slug":1372},1193,"Dion Smith-Dokkie","dion-smith-dokkie",{"id":1374,"slug":1375,"title":1376,"excerpt":1377,"date":1378,"year":1117,"formattedDate":1379,"typeIds":1380,"typeNames":1381,"wordCount":1382,"isBlack":10,"image":1383,"contributors":1386},1173,"on-visibility-and-the-experience-of-blackness-a-reflection-on-gnoul","On visibility and the experience of Blackness \u002F\u002F A reflection on Gnoul","\u003Cp>Sue-Shane Tsomondo responds to Michèle Bygodt’s 2021 photo series at The Bows, \u003Cem>Gnoul\u003C\u002Fem>.\u003C\u002Fp>\n","2022-06-15T11:40:05","Jun 2022",[378,114],[380,117],1119,{"src":1384,"srcset":1385,"width":1125,"height":1126,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F06\u002FGnoul-splash-image-scaled.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F06\u002FGnoul-splash-image-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F06\u002FGnoul-splash-image-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F06\u002FGnoul-splash-image-2048x1152.jpg 2048w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F06\u002FGnoul-splash-image-scaled.jpg 2560w",[1387],{"id":1388,"name":1389,"slug":1390},1172,"Sue-Shane Tsomondo","sue-shane-tsomondo",{"id":1392,"slug":1393,"title":1394,"excerpt":1395,"date":1396,"year":1117,"formattedDate":1379,"typeIds":1397,"typeNames":1398,"wordCount":1399,"isBlack":10,"image":1400,"contributors":1404},1163,"on-mediocrity-risk-and-proletarian-realism-in-sara-wylies-a-more-radiant-sphere","On Mediocrity, risk, and proletarian realism in Sara Wylie’s A More Radiant Sphere","\u003Cp>Steff Hui Ci Ling dives deep into Sara Wylie’s \u003Cem>A More Radiant Sphere\u003C\u002Fem>.\u003C\u002Fp>\n","2022-06-06T10:42:40",[113,378],[116,380],3103,{"src":1401,"srcset":1402,"width":97,"height":1403,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F06\u002FAMRS-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F06\u002FAMRS-splash-768x276.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F06\u002FAMRS-splash-1536x552.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F06\u002FAMRS-splash.jpg 2000w",719,[1405],{"id":471,"name":472,"slug":473},{"id":1407,"slug":1408,"title":1409,"excerpt":1410,"date":1411,"year":1117,"formattedDate":1412,"typeIds":1413,"typeNames":1414,"wordCount":1415,"isBlack":10,"image":1416,"contributors":1420},1142,"the-roots-are-deep-what-about-china-by-trinh-t-minh-ha","The Roots are Deep \u002F\u002F What About China? By Trinh T. Minh-ha","\u003Cp>Casey Wei reviews Trinh T. Minh-ha’s feature-length video essay, \u003Cem>What About China?\u003C\u002Fem> part of 2022’s DOXA Festival.\u003C\u002Fp>\n","2022-05-16T10:22:45","May 2022",[113,114],[116,117],1325,{"src":1417,"srcset":1418,"width":1125,"height":1419,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F05\u002Fwhataboutchina-splash-scaled.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F05\u002Fwhataboutchina-splash-768x276.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F05\u002Fwhataboutchina-splash-1536x552.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F05\u002Fwhataboutchina-splash-2048x735.jpg 2048w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F05\u002Fwhataboutchina-splash-scaled.jpg 2560w",919,[1421],{"id":651,"name":652,"slug":653},{"id":1423,"slug":1424,"title":1425,"excerpt":1426,"date":1427,"year":1117,"formattedDate":1412,"typeIds":1428,"typeNames":1429,"wordCount":1430,"isBlack":10,"image":1431,"contributors":1437},1135,"violet-lines-i-see-you-mean-by-lucy-lippard","Violet Lines \u002F\u002F I See \u002F You Mean by Lucy Lippard","\u003Cp>Lauren Lavery reads Lucy Lippard’s \u003Cem>I See \u002F You Mean\u003C\u002Fem> while on a month-long residency at The Sointula Art Shed.\u003C\u002Fp>\n","2022-05-01T22:39:58",[205,114],[207,117],1844,{"src":1432,"srcset":1433,"width":1434,"height":1435,"alt":1436},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F05\u002FLL-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F05\u002FLL-splash-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F05\u002FLL-splash-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F05\u002FLL-splash.jpg 2016w",2016,1134,"Splash image for I See \u002F You Mean Review",[1438],{"id":913,"name":914,"slug":915},{"id":1440,"slug":1441,"title":1442,"excerpt":1443,"date":1444,"year":1117,"formattedDate":1445,"typeIds":1446,"typeNames":1447,"wordCount":1448,"isBlack":10,"image":1449,"contributors":1455},1107,"excerpt-from-the-pure-and-tender-thoughts-that-take-too-many-tears-to-keep-alive","Excerpt from The Pure and Tender Thoughts That Take Too Many Tears to Keep Alive","\u003Cp>An excerpt from Reid Urchison’s new self-published book, created entirely in Kid Pix.\u003C\u002Fp>\n","2022-04-19T10:26:21","Apr 2022",[205],[207],25,{"src":1450,"srcset":1451,"width":1452,"height":1453,"alt":1454},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F04\u002FPure-and-Tender-Feature-Image.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F04\u002FPure-and-Tender-Feature-Image-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F04\u002FPure-and-Tender-Feature-Image.jpg 1226w",1226,690,"feature image for The Pure and Tender Thoughts That Take Too Many Tears to Keep Alive",[1456],{"id":1457,"name":1458,"slug":1459},1122,"Reid Urchison","reid-urchison",{"id":1087,"slug":1461,"title":1462,"excerpt":1463,"date":1464,"year":1117,"formattedDate":1445,"typeIds":1465,"typeNames":1466,"wordCount":1467,"isBlack":10,"image":1468,"contributors":1472},"concerning-the-eviction-notice-served-to-the-habitants-of-delta-subdivision-west-and-their-coordinated-response-a-dispute-amidst-ongoing-redevelopment","Concerning the Eviction Notice Served to the Habitants of Delta Subdivision West and their Coordinated Response; a Dispute Amidst Ongoing Redevelopment","\u003Cp>Part II of the serial radio play ‘A Space Story.’\u003C\u002Fp>\n","2022-04-19T09:22:43",[205],[207],1287,{"src":1469,"srcset":1470,"width":74,"height":1471,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F04\u002FSS-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F04\u002FSS-splash-768x283.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F04\u002FSS-splash-1536x566.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F04\u002FSS-splash.jpg 1920w",707,[1473],{"id":1474,"name":1475,"slug":1476},1104,"Fellow Peter","fellow-pitre",{"id":1478,"slug":1479,"title":1480,"excerpt":1481,"date":1482,"year":1117,"formattedDate":1445,"typeIds":1483,"typeNames":1484,"wordCount":1485,"isBlack":10,"image":1486,"contributors":1491},1093,"ancestors-i-carry-you-with-me-inherit-at-the-art-gallery-at-evergreen","Ancestors, I Carry You With Me \u002F\u002F Inherit at the Art Gallery at Evergreen","\u003Cp>Cathy Xu reflects on how diasporic artists express experiences of inheritance, memory, and loss in \u003Cem>Inherit\u003C\u002Fem>, a photography exhibition at the Art Gallery at Evergreen.