[{"data":1,"prerenderedAt":191},["ShallowReactive",2],{"article:reissue-digestif-whats-on-april-16-30-2":3,"page:48":117,"page:321":154},{"id":4,"slug":5,"title":6,"excerpt":7,"date":8,"year":9,"formattedDate":10,"typeIds":11,"typeNames":13,"wordCount":15,"isBlack":16,"image":17,"contributors":24,"contentHtml":29,"finalContentHtml":22,"creditsHtml":22,"pdfUrl":30,"vimeo":30,"contributorBios":31,"seo":36},2056,"reissue-digestif-whats-on-april-16-30-2","ReIssue Digestif: What’s on April 16–30","\u003Cp>Here’s our picks for what’s happening April 16–30.\u003C\u002Fp>\n","2024-04-15T07:46:53",2024,"Apr 2024",[12],11,[14],"RI",1343,true,{"src":18,"srcset":19,"width":20,"height":21,"alt":22,"lqip":23},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002F20240416digestif-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002F20240416digestif-splash-768x255.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002F20240416digestif-splash.jpg 1080w",1080,358,"","data:image\u002Fwebp;base64,UklGRooAAABXRUJQVlA4IH4AAABQBACdASogAAsAPu1mqk4ppaOiMAgBMB2JZQCsB2zQ6Hudmv8G+i1TAwaAAP78flB48CJqz5HoXcW76rogVs0iXy1Dw+im1tfgNc2ry0tVCTDfJiECHI4dJrcRSmew02ZIAkYFUdRgV9L7U6I3N5gaxnOzBFRxbj6GDc4AAAA=",[25],{"id":26,"name":27,"slug":28},1307,"ReIssue Editor","reissue-staff","\n\u003Cfigure class=\"wp-block-image size-full\">\u003Cspan class=\"lqip-wrap\" style=\"background-image:url("data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 106'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRtQAAABXRUJQVlA4IMgAAABQBACdASogAAsAPu1qrU8ppiQiMAgBMB2JbACdAYumb4Tp\u002FbQZ86tE5LlgAP7zwXJXRe\u002F+eCBOMX49V8VEpTbq8+H6P0yBLKeFNmCJyLz5p00pJETbctSE4da78roJvn3XwE9cH+Z58pe4wxGhriB0iKDWQV8Gd0GHhGSQ0bZSC7RRoPVQVN9eLZnAj1vJEos6y2jEDtIzV8FdPjdw7wwZIevRd\u002Fj5\u002FyQMQQHltO+BwIps5pn7mzTcxsEWIqFkRCMPqz\u002FepWAAAA=='\u002F%3E%3C\u002Fsvg%3E")\">\u003Cimg loading=\"lazy\" decoding=\"async\" width=\"1080\" height=\"358\" src=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002F20240416digestif.jpg\" alt=\"\" class=\"lqip wp-image-2058\" srcset=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002F20240416digestif.jpg 1080w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002F20240416digestif-768x255.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002F20240416digestif-100x33.jpg 100w\" sizes=\"auto, (max-width: 1080px) 100vw, 1080px\" \u002F>\u003C\u002Fspan>\u003C\u002Ffigure>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cem>Welcome to ReIssue Digestif, a bi-weekly-ish round-up of events on our radar. All times in PST.\u003C\u002Fem>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cem>If you are BC- or AB-based and have an exhibition, event or call-for-submissions posting to submit for consideration in the next Digestif (May 1–15th), email details to editor@reissue.pub\u003C\u002Fem>\u003C\u002Fp>\n\n\n\n\u003Cfigure class=\"wp-block-image size-full\">\u003Cspan class=\"lqip-wrap\" style=\"background-image:url("data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 180'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRoQAAABXRUJQVlA4IHgAAACQBACdASogABIAPu1kqE2ppaOiMAgBMB2JZQCsACHehryiQlZFTpL4iRfcImAA\u002Ft5m4QwjaxkHk7Q0JkrJLOy8jrRjX5BoO0tIH5TCAutzrv46XenZ45TUDGZ+lu7kRR9IzRJL6VeOgqCr6Tmj\u002FeQyViEZVf9xiAA='\u002F%3E%3C\u002Fsvg%3E")\">\u003Cimg loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002Ftakao-web.jpg\" alt=\"\" class=\"lqip wp-image-2059\" srcset=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002Ftakao-web.jpg 1920w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002Ftakao-web-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002Ftakao-web-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002Ftakao-web-100x56.jpg 