[{"data":1,"prerenderedAt":207},["ShallowReactive",2],{"article:it-lives-on-the-back-of-a-truck-mobile-art-spaces-on-the-island":3,"page:48":135,"page:321":171},{"id":4,"slug":5,"title":6,"excerpt":7,"date":8,"year":9,"formattedDate":10,"typeIds":11,"typeNames":13,"wordCount":15,"isBlack":16,"image":17,"contributors":24,"contentHtml":37,"finalContentHtml":38,"creditsHtml":22,"pdfUrl":39,"vimeo":39,"contributorBios":40,"seo":53},1486,"it-lives-on-the-back-of-a-truck-mobile-art-spaces-on-the-island","It lives on the back of a truck: Mobile art spaces on the island","\u003Cp>Kara Stanton interviews Victoria-based curator\u002Fprogrammers Dani Neira and Alexis Hogan about their mobile art projects.\u003C\u002Fp>\n","2023-05-11T12:19:12",2023,"May 2023",[12],5,[14],"Interview",3141,false,{"src":18,"srcset":19,"width":20,"height":21,"alt":22,"lqip":23},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002Flichen-feature.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002Flichen-feature-768x558.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002Flichen-feature-1536x1117.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002Flichen-feature.jpg 1920w",1920,1396,"","data:image\u002Fwebp;base64,UklGRqQAAABXRUJQVlA4IJgAAACQBQCdASogABcAPulkqU2pJaQiMBgMASAdCWMAtOg0bkeHLNPETidJxzjlgf75BhbejjDR0AD+uN6oeidnPAXnHZuSdFkCHN1yO93z2it8IPwmYgVcqbcVjVqkQNKEbA+cDPyy5DbSLuHgeKYwQbq+h1eu\u002FTWXN\u002F08NDBWiRJhGi3J5Tj8ftmYdLk7P2nmroN+zuj8xJHIAA==",[25,29,33],{"id":26,"name":27,"slug":28},924,"Kara Stanton","kara-stanton",{"id":30,"name":31,"slug":32},1516,"Dani Neira","dani-neira",{"id":34,"name":35,"slug":36},1520,"Alexis Hogan","alexis-hogan","\n\u003Cfigure class=\"wp-block-image size-full\">\u003Cspan class=\"lqip-wrap\" style=\"background-image:url("data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 180'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRvAAAABXRUJQVlA4IOQAAAAQBgCdASogABIAPu1qq08ppiOiMBgIATAdiWIAtOssHgBpUVMUng7NkR4hX2nDXaCio5ZuAVD+fNAA+Q6I6P\u002FThfaOhoBxDev3Y\u002FDVxUGnuirAGsLFjm0fRNUZIXAdDf73YsjhuGVbJ8FgOpSet3au56OG+SsQJKeo5RE0hundicx\u002F\u002FID3EOqKzus5+NaCKPlpYVFlEXqJM92taYR6RL5buf0ulOpakl79+zoWTRY+3PHBC0r\u002Fo2yceZPhQI4u8KN+hDQwGtXk0L\u002FnAp9S634g7OEejjPCuLzYyxfcAqOoFQ0AAAA='\u002F%3E%3C\u002Fsvg%3E")\">\u003Cimg loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002Flichen-exterior-1920.jpg\" alt=\"\" class=\"lqip wp-image-1487\" srcset=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002Flichen-exterior-1920.jpg 1920w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002Flichen-exterior-1920-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002Flichen-exterior-1920-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002Flichen-exterior-1920-100x56.jpg 100w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \u002F>\u003C\u002Fspan>\u003Cfigcaption class=\"wp-element-caption\">Artist Caitlin French leads a workshop with \u003Cem>lichen \u003C\u002Fem>at Artemis Place Secondary, 2022\u003C\u002Ffigcaption>\u003C\u002Ffigure>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cem>With the influx of arts spaces reactivating and reimagining their roles in the still-nebulous mire of pandemic time, mobile art spaces are on the rise. In the fall of 2022, I spoke with two Victoria-based curator\u002Fprogrammers, Dani Neira and Alexis Hogan, who each coordinate a mobile art space in the region — \u003C\u002Fem>Crummy Gallery\u003Cem> and \u003C\u002Fem>lichen\u003Cem>, respectively. Settled on the ground under the canopy of trees in Fernwood’s Springridge Commons, we met to talk about the flexibility DIY arts spaces offer, the unique gifts of collaborative working practices, and the ever-potent desire for true gathering spaces.\u003C\u002Fem>\u003C\u002Fp>\n\n\n\n\u003Cdiv style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\">\u003C\u002Fdiv>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>Kara Stanton (KS): \u003C\u002Fstrong>Can you describe the gallery spaces you manage, and the curatorial projects connected to them?\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>Dani Neira (DN): \u003C\u002Fstrong>Crummy Gallery is a mobile art space originally constructed by Cedric Bomford, who’s currently the visual arts chair at UVic. From what I understand, a “crummy” is the name of a really small vehicle that was used to transport resource workers to and from the worksite. Cedric’s practice often takes the form of these really large-scale, interactive architectural installations, and he looks at a lot of things to do with constructed space, so he built this gallery as a part of one of his projects. He was thinking a lot about contested spaces, and his own settler history, a history of extractivism, and how art spaces and art galleries play into that, in being on the land.