\u003C\u002Fp>\n","2022-04-06T16:06:03",[114],[117],1563,{"src":1487,"srcset":1488,"width":74,"height":1489,"alt":1490},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F04\u002Fddb66fc7.jpeg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F04\u002Fddb66fc7-768x236.jpeg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F04\u002Fddb66fc7-1536x473.jpeg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F04\u002Fddb66fc7.jpeg 1920w",591,"Featured image for Ancestors, I Carry You With Me \u002F\u002F Inherit at Art Gallery at Evergreen",[1492],{"id":1493,"name":1494,"slug":1495},1098,"Cathy Xu","cathy-xu",{"id":1497,"slug":1498,"title":1499,"excerpt":1500,"date":1501,"year":1117,"formattedDate":1445,"typeIds":1502,"typeNames":1503,"wordCount":1504,"isBlack":10,"image":1505,"contributors":1508},1084,"t-i-r-e-d-the-institutional-rhetoric-of-equity-and-diversity","T.I.R.E.D. : The Institutional Rhetoric of Equity and Diversity","\u003Cp>Artist and arts-worker Simranpreet Anand’s quantitative investigation on diversity and equity within the Canadian arts sector.\u003C\u002Fp>\n","2022-04-04T10:25:56",[378],[380],3760,{"src":1506,"srcset":1507,"width":74,"height":122,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F04\u002Fdiversity-feature-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F04\u002Fdiversity-feature-splash-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F04\u002Fdiversity-feature-splash-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F04\u002Fdiversity-feature-splash.jpg 1920w",[1509],{"id":992,"name":993,"slug":994},{"id":1511,"slug":1512,"title":1513,"excerpt":1514,"date":1515,"year":1117,"formattedDate":1516,"typeIds":1517,"typeNames":1518,"wordCount":1519,"isBlack":10,"image":1520,"contributors":1524},1069,"grassroots-and-spiderwebs-an-interview-with-heidi-nagtegaal","Grassroots and Spiderwebs: An Interview with Heidi Nagtegaal","\u003Cp>Ashley Culver interviews Heidi Nagtegaal about Hammock Residency, Centre Center, and the importance of grassroots arts spaces.\u003C\u002Fp>\n","2022-02-21T12:33:34","Feb 2022",[166],[168],3353,{"src":1521,"srcset":1522,"width":1125,"height":1523,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F02\u002FFeature-image_Heidi-Nagtegaal-scaled.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F02\u002FFeature-image_Heidi-Nagtegaal-768x512.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F02\u002FFeature-image_Heidi-Nagtegaal-1536x1024.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F02\u002FFeature-image_Heidi-Nagtegaal-2048x1365.jpg 2048w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F02\u002FFeature-image_Heidi-Nagtegaal-scaled.jpg 2560w",1707,[1525,1529],{"id":1526,"name":1527,"slug":1528},1071,"Ashley Culver","ashley-culver",{"id":1530,"name":1531,"slug":1532},1072,"Heidi Nagtegaal","heidi-nagtegaal",{"id":1534,"slug":1535,"title":1536,"excerpt":1537,"date":1538,"year":1117,"formattedDate":1516,"typeIds":1539,"typeNames":1540,"wordCount":1541,"isBlack":10,"image":1542,"contributors":1546},1058,"against-pomposity-and-phantasmagoria-cornelia-wyngaarden-at-libby-leshgold-gallery","Against Pomposity and Phantasmagoria \u002F\u002F Cornelia Wyngaarden at Libby Leshgold Gallery","\u003Cp>Steffanie Ling reviews Cornelia Wyngaarden’s \u003Ci>At Face Value\u003C\u002Fi> at Libby Leshgold Gallery.\u003C\u002Fp>\n","2022-02-07T11:16:23",[378,114],[380,117],2907,{"src":1543,"srcset":1544,"width":74,"height":1545,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F02\u002Fcory-splash-50.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F02\u002Fcory-splash-50-768x305.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F02\u002Fcory-splash-50-1536x610.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F02\u002Fcory-splash-50.jpg 1920w",763,[1547],{"id":471,"name":472,"slug":473},{"id":1549,"slug":1550,"title":1551,"excerpt":1552,"date":1553,"year":1117,"formattedDate":1554,"typeIds":1555,"typeNames":1556,"wordCount":1557,"isBlack":10,"image":1558,"contributors":1562},1033,"statement-5","Statement #5","\u003Cp>A cut-up poem by R. Peng.\u003C\u002Fp>\n","2022-01-24T09:37:36","Jan 2022",[205],[207],0,{"src":1559,"srcset":1560,"width":74,"height":1561,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F01\u002F2022-01-24-50.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F01\u002F2022-01-24-50-768x284.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F01\u002F2022-01-24-50-1536x569.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F01\u002F2022-01-24-50.jpg 1920w",711,[1563],{"id":1564,"name":1565,"slug":1566},1050,"R. Peng","r-peng",{"id":1568,"slug":1569,"title":1570,"excerpt":1571,"date":1572,"year":1117,"formattedDate":1554,"typeIds":1573,"typeNames":1574,"wordCount":1575,"isBlack":10,"image":1576,"contributors":1580},1036,"heart-of-process-evan-lee-forged-at-evergreen-gallery","Heart of Process \u002F\u002F Evan Lee: Forged at Art Gallery at Evergreen","\u003Cp>Casey Wei reviews Evan Lee’s \u003Ci>Forged\u003C\u002Fi>, presented at Coquitlam’s Art Gallery at Evergreen and online.\u003C\u002Fp>\n","2022-01-10T13:05:42",[114],[117],1167,{"src":1577,"srcset":1578,"width":74,"height":122,"alt":1579},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F01\u002F2022-01-10-forged-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F01\u002F2022-01-10-forged-splash-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F01\u002F2022-01-10-forged-splash-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F01\u002F2022-01-10-forged-splash.jpg 1920w","Splash image for Forged by Evan Lee",[1581],{"id":651,"name":652,"slug":653},{"id":1583,"slug":1584,"title":1585,"excerpt":1586,"date":1587,"year":1117,"formattedDate":1554,"typeIds":1588,"typeNames":1589,"wordCount":1590,"isBlack":10,"image":1591,"contributors":1595},1028,"a-year-of-somatic-psychotherapy","A Year of Somatic Psychotherapy","\u003Cp>A poem from EA Douglas.\u003C\u002Fp>\n","2022-01-10T12:58:34",[205],[207],101,{"src":1592,"srcset":1593,"width":74,"height":122,"alt":1594},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F01\u002FA-Year-of-Somatic-Psychotherapy-Splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F01\u002FA-Year-of-Somatic-Psychotherapy-Splash-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F01\u002FA-Year-of-Somatic-Psychotherapy-Splash-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F01\u002FA-Year-of-Somatic-Psychotherapy-Splash.jpg 1920w","Feature image for A Year of Somatic Psychotherapy",[1596],{"id":1337,"name":1338,"slug":1339},{"id":1598,"slug":1599,"title":1600,"excerpt":1601,"date":1602,"year":1603,"formattedDate":1604,"typeIds":1605,"typeNames":1606,"wordCount":1607,"isBlack":10,"image":1608,"contributors":1612},997,"snacking-artists-unite-an-interview-with-flavourcel-animation-collective","Snacking Artists Unite!  An interview with Flavourcel Animation Collective","\u003Cp>Alysha Seriani interviews the Flavourcel Animation Collective following their recent installation \u003Cem>Into the Belly of the Beast\u003C\u002Fem> at Western Front.