100w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \u002F>\u003C\u002Fspan>\u003Cfigcaption class=\"wp-element-caption\">Takao Tanabe, \u003Cem>Nootka Afternoon\u003C\u002Fem>, 1993, woodblock print on paper\u003C\u002Ffigcaption>\u003C\u002Ffigure>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.surrey.ca\u002Farts-culture\u002Fsurrey-art-gallery\u002Fexhibitions\u002Ftakao-tanabe-printmaker\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Takao Tanabe: Printmaker\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Surrey Art Gallery, 13750 88 Ave, Surrey BC\u003Cbr>Now–June 2, gallery hours \u003Ca href=\"https:\u002F\u002Fwww.surrey.ca\u002Farts-culture\u002Fsurrey-art-gallery\u002Fplan-your-visit\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cu>here\u003C\u002Fu>\u003C\u002Fa>\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Organized by the Kelowna Art Gallery with Guest Curator Ian M. Thom, this exhibition features over sixty prints by renowned artist Takao Tanabe from their collection, as well as prints from the Vancouver Art Gallery, Winnipeg Art Gallery, and the Surrey Art Gallery. Tanabe is among Canada’s most celebrated painters and printmakers, recognized for his landscapes that bridge the gap between abstraction and realism.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>\u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fp\u002FC5lnD1TuhVQ\u002F?img_index=1\" target=\"_blank\" rel=\"noreferrer noopener\">Totem: The Return of the G’psgolox Pole\u003C\u002Fa>\u003C\u002Fstrong>\u003Cbr>Bayview Elementary School, 140 View St, Nanaimo BC\u003Cbr>Wednesday April 17, 6–8pm\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Award-winning Métis filmmaker and writer Gil Cardinal’s documentary follows the history of G’psgolox, a nine-metre mortuary Haisla pole that went missing in 1929, severed at the base. The pole’s fate was a mystery for over 60 years until it surfaced in a Stockholm museum, where members of the Haisla Nation journeyed in order to get it back in 1991. The screening will be followed by a conversation with Snuneymuxw Carver, Joel Good. Playing as part of \u003Ca href=\"https:\u002F\u002Fcinevolutionmedia.com\u002Fcanfilmday24\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">Cinevolution’s CanFilmDay showcase\u003C\u002Fa> in Richmond and Nanaimo.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>\u003Ca href=\"https:\u002F\u002Fdoxa2024.eventive.org\u002Fschedule\u002F66108c6777fb5a0060f82c3f\" target=\"_blank\" rel=\"noreferrer noopener\">DOXA Fundraiser\u003C\u002Fa>\u003C\u002Fstrong>\u003Cbr>R&B Brewing Co., 54 E 4th Ave, Vancouver BC\u003Cbr>Thursday April 18, 6pm\u003Cbr>Tickets starting $20 \u003Ca href=\"https:\u002F\u002Fdoxa2024.eventive.org\u002Fschedule\u002F66108c6777fb5a0060f82c3f\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">This May marks the 23rd \u003Ca href=\"https:\u002F\u002Fwww.doxafestival.ca\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">DOXA Documentary Film Festival\u003C\u002Fa>! Every entry ticket, drink purchase and donation helps raise more funds for filmmakers to be attend and take part in this year’s festival.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>\u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fp\u002FC5B2U_tvzWU\u002F?img_index=1\" target=\"_blank\" rel=\"noreferrer noopener\">Art Market & Tattoo Event\u003C\u002Fa>\u003C\u002Fstrong>\u003Cbr>The Russian Hall, 600 Campbell Ave, Vancouver BC\u003Cbr>Friday April 19, 12–6pm\u003Cbr>Free entry\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.vinesartsociety.com\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">Vines Art Festival\u003C\u002Fa> is hosting a tattoo gathering. A portion of each purchase will go directly to the Vines Artist Survival and Healing fund which provides low-barrier mutual aid fund to artists need of emergency support.