[{"data":1,"prerenderedAt":191},["ShallowReactive",2],{"article:reissue-digestif-whats-on-december-1-31":3,"page:48":117,"page:321":154},{"id":4,"slug":5,"title":6,"excerpt":7,"date":8,"year":9,"formattedDate":10,"typeIds":11,"typeNames":13,"wordCount":15,"isBlack":16,"image":17,"contributors":24,"contentHtml":29,"finalContentHtml":22,"creditsHtml":22,"pdfUrl":30,"vimeo":30,"contributorBios":31,"seo":36},1761,"reissue-digestif-whats-on-december-1-31","ReIssue Digestif: What’s on December 1–31","\u003Cp>Happy year’s end! Here’s our picks for what’s happening this December.\u003C\u002Fp>\n","2023-12-01T09:02:10",2023,"Dec 2023",[12],11,[14],"RI",1393,true,{"src":18,"srcset":19,"width":20,"height":21,"alt":22,"lqip":23},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F12\u002F20231201-digestif-replace.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F12\u002F20231201-digestif-replace-768x255.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F12\u002F20231201-digestif-replace.jpg 1080w",1080,358,"","data:image\u002Fwebp;base64,UklGRloAAABXRUJQVlA4IE4AAABwAwCdASogAAsAPu1iqU2ppaQiMAgBMB2JQBOmUACM4YFDRQAA\u002Fu73XsXdvMGOTqGHgh0QqKIT\u002FnQssHM2zReWhq5bTNXKvp80uH3SkAA=",[25],{"id":26,"name":27,"slug":28},1307,"ReIssue Editor","reissue-staff","\n\u003Cfigure class=\"wp-block-image size-full\">\u003Cspan class=\"lqip-wrap\" style=\"background-image:url("data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 106'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRrIAAABXRUJQVlA4IKYAAABQBACdASogAAsAPu1Ct1apoqakGAEwHYlsAKwDLBOXi9Y+sH4j4eCLDPoAAPjFlolW1ifX+PAwHUtWOKCyWM8oDMTYNJ82dgBBehukeoWlBM4P7GY7kI+sDL9mBxtlET2yheE0M9d8cwauell\u002F5UNJlvYZjCV39eSN3k7V82jcTfVyo+nI4I9J+dk2ACOt1PgXrH2a9SYmg6+z4PtswM6ENiYOc8AA'\u002F%3E%3C\u002Fsvg%3E")\">\u003Cimg loading=\"lazy\" decoding=\"async\" width=\"1080\" height=\"358\" src=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002F20231201-digestif.jpg\" alt=\"\" class=\"lqip wp-image-1775\" srcset=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002F20231201-digestif.jpg 1080w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002F20231201-digestif-768x255.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002F20231201-digestif-100x33.jpg 100w\" sizes=\"auto, (max-width: 1080px) 100vw, 1080px\" \u002F>\u003C\u002Fspan>\u003C\u002Ffigure>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cem>Welcome to year end’s \u003C\u002Fem>ReIssue Digestif\u003Cem>, a round-up of events on our radar for December. All times in PST.\u003C\u002Fem>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cem>If you are BC- or AB-based and have an exhibition, event or job posting to submit for consideration in the next Digestif, email details to editor@reissue.pub\u003C\u002Fem>\u003C\u002Fp>\n\n\n\n\u003Cfigure class=\"wp-block-image size-full\">\u003Cspan class=\"lqip-wrap\" style=\"background-image:url("data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 180'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRmQAAABXRUJQVlA4IFgAAAAwBACdASogABIAPu1qrU6ppiSiMAgBMB2JaQAAWp+FXod1nCRTPnzT5IAA\u002FvNymGE\u002Ff1X6xUzpal+pIt2RWHBaICBxuak1kj+QAhION7WxLpdQ7\u002FJWgAAA'\u002F%3E%3C\u002Fsvg%3E")\">\u003Cimg loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002Fqueef.jpg\" alt=\"\" class=\"lqip wp-image-1766\" srcset=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002Fqueef.jpg 1920w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002Fqueef-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002Fqueef-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002Fqueef-100x56.jpg 