\u003C\u002Fp>\n","2021-11-15T17:59:01",2021,"Nov 2021",[166,113],[168,116],3224,{"src":1609,"srcset":1610,"width":74,"height":122,"alt":1611},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F11\u002FFAC-feature-50.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F11\u002FFAC-feature-50-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F11\u002FFAC-feature-50-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F11\u002FFAC-feature-50.jpg 1920w","Feature image for Flavourcel interview",[1613,1617],{"id":1614,"name":1615,"slug":1616},1000,"Alysha Seriani","alysha-seriani",{"id":1618,"name":1619,"slug":1620},1001,"Flavourcel Animation Collective","flavourcel-animation-collective",{"id":1622,"slug":1623,"title":1624,"excerpt":1625,"date":1626,"year":1603,"formattedDate":1604,"typeIds":1627,"typeNames":1628,"wordCount":1629,"isBlack":10,"image":1630,"contributors":1634},993,"the-strangers-intergenerational-storytelling-and-collective-memory-making","The Strangers: Intergenerational Storytelling and Collective Memory-Making","\u003Cp>Jessica Johns reviews the latest novel from Katherena Vermette.\u003C\u002Fp>\n","2021-11-15T14:48:43",[114],[117],862,{"src":1631,"srcset":1632,"width":74,"height":122,"alt":1633},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F11\u002Fthestrangers-50.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F11\u002Fthestrangers-50-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F11\u002Fthestrangers-50-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F11\u002Fthestrangers-50.jpg 1920w","Feature image for The Strangers review",[1635],{"id":1636,"name":1637,"slug":1638},769,"Jessica Johns","jessica-john",{"id":1640,"slug":1641,"title":1642,"excerpt":1643,"date":1644,"year":1603,"formattedDate":1604,"typeIds":1645,"typeNames":1646,"wordCount":784,"isBlack":10,"image":1647,"contributors":1650},984,"grief-city","Grief City","\u003Cp>Kara Stanton explores the reverberations of loss in the Victoria arts community since the pandemic and responds to grief programming by Regan Shrumm.\u003C\u002Fp>\n","2021-11-01T21:30:44",[166,378],[168,380],{"src":1648,"srcset":1649,"width":1125,"height":1126,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F11\u002FKara_Grief_Feature-scaled.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F11\u002FKara_Grief_Feature-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F11\u002FKara_Grief_Feature-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F11\u002FKara_Grief_Feature-2048x1152.jpg 2048w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F11\u002FKara_Grief_Feature-scaled.jpg 2560w",[1651],{"id":791,"name":792,"slug":793},{"id":1653,"slug":1654,"title":1655,"excerpt":1656,"date":1657,"year":1603,"formattedDate":1604,"typeIds":1658,"typeNames":1659,"wordCount":1660,"isBlack":10,"image":1661,"contributors":1664},972,"the-archive-is-evidence-i-exist-a-conversation-with-sonja-ahlers","The archive is evidence I exist: a conversation with Sonja Ahlers","\u003Cp>A conversation between artist Sonja Ahlers, archivist Alexandra Alisauskas. and critic-curator Godfre Leung.\u003C\u002Fp>\n","2021-11-01T10:45:07",[166],[168],3214,{"src":1662,"srcset":1663,"width":74,"height":122,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F11\u002Fsonja-feature-50.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F11\u002Fsonja-feature-50-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F11\u002Fsonja-feature-50-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F11\u002Fsonja-feature-50.jpg 1920w",[1665,1669,1670],{"id":1666,"name":1667,"slug":1668},971,"Alexandra Alisauskas","alexandra-alisauskas",{"id":849,"name":850,"slug":851},{"id":1671,"name":1672,"slug":1673},983,"Sonja Ahlers","sonja-ahlers",{"id":1675,"slug":1676,"title":1677,"excerpt":1678,"date":1679,"year":1603,"formattedDate":1680,"typeIds":1681,"typeNames":1682,"wordCount":1683,"isBlack":10,"image":1684,"contributors":1688},943,"excerpt-from-swan-song","Excerpt from Swan Song (2021)","\u003Cp>An excerpt from Ahlers’ newly published book, \u003Cem>Swan Song\u003C\u002Fem>, from Conundrum Press.\u003C\u002Fp>\n","2021-10-18T09:03:03","Oct 2021",[205],[207],59,{"src":1685,"srcset":1686,"width":74,"height":1687,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F10\u002FSS-feature.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F10\u002FSS-feature-768x359.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F10\u002FSS-feature-1536x718.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F10\u002FSS-feature.jpg 1920w",898,[1689],{"id":1671,"name":1672,"slug":1673},{"id":1691,"slug":1692,"title":1693,"excerpt":1694,"date":1695,"year":1603,"formattedDate":1680,"typeIds":1696,"typeNames":1697,"wordCount":1698,"isBlack":10,"image":1699,"contributors":1704},925,"reaching-through-the-smoke","Reaching through the smoke: Memory and belonging in Portraits From a Fire and Damascus Dreams","\u003Cp>Kara Stanton reviews two films screening at the Vancouver International Film Festival, opening up their shared interest in filmmaking as a form of collective remembrance and home-making.\u003C\u002Fp>\n","2021-10-04T17:52:20",[113,114],[116,117],2715,{"src":1700,"srcset":1701,"width":74,"height":1702,"alt":1703},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F10\u002FDamascus-Dreams-feature-image.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F10\u002FDamascus-Dreams-feature-image-768x420.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F10\u002FDamascus-Dreams-feature-image-1536x839.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F10\u002FDamascus-Dreams-feature-image.jpg 1920w",1049,"Feature image for Damascus Dreams",[1705],{"id":791,"name":792,"slug":793},{"id":1707,"slug":1708,"title":1709,"excerpt":1710,"date":1711,"year":1603,"formattedDate":1680,"typeIds":1712,"typeNames":1713,"wordCount":784,"isBlack":10,"image":1714,"contributors":1718},913,"all-the-things-in-the-room","all the things in the room","\u003Cp>Claire Geddes Bailey reflects on the artist-led workshop \u003Ci>all the things in the room\u003C\u002Fi>, a project exploring sensory and somatic interactions with the collections at the Museum of Vancouver.\u003C\u002Fp>\n","2021-10-04T13:12:07",[378,114],[380,117],{"src":1715,"srcset":1716,"width":1125,"height":964,"alt":1717},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F10\u002Fclaire-feature-image-scaled.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F10\u002Fclaire-feature-image-768x433.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F10\u002Fclaire-feature-image-1536x865.