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>\u003Ca href=\"https:\u002F\u002Fwww.crummygallery.com\u002Fevent-details\u002Fsignal-house-laura-gildner\" target=\"_blank\" rel=\"noreferrer noopener\">Signal House: Laura Gildner\u003C\u002Fa>\u003C\u002Fstrong>\u003Cbr>Crummy Gallery, lot 51, Granville Island, Vancouver BC\u003Cbr>Friday–Sunday April 19–21, 26–28, 12–6pm\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Crummy Gallery, a mobile art and gathering space, in partnership with \u003Ca href=\"https:\u002F\u002Fothersights.ca\u002Ffleet-moveable-artist-studios\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">FLEET and Other Sights for Artists’ Projects\u003C\u002Fa> presents Signal House, a series of lens-based exhibitions on Granville Island throughout March and April 2024. This program features a rotating series of site-responsive installations in, on, and around Crummy over the course of six weeks by a collective of artists from Vancouver Island. Laura Gildner’s \u003Cem>LOVECHILD\u003C\u002Fem> will be on view these last two weeks of April. Patrick Swayze’s molar serves as the inspiration for the work, which follows Gildner’s attempt to make sense of society’s cultural fascination with celebrity and the desire to revive what can never truly be replaced.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>\u003Ca href=\"https:\u002F\u002Fkag.bc.ca\u002Fall-exhibitions\u002Fancestraldreamsandotherpremonitions\" target=\"_blank\" rel=\"noreferrer noopener\">Ancestral Dreams and Other Premonitions: Cindy Mochizuki\u003C\u002Fa>\u003C\u002Fstrong>\u003Cbr>Kamloops Art Gallery, 101–465 Victoria St, Kamloops BC\u003Cbr>April 20–July 6, gallery admission and hours \u003Ca href=\"https:\u002F\u002Fkag.bc.ca\u002Fvisit\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa> (free Thursdays)\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">In this first survey presentation of Cindy Mochizuki’s practice, the through lines of enduring and intersecting themes emerge through four key artworks. As a significant part of her artistic process, Mochizuki’s projects work through material and story recovery where she engages family members, community participants, and archives to realize and shape her multi-media installation. She works closely with members of these communities and often includes her paternal family’s history, both within internment camps in Canada during World War II and through their experiences as repatriated Japanese Canadians (kika-nisei) in post-war Japan.\u003C\u002Fp>\n\n\n\n\u003Cfigure class=\"wp-block-image size-full\">\u003Cspan class=\"lqip-wrap\" style=\"background-image:url("data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 180'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRvAAAABXRUJQVlA4IOQAAABQBgCdASogABIAPu1mrE+ppSQiMBgIATAdiWkAC+mwwOMywd2BpGJ8slgTqTTdQT7x\u002FHqbMTgVH3pMAAD+j6Mdo5DWYpjo6elmr4fsRY2mGrVL2tZ3\u002FZh0sWZgPBwjTXtis9GNQ8psJOTQTWxmuvR8I1C1sZR\u002FU8Ma9iCrGkMLDJxh6HnCNh7qE7HyPN33bqWxy9cag4b1oHr09TljuM4eCxGP8qOza2uju5JIyiVNkgU5ONs95dYkkqr8Ry6rOoTUZ4bGQuuHQ+29qbmVx9RJ8mycdXHMT1BYoUzL0TrdC+AAAAA='\u002F%3E%3C\u002Fsvg%3E")\">\u003Cimg loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002Ftheodore-web.jpg\" alt=\"\" class=\"lqip