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Cedric built it to fit on the back of his truck, so it generally lives on the back of a truck, and then it has this little nook in the back that you \u003Cem>can\u003C\u002Fem> sleep in, if you were traveling with it. It’s 11’ x 7’, so it’s a pretty tiny little space — but it feels really intimate. \u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">It was sitting empty for two or three years through the pandemic, and then I got put into contact with him. We talked about the need for alternative art spaces, and he said “go for it—you can use it.” Then through lots of conversations me and my very good friend Cassia formed a curatorial collective, \u003Ca href=\"https:\u002F\u002Fwww.dirtydishescollective.com\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">Dirty Dishes\u003C\u002Fa>, and we did some partnership programming at Crummy. We also partner with UVic sometimes for Crummy programming, but it’s its own little mobile art space — it doesn’t really have any funding.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>Alexis Hogan (AH): \u003C\u002Fstrong>Before I went to art school back in, like 2010, I was involved with folks in Victoria doing underground art shows — having bands play under the Bay Street Bridge at midnight kind of thing. And that really inspired me to go to art school, learn some more things and bring that back to my community. My collaborator at the time, Andy Anderson, (who runs \u003Ca href=\"https:\u002F\u002Fwww.cavitycuriosityshop.ca\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">Cavity Curiosity\u003C\u002Fa>) and I were dreaming of what it would be like to take the show on the road and have something in a mobile space. And that’s where that seed was planted. \u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">I’ve worked with the fifty fifty arts collective, Open Space and other art collectives in Vancouver, but I started to feel really constrained by gallery projects. The idea of being able to do stuff respectfully and with relationships that are more land-based or site-specific is something that really appealed to me, for the chance to activate different spaces or bring art to other communities.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">In 2020 I had the opportunity through Michelle Jaques and Nicole Stanbridge at the Art Gallery of Greater Victoria (AGGV) to bring this project, \u003Cem>lichen\u003C\u002Fem>, to life. And I was able to form a team with carpenters\u002Fartists Craig Turney and Josh Ngenda and Jesse Campbell to build this mobile gallery space. \u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">I really wanted it to be able to flex — to be really simply designed so that it could be used for a multiplicity of different things. So it looks like a tiny house…\u003Cstrong> \u003C\u002Fstrong>It’s 18’ long, 20’ with the tongue, and about 8.5’ wide and about 13’ tall. There are solar panels so there can be electricity off-site, a battery bank, and track lighting inside and a sort of salon-style wall. And then there’s a loft so people can stay in it.\u003Cspan id='easy-footnote-1-1486'>\u003C\u002Fspan>\u003Cspan class='easy-footnote'>\u003Csup id='easy-footnote-1-1486' content='Watch a full video tour of \u003Cem>lichen \u003C\u002Fem>on the AGGV’s YouTube account: \u003Ca href=\"https:\u002F\u002Fyoutu.be\u002FPm7CKkQ5ZuM\">https:\u002F\u002Fyoutu.be\u002FPm7CKkQ5ZuM\u003C\u002Fa> “Tour of \u003Cem>lichen\u003C\u002Fem> with artist Alexis Hogan,” \u003Cem>Around the Island\u003C\u002Fem>, Art Gallery of Greater Victoria. 10 Feb, 2021.' v-tippy='{ allowHTML: true }'>1\u003C\u002Fsup>\u003C\u002Fspan>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">We started to build it at the beginning of the pandemic. It’s been slow going in terms of collaborating with people to make projects happen, but my hope for the space is to be able to have the capacity to start to collaborate with a programming collective.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>KS: \u003C\u002Fstrong>I’m really interested in both the similarities and differences between your two spaces. Like Dani, you’ve inherited access to this structure, and now you’re like, \u003Cem>what can I do with it?\u003C\u002Fem>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">For you, Alexis, in the planning that went into forming the physical space, you talked about having an advisory committee to conceptualize the project: how did the design of the space come together?\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>AH: \u003C\u002Fstrong>I had a wish list, and I took that wish list to Craig, who’s the lead carpenter, and Craig and I sat down and started to work through the designs, which we then took to the committee, and then the committee asked questions about the designs. For instance, we have a ramp to the space built to be able to handle the grade necessary for a wheelchair. It’s not 100% perfect — we’ve had to do some post modifications because of rain, and things like that. The loft is also not accessible; one of the advisory committee asked if we could lower the loft hydraulically. And it was like, \u003Cem>Yes, in theory, but\u003C\u002Fem> …we just don’t have the budget for that. \u003C\u002Fp>\n\n\n\n\u003Cfigure class=\"wp-block-image size-full\">\u003Cspan class=\"lqip-wrap\" style=\"background-image:url("data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 