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F10\u002Fclaire-feature-image-2048x1153.jpg 2048w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F10\u002Fclaire-feature-image-scaled.jpg 2560w","feature image for \"all the things in the room\"",[1719],{"id":1720,"name":1721,"slug":1722},914,"Claire Geddes Bailey","claire-geddes-bailey",{"id":1724,"slug":1725,"title":1725,"excerpt":1726,"date":1727,"year":1603,"formattedDate":1728,"typeIds":1729,"typeNames":1730,"wordCount":1731,"isBlack":10,"image":1732,"contributors":1738},886,"memoration","\u003Cp>A poem from Jane Shi.\u003C\u002Fp>\n","2021-09-09T09:48:47","Sep 2021",[205],[207],2100,{"src":1733,"srcset":1734,"width":1735,"height":1736,"alt":1737},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F09\u002F2021-09-09-Jane-Shi-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F09\u002F2021-09-09-Jane-Shi-splash-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F09\u002F2021-09-09-Jane-Shi-splash.jpg 1365w",1365,768,"Splash image for \"memoration\"",[1739],{"id":1740,"name":1741,"slug":1742},885,"Jane Shi","jane-shi",{"id":1744,"slug":1745,"title":1746,"excerpt":1747,"date":1748,"year":1603,"formattedDate":1728,"typeIds":1749,"typeNames":1750,"wordCount":1382,"isBlack":10,"image":1751,"contributors":1755},880,"excerpt-from-100-pages-of-poetic-writing-2010","Excerpt from 100 Pages of Poetic Writing (2010 –  )","\u003Cp>An excerpt from the ongoing writing practice of artist and filmmaker Barry Doupé. \u003C\u002Fp>\n","2021-09-06T11:49:34",[205,113],[207,116],{"src":1752,"srcset":1753,"width":74,"height":122,"alt":1754},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F09\u002Fbarry-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F09\u002Fbarry-splash-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F09\u002Fbarry-splash-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F09\u002Fbarry-splash.jpg 1920w","Splash image for Barry Doupé",[1756],{"id":1757,"name":1758,"slug":1759},881,"Barry Doupé","barry-doupe",{"id":1214,"slug":1761,"title":1762,"excerpt":1763,"date":1764,"year":1603,"formattedDate":1765,"typeIds":1766,"typeNames":1767,"wordCount":208,"isBlack":10,"image":1768,"contributors":1772},"the-gimmick-of-imagine-van-gogh-on-labour-and-value-across-the-pacific","The Gimmick of “Imagine Van Gogh”: On labour and value across the Pacific","\u003Cp>Coco Zhou traces the commodity chain of the gimmick from Vancouver across the Pacific and through the history of Asian migration to Canada.\u003C\u002Fp>\n","2021-08-16T11:59:14","Aug 2021",[378,114],[380,117],{"src":1769,"srcset":1770,"width":74,"height":122,"alt":1771},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F08\u002Fvangogh-splash-50.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F08\u002Fvangogh-splash-50-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F08\u002Fvangogh-splash-50-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F08\u002Fvangogh-splash-50.jpg 1920w","Van Gogh splash image",[1773],{"id":1046,"name":1047,"slug":1048},{"id":1775,"slug":1776,"title":1777,"excerpt":1778,"date":1779,"year":1603,"formattedDate":1765,"typeIds":1780,"typeNames":1781,"wordCount":1782,"isBlack":10,"image":1783,"contributors":1787},844,"in-this-place","In This Place","\u003Cp>A poem by Jasper Wrinch.\u003C\u002Fp>\n","2021-08-16T11:39:33",[205],[207],828,{"src":1784,"srcset":1785,"width":74,"height":122,"alt":1786},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F08\u002Fjasperwrinch-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F08\u002Fjasperwrinch-splash-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F08\u002Fjasperwrinch-splash-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F08\u002Fjasperwrinch-splash.jpg 1920w","Jasper Wrinch splash image",[1788],{"id":1789,"name":1790,"slug":1791},843,"Jasper Wrinch","jasper-wrinch",{"id":1793,"slug":1794,"title":1795,"excerpt":1796,"date":1797,"year":1603,"formattedDate":1765,"typeIds":1798,"typeNames":1799,"wordCount":75,"isBlack":10,"image":1800,"contributors":1805},836,"entrepreneur-mindset-image-bank-at-the-morris-and-helen-belkin-art-gallery","Entrepreneur Mindset \u002F\u002F Image Bank at the Morris and Helen Belkin Art Gallery","\u003Cp>Jonah Gray reviews \u003Cem>Image Bank\u003C\u002Fem> at the Morris and Helen Belkin Art Gallery.\u003C\u002Fp>\n","2021-08-02T20:11:06",[114],[117],{"src":1801,"srcset":1802,"width":74,"height":1803,"alt":1804},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F08\u002Fimagebank-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F08\u002Fimagebank-splash-768x288.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F08\u002Fimagebank-splash-1536x577.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F08\u002Fimagebank-splash.jpg 1920w",721,"Image Bank splash image",[1806],{"id":1807,"name":1808,"slug":1809},829,"Jonah Gray","jonah-gray",{"id":1811,"slug":1812,"title":1813,"excerpt":1814,"date":1815,"year":1603,"formattedDate":1765,"typeIds":1816,"typeNames":1817,"wordCount":1818,"isBlack":10,"image":1819,"contributors":1823},834,"breaking-bread-share-plates-an-edition-of-spam-from-number-3-gallery","Breaking Bread \u002F\u002F Share Plates, an edition of SPAM from Number 3 Gallery","\u003Cp>Daryn Wright reviews \u003Cem>Share Plates\u003C\u002Fem>, an edition from Number 3 Gallery’s email-based art series, SPAM.\u003C\u002Fp>\n","2021-08-02T16:44:39",[114],[117],1096,{"src":1820,"srcset":1821,"width":74,"height":122,"alt":1822},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F08\u002Fshareplates-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F08\u002Fshareplates-splash-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F08\u002Fshareplates-splash-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F08\u002Fshareplates-splash.jpg 1920w","Share Plates splash image",[1824],{"id":1782,"name":1825,"slug":1826},"Daryn Wright","daryn-wright",{"id":1828,"slug":1829,"title":1830,"excerpt":1831,"date":1832,"year":1603,"formattedDate":1765,"typeIds":1833,"typeNames":1834,"wordCount":1835,"isBlack":10,"image":1836,"contributors":1840},830,"pareidolia","Pareidolia","\u003Cp>A poem by Jeff Hallbauer.\u003C\u002Fp>\n","2021-08-02T10:09:13",[205],[207],214,{"src":1837,"srcset":1838,"width":74,"height":122,"alt":1839},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F08\u002Fjeffhaulbauer-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F08\u002Fjeffhaulbauer-splash-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F08\u002Fjeffhaulbauer-splash-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F08\u002Fjeffhaulbauer-splash.jpg 1920w","Pareidolia splash image",[1841],{"id":1842,"name":1843,"slug":1844},827,"Jeff Hallbauer","jeff-hallbauer",{"id":1846,"slug":1847,"title":1848,"excerpt":1849,"date":1850,"year":1603,"formattedDate":1851,"typeIds":1852,"typeNames":1853,"wordCount":1854,"isBlack":10,"image":1855,"contributors":1859},812,"in-dreams-liquidity-art-and-business-in-the-real-estate-meat-machine","In dreams: liquidity, art, and business in the real estate meat machine","\u003Cp>Casey Wei explores pop-up art spaces around Vancouver, situating them amidst an increasingly alienating social landscape.