100w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \u002F>\u003C\u002Fspan>\u003Cfigcaption class=\"wp-element-caption\">Christopher Lacroix,\u003Cem> 19,000 Scanned Anal Queefs and Counting\u003C\u002Fem>\u003C\u002Ffigcaption>\u003C\u002Ffigure>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.accessgallery.ca\u002Fprogramming\u002F19000-scanned-anal-queefs-and-counting\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Christopher Lacroix: 19,000 Scanned Anal Queefs and Counting\u003C\u002Fstrong>\u003Cbr>\u003C\u002Fa>Access Gallery, 222 E Georgia St, Vancouver BC\u003Cbr>December 1–January 13, 2024, Tuesday–Saturday, 12–5pm\u003Cbr>Opening: Friday December 1, 7–9pm\u003Cbr>Free\u003Cbr>\u003Cbr>Christopher Lacroix’s solo exhibition \u003Cem>19,000 Scanned Anal Queefs and Counting \u003C\u002Fem>employs methods of representing queerness and queer sexuality that evoke the queer body without relying on its renderings. Sculpture and photography illicit and document a repeated non-gendered, queer performance. Continuing the artists practice of hybrid fetish furniture and gym equipment, the exhibition consists of a machine designed to induce and scan anal queefs. Accompanying the machine are 19,000 laser prints of the scans covering the gallery walls. Gallery visitors are encouraged to take an anal queef home.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Foxygenartcentre.org\u002Fportfolio\u002Fthe-hungry-mist\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>The Hungry Mist\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Oxygen Art Centre, #3-320 Vernon St, Nelson BC \u003Cbr>December 1–February 3, 2024, Wednesday–Saturday, 1– 5pm\u003Cbr>Opening: Friday December 1, 5pm\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Guest curator Rodrigo D’Alcântara conceived of the exhibition as a response to the global pandemic alongside the very state of collapse and acute uncertainties of life caused by the neo-colonial system. \u003Cem>The Hungry Mist (A Névoa Faminta)\u003C\u002Fem> draws on spiritual implications of the pandemic, directly alluding to an Indigenous Brazilian Guarani-Nhadeva cosmology that foresaw an invisible smoke arriving to take people’s lives. Featuring works by international artists Bento Leite (Brazil), Dyó Potyguara (Brazil), and Simon(e) Jakiriuma Paetau (Germany\u002FColombia), who look to repetitions of systemic colonial violence on bodies, the land, and our communities to contend with the present towards alternative futurities.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fartsnewwest.ca\u002Fwhats-on\u002F#!event\u002F2023\u002F12\u002F1\u002Fhowe-street-artists-open-studio-art-sale\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Open Studios and Art Sale\u003C\u002Fstrong>\u003Cbr>\u003C\u002Fa>Howe Street Studios, 265 Howe St, Vancouver BC\u003Cbr>Friday December 1, 5–9:30pm\u003Cbr>Saturday December 2, 11am–6pm\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">24+ artists from The Howe Street Studios (including the Malaspina Printermedia Residents), will open their studios as a group for this first time, two day event. Two floors of studios include installations, painting, photography, printmaking, ceramics, textiles, papermaking, woodwork, metal art and jewellery. Participating artist Include: Kelsey Grazier, Odera Igbokwe, Valerie Durant, Damla Tamer, Paige Gratland, Lucien Durey, Simon Grefiel, Tiziana La Melia, Aileen Bahmanipour, Hannamari Jalovaara, Gerri York, Sherida Charles, Janice Clements, Andrew Luktic, Miles van Yperen, Celeste Lucero Maas, Felix Rapp and others.