180'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRvAAAABXRUJQVlA4IOQAAABQBQCdASogABIAPu1mrE+ppSQiMBgIATAdiUAVw7Gcqyeb4C2wS4N3kKe1Pck6CswAPfQA\u002FI6QBioXQDW+88PCKyjPsMWNN+wA6tVnL2uL6xNzLowbVKDH7+afmA3x2p9shpBG8LqaqByX9e\u002FFZ+YXkceSxlI+iv2vVDOW0m+2dt1UhPyFK9IPmOu8Pc69JhrcbNOXbV87QxGnL5Guy8DWFkPm+4MoVPH1jaBDXl2ijOpZhArNp390Y73VljXzvtm4+h3Jfnmu+ZKApbmrnTngqeGDPEqv6WjZzV\u002F5Jh9Iy\u002F5AAAA='\u002F%3E%3C\u002Fsvg%3E")\">\u003Cimg loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"562\" src=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002Fripplesssss-1920.jpg\" alt=\"\" class=\"lqip wp-image-1488\" srcset=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002Fripplesssss-1920.jpg 1000w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002Fripplesssss-1920-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002Fripplesssss-1920-100x56.jpg 100w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \u002F>\u003C\u002Fspan>\u003Cfigcaption class=\"wp-element-caption\">Crummy Gallery parked outside the Art Gallery of Greater Victoria for the Ripples Residency with Kitt Peacock, 2022\u003C\u002Ffigcaption>\u003C\u002Ffigure>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>DN: \u003C\u002Fstrong>The Crummy is not wheelchair accessible; it’s accessible through a flight of like three or four stairs. So in the summertime, when we did a collaborative residency outside of the Art Gallery of Greater Victoria (AGGV), we were like, \u003Cem>Okay, how can we activate the space \u003C\u002Fem>outside\u003Cem> of Crummy? \u003C\u002Fem>And we hooked up this old-school Italian awning to one side of it and set up a craft station and a zine library outside — and then we used the inside space of the gallery as a workshop space with the artist. \u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">We’re very interested, with Dirty Dishes Collective, in food and comfort and all these different gathering spaces — and so we were bringing in carpets and lighting, like \u003Cem>we’re gonna make it\u003C\u002Fem> \u003Cem>so cozy in here. \u003C\u002Fem>It was funny to see people who were visiting the AGGV stumble upon Crummy and they’d be like \u003Cem>Crummy Gallery! Why is it so crummy? \u003C\u002Fem>And they would go up the stairs or look in and they’d be so confused — like, \u003Cem>are you living in here? What are you doing? Where’s the art?\u003C\u002Fem> \u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>KS: \u003C\u002Fstrong>Can you talk about the programming you each carried out this summer?\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>DN: \u003C\u002Fstrong>The main project that we did through Dirty Dishes Collective and the Crummy was a collaborative research residency with the artist Kitt Peacock. We were both thinking a lot about shape-shifting geographies and the sea’s edge, and so we decided to create this collaborative residency around it, where we would gather and work together and talk and host workshops.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Kitt took a ferry over and we parked outside of the AGGV for the week — me, Cass, and Kitt. We had put out a call for submissions for a zine library that aligned with the themes of the residency, and we set up a community workshop zone right outside of the Crummy to use the outdoor space. It was just so nice. There were so many people who would just show up and everyone was sitting in the sun and people would bring their own crafts or just sit and read zines. It was a gathering space. We also took a beach field trip where Kitt took recordings of us talking and skipping rocks, and throughout the residency, they recorded stories from trans and gender non-conforming participants. From all of that, they created this online radio station, where stories play according to the tide, so it changes — whether the tide’s in or out.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>KS:\u003C\u002Fstrong> Alexis, do you want to speak to the project that you and your artist-collaborator, Chris Dufour, were working on?\u003C\u002Fp>\n\n\n\n\u003Cfigure class=\"wp-block-image size-full\">\u003Cspan class=\"lqip-wrap\" style=\"background-image:url("data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 180'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRiABAABXRUJQVlA4IBQBAABQBgCdASogABIAPu1gp02ppSOiMAgBMB2JZgCdITaYAwQVoMsCqVF0GWoamir4MrhWAB0CzeSza7hOwAD8MYNPeyOFexPCvZA2obLxk3nw4jJaxGZFKj52f+80DOQyO\u002FdUYGEWONWK4AhvsbnyDMd\u002FB4LFQHMPcyfYhcc10LfzkFYyvkkJrMZwj1crr7Hmq89EVO6skxuiWjY5s60iUGJhnt4ZIPgpUwIvncY7nXV+7YvRaEBbOUUNglcpbRZ4X23Ug2wSn6HA3vNKefu6O48DjRDL++Nddrz66DjD0EZafhM9sdbX0Bs33h7432ltB2tWwiehwHWNKeE5aBQvpYg\u002Fwk\u002FjU+0fuK\u002FIzXl2Ey\u002FIzW\u002FAAAA='\u002F%3E%3C\u002Fsvg%3E")\">\u003Cimg loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002Flichen-interior-1920.jpg\" alt=\"\" class=\"lqip wp-image-1489\" srcset=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002Flichen-interior-1920.jpg 1920w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002Flichen-interior-1920-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002Flichen-interior-1920-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002Flichen-interior-1920-100x56.jpg 100w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \u002F>\u003C\u002Fspan>\u003Cfigcaption