\u003C\u002Fp>\n","2021-07-19T11:59:24","Jul 2021",[378],[380],2613,{"src":1856,"srcset":1857,"width":74,"height":122,"alt":1858},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F07\u002Findreams-feature-50.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F07\u002Findreams-feature-50-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F07\u002Findreams-feature-50-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F07\u002Findreams-feature-50.jpg 1920w","Liquidation World",[1860],{"id":651,"name":652,"slug":653},{"id":1862,"slug":1863,"title":1864,"excerpt":1865,"date":1866,"year":1603,"formattedDate":1851,"typeIds":1867,"typeNames":1868,"wordCount":1869,"isBlack":10,"image":1870,"contributors":1873},806,"iron-curtain-fantasy-image-bank-cultural-ecology-of-the-ddr-at-canton-sardine","Iron Curtain Fantasy \u002F\u002F Image Bank: Cultural Ecology of the DDR at Canton-sardine","\u003Cp>Artist, curator, and writer Rhys Edwards reviews \u003Cem>Image Bank: Cultural Ecology of the DDR\u003C\u002Fem> at Canton-sardine.\u003C\u002Fp>\n","2021-07-18T17:20:06",[114],[117],1013,{"src":1871,"srcset":1872,"width":74,"height":122,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F07\u002Fculturalecology-feature50.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F07\u002Fculturalecology-feature50-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F07\u002Fculturalecology-feature50-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F07\u002Fculturalecology-feature50.jpg 1920w",[1874],{"id":668,"name":669,"slug":670},{"id":1876,"slug":1877,"title":1878,"excerpt":1879,"date":1880,"year":1603,"formattedDate":1851,"typeIds":1881,"typeNames":1882,"wordCount":1883,"isBlack":10,"image":1884,"contributors":1888},791,"what-used-to-be-the-marsh-food-sovereignty-and-cultural-work-in-chinatown","What used to be the marsh: Food sovereignty and cultural work in Chinatown","\u003Cp>Artist and curator Kitt Peacock investigates how cultural organizations are situated within the colonial histories of food subjugation and sovereignty in and around Vancouver’s Chinatown.\u003C\u002Fp>\n","2021-07-05T11:54:57",[378],[380],3572,{"src":1885,"srcset":1886,"width":74,"height":122,"alt":1887},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F07\u002F2021-07-05-Kitt-feature.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F07\u002F2021-07-05-Kitt-feature-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F07\u002F2021-07-05-Kitt-feature-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F07\u002F2021-07-05-Kitt-feature.jpg 1920w","What used to be the marsh Feature Image",[1889],{"id":353,"name":354,"slug":355},{"id":1891,"slug":1892,"title":1893,"excerpt":1894,"date":1895,"year":1603,"formattedDate":1896,"typeIds":1897,"typeNames":1898,"wordCount":1899,"isBlack":10,"image":1900,"contributors":1904},770,"return-of-the-trickster-go-deeper-go-darker","Return of the Trickster: Go deeper, go darker","\u003Cp>Writer Jessica Johns reviews Eden Robinson’s \u003Cem>Return of the Trickster\u003C\u002Fem>, and speaks to the author about the Trickster series, her life, and writing in general.\u003C\u002Fp>\n","2021-05-17T11:25:17","May 2021",[166,114],[168,117],2582,{"src":1901,"srcset":1902,"width":74,"height":122,"alt":1903},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F05\u002Feden-feature-50.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F05\u002Feden-feature-50-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F05\u002Feden-feature-50-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F05\u002Feden-feature-50.jpg 1920w","Return of the Trickster Feature Image",[1905],{"id":1636,"name":1637,"slug":1638},{"id":1545,"slug":1907,"title":1908,"excerpt":1909,"date":1910,"year":1603,"formattedDate":1896,"typeIds":1911,"typeNames":1912,"wordCount":1913,"isBlack":10,"image":1914,"contributors":1918},"biometric-metamorphoses-mirns-at-new-media-gallery","Biometric Metamorphoses \u002F\u002F MirNs at New Media Gallery","\u003Cp>Curator and writer Andrea Valentine-Lewis reviews \u003Cem>MirNs\u003C\u002Fem>, at the New Media Gallery\u003C\u002Fp>\n","2021-05-16T12:58:58",[114],[117],1126,{"src":1915,"srcset":1916,"width":74,"height":122,"alt":1917},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F05\u002FMirNs-feature-60.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F05\u002FMirNs-feature-60-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F05\u002FMirNs-feature-60-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F05\u002FMirNs-feature-60.jpg 1920w","MirNs feature image",[1919],{"id":1156,"name":1157,"slug":1158},{"id":1921,"slug":1922,"title":1923,"excerpt":1924,"date":1925,"year":1603,"formattedDate":1896,"typeIds":1926,"typeNames":1927,"wordCount":339,"isBlack":10,"image":1928,"contributors":1931},758,"ososo-corbin-union-at-the-contemporary-art-gallery","OSOSO \u002F\u002F Corbin Union at the Contemporary Art Gallery","\u003Cp>In this collaborative essay-review, writers Lauren Lavery and Michael Loncaric respond to Corbin Union’s exhibition, \u003Cem>OSOSO\u003C\u002Fem> at the Contemporary Art Gallery.\u003C\u002Fp>\n","2021-05-05T11:07:07",[378,114],[380,117],{"src":1929,"srcset":1930,"width":74,"height":122,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F05\u002Fososo-feature-50.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F05\u002Fososo-feature-50-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F05\u002Fososo-feature-50-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F05\u002Fososo-feature-50.jpg 1920w",[1932,1933],{"id":913,"name":914,"slug":915},{"id":1934,"name":1935,"slug":1936},740,"Michael Loncaric","michael-loncaric",{"id":1938,"slug":1939,"title":1940,"excerpt":1941,"date":1942,"year":1603,"formattedDate":1896,"typeIds":1943,"typeNames":1944,"wordCount":1945,"isBlack":10,"image":1946,"contributors":1950},741,"a-room-for-the-pain-jackie-dives-at-gallery-gachet","A Room For The Pain \u002F\u002F Jackie Dives at Gallery Gachet","\u003Cp>Amanda Siebert reviews Jackie Dives’ three-part exhibition programmed by Gallery Gachet, \u003Cem>A Room for the Pain, Things My Dad Taught Me\u003C\u002Fem>, and \u003Cem>Grief Point.\u003C\u002Fem>\u003C\u002Fp>\n","2021-05-03T12:04:02",[114],[117],1007,{"src":1947,"srcset":1948,"width":74,"height":122,"alt":1949},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F04\u002Famanda-feature-50.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F04\u002Famanda-feature-50-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F04\u002Famanda-feature-50-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F04\u002Famanda-feature-50.jpg 1920w","A Room for the Pain Feature Image",[1951],{"id":1952,"name":1953,"slug":1954},738,"Amanda Siebert","amanda-siebert",{"id":1956,"slug":1957,"title":1958,"excerpt":1959,"date":1960,"year":1603,"formattedDate":1961,"typeIds":1962,"typeNames":1963,"wordCount":1964,"isBlack":10,"image":1965,"contributors":1968},725,"fluvial-memories","Fluvial Memories","\u003Cp>prOphecy sun recalls moments in her life to expand upon her site-specific sound and video performance at the Kootenay Dams.