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.sfu.ca\u002Fgalleries\u002FSFUGalleriesEvents\u002F2023\u002Fkasper-feyrer-book-launch.html\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Kasper Feyrer and Lucas Clarke Artist Talk with Book Launch\u003C\u002Fstrong>\u003Cbr>\u003C\u002Fa>Audain Gallery, 149 W Hastings St, Vancouver BC\u003Cbr>Saturday, December 2, 2–4pm\u003Cbr>Free\u003Cbr>\u003Cbr>Join artist Kasper Feyrer and SFU glassblower Lucas Clarke for a talk and tour of the exhibition, \u003Cem>Turn Toward\u003C\u002Fem>. Facilitated by SFU Galleries Curator Kristy Trinier, Feyrer and Clarke will share their experiences in creating the glass artworks for the exhibition. This event will feature the launch of Kasper Feyrer’s publication, \u003Cem>a scrapbook of popcorn\u003C\u002Fem>, co-published by SFU Galleries with Publication Studio 66B\u002FEdmonton. A limited-edition series of hand-bound publications with full colour illustrations will be available for purchase at the launch, with a black and white edition available through the Publication Studio network thereafter.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fvact.ca\u002Fwreckage-upon-wreckage\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>…wreckage upon wreckage\u003C\u002Fstrong>…\u003Cbr>\u003C\u002Fa>Morrow, #204-910 Richards St, Vancouver BC\u003Cbr>Saturday December 2, 7:47am–4:16pm\u003Cbr>Sunday December 3, 7:49am–4:15pm\u003Cbr>Tickets \u003Ca href=\"https:\u002F\u002Fwww.zeffy.com\u002Fen-CA\u002Fticketing\u002Fcd90e37e-737e-493b-a441-438077cdc6e6\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa> (PWYC)\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Created by \u003Ca href=\"https:\u002F\u002Fwakeofvultures.com\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">A Wake of Vultures\u003C\u002Fa> under the artistic leadership of Nancy Tam, \u003Cem>…wreckage upon wreckage \u003C\u002Fem>is a durational performance installation for a solo-performer accompanied by an immersive soundscape. From dawn to dusk, the performer encases her body with cling film and tape to create translucent skin-like sculpture. This process of chrysalis is repeated throughout the performance as a meditation on history, time, and the body. Audiences are welcome to come any time after the performance has started, and to stay and go as they please for the show’s entire duration.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fcommunity.admitone.com\u002Fevents\u002F65456e631d2571d7e564c34f\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>ADD – A Different Dimension\u003C\u002Fstrong>\u003Cbr>\u003C\u002Fa>The Annex, 823 Seymour St, Vancouver BC\u003Cbr>Sunday December 3, 7–10:30pm\u003Cbr>Tickets $18–$19.50 \u003Ca href=\"https:\u002F\u002Fcommunity.admitone.com\u002Fevents\u002F65456e631d2571d7e564c34f\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.flowcode.com\u002Fpage\u002Fnormiecorp\" target=\"_blank\" rel=\"noreferrer noopener\">normie corp\u003C\u002Fa> presents its first theatre production, featuring performances by six genre-breaking artists: Goo, 266sx, Turlte dreams, Almaazz, and City. Haunting vocals, sleazy beats, soothing melodies, and entrancing percussion will transport to you somewhere beyond our realm.  The show is mostly seated, with options to lay down or dance in special areas.