wp-image-2060\" srcset=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002Ftheodore-web.jpg 1920w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002Ftheodore-web-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002Ftheodore-web-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002Ftheodore-web-100x56.jpg 100w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \u002F>\u003C\u002Fspan>\u003Cfigcaption class=\"wp-element-caption\">Theodore Sasketche Wan, \u003Cem>Panoramic Dental X-Ray \u003C\u002Fem>(1 of 3), 1977, silver gelatin print on paper\u003C\u002Ffigcaption>\u003C\u002Ffigure>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>\u003Ca href=\"https:\u002F\u002Fwww.richmondartgallery.org\u002Funitbruises\" target=\"_blank\" rel=\"noreferrer noopener\">Unit Bruises: Theodore Wan and Paul Wong, 1975–1979\u003C\u002Fa>\u003C\u002Fstrong>\u003Cbr>Richmond Art Gallery, Richmond Cultural Centre, 7700 Minoru Gate, Richmond BC\u003Cbr>April 20–June 30, gallery hours \u003Ca href=\"https:\u002F\u002Fwww.richmondartgallery.org\u002Fvisit-us\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>\u003Cbr>Opening: Saturday April 20, 2–4pm\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">This exhibition brings together the works of two Chinese-Canadian conceptual artists active during the 1970s: Theodore Sasketche Wan and Paul Wong. By mobilizing their respective bodies, and the visual languages of medical and procedural illustrations, both artists subverted notions of objectivity that have been naturalized through such hegemonic imagery. Through these intensely physical works, the two artists respectively asserted their othered subject-positions as people of colour as well as ruminated on the topics of illness, death, and the human condition. Curated by Michael Dang.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>\u003Ca href=\"https:\u002F\u002Fmassyarts.com\u002Fevent\u002Fin-grief-and-poetry-with-patrick-de-belen-screening-poetry-workshop\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">In Grief and Poetry: Patrick de Belen\u003C\u002Fa>\u003C\u002Fstrong>\u003Cbr>Massy Arts Society, 23 E Pender St, Vancouver BC\u003Cbr>Monday April 22, 6pm\u003Cbr>Free, register \u003Ca href=\"https:\u002F\u002Fwww.eventbrite.ca\u002Fe\u002Fin-grief-and-poetry-with-patrick-de-belen-screening-poetry-workshop-tickets-868731408027\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Toronto-based, award-winning poet and filmmaker Patrick de Belen creates a space for participants to witness, explore, and navigate grief through the vehicle of storytelling. There will be a premiere screening of \u003Cem>Tell Me A Story About Someone You Miss\u003C\u002Fem>, a short documentary on grief and loss directed by Patrick, a poetry performance and grief-centred writing workshop. This is a masked event.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>\u003Ca href=\"https:\u002F\u002Fpublichumanities.ubc.ca\u002Fevents\u002Fevent\u002Fwitnessing-genocide-in-palestine\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">Witnessing Genocide in Palestine\u003C\u002Fa>\u003C\u002Fstrong>\u003Cbr>Massy Arts Society, 23 E Pender St, Vancouver BC\u003Cbr>Tuesday April 23, 6–8pm\u003Cbr>Free, waitlist available \u003Ca href=\"https:\u002F\u002Fwww.eventbrite.ca\u002Fe\u002Froundtable-discussion-witnessing-genocide-in-palestine-tickets-871420792047?aff=oddtdtcreator\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Co-hosted by Massy Arts, Massy Books, and the Public Humanities Hub, this roundtable discussion will feature humanities experts Brenna Bhandar, Adel Iskander, Jasbir K. Puar, and André Elias Mazawi. These scholars will be speaking on the ongoing genocidal contexts happening in Palestine, reflecting on modes of witnessing — journalism, social media, trial and testimony, and other forms of cultural production — and consider what it means to bear witness to such devastation under threats of censorship, denial, erasure, and suppression.