\u003C\u002Fp>\n","2021-04-19T12:00:53","Apr 2021",[205],[207],1064,{"src":1966,"srcset":1967,"width":74,"height":122,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F04\u002Fprophecy-feature-50.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F04\u002Fprophecy-feature-50-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F04\u002Fprophecy-feature-50-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F04\u002Fprophecy-feature-50.jpg 1920w",[1969],{"id":1970,"name":1971,"slug":1972},724,"prOphecy sun","prophecy-sun",{"id":1403,"slug":1974,"title":1975,"excerpt":1976,"date":1977,"year":1603,"formattedDate":1961,"typeIds":1978,"typeNames":1979,"wordCount":1980,"isBlack":10,"image":1981,"contributors":1984},"lateral-beaming-a-conversational-portrait-of-the-diffuse-supports-of-archivist-editor-musician-shyla-seller","Lateral Beaming: a conversational portrait of the diffuse supports of archivist, editor, musician Shyla Seller","\u003Cp>Songwriter and musician, Carey Mercer interviews archivist, editor, musician, Shyla Seller.\u003C\u002Fp>\n","2021-04-19T11:48:00",[166],[168],2616,{"src":1982,"srcset":1983,"width":74,"height":122,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F04\u002Fcareyshyla-50.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F04\u002Fcareyshyla-50-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F04\u002Fcareyshyla-50-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F04\u002Fcareyshyla-50.jpg 1920w",[1985,1989],{"id":1986,"name":1987,"slug":1988},506,"Carey Mercer","carey-mercer",{"id":1990,"name":1991,"slug":1992},720,"Shyla Seller","shyla-seller",{"id":1994,"slug":1995,"title":1996,"excerpt":1997,"date":1998,"year":1603,"formattedDate":1961,"typeIds":1999,"typeNames":2000,"wordCount":2001,"isBlack":10,"image":2002,"contributors":2005},698,"poet-father-bullfighter-father","Poet Father, Bullfighter Father","\u003Cp>Angie Rico weaves together family history and an analysis of Francisca Duran’s 2018 short film, \u003Cem>Suit of Lights\u003C\u002Fem> in this prose-poem on bullfighting.\u003C\u002Fp>\n","2021-04-06T12:29:31",[205,113],[207,116],2132,{"src":2003,"srcset":2004,"width":74,"height":122,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F04\u002Fangie-main-50.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F04\u002Fangie-main-50-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F04\u002Fangie-main-50-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F04\u002Fangie-main-50.jpg 1920w",[2006],{"id":2007,"name":2008,"slug":2009},699,"Angie Rico","angie-rico",{"id":2011,"slug":2012,"title":2013,"excerpt":2014,"date":2015,"year":1603,"formattedDate":1961,"typeIds":2016,"typeNames":2017,"wordCount":2018,"isBlack":10,"image":2019,"contributors":2022},692,"playfulness-and-practicality-with-ceramicist-meg-hubert","Playfulness and Practicality with ceramicist Meg Hübert","\u003Cp>Brit Bachmann interviews ceramicist Meg Hübert.\u003C\u002Fp>\n","2021-04-06T12:08:45",[166],[168],2153,{"src":2020,"srcset":2021,"width":74,"height":122,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F04\u002Fmeg-trio-50.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F04\u002Fmeg-trio-50-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F04\u002Fmeg-trio-50-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F04\u002Fmeg-trio-50.jpg 1920w",[2023,2026],{"id":989,"name":2024,"slug":2025},"Meg Hübert","meg-hubert",{"id":2027,"name":2028,"slug":2029},443,"Brit Bachmann","brit-bachmann",{"id":2031,"slug":2032,"title":2033,"excerpt":2034,"date":2035,"year":1603,"formattedDate":1961,"typeIds":2036,"typeNames":2037,"wordCount":2038,"isBlack":10,"image":2039,"contributors":2042},687,"shearers-spectral-sleepers","Shearer’s Spectral Sleepers","\u003Cp>Alexandra Bischoff reviews Steven Shearer’s \u003Cem>Untitled\u003C\u002Fem> Arbutus Greenway Billboard series, as a part of Capture Photography Festival.\u003C\u002Fp>\n","2021-04-06T11:43:57",[114],[117],1088,{"src":2040,"srcset":2041,"width":74,"height":122,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F04\u002Fali-feature-60.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F04\u002Fali-feature-60-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F04\u002Fali-feature-60-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F04\u002Fali-feature-60.jpg 1920w",[2043],{"id":2044,"name":2045,"slug":2046},686,"Alexandra Bischoff","alexandra-bischoff",{"id":2048,"slug":2049,"title":2050,"excerpt":2051,"date":2052,"year":1603,"formattedDate":2053,"typeIds":2054,"typeNames":2055,"wordCount":2056,"isBlack":10,"image":2057,"contributors":2060},667,"the-future-in-mind","The Future in Mind","\u003Cp>Dave Biddle uses computational theory, science fiction, and gnostic revisionism to unpack Elon Musk’s Neuralink demonstration from 2020.\u003C\u002Fp>\n","2021-03-15T11:50:12","Mar 2021",[378],[380],3109,{"src":2058,"srcset":2059,"width":74,"height":1214,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F03\u002Fdave-feature-60.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F03\u002Fdave-feature-60-768x339.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F03\u002Fdave-feature-60-1536x678.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F03\u002Fdave-feature-60.jpg 1920w",[2061],{"id":633,"name":634,"slug":635},{"id":2063,"slug":2064,"title":2065,"excerpt":2066,"date":2067,"year":1603,"formattedDate":2053,"typeIds":2068,"typeNames":2069,"wordCount":2070,"isBlack":10,"image":2071,"contributors":2074},660,"a-program-for-interminable-sun-tanning-or-11-steps-for-tanning-all-the-time","A Program for Interminable Sun-Tanning: 11 Steps for Tanning-All-The-Time","\u003Cp>Derek Coulombe explores ableist dehumanization in a step-by-step guide to interminable sun-tanning.\u003C\u002Fp>\n","2021-03-15T11:36:59",[205],[207],1212,{"src":2072,"srcset":2073,"width":74,"height":122,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F03\u002Fsuntanning-60.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F03\u002Fsuntanning-60-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F03\u002Fsuntanning-60-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F03\u002Fsuntanning-60.jpg 1920w",[2075],{"id":2076,"name":2077,"slug":2078},659,"Derek Coulombe","derek-coulombe",{"id":2080,"slug":2081,"title":2082,"excerpt":2083,"date":2084,"year":1603,"formattedDate":2053,"typeIds":2085,"typeNames":2086,"wordCount":2087,"isBlack":10,"image":2088,"contributors":2092},641,"speculative-spaces-of-feeling-interdisciplinary-experimentations-a-conversation-with-hue-nguyen","Speculative spaces of feeling, interdisciplinary experimentations: a conversation with Hue Nguyen","\u003Cp>Amanda Wan interviews artist Hue Nguyen.