\u003C\u002Fp>\n\n\n\n\u003Cfigure class=\"wp-block-image size-full\">\u003Cspan class=\"lqip-wrap\" style=\"background-image:url("data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 180'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRoAAAABXRUJQVlA4IHQAAABQBACdASogABIAPu1or1CppaSiqAqpMB2JZQC7ISABhHzZQk\u002Fg6qnoesNAAP7uhJOQg0II0Sz3FlZc3XIbaQaQnURUoann+KbbDQTwl5HpwC5FEs31DcMdgkdUUZHz3TqidUqn+W4ZbEnFnEkU20D0YSVQAA=='\u002F%3E%3C\u002Fsvg%3E")\">\u003Cimg loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002Forlando.jpg\" alt=\"\" class=\"lqip wp-image-1776\" srcset=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002Forlando.jpg 1920w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002Forlando-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002Forlando-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002Forlando-100x56.jpg 100w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \u002F>\u003C\u002Fspan>\u003Cfigcaption class=\"wp-element-caption\">\u003Cem>Orlando, My Political Biography \u003C\u002Fem>(2023; The Party Film Sales), digital\u003C\u002Ffigcaption>\u003C\u002Ffigure>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>\u003Ca href=\"https:\u002F\u002Fviff.org\u002Fwhats-on\u002Forlando-my-political-biography\u002F#book\" target=\"_blank\" rel=\"noreferrer noopener\">Orlando, My Political Biography\u003C\u002Fa>\u003C\u002Fstrong>\u003Cbr>Vancity Theatre, 1181 Seymour St, Vancouver BC\u003Cbr>Tuesday December 5 and Wednesday December 6\u003Cbr>Tickets and showtimes \u003Ca href=\"https:\u002F\u002Fviff.org\u002Fwhats-on\u002Forlando-my-political-biography\u002F#book\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Taking inspiration from Virginia Woolf’s \u003Cem>Orlando\u003C\u002Fem>, writer and theorist Paul B. Preciado uses the nearly 100 year-old novel as a framework to investigate the contemporary struggles of trans and non-binary people. Blurring the borders between fiction and documentary, the film addresses issues of gender dysphoria, gender affirming surgery, the political construct of gender in society, and the bureaucracy that surrounds legal gender markers. Winner of the Teddy Award and Encounters Jury Prize at the 2023 Berlin Film Festival.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>\u003Ca href=\"https:\u002F\u002Fwww.ecuad.ca\u002Fevents\u002Fartist-talk-ts%C4%93m%C4%81-igharas-with-rita-wong\" target=\"_blank\" rel=\"noreferrer noopener\">Artist Talk: Tsēmā Igharas with Rita Wong\u003C\u002Fa>\u003C\u002Fstrong>\u003Cbr>Aboriginal Gathering Place, Emily Carr University, 520 E 1st Ave, Vancouver BC\u003Cbr>Wednesday December 6, 1–2:30pm\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">The Libby Leshgold Gallery presents a conversation in conjunction with Misc. Activities Collective’s site-specific work, \u003Cem>drift\u003C\u002Fem>, currently showing on the Emily Carr University Urban Screen. Faculty member Rita Wong will sit down with Misc. Activities Collective’s Tsēmā Igharas in ECU’s Aboriginal Gathering Place to discuss \u003Cem>drift\u003C\u002Fem>’s call to examine our relationship with water and its relationship to the rapidly changing land. \u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fcagvancouver.org\u002Fevent\u002Ftimelines-talk-justine-a-chambers-and-vanessa-kwan\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Timeline Talks: crying at work (a score for the future)\u003C\u002Fstrong>\u003Cbr>\u003C\u002Fa>Western Front, 303 E 8th Ave, Vancouver BC\u003Cbr>Thursday December 7, 7:30pm\u003Cbr>Free, register \u003Ca href=\"https:\u002F\u002Fwww.eventbrite.ca\u002Fe\u002Ftimelines-talk-justine-a-chambers-vanessa-kwan-tickets-754078377727\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">In the third and final instalment of the Contemporary Art Gallery’s \u003Cem>Timelines Talks\u003C\u002Fem>, artists and cultural workers Justine A. Chambers and Vanessa Kwan will present \u003Cem>crying at work (a score for the future)\u003C\u002Fem>, a dialogue that considers how we might adapt to, address, embrace, and inhabit the future ahead. Programmed as part of the gallery’s forthcoming \u003Cem>Timelines\u003C\u002Fem> project, \u003Cem>Timelines Talks\u003C\u002Fem> is a series of talks and conversations that invite open reflection on the future of “Vancouver.”