class=\"wp-element-caption\">\u003Cem>lichen\u003C\u002Fem> as studio, summer 2022\u003C\u002Ffigcaption>\u003C\u002Ffigure>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>AH: \u003C\u002Fstrong>So Chris is, you know, one of my besties. We met working at the \u003Ca href=\"https:\u002F\u002Fcompost.bc.ca\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">Compost Education Centre\u003C\u002Fa> and became friends working next to each other, talking about art and the climate crisis, and like, being fucking gay, as well. \u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cem>(all laugh)\u003C\u002Fem>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>AH: \u003C\u002Fstrong>They had also been working with Artemis Place Secondary, which is a school that serves trans and non-binary youth and young parents and other teens for whom traditional school systems don’t serve. Through some funding that we got at the Compost Ed Centre, they started to build a garden with a group of students there. The idea organically came about how we could bring \u003Cem>lichen\u003C\u002Fem> — this arts organism named for the collaboration of fungi, cyanobacteria, and algae — to the school. They built this 6000 square foot permaculture garden, which activated science from a multiplicity of different entry points, and also became a therapeutic space. \u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Chris has a background in photography and sculpture and fibre arts and my material practice is in the realm of installation, sculpture, print media, and social practice. Both Chris and myself had this feeling of\u003Cem> the alienation of the climate crisis feels a lot like the alienation of queerness. \u003C\u002Fem>And I don’t know that either of us have any answers about it, but we felt we could definitely make some art with some people about that. So we dreamed up this project centered around intergenerational relationships, skill-building, and skill-sharing with the students.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">The project became a month-long intensive of workshops. We started with ecological restoration, making paper out of scotch broom and working with guest artists Sarah Jim and Caitlin French. The students learned how to shoot film, how to process their own negatives; we planted the dye garden, and they learned how to do natural dyeing. We treated the scotch broom paper with cyanotype and made prints off of that. The result of working together for a month and a half was “with busy hands,” this tremendous exhibition of shared work. For me, it was like casting back and forth, into the past and into the future. There was an aspect working with the younger version of myself — and the potential of these young, brilliant people. It was really beautiful and healing, and also sad, because it ended and they were like,\u003Cem> I really wish that there were more opportunities like this.\u003C\u002Fem>\u003C\u002Fp>\n\n\n\n\u003Cfigure class=\"wp-block-image size-full\">\u003Cspan class=\"lqip-wrap\" style=\"background-image:url("data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 180'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRvQAAABXRUJQVlA4IOgAAABwBgCdASogABIAPu1iqE2ppaOiMAgBMB2JagCdM2vemRmPrAjPNI3y\u002F8HEVAX1zJZ6L5nc7gOFfJKjegAA\u002FhHq699Ixd84LwEKCmFWx73jhbpdfhjfJa1vUA5e\u002FVQn30R3pCtlp+KX1Y+FDjxDzJZ9Q2jSKpvF\u002FByzQ8y2I\u002FN+6peaFFT8iDKPeJXFBN2s34i72X3mzgRyZgliD0sKn0jdbTUexlFmefq99oYg7xHfHw\u002F1wq9PTRTS4+C0R2PnOYl2dn\u002FOZ2H+\u002FiNE4nNu+u+covS8AQLYQp9pt\u002FijwBjgQojfWxLDQAAA'\u002F%3E%3C\u002Fsvg%3E")\">\u003Cimg loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002Flichen-interior-mikegraeme.jpg\" alt=\"\" class=\"lqip wp-image-1492\" srcset=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002Flichen-interior-mikegraeme.jpg 1920w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002Flichen-interior-mikegraeme-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002Flichen-interior-mikegraeme-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002Flichen-interior-mikegraeme-100x56.jpg 100w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \u002F>\u003C\u002Fspan>\u003Cfigcaption class=\"wp-element-caption\">Cyanotype prints made as part of “with busy hands” with Artemis Place students, 2022\u003C\u002Ffigcaption>\u003C\u002Ffigure>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>KS:\u003C\u002Fstrong> Wow. It’s so sweet you got to do all that with such a good friend.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>AH: \u003C\u002Fstrong>You know, somebody said that this project wouldn’t have happened if Chris and I didn’t have the relationships that we came to the table with.