\u003C\u002Fp>\n","2021-03-02T09:29:53",[166],[168],3119,{"src":2089,"srcset":2090,"width":74,"height":122,"alt":2091},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F03\u002Fhue_feature-50.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F03\u002Fhue_feature-50-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F03\u002Fhue_feature-50-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F03\u002Fhue_feature-50.jpg 1920w","Hue Interview Feature Image",[2093,2097],{"id":2094,"name":2095,"slug":2096},640,"Amanda Wan","amanda-wan",{"id":2098,"name":2099,"slug":2100},639,"Hue Nguyen","hue-nguyen",{"id":630,"slug":2102,"title":2103,"excerpt":2104,"date":2105,"year":1603,"formattedDate":2053,"typeIds":2106,"typeNames":2107,"wordCount":2108,"isBlack":10,"image":2109,"contributors":2113},"abolitionist-futures-towards-an-anti-carceral-aesthetics-in-documentary-film","Abolitionist Futures: Towards an anti-carceral aesthetics in documentary film","\u003Cp>Sara Wylie critiques the carceral image, and outlines a set of provisional aesthetic strategies practiced by filmmakers working towards a future free of prisons.\u003C\u002Fp>\n","2021-03-01T12:37:36",[113,378],[116,380],3039,{"src":2110,"srcset":2111,"width":74,"height":122,"alt":2112},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F02\u002Fsarawylie-feature-50.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F02\u002Fsarawylie-feature-50-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F02\u002Fsarawylie-feature-50-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F02\u002Fsarawylie-feature-50.jpg 1920w","Sara Wylie Feature Image",[2114],{"id":2115,"name":2116,"slug":2117},616,"Sara Wylie","sara-wylie",{"id":2119,"slug":2120,"title":2121,"excerpt":2122,"date":2123,"year":1603,"formattedDate":2124,"typeIds":2125,"typeNames":2126,"wordCount":2127,"isBlack":10,"image":2128,"contributors":2131},624,"as-we-if-for-a-moment-miradas-alternas-at-polygon-gallery","As ‘we’ if for a moment \u002F\u002F Miradas Alternas at Polygon Gallery","\u003Cp>Casey Wei reviews \u003Cem>Miradas Alternas\u003C\u002Fem> at the Polygon Gallery.\u003C\u002Fp>\n","2021-02-16T12:27:17","Feb 2021",[114],[117],905,{"src":2129,"srcset":2130,"width":74,"height":122,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F02\u002Fcasey-feature-50.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F02\u002Fcasey-feature-50-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F02\u002Fcasey-feature-50-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F02\u002Fcasey-feature-50.jpg 1920w",[2132],{"id":651,"name":652,"slug":653},{"id":2134,"slug":2135,"title":2136,"excerpt":2137,"date":2138,"year":1603,"formattedDate":2124,"typeIds":2139,"typeNames":2140,"wordCount":2141,"isBlack":10,"image":2142,"contributors":2145},617,"in-flux-the-monstrous-and-angelic-bodies-of-hellraiser-and-the-ballad-of-genesis-and-lady-jaye","In Flux: The Monstrous and Angelic Bodies of Hellraiser and The Ballad of Genesis and Lady Jaye","\u003Cp>Sarah Bakke’s comparative analysis of Clive Barker’s \u003Cem>Hellraiser\u003C\u002Fem> and Marie Losier’s \u003Cem>The Ballad of Genesis and Lady Jaye\u003C\u002Fem> as ’embodied cinema.’\u003C\u002Fp>\n","2021-02-16T11:25:11",[113,378],[116,380],2714,{"src":2143,"srcset":2144,"width":74,"height":881,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F02\u002Fsarahbakke-feature-50-2.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F02\u002Fsarahbakke-feature-50-2-768x212.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F02\u002Fsarahbakke-feature-50-2-1536x424.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F02\u002Fsarahbakke-feature-50-2.jpg 1920w",[2146],{"id":468,"name":2147,"slug":2148},"Sarah Bakke","sarah-bakke",{"id":2150,"slug":2151,"title":2152,"excerpt":2153,"date":2154,"year":1603,"formattedDate":2124,"typeIds":2155,"typeNames":2156,"wordCount":2157,"isBlack":10,"image":2158,"contributors":2161},602,"political-prison-art-and-memory-in-conversation-with-hector-maturana-banados","Political Prison, Art, and Memory: in conversation with Hector Maturana Bañados","\u003Cp>Soledad Muñoz interviews cultural worker and arpillerista Hector Maturana Bañados. \u003Cem>Translated from the original Spanish text included after the English version.\u003C\u002Fem>\u003C\u002Fp>\n","2021-02-01T11:55:08",[166],[168],4297,{"src":2159,"srcset":2160,"width":74,"height":122,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Fsoledad-feature-70.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Fsoledad-feature-70-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Fsoledad-feature-70-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Fsoledad-feature-70.jpg 1920w",[2162],{"id":2163,"name":2164,"slug":2165},586,"Soledad Muñoz","soledad-munoz",{"id":2167,"slug":2168,"title":2169,"excerpt":2170,"date":2171,"year":1603,"formattedDate":2124,"typeIds":2172,"typeNames":2173,"wordCount":176,"isBlack":10,"image":2174,"contributors":2177},596,"waiting","Waiting","\u003Cp>Written in the first wave of the pandemic, Anna Zoria’s time-coded prose describes procrastination as means towards processing trauma, and as a part of the artistic process.\u003C\u002Fp>\n","2021-02-01T11:50:00",[205],[207],{"src":2175,"srcset":2176,"width":74,"height":122,"alt":7},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Fwaiting-feature-50.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Fwaiting-feature-50-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Fwaiting-feature-50-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Fwaiting-feature-50.jpg 1920w",[2178],{"id":2179,"name":2180,"slug":2181},585,"Anna Zoria","585",{"id":2183,"slug":2184,"title":2185,"excerpt":2186,"date":2187,"year":1603,"formattedDate":2124,"typeIds":2188,"typeNames":2189,"wordCount":2190,"isBlack":10,"image":2191,"contributors":2195},587,"fidelity-and-disruption","Fidelity and Disruption","\u003Cp>Jamie Ward’s narrative on artistic practice breaks down procrastination, process, and productivity through ritual and routine.\u003C\u002Fp>\n","2021-02-01T11:25:31",[205],[207],2857,{"src":2192,"srcset":2193,"width":74,"height":122,"alt":2194},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Fjamie-feature-60.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Fjamie-feature-60-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Fjamie-feature-60-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Fjamie-feature-60.jpg 1920w","Fidelity and Disruption Feature Image",[2196],{"id":1317,"name":2197,"slug":2198},"Jamie Ward","jamie-ward",{"id":2200,"slug":2201,"title":2202,"excerpt":2203,"date":2204,"year":1603,"formattedDate":2205,"typeIds":2206,"typeNames":2207,"wordCount":2208,"isBlack":10,"image":2209,"contributors":2213},517,"tense-on-tanya-lukin-linklaters-we-wear-one-another","Tense: On Tanya Lukin Linklater’s We Wear One Another","\u003Cp>An essay by Godfre Leung on Tanya Lukin Linklater’s installation \u003Cem>We Wear One Another,\u003C\u002Fem> in \u003Cem>Soundings\u003C\u002Fem>, at the Morris and Helen Belkin Art Gallery.