\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fnewforms.ca\u002FTransform\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Transform\u003C\u002Fstrong>\u003Cbr>\u003C\u002Fa>KW Studios, #10–11 W Hastings St, Vancouver BC\u003Cbr>Friday December 8 and Saturday December 9, 9pm–late\u003Cbr>Tickets, passes, and set times \u003Ca href=\"https:\u002F\u002Fnewforms.ca\u002FTickets\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">New Forms Festival, Acceleration Radio, and Fromlife are partnering to host a two-day festival network of generative art, raves, and immersive music. The KW atrium will host DJ sets along with unique visuals and instrumental textures, while the production studio below will host a series of radical live performances. Highlights include lush generative visuals from \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fephemeral.objects\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">Ephemeral Objects\u003C\u002Fa>, and epic sets by \u003Ca href=\"https:\u002F\u002Fpreciousmetalsx.bandcamp.com\u002Falbum\u002Fsot-wa-sada\" target=\"_blank\" rel=\"noreferrer noopener\">Almaazz\u003C\u002Fa>, \u003Ca href=\"https:\u002F\u002Fwww.cdiab.com\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">C. Diab\u003C\u002Fa>, \u003Ca href=\"https:\u002F\u002Fjairussharif.bandcamp.com\u002Falbum\u002Fwater-tools\" target=\"_blank\" rel=\"noreferrer noopener\">Jarius Sharif\u003C\u002Fa> & \u003Ca href=\"https:\u002F\u002Fpseudolaboratories.bandcamp.com\u002Falbum\u002Fif-i-were-a-dance\" target=\"_blank\" rel=\"noreferrer noopener\">Mustafa Rafiq\u003C\u002Fa>.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.griffinartprojects.ca\u002Fcombine\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>COMBINE Art Fair\u003C\u002Fstrong>\u003Cbr>\u003C\u002Fa>Griffin Art Projects, 1180 Welch St, North Vancouver BC\u003Cbr>Friday December 8, 7–10pm\u003Cbr>Saturday December 9 & Sunday December 10, 11am–6pm\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Griffin Art Projects presents a weekend art fair held in its residency space. The third edition presents a collaboratively curated presentation between Monica Reyes Gallery, Unit 17, WAAP, Pale Fire Projects, and Royale Projects to bring together works by Annie Briard, Christian Vistan, Ani Schulze, Maru Aponte, and Ed Moses, respectively.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>\u003Ca href=\"https:\u002F\u002Ftalonbooks.com\u002Fevents\u002Fa-dream-in-the-eye-the-complete-paintings-and-collages-of-phyllis-webb-launch\" target=\"_blank\" rel=\"noreferrer noopener\">A Dream in the Eye\u003C\u002Fa>\u003C\u002Fstrong>\u003Cbr>Pale Fire Gallery, 866 E Broadway, Vancouver BC\u003Cbr>Saturday December 9, 7–10pm\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cem>\u003Ca href=\"https:\u002F\u002Ftalonbooks.com\u002Fbooks\u002Fa-dream-in-the-eye\" target=\"_blank\" rel=\"noreferrer noopener\">A Dream in the Eye: The Complete Paintings and Collages of Phyllis Webb\u003C\u002Fa>\u003C\u002Fem> (Talonbooks) by Phyllis Webb and edited by Stephen Collis will be launched with readings by Collis, Hayes, and Rahat Kurd. \u003Cem>A Dream in the Eye\u003C\u002Fem> presents the paintings and photocollages of poet Phyllis Webb, a major Canadian cultural figure from the ’50s–’80s. Webb published ten collections of poetry and prose and co-founded the CBC Radio program\u003Cem> Ideas\u003C\u002Fem>. Webb’s visual work in many ways responds to and expands upon concerns that she explored in her poetry: the natural world of the West Coast, global political strife, the artist’s struggle to express themself.