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>\u003Ca href=\"https:\u002F\u002Fthecinematheque.ca\u002Ffilms\u002F2024\u002Fokawimawaskiy\" target=\"_blank\" rel=\"noreferrer noopener\">Okâwîmâwaskiy\u003C\u002Fa>\u003C\u002Fstrong>\u003Cbr>The Cinematheque, 1131 Howe St, Vancouver BC\u003Cbr>Wednesday April 24, 7pm\u003Cbr>Tickets \u003Ca href=\"https:\u002F\u002Fthecinematheque.ca\u002Ffilms\u002F2024\u002Fokawimawaskiy\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">This program of shorts, named after the Cree word for Mother Earth, explores the reverence for the natural world that sustains and shapes our lives. \u003Cem>Shiringa: Amazon White Gold\u003C\u002Fem> examines the connection of the Shiringa tree to the Indigenous peoples of Peru, while \u003Cem>Walking with Plants\u003C\u002Fem> navigates the academic and cultural realms of ethnobotany, the study of interrelations between people, place, and plants.\u003Cem> Mãri Hi—The Tree of Dream\u003C\u002Fem> follows shamanic experiences of the Yanomami people and their relationship with the Mãri Hi tree. \u003Cem>Indigenous Plant Diva \u003C\u002Fem>focuses on the work of T’uy’t’tanat Cease Wyss in downtown Vancouver, passing down plant wisdom to her daughter, Senaqwila. Following the screening, Kamala Todd, director of\u003Cem> Indigenous Plant Diva\u003C\u002Fem>, and T’uy’t’tanat Cease Wyss, the film’s subject, will participate in a discussion and Q&A about Indigenous ethnobotany, activism, and art.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>\u003Ca href=\"https:\u002F\u002Fwww.tworiversgallery.ca\u002Fexhibitions\u002Fupcoming-exhibitions\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">Making Time: Art in the Age of Mass Incarceration\u003C\u002Fa>\u003C\u002Fstrong>\u003Cbr>Two Rivers Gallery, 725 Canada Games Way, Prince George, BC\u003Cbr>April 26–October 6, gallery hours \u003Ca href=\"https:\u002F\u002Fwww.tworiversgallery.ca\u002Fexhibitions\u002Fupcoming-exhibitions\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">This travelling exhibition is the result of a decade of research by Dr. Nicole R. Fleetwood, and highlights artists who are, or have been, incarcerated, alongside artists who have not been incarcerated but whose practices expose aspects of the carceral state. Seen together, their works reveal how punitive governance, predatory policing, surveillance, and mass imprisonment impact millions.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>\u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002F__c.l.a.m__\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">CLAM presents: David Rimmer Deep Cuts\u003C\u002Fa>\u003C\u002Fstrong>\u003Cbr>Bestway Studio, 21 E Pender St, Vancouver BC\u003Cbr>Tuesday, April 30, 8pm (doors 7:30pm)\u003Cbr>Tickets by donation\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Deep cut shorts by the late experimental filmmaker David Rimmer will be featured, as a follow-up to the Cinematheque’s mid-month \u003Ca href=\"https:\u002F\u002Fthecinematheque.ca\u002Ffilms\u002F2024\u002Fcan-film-day-david-rimmer\" target=\"_blank\" rel=\"noreferrer noopener\">National Canadian Film Day screening of Rimmer’s work\u003C\u002Fa>, happening on April 17th. An innovative figure in early structuralist\u002Fmaterialist cinema, Rimmer’s playful, poetic, and meticulous work has had a significant impact both in his home city of Vancouver and abroad. CLAM (cinema, literature, art, and media) is a monthly (or otherwise) event which blends short films, archival performance documentation, live performances, and experimental collaborations with local artists. It is collectively run by Yasmine Whaley-Kalaora, Joshua Silickas, and Elisha Burrows.