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>DN: \u003C\u002Fstrong>Cassia and I — that’s the other half of Dirty Dishes — have that same basis of intimacy and friendship that shapes how we work. And it’s such a different way of working. It’s very much based on needs; our deadlines change all the time, because we have to push them and that’s fine. \u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Doing a project like this wouldn’t be possible if we weren’t besties, because we’re both \u003Cem>so\u003C\u002Fem> busy. It becomes difficult to make time in my life to see friends, but me and Cass will be like, \u003Cem>Okay, we’re gonna meet up at 9pm at a bar, but we’re gonna bring our notebooks and it’s gonna be a work date. \u003C\u002Fem>It’s this blurring of play and work and friendship, and, you know, dirty dishes. Yeah, that makes it possible. \u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>KS: \u003C\u002Fstrong>Can you talk about in what ways you’re tied to your institutional relationships? \u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>AH: \u003C\u002Fstrong>With \u003Cem>lichen\u003C\u002Fem>, it’s not. I’m definitely happy to continue to collaborate with institutions, with the AGGV and with the team that I work with there on projects, but I don’t feel constrained by \u003Cem>having to\u003C\u002Fem>, you know. I feel that there’s a pretty open-ended, \u003Cem>do whatever you want \u003C\u002Fem>kind of thing. \u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>KS: \u003C\u002Fstrong>That’s awesome. Was that something that was clear from the beginning, when Michelle and Nicole came to you — that this is your project for you to figure out?\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>AH: \u003C\u002Fstrong>Yeah, I was like, so who owns this? When it’s done? What does that mean? And they were like, \u003Cem>it’s yours. \u003C\u002Fem>And I was like, \u003Cem>Cool\u003C\u002Fem>. And also, I’m at this place where I’m like, \u003Cem>Holy shit, I actually don’t understand what that means \u003C\u002Fem>in terms of being an artist and having this asset and understanding what to do with it from a taxes point of view…\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">One of the reasons that I wanted to work with an independent mobile space was to get away from the nonprofit structure — I’m steeped in nonprofit culture — but now I can understand a lot more viscerally why nonprofits are beneficial, because I’m at this place where it’s like, \u003Cem>do I register this as a business? Does this become a nonprofit organization?\u003C\u002Fem> \u003Cem>Or does this become an asset that I can’t afford? \u003C\u002Fem>There’s certainly more responsibilities associated with this work than I had initially thought through.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>KS:\u003C\u002Fstrong> Right, I feel like, as artists or just as people who don’t own property, we spend all our time renting and thinking, \u003Cem>what if artists had a space? What if I had a space? \u003C\u002Fem>And then, you get a space — and you find out, oh it’s actually not just free.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Dani, how do you feel about the Crummy’s relationship to UVic? Or to the AGGV?\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>DN:\u003C\u002Fstrong> Crummy also doesn’t really have a direct relationship to an institution. It moreso has a relationship to UVic because Cedric works there. Like, right now it’s parked outside of the Visual Arts building, and we’re doing a series of exhibitions along with the visiting artists’ lectures. So yeah, it’s more of a relationship. With the AGGV it was also a collaboration; they provided the space for us to park in-kind, and that was just out of us having trouble finding a public space where we could park it for a week.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">In thinking about the work we wanna do, me and Cassia have talked a lot about how we could foster a sense of friendship and non-institutional gathering. I work at Open Space, Cass works at the AGGV, and we were talking about, especially being a younger\u002Femerging practitioner, all these pressures about professionalism that play into our work.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">We’ve also been talking a lot about the question of \u003Cem>do we want to register as a nonprofit?\u003C\u002Fem> It gets really complicated and really muddled really fast. If we register as a nonprofit, we have to have a board. What does this mean? Do we have space in our lives to write grants, etc.? We all have, like, five jobs. So for now, we’re running it essentially as a DIY space with project funding here and there.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>KS: \u003C\u002Fstrong>It’s tricky having a foot in both nonprofit arts and in DIY spaces, because you do have the sense of \u003Cem>am I letting people down if I don’t pay them\u003C\u002Fem> while at the same time understanding how important it is to create gathering spaces whether or not there’s money for them. You have to want to believe that people want to do things, even if they can’t get paid, at the same time believing that everyone should be paid.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>DN: \u003C\u002Fstrong>I think there’s a more immediate responsiveness to both community needs and wants. There’s more of a direct line of communication — like talking to friends and colleagues and from that, seeing what’s missing in the community immediately having the physical space to make some of these things happen. Unlike an institution, things can happen really quickly. Especially when it’s a DIY space and it feels low stakes, it feels… I don’t know, there’s a very different \u003Cem>feeling\u003C\u002Fem> to it.