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fthecinematheque.ca\u002Ffilms\u002F2023\u002Fall-that-heaven-allows\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>All That Heaven Allows\u003C\u002Fstrong>\u003Cbr>\u003C\u002Fa>The Cinematheque, 1131 Howe St, Vancouver BC\u003Cbr>December 15, 23, and 28\u003Cbr>Tickets and showtimes \u003Ca href=\"https:\u002F\u002Fthecinematheque.ca\u002Ffilms\u002F2023\u002Fall-that-heaven-allows\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Such is the influence of Douglas Sirk’s glossy, glorious melodrama that the film has twice been remade by notable Sirk acolytes: first by R.W. Fassbinder as \u003Cem>Ali: Fear Eats the Soul\u003C\u002Fem> (1973); then by Todd Haynes as \u003Cem>Far from Heaven \u003C\u002Fem>(2002). The iconic original stars Jane Wyman as a middle-class, middle-aged widow whose love affair with her younger, ​“bohemian” gardener (Rock Hudson) scandalizes her class-conscious family and friends.\u003C\u002Fp>\n\n\n\n\u003Cdiv style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\">\u003C\u002Fdiv>\n\n\n\n\u003Ch3 class=\"wp-block-heading\">\u003Cem>Calls\u003C\u002Fem>\u003C\u002Fh3>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.griffinartprojects.ca\u002Fresidency-opportunities\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>BIPOC Studio Art Award\u003C\u002Fstrong>\u003C\u002Fa>, Griffin Art Projects (North Vancouver, BC)\u003Cbr>Deadline: December 4\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Foxygenartcentre.org\u002Fportfolio\u002Fcall-for-proposals\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Artists and Art Facilitators for Youth Art Retreat\u003C\u002Fstrong>\u003C\u002Fa>, Oxygen Art Centre, (Nelson, BC)\u003Cbr>Deadline: December 8\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.surrey.ca\u002Farts-culture\u002Fcommunity-art\u002Fcrescent-beach-pop-gallery\u002Fcrescent-beach-pop-gallery-artist-call\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Crescent Beach Pop-Up Gallery\u003C\u002Fstrong>\u003C\u002Fa>, Crescent Beach (Surrey, BC)\u003Cbr>Deadline: December 13\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fcentrea.org\u002Fprograms-events\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Centre A Beer Label Design Campaign\u003C\u002Fstrong>\u003C\u002Fa>, Centre A (Vancouver, BC)\u003Cbr>Deadline: December 15\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.mpcas.ca\u002Fparticipate\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Call for screen-based work\u003C\u002Fstrong>\u003C\u002Fa>, Mount Pleasant Community Screen (Vancouver, BC)\u003Cbr>Deadline: January 12, 2024\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.alternatorcentre.com\u002Fsubmit-main-project-gallery\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>2025 Call for Submissions (Exhibitions)\u003C\u002Fstrong>\u003C\u002Fa>, Alternator Centre for Contemporary Art (Kelowna, BC)\u003Cbr>Deadline: March 18, 2024\u003C\u002Fp>\n\n\n\n\u003Cdiv style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\">\u003C\u002Fdiv>\n",null,[32],{"id":26,"slug":28,"name":27,"firstName":33,"lastName":34,"bioHtml":35},"ReIssue","Editor","\n\u003Cp