\u003C\u002Fp>\n\n\n\n\u003Cdiv style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\">\u003C\u002Fdiv>\n\n\n\n\u003Ch3 class=\"wp-block-heading\">\u003Cstrong>\u003Cem>Calls\u003C\u002Fem>\u003C\u002Fstrong>\u003C\u002Fh3>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fp\u002FC4rBHgGvQLY\u002F?img_index=1\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Wikipedia Scholar\u003C\u002Fstrong>\u003C\u002Fa>, The Black Arts Centre, Rungh Magazine, UBC, & KPU\u003Cbr>Apply now (program on until end of April)\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>\u003Ca href=\"https:\u002F\u002Fqueerartsfestival.com\u002Fpride-in-art-community-visual-arts-show\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">Call for Submissions (QAF Community Art Show)\u003C\u002Fa>\u003C\u002Fstrong>, Queer Arts Festival & James Black Gallery (Vancouver, BC)\u003Cbr>Deadline: April 18\u003Cbr>\u003Cbr>\u003Cstrong>\u003Ca href=\"https:\u002F\u002Fnewmusic.org\u002Fon-curation\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">Call for Submissions (Curatorial Mentorship Program)\u003C\u002Fa>\u003C\u002Fstrong>, Vancouver New Music (Vancouver, BC)\u003Cbr>Deadline: April 25\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>\u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fp\u002FC5cAtMEvT2y\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">Call for Submissions (Out & About Program)\u003C\u002Fa>\u003C\u002Fstrong>, Open Space (Victoria, BC)\u003Cbr>Deadline: April 26\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>\u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fp\u002FC5RKDu3PJQb\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">Call for Participants (Writing Mentorship)\u003C\u002Fa>\u003C\u002Fstrong>, Centre A (Vancouver BC)\u003Cbr>Deadline: April 30\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fp\u002FC5tuXwUPfqs\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Call for Applicants (Emerging BIPOC Artist Residency)\u003C\u002Fstrong>\u003C\u002Fa>, Centre A (Vancouver, BC)\u003Cbr>Deadline: May 13\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fvoaf.ca\u002F2024-applications\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Call for Submissions, Vancouver Outsider Art Festival \u003C\u002Fstrong>\u003C\u002Fa>(Vancouver, BC)\u003Cbr>Deadline: May 14\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.langleyarts.ca\u002Fsubmit\u002Fsummer\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Call for Submissions (Summer Group Exhibition)\u003C\u002Fstrong>\u003C\u002Fa>, Langley Arts Council (Langley, BC)\u003Cbr>Deadline: June 5\u003Cbr>\u003Cbr>\u003Ca href=\"https:\u002F\u002Fwww.langleyarts.ca\u002Fsubmit\u002Fphotography-\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Call for Submissions (Photography Group Exhibition)\u003C\u002Fstrong>\u003C\u002Fa>, Langley Arts Council (Langley, BC)\u003Cbr>Deadline: June 12\u003C\u002Fp>\n\n\n\n\u003Cdiv style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\">\u003C\u002Fdiv>\n",null,[32],{"id":26,"slug":28,"name":27,"firstName":33,"lastName":34,"bioHtml":35},"ReIssue","Editor","\n\u003Cp