\u003C\u002Fp>\n","2021-01-18T12:01:58","Jan 2021",[378],[380],2909,{"src":2210,"srcset":2211,"width":74,"height":122,"alt":2212},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Fgodfre-secondary-image-50.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Fgodfre-secondary-image-50-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Fgodfre-secondary-image-50-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Fgodfre-secondary-image-50.jpg 1920w","Tense Feature Image",[2214],{"id":849,"name":850,"slug":851},{"id":2216,"slug":2217,"title":2218,"excerpt":2219,"date":2220,"year":1603,"formattedDate":2205,"typeIds":2221,"typeNames":2222,"wordCount":2223,"isBlack":10,"image":2224,"contributors":2228},522,"wisdom-unlimited","Wisdom Unlimited","\u003Cp>A speculative fiction in the style of ‘Choose Your Own Adventure,’ by Katayoon Yousefbigloo.\u003C\u002Fp>\n","2021-01-18T11:54:38",[205],[207],208,{"src":2225,"srcset":2226,"width":74,"height":122,"alt":2227},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Fkat-feature-image-40.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Fkat-feature-image-40-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Fkat-feature-image-40-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Fkat-feature-image-40.jpg 1920w","Wisdom Unlimited Feature Image",[2229],{"id":2230,"name":2231,"slug":2232},519,"Katayoon Yousefbigloo","katayoon-yousefbigloo",{"id":881,"slug":2234,"title":2235,"excerpt":2236,"date":2237,"year":1603,"formattedDate":2205,"typeIds":2238,"typeNames":2239,"wordCount":2240,"isBlack":10,"image":2241,"contributors":2245},"all-the-stars","All the stars \u002F\u002F Althea Thauberger at the Contemporary Art Gallery","\u003Cp>Russell Gordon reviews Althea Thauberger’s \u003Cem>Pagal Pagal Pagal Pagal Filmy Duniya\u003C\u002Fem> at the Contemporary Art Gallery.\u003C\u002Fp>\n","2021-01-17T22:07:02",[113,114],[116,117],797,{"src":2242,"srcset":2243,"width":74,"height":122,"alt":2244},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Fruss-feature-image-40.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Fruss-feature-image-40-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Fruss-feature-image-40-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Fruss-feature-image-40.jpg 1920w","Review Feature Image",[2246],{"id":2247,"name":2248,"slug":2249},534,"Russell Gordon","russell-gordon",{"id":2251,"slug":2252,"title":2253,"excerpt":2254,"date":2255,"year":1603,"formattedDate":2205,"typeIds":2256,"typeNames":2257,"wordCount":2258,"isBlack":10,"image":2259,"contributors":2263},509,"where-do-we-find-home-in-the-future","Where do we find home in the future?","\u003Cp>Chelsea Yuill interviews interdisciplinary artist Dana Qaddah.\u003C\u002Fp>\n","2021-01-16T09:07:56",[166],[168],1852,{"src":2260,"srcset":2261,"width":74,"height":122,"alt":2262},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Fdana-feature-img-50.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Fdana-feature-img-50-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Fdana-feature-img-50-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Fdana-feature-img-50.jpg 1920w","Dana Qaddah at Libby Lishgold Gallery",[2264,2268],{"id":2265,"name":2266,"slug":2267},513,"Chelsea Yuill","chelsea-yuill",{"id":2269,"name":2270,"slug":2271},514,"Dana Qaddah","dana-qaddah",{"id":2273,"slug":2274,"title":2275,"excerpt":2276,"date":2277,"year":1603,"formattedDate":2205,"typeIds":2278,"typeNames":2279,"wordCount":2280,"isBlack":10,"image":2281,"contributors":2286},445,"a-conversation-between-reissue-founders-brit-bachmann-and-casey-wei","How Did We Get Here?","\u003Cp>A conversation with Brit Bachmann and Casey Wei.\u003C\u002Fp>\n","2021-01-04T17:20:49",[166],[168],1895,{"src":2282,"srcset":2283,"width":74,"height":2284,"alt":2285},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Fkcbb-feature2.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Fkcbb-feature2-768x320.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Fkcbb-feature2-1536x640.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Fkcbb-feature2.jpg 1920w",800,"How Did We Get Here? Feature Image",[2287,2288],{"id":651,"name":652,"slug":653},{"id":2027,"name":2028,"slug":2029},{"id":2290,"slug":2291,"title":2292,"excerpt":2293,"date":2294,"year":1603,"formattedDate":2205,"typeIds":2295,"typeNames":2296,"wordCount":2297,"isBlack":10,"image":2298,"contributors":2302},417,"a-space-story","A Space Story","\u003Cp>\u003Cem>A Space Story\u003C\u002Fem> is a radio play Ben Lickerman. \u003C\u002Fp>\n\u003Cp>A satellite wakes after years of mission-mandated dormancy to witness an Earth fundamentally changed by the wounding trajectories of modernity, capital accumulation, colonization and human hubris.\u003C\u002Fp>\n","2021-01-04T11:07:38",[205],[207],494,{"src":2299,"srcset":2300,"width":74,"height":122,"alt":2301},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Fspace-story-40.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Fspace-story-40-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Fspace-story-40-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Fspace-story-40.jpg 1920w","A Space Story Feature Image",[2303],{"id":2304,"name":2305,"slug":2306},416,"Ben Lickerman","ben-lickerman",{"id":2308,"slug":2309,"title":2310,"excerpt":2311,"date":2312,"year":1603,"formattedDate":2205,"typeIds":2313,"typeNames":2314,"wordCount":746,"isBlack":10,"image":2315,"contributors":2319},401,"ellie-app-uncommon-beauty","Ellie Epp: Uncommon Beauty","\u003Cp>Shaun Inouye examines Ellie Epp’s 1976 experimental short, \u003Cem>Trapline\u003C\u002Fem>.\u003C\u002Fp>\n","2021-01-03T12:20:45",[113,378],[116,380],{"src":2316,"srcset":2317,"width":74,"height":122,"alt":2318},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002FTrapline-feature-image-50.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002FTrapline-feature-image-50-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002FTrapline-feature-image-50-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002FTrapline-feature-image-50.jpg 1920w","Trapline feature image",[2320],{"id":2321,"name":2322,"slug":2323},402,"Shaun Inouye","shaun-inouye",[2325,2329,2333,2337,2340,2343],{"id":90,"count":2326,"description":2327,"name":92,"slug":2328},33,"# RI","ri",{"id":205,"count":2330,"description":2331,"name":207,"slug":2332},21,"# Creative","creative",{"id":166,"count":2334,"description":2335,"name":168,"slug":2336},18,"# Interview","interview",{"id":113,"count":2334,"description":2338,"name":116,"slug":2339},"# Moving Image","moving-image",{"id":378,"count":1448,"description":2341,"name":380,"slug":2342},"# Essay","essay",{"id":114,"count":2344,"description":2345,"name":117,"slug":2346},47,"# Review","review",1794758836377]