class=\"has-text-align-center wp-block-paragraph\">🎨\u003C\u002Fp>\n",{"title":37,"robots":38,"og_locale":44,"og_type":45,"og_title":37,"og_description":46,"og_url":47,"og_site_name":33,"article_publisher":48,"article_modified_time":49,"og_image":50,"twitter_card":53,"twitter_site":54,"twitter_misc":55,"schema":57},"ReIssue Digestif: What's on December 1–31 - ReIssue",{"index":39,"follow":40,"max-snippet":41,"max-image-preview":42,"max-video-preview":43},"noindex","follow","max-snippet:-1","max-image-preview:large","max-video-preview:-1","en_US","article","Happy year's end! Here's our picks for what's happening this December.","https:\u002F\u002Freissue.pub\u002Farticles\u002Freissue-digestif-whats-on-december-1-31\u002F","https:\u002F\u002Fwww.facebook.com\u002Freissue.pub\u002F","2023-12-18T21:00:35+00:00",[51],{"width":20,"height":21,"url":18,"type":52},"image\u002Fjpeg","summary_large_image","@reissuepub",{"Est. reading time":56},"8 minutes",{"@context":58,"@graph":59},"https:\u002F\u002Fschema.org",[60,75,77,92,106],{"@type":61,"@id":47,"url":47,"name":37,"isPartOf":62,"primaryImageOfPage":64,"image":66,"thumbnailUrl":18,"datePublished":67,"dateModified":49,"breadcrumb":68,"inLanguage":70,"potentialAction":71},"WebPage",{"@id":63},"https:\u002F\u002Freissue.pub\u002F#website",{"@id":65},"https:\u002F\u002Freissue.pub\u002Farticles\u002Freissue-digestif-whats-on-december-1-31\u002F#primaryimage",{"@id":65},"2023-12-01T17:02:10+00:00",{"@id":69},"https:\u002F\u002Freissue.pub\u002Farticles\u002Freissue-digestif-whats-on-december-1-31\u002F#breadcrumb","en-US",[72],{"@type":73,"target":74},"ReadAction",[47],{"@type":76,"inLanguage":70,"@id":65,"url":18,"contentUrl":18,"width":20,"height":21},"ImageObject",{"@type":78,"@id":69,"itemListElement":79},"BreadcrumbList",[80,85,89],{"@type":81,"position":82,"name":83,"item":84},"ListItem",1,"Home","https:\u002F\u002Freissue.pub\u002F",{"@type":81,"position":86,"name":87,"item":88},2,"Articles","https:\u002F\u002Freissue.pub\u002Farticles\u002F",{"@type":81,"position":90,"name":91},3,"ReIssue Digestif: What’s on December 1–31",{"@type":93,"@id":63,"url":84,"name":33,"description":94,"publisher":95,"potentialAction":97,"inLanguage":70},"WebSite","critical discourse for experimental art practices",{"@id":96},"https:\u002F\u002Freissue.pub\u002F#organization",[98],{"@type":99,"target":100,"query-input":103},"SearchAction",{"@type":101,"urlTemplate":102},"EntryPoint","https:\u002F\u002Freissue.pub\u002F?s={search_term_string}",{"@type":104,"valueRequired":16,"valueName":105},"PropertyValueSpecification","search_term_string",{"@type":107,"@id":96,"name":33,"url":84,"logo":108,"image":113,"sameAs":114},"Organization",{"@type":76,"inLanguage":70,"@id":109,"url":110,"contentUrl":110,"width":111,"height":112,"caption":33},"https:\u002F\u002Freissue.pub\u002F#\u002Fschema\u002Flogo\u002Fimage\u002F","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F06\u002Freissue_logo.jpg",1920,1118,{"@id":109},[48,115,116],"https:\u002F\u002Fx.com\u002Freissuepub","https:\u002F\u002Fwww.instagram.com\u002Freissue.pub\u002F",{"id":118,"slug":119,"title":83,"contentHtml":22,"acf":120,"backgroundBlur":124,"seo":125},48,"home",{"background_image":121,"isBlack":122,"header_text":123},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2026\u002F11\u002Fdaisy_reissue_2.jpg",false,"ReIssue: art and criticism in \u003Cbr>\r\nthe cosmos of cultural production","url(\"data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 