class=\"has-text-align-center wp-block-paragraph\">🎨\u003C\u002Fp>\n",{"title":37,"robots":38,"og_locale":44,"og_type":45,"og_title":37,"og_description":46,"og_url":47,"og_site_name":33,"article_publisher":48,"article_modified_time":49,"og_image":50,"twitter_card":53,"twitter_site":54,"twitter_misc":55,"schema":57},"ReIssue Digestif: What's on April 16–30 - ReIssue",{"index":39,"follow":40,"max-snippet":41,"max-image-preview":42,"max-video-preview":43},"noindex","follow","max-snippet:-1","max-image-preview:large","max-video-preview:-1","en_US","article","Here’s our picks for what’s happening April 16–30.","https:\u002F\u002Freissue.pub\u002Farticles\u002Freissue-digestif-whats-on-april-16-30-2\u002F","https:\u002F\u002Fwww.facebook.com\u002Freissue.pub\u002F","2024-04-27T20:52:21+00:00",[51],{"width":20,"height":21,"url":18,"type":52},"image\u002Fjpeg","summary_large_image","@reissuepub",{"Est. reading time":56},"7 minutes",{"@context":58,"@graph":59},"https:\u002F\u002Fschema.org",[60,75,77,92,106],{"@type":61,"@id":47,"url":47,"name":37,"isPartOf":62,"primaryImageOfPage":64,"image":66,"thumbnailUrl":18,"datePublished":67,"dateModified":49,"breadcrumb":68,"inLanguage":70,"potentialAction":71},"WebPage",{"@id":63},"https:\u002F\u002Freissue.pub\u002F#website",{"@id":65},"https:\u002F\u002Freissue.pub\u002Farticles\u002Freissue-digestif-whats-on-april-16-30-2\u002F#primaryimage",{"@id":65},"2024-04-15T14:46:53+00:00",{"@id":69},"https:\u002F\u002Freissue.pub\u002Farticles\u002Freissue-digestif-whats-on-april-16-30-2\u002F#breadcrumb","en-US",[72],{"@type":73,"target":74},"ReadAction",[47],{"@type":76,"inLanguage":70,"@id":65,"url":18,"contentUrl":18,"width":20,"height":21},"ImageObject",{"@type":78,"@id":69,"itemListElement":79},"BreadcrumbList",[80,85,89],{"@type":81,"position":82,"name":83,"item":84},"ListItem",1,"Home","https:\u002F\u002Freissue.pub\u002F",{"@type":81,"position":86,"name":87,"item":88},2,"Articles","https:\u002F\u002Freissue.pub\u002Farticles\u002F",{"@type":81,"position":90,"name":91},3,"ReIssue Digestif: What’s on April 16–30",{"@type":93,"@id":63,"url":84,"name":33,"description":94,"publisher":95,"potentialAction":97,"inLanguage":70},"WebSite","critical discourse for experimental art practices",{"@id":96},"https:\u002F\u002Freissue.pub\u002F#organization",[98],{"@type":99,"target":100,"query-input":103},"SearchAction",{"@type":101,"urlTemplate":102},"EntryPoint","https:\u002F\u002Freissue.pub\u002F?s={search_term_string}",{"@type":104,"valueRequired":16,"valueName":105},"PropertyValueSpecification","search_term_string",{"@type":107,"@id":96,"name":33,"url":84,"logo":108,"image":113,"sameAs":114},"Organization",{"@type":76,"inLanguage":70,"@id":109,"url":110,"contentUrl":110,"width":111,"height":112,"caption":33},"https:\u002F\u002Freissue.pub\u002F#\u002Fschema\u002Flogo\u002Fimage\u002F","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F06\u002Freissue_logo.jpg",1920,1118,{"@id":109},[48,115,116],"https:\u002F\u002Fx.com\u002Freissuepub","https:\u002F\u002Fwww.instagram.com\u002Freissue.pub\u002F",{"id":118,"slug":119,"title":83,"contentHtml":22,"acf":120,"backgroundBlur":124,"seo":125},48,"home",{"background_image":121,"isBlack":122,"header_text":123},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2026\u002F11\u002Fdaisy_reissue_2.jpg",false,"ReIssue: art and criticism in \u003Cbr>\r\nthe cosmos of cultural production","url(\"data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 