\u003C\u002Fp>\n\n\n\n\u003Cfigure class=\"wp-block-image size-full is-resized\">\u003Cspan class=\"lqip-wrap\" style=\"background-image:url("data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 180'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRr4AAABXRUJQVlA4ILIAAABQBQCdASogABIAPu1mqk2ppaQiMAgBMB2JQBOmae6+t\u002FAURl+V8INg049cYUDaCOJvq9AA3kOL\u002FPyTwQRZEtybGccXrxqAo8aLa4jowhLaOE2+QSwWZzPkNCKBYypIbSAKuTzrjuumEHvW16UBxDzuGtE\u002FPZGjVCH2tcwFL2p69Cwk7IyMoNQtvAJJRmtyzk\u002F8KqBcE9Fih\u002FcCLcdsGPIy+PjkNCch8a\u002FtDXRyqzR3AAAA'\u002F%3E%3C\u002Fsvg%3E")\">\u003Cimg loading=\"lazy\" decoding=\"async\" width=\"1100\" height=\"618\" src=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002Fcrummy-1920.jpg\" alt=\"\" class=\"lqip wp-image-1490\" style=\"width:840px;height:471px\" srcset=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002Fcrummy-1920.jpg 1100w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002Fcrummy-1920-768x431.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002Fcrummy-1920-100x56.jpg 100w\" sizes=\"auto, (max-width: 1100px) 100vw, 1100px\" \u002F>\u003C\u002Fspan>\u003Cfigcaption class=\"wp-element-caption\">Crummy Gallery, 2022\u003C\u002Ffigcaption>\u003C\u002Ffigure>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>AH:\u003C\u002Fstrong> I don’t really feel like I’m in the DIY culture that I used to be. But definitely when I was more immersed, it was that immediacy that Dani was referencing like, \u003Cem>Oh, do you want to do a show underneath the Bay Street Bridge with these bands, and anybody that wants to show their work can show their work?\u003C\u002Fem> That was really important to me. I didn’t think I could make art, and so many people who feel excluded from spaces because they don’t have the requisite language or experience or \u003Cem>whatever\u003C\u002Fem> were welcome to participate. And there’s something so magical about being able to participate in the culture of your time, in that way. There’s something about gathering via spontaneity through art and making — feeding off of one another’s inspiration is just the ultimate nourishment.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>KS\u003C\u002Fstrong>: Like, \u003Cem>Oh, you didn’t have to get seven permits to do that\u003C\u002Fem>?\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>AH: \u003C\u002Fstrong>No, we just fucking did it!\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">And it was just awesome, you know? Something about those spontaneous, ephemeral, utopic moments, it’s cheesy but it’s a reminder of what you can do when you’re not thinking about the permit that you have to apply for, or the report that you have to submit. And I feel totally disengaged from that at this time. \u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>KS: \u003C\u002Fstrong>As you both look ahead, what dreams are you holding? What are you looking forward to?\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>DN: \u003C\u002Fstrong>Cassia and I have some longer term projects in mind. We just applied for a Canada Council for a hybrid digital\u002Fphysical installation around queer digital folklores, which we conceptualize taking place in the Crummy.\u003Cspan id='easy-footnote-2-1486'>\u003C\u002Fspan>\u003Cspan class='easy-footnote'>\u003Csup id='easy-footnote-2-1486' content='\u003Cem>Editor’s note\u003C\u002Fem>: since the date of this interview, Dirty Dishes Collective have announced they’ve been successful in their application. See: “Big DDC announcement,” Dirty Dishes Collective, instagram, 11 March, 2023. \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fp\u002FCpql-gnvhRb\u002F\">https:\u002F\u002Fwww.instagram.com\u002Fp\u002FCpql-gnvhRb\u002F\u003C\u002Fa>' v-tippy='{ allowHTML: true }'>2\u003C\u002Fsup>\u003C\u002Fspan> We’ve been thinking, \u003Cem>how can we fully transform the space into an  immersive installation\u003C\u002Fem>? I think it’s exciting to have these longer-term projects happening while also keeping up with the immediacy and continuing having these community gatherings and pop-ups. \u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>AH: \u003C\u002Fstrong>Collaboration is my jam — I really like to work with other people. It can be challenging when you have no constraints, but working with someone else provides the container, in a really exciting, kind of juicy way. So more collaborations, more traveling. And I would like to get to a place where it’s not one project a year.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">I would love to collaborate with your space at some point. \u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>DN: \u003C\u002Fstrong>Yes. Yes, that would be so much fun.