213'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRoIAAABXRUJQVlA4IHYAAADwBACdASogABUAPu1qqlEppaOiqAqpMB2JZwAAKf0c+TYjyG8vhTeRaShCpli8uAAA\u002FnFf8QBzP1T7FqMQfN+5P0sEZp4TM\u002FtvUeu\u002F6PKH+GHrebLLz8IW4Q6wQ5kHZO6aqggnKrdkv+u62izeOgqi4jMyAAAA'\u002F%3E%3C\u002Fsvg%3E\")",{"title":126,"robots":127,"og_locale":44,"og_type":45,"og_title":126,"og_url":128,"og_site_name":33,"article_publisher":48,"article_modified_time":129,"twitter_card":53,"twitter_site":54,"schema":130},"Home - ReIssue",{"index":39,"follow":40,"max-snippet":41,"max-image-preview":42,"max-video-preview":43},"https:\u002F\u002Freissue.pub\u002Fhome\u002F","2026-11-14T21:58:11+00:00",{"@context":58,"@graph":131},[132,140,144,150],{"@type":61,"@id":128,"url":128,"name":126,"isPartOf":133,"datePublished":134,"dateModified":129,"breadcrumb":135,"inLanguage":70,"potentialAction":137},{"@id":63},"2018-04-21T23:04:08+00:00",{"@id":136},"https:\u002F\u002Freissue.pub\u002Fhome\u002F#breadcrumb",[138],{"@type":73,"target":139},[128],{"@type":78,"@id":136,"itemListElement":141},[142,143],{"@type":81,"position":82,"name":83,"item":84},{"@type":81,"position":86,"name":83},{"@type":93,"@id":63,"url":84,"name":33,"description":94,"publisher":145,"potentialAction":146,"inLanguage":70},{"@id":96},[147],{"@type":99,"target":148,"query-input":149},{"@type":101,"urlTemplate":102},{"@type":104,"valueRequired":16,"valueName":105},{"@type":107,"@id":96,"name":33,"url":84,"logo":151,"image":152,"sameAs":153},{"@type":76,"inLanguage":70,"@id":109,"url":110,"contentUrl":110,"width":111,"height":112,"caption":33},{"@id":109},[48,115,116],{"id":155,"slug":156,"title":157,"contentHtml":158,"acf":122,"backgroundBlur":30,"seo":159},321,"subscription-banner","Subscription Banner","\n\u003Cp class=\"wp-block-paragraph\">ReIssue is unfunded, wild and free. Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">To donate, contact: \u003Ca href=\"mailto:editor@reissue.pub\" rel=\"nofollow\">editor@reissue.pub\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Sign up for our email newsletter\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003C\u002Fp>\n",{"title":160,"robots":161,"og_locale":44,"og_type":45,"og_title":160,"og_description":162,"og_url":163,"og_site_name":33,"article_publisher":48,"article_modified_time":164,"twitter_card":53,"twitter_site":54,"twitter_misc":165,"schema":167},"Subscription Banner - ReIssue",{"index":39,"follow":40,"max-snippet":41,"max-image-preview":42,"max-video-preview":43},"ReIssue is unfunded, wild and free. Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance. To donate, contact: editor@reissue.pub Sign up for our email newsletter","https:\u002F\u002Freissue.pub\u002Fsubscription-banner\u002F","2026-11-13T20:28:08+00:00",{"Est. reading time":166},"1 minute",{"@context":58,"@graph":168},[169,177,181,187],{"@type":61,"@id":163,"url":163,"name":160,"isPartOf":170,"datePublished":171,"dateModified":164,"breadcrumb":172,"inLanguage":70,"potentialAction":174},{"@id":63},"2020-12-15T23:44:21+00:00",{"@id":173},"https:\u002F\u002Freissue.pub\u002Fsubscription-banner\u002F#breadcrumb",[175],{"@type":73,"target":176},[163],{"@type":78,"@id":173,"itemListElement":178},[179,180],{"@type":81,"position":82,"name":83,"item":84},{"@type":81,"position":86,"name":157},{"@type":93,"@id":63,"url":84,"name":33,"description":94,"publisher":182,"potentialAction":183,"inLanguage":70},{"@id":96},[184],{"@type":99,"target":185,"query-input":186},{"@type":101,"urlTemplate":102},{"@type":104,"valueRequired":16,"valueName":105},{"@type":107,"@id":96,"name":33,"url":84,"logo":188,"image":189,"sameAs":190},{"@type":76,"inLanguage":70,"@id":109,"url":110,"contentUrl":110,"width":111,"height":112,"caption":33},{"@id":109},[48,115,116],1794704112802]