213'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRoIAAABXRUJQVlA4IHYAAADwBACdASogABUAPu1qqlEppaOiqAqpMB2JZwAAKf0c+TYjyG8vhTeRaShCpli8uAAA\u002FnFf8QBzP1T7FqMQfN+5P0sEZp4TM\u002FtvUeu\u002F6PKH+GHrebLLz8IW4Q6wQ5kHZO6aqggnKrdkv+u62izeOgqi4jMyAAAA'\u002F%3E%3C\u002Fsvg%3E\")",{"title":126,"robots":127,"og_locale":44,"og_type":45,"og_title":126,"og_url":128,"og_site_name":33,"article_publisher":48,"article_modified_time":129,"twitter_card":53,"twitter_site":54,"schema":130},"Home - ReIssue",{"index":39,"follow":40,"max-snippet":41,"max-image-preview":42,"max-video-preview":43},"https:\u002F\u002Freissue.pub\u002Fhome\u002F","2026-11-14T21:58:11+00:00",{"@context":58,"@graph":131},[132,140,144,150],{"@type":61,"@id":128,"url":128,"name":126,"isPartOf":133,"datePublished":134,"dateModified":129,"breadcrumb":135,"inLanguage":70,"potentialAction":137},{"@id":63},"2018-04-21T23:04:08+00:00",{"@id":136},"https:\u002F\u002Freissue.pub\u002Fhome\u002F#breadcrumb",[138],{"@type":73,"target":139},[128],{"@type":78,"@id":136,"itemListElement":141},[142,143],{"@type":81,"position":82,"name":83,"item":84},{"@type":81,"position":86,"name":83},{"@type":93,"@id":63,"url":84,"name":33,"description":94,"publisher":145,"potentialAction":146,"inLanguage":70},{"@id":96},[147],{"@type":99,"target":148,"query-input":149},{"@type":101,"urlTemplate":102},{"@type":104,"valueRequired":16,"valueName":105},{"@type":107,"@id":96,"name":33,"url":84,"logo":151,"image":152,"sameAs":153},{"@type":76,"inLanguage":70,"@id":109,"url":110,"contentUrl":110,"width":111,"height":112,"caption":33},{"@id":109},[48,115,116],{"id":155,"slug":156,"title":157,"contentHtml":158,"acf":122,"backgroundBlur":30,"seo":159},321,"subscription-banner","Subscription Banner","\n\u003Cp class=\"wp-block-paragraph\">ReIssue is unfunded, wild and free. Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">To donate, contact: \u003Ca href=\"mailto:editor@reissue.pub\" rel=\"nofollow\">editor@reissue.pub\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Sign up for our email newsletter\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003C\u002Fp>\n",{"title":160,"robots":161,"og_locale":44,"og_type":45,"og_title":160,"og_description":162,"og_url":163,"og_site_name":33,"article_publisher":48,"article_modified_time":164,"twitter_card":53,"twitter_site":54,"twitter_misc":165,"schema":167},"Subscription Banner - ReIssue",{"index":39,"follow":40,"max-snippet":41,"max-image-preview":42,"max-video-preview":43},"ReIssue is unfunded, wild and free. Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance. To donate, contact: editor@reissue.pub Sign up for our email newsletter","https:\u002F\u002Freissue.pub\u002Fsubscription-banner\u002F","2026-11-13T20:28:08+00:00",{"Est. reading time":166},"1 minute",{"@context":58,"@graph":168},[169,177,181,187],{"@type":61,"@id":163,"url":163,"name":160,"isPartOf":170,"datePublished":171,"dateModified":164,"breadcrumb":172,"inLanguage":70,"potentialAction":174},{"@id":63},"2020-12-15T23:44:21+00:00",{"@id":173},"https:\u002F\u002Freissue.pub\u002Fsubscription-banner\u002F#breadcrumb",[175],{"@type":73,"target":176},[163],{"@type":78,"@id":173,"itemListElement":178},[179,180],{"@type":81,"position":82,"name":83,"item":84},{"@type":81,"position":86,"name":157},{"@type":93,"@id":63,"url":84,"name":33,"description":94,"publisher":182,"potentialAction":183,"inLanguage":70},{"@id":96},[184],{"@type":99,"target":185,"query-input":186},{"@type":101,"urlTemplate":102},{"@type":104,"valueRequired":16,"valueName":105},{"@type":107,"@id":96,"name":33,"url":84,"logo":188,"image":189,"sameAs":190},{"@type":76,"inLanguage":70,"@id":109,"url":110,"contentUrl":110,"width":111,"height":112,"caption":33},{"@id":109},[48,115,116],1794704112107]