\u003C\u002Fp>\n\n\n\n\u003Cdiv style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\">\u003C\u002Fdiv>\n\u003Cdiv class=\"easy-footnote-title\">\u003Cp>\u003Cstrong>Notes:\u003C\u002Fstrong>\u003C\u002Fp>\u003C\u002Fdiv>\u003Col class=\"easy-footnotes-wrapper\">\u003Cli class=\"easy-footnote-single\">\u003Cspan id=\"easy-footnote-bottom-1-1486\" class=\"easy-footnote-margin-adjust\">\u003C\u002Fspan>Watch a full video tour of \u003Cem>lichen \u003C\u002Fem>on the AGGV’s YouTube account: \u003Ca href=\"https:\u002F\u002Fyoutu.be\u002FPm7CKkQ5ZuM\">https:\u002F\u002Fyoutu.be\u002FPm7CKkQ5ZuM\u003C\u002Fa> “Tour of \u003Cem>lichen\u003C\u002Fem> with artist Alexis Hogan,” \u003Cem>Around the Island\u003C\u002Fem>, Art Gallery of Greater Victoria. 10 Feb, 2021.\u003Ca class=\"easy-footnote-to-top\" href=\"#easy-footnote-1-1486\" aria-label=\"Back to note 1 in the text\">\u003C\u002Fa>\u003C\u002Fli>\u003Cli class=\"easy-footnote-single\">\u003Cspan id=\"easy-footnote-bottom-2-1486\" class=\"easy-footnote-margin-adjust\">\u003C\u002Fspan>\u003Cem>Editor’s note\u003C\u002Fem>: since the date of this interview, Dirty Dishes Collective have announced they’ve been successful in their application. See: “Big DDC announcement,” Dirty Dishes Collective, instagram, 11 March, 2023. \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fp\u002FCpql-gnvhRb\u002F\">https:\u002F\u002Fwww.instagram.com\u002Fp\u002FCpql-gnvhRb\u002F\u003C\u002Fa>\u003Ca class=\"easy-footnote-to-top\" href=\"#easy-footnote-2-1486\" aria-label=\"Back to note 2 in the text\">\u003C\u002Fa>\u003C\u002Fli>\u003C\u002Fol>","\u003Cp>\u003Cstrong>Images:\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Col>\n\u003Cli>Artist Caitlin Ffrench leads a workshop with \u003Cem>lichen\u003C\u002Fem> at Artemis Place Secondary, 2022. Courtesy Alexis Hogan.\u003C\u002Fli>\n\u003Cli>Crummy Gallery parked outside the Art Gallery of Greater Victoria for the Ripples Residency with Kitt Peacock, 2022. Courtesy Dani Neira.\u003C\u002Fli>\n\u003Cli>\u003Cem>lichen \u003C\u002Fem>as studio, 2022. Courtesy Alexis Hogan.\u003C\u002Fli>\n\u003Cli>Cyanotype prints made with Artemis Place students as part of “with busy hands,” \u003Cem>lichen, \u003C\u002Fem>2022\u003Cem>. \u003C\u002Fem>Courtesy Mike Graeme.\u003C\u002Fli>\n\u003Cli>Crummy Gallery, 2022. Courtesy Dani Neira.\u003C\u002Fli>\n\u003C\u002Fol>\n",null,[41,45,49],{"id":26,"slug":28,"name":27,"firstName":42,"lastName":43,"bioHtml":44},"Kara","Stanton","\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>Kara Stanton\u003C\u002Fstrong> is a poet, cultural worker, and editor based on Lekwungen and W̱SÁNEĆ\u003Cstrong> \u003C\u002Fstrong>territories. Their poetry has been published in \u003Cem>Poetry is Dead\u003C\u002Fem>, \u003Cem>Arc Poetry Magazine\u003C\u002Fem>, and \u003Cem>CV2\u003C\u002Fem>. They are assistant editor at ReIssue.\u003C\u002Fp>\n",{"id":30,"slug":32,"name":31,"firstName":46,"lastName":47,"bioHtml":48},"Dani","Neira","\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>Dani Neira \u003C\u002Fstrong>(they\u002Fthem) is a curator, writer, and artist. They are a second-generation settler of mixed Colombian ancestry living and working on Lekwungen land\u002FVictoria, BC. Rooted in queer theory and informed by strategies of collaboration, their interdisciplinary practice explores memory, language, materiality, and space as sites of affect and generative failure.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Dani holds a BA in Art History and Visual Studies from the University of Victoria and is the co-founder of the collaborative curatorial project Dirty Dishes Collective. They are currently a Program Coordinator at Open Space and have worked in a variety of curatorial and administrative roles within artist-run centres and DIY initiatives.\u003C\u002Fp>\n",{"id":34,"slug":36,"name":35,"firstName":50,"lastName":51,"bioHtml":52},"Alexis","Hogan","\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>Alexis Hogan\u003C\u002Fstrong> (she\u002Fher) is a queer white settler with Indigenous heritage (Irish & Quebecois on her mom’s side and Irish and Anishinaabe from Sharbot Lake, Ontario on her dad’s). Alexis was born in Indonesia, grew up in Saudi Arabia and has lived as an uninvited guest, on T’Souke, Scia’new, Lkwungen, and W̱SÁNEĆ territories off and on for the past 23 years.  She holds a BFA in Visual Arts (2015) from Emily Carr University of Art and Design with a focus in printmaking, sculpture and critical, cultural theory.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Alexis currently works through the project \u003Cstrong>\u003Cem>lichen\u003C\u002Fem>\u003C\u002Fstrong>, which seeks to model its namesake in its capacity for transformation and exchange; it is a mobile programming and gathering space that is designed to be responsive to place-based and ecologically-centred art practices and communities.  Her practice with and through \u003Cstrong>\u003Cem>lichen\u003C\u002Fem>\u003C\u002Fstrong>\u003Cstrong> \u003C\u002Fstrong>is driven by collaborative partnership, and tends to focus on site-specific projects, social practice, sculpture and print media.\u003C\u002Fp>\n",{"title":54,"robots":55,"og_locale":61,"og_type":62,"og_title":54,"og_description":63,"og_url":64,"og_site_name":65,"article_publisher":66,"article_modified_time":67,"og_image":68,"twitter_card":71,"twitter_site":72,"twitter_misc":73,"schema":75},"It lives on the back of a truck: Mobile art spaces on the island - ReIssue",{"index":56,"follow":57,"max-snippet":58,"max-image-preview":59,"max-video-preview":60},"noindex","follow","max-snippet:-1","max-image-preview:large","max-video-preview:-1","en_US","article","Kara Stanton interviews Victoria-based curator\u002Fprogrammers Dani Neira and Alexis Hogan about their mobile art projects.","https:\u002F\u002Freissue.pub\u002Farticles\u002Fit-lives-on-the-back-of-a-truck-mobile-art-spaces-on-the-island\u002F","ReIssue","https:\u002F\u002Fwww.facebook.com\u002Freissue.pub\u002F","2024-02-12T18:26:07+00:00",[69],{"width":20,"height":21,"url":18,"type":70},"image\u002Fjpeg","summary_large_image","@reissuepub",{"Est. reading time":74},"1 minute",{"@context":76,"@graph":77},"https:\u002F\u002Fschema.org",[78,93,96,110,125],{"@type":79,"@id":64,"url":64,"name":54,"isPartOf":80,"primaryImageOfPage":82,"image":84,"thumbnailUrl":18,"datePublished":85,"dateModified":67,"breadcrumb":86,"inLanguage":88,"potentialAction":89},"WebPage",{"@id":81},"https:\u002F\u002Freissue.pub\u002F#website",{"@id":83},"https:\u002F\u002Freissue.pub\u002Farticles\u002Fit-lives-on-the-back-of-a-truck-mobile-art-spaces-on-the-island\u002F#primaryimage",{"@id":83},"2023-05-11T19:19:12+00:00",{"@id":87},"https:\u002F\u002Freissue.pub\u002Farticles\u002Fit-lives-on-the-back-of-a-truck-mobile-art-spaces-on-the-island\u002F#breadcrumb","en-US",[90],{"@type":91,"target":92},"ReadAction",[64],{"@type":94,"inLanguage":88,"@id":83,"url":18,"contentUrl":18,"width":20,"height":21,"caption":95},"ImageObject","Caitlin Ffrench leads a workshop for lichen at Artemis Secondary School",{"@type":97,"@id":87,"itemListElement":98},"BreadcrumbList",[99,104,108],{"@type":100,"position":101,"name":102,"item":103},"ListItem",1,"Home","https:\u002F\u002Freissue.pub\u002F",{"@type":100,"position":105,"name":106,"item":107},2,"Articles","https:\u002F\u002Freissue.pub\u002Farticles\u002F",{"@type":100,"position":109,"name":6},3,{"@type":111,"@id":81,"url":103,"name":65,"description":112,"publisher":113,"potentialAction":115,"inLanguage":88},"WebSite","critical discourse for experimental art practices",{"@id":114},"https:\u002F\u002Freissue.pub\u002F#organization",[116],{"@type":117,"target":118,"query-input":121},"SearchAction",{"@type":119,"urlTemplate":120},"EntryPoint","https:\u002F\u002Freissue.pub\u002F?s={search_term_string}",{"@type":122,"valueRequired":123,"valueName":124},"PropertyValueSpecification",true,"search_term_string",{"@type":126,"@id":114,"name":65,"url":103,"logo":127,"image":131,"sameAs":132},"Organization",{"@type":94,"inLanguage":88,"@id":128,"url":129,"contentUrl":129,"width":20,"height":130,"caption":65},"https:\u002F\u002Freissue.pub\u002F#\u002Fschema\u002Flogo\u002Fimage\u002F","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F06\u002Freissue_logo.jpg",1118,{"@id":128},[66,133,134],"https:\u002F\u002Fx.com\u002Freissuepub","https:\u002F\u002Fwww.instagram.com\u002Freissue.pub\u002F",{"id":136,"slug":137,"title":102,"contentHtml":22,"acf":138,"backgroundBlur":141,"seo":142},48,"home",{"background_image":139,"isBlack":16,"header_text":140},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2026\u002F11\u002Fdaisy_reissue_2.jpg","ReIssue: art and criticism in \u003Cbr>\r\nthe cosmos of cultural production","url(\"data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 213'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRoIAAABXRUJQVlA4IHYAAADwBACdASogABUAPu1qqlEppaOiqAqpMB2JZwAAKf0c+TYjyG8vhTeRaShCpli8uAAA\u002FnFf8QBzP1T7FqMQfN+5P0sEZp4TM\u002FtvUeu\u002F6PKH+GHrebLLz8IW4Q6wQ5kHZO6aqggnKrdkv+u62izeOgqi4jMyAAAA'\u002F%3E%3C\u002Fsvg%3E\")",{"title":143,"robots":144,"og_locale":61,"og_type":62,"og_title":143,"og_url":145,"og_site_name":65,"article_publisher":66,"article_modified_time":146,"twitter_card":71,"twitter_site":72,"schema":147},"Home - ReIssue",{"index":56,"follow":57,"max-snippet":58,"max-image-preview":59,"max-video-preview":60},"https:\u002F\u002Freissue.pub\u002Fhome\u002F","2026-11-14T21:58:11+00:00",{"@context":76,"@graph":148},[149,157,161,167],{"@type":79,"@id":145,"url":145,"name":143,"isPartOf":150,"datePublished":151,"dateModified":146,"breadcrumb":152,"inLanguage":88,"potentialAction":154},{"@id":81},"2018-04-21T23:04:08+00:00",{"@id":153},"https:\u002F\u002Freissue.pub\u002Fhome\u002F#breadcrumb",[155],{"@type":91,"target":156},[145],{"@type":97,"@id":153,"itemListElement":158},[159,160],{"@type":100,"position":101,"name":102,"item":103},{"@type":100,"position":105,"name":102},{"@type":111,"@id":81,"url":103,"name":65,"description":112,"publisher":162,"potentialAction":163,"inLanguage":88},{"@id":114},[164],{"@type":117,"target":165,"query-input":166},{"@type":119,"urlTemplate":120},{"@type":122,"valueRequired":123,"valueName":124},{"@type":126,"@id":114,"name":65,"url":103,"logo":168,"image":169,"sameAs":170},{"@type":94,"inLanguage":88,"@id":128,"url":129,"contentUrl":129,"width":20,"height":130,"caption":65},{"@id":128},[66,133,134],{"id":172,"slug":173,"title":174,"contentHtml":175,"acf":16,"backgroundBlur":39,"seo":176},321,"subscription-banner","Subscription Banner","\n\u003Cp class=\"wp-block-paragraph\">ReIssue is unfunded, wild and free. 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