[{"data":1,"prerenderedAt":191},["ShallowReactive",2],{"article:reissue-digestif-whats-on-february-1-14-2":3,"page:48":118,"page:321":154},{"id":4,"slug":5,"title":6,"excerpt":7,"date":8,"year":9,"formattedDate":10,"typeIds":11,"typeNames":13,"wordCount":15,"isBlack":16,"image":17,"contributors":24,"contentHtml":29,"finalContentHtml":22,"creditsHtml":22,"pdfUrl":30,"vimeo":30,"contributorBios":31,"seo":36},1890,"reissue-digestif-whats-on-february-1-14-2","ReIssue Digestif: What’s on February 1–14","\u003Cp>Here’s our picks for what’s happening February 1–14.\u003C\u002Fp>\n","2024-02-01T09:28:53",2024,"Feb 2024",[12],11,[14],"RI",1446,false,{"src":18,"srcset":19,"width":20,"height":21,"alt":22,"lqip":23},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F01\u002F20240201-digestifsplash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F01\u002F20240201-digestifsplash-768x255.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F01\u002F20240201-digestifsplash.jpg 1080w",1080,358,"","data:image\u002Fwebp;base64,UklGRmIAAABXRUJQVlA4IFYAAACwAwCdASogAAsAPu1kqk4ppaQiMAgBMB2JZgCdACHhSgOkJCWAAAD+8NUamnrPC0\u002FLr2DOeVsoJ\u002FUCma4jc9gQCZRDMn7TvibieKA9daBZ9EWtrAAAAA==",[25],{"id":26,"name":27,"slug":28},1307,"ReIssue Editor","reissue-staff","\n\u003Cfigure class=\"wp-block-image size-full is-resized\">\u003Cspan class=\"lqip-wrap\" style=\"background-image:url("data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 106'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRtQAAABXRUJQVlA4IMgAAABwBACdASogAAsAPu1iqU2ppaQiMAgBMB2JYgAEQV8YR2pNDixBCoRodYwQeAD+0fMeMMjZZPn6HP33SrV8zVyxm2almq8hMnEXo2GjoY99uTF6WtpKOJt9iR0+irVJJbrnwrFv\u002F0G8wVNqb4hNGpCtc3973QfPe3muU0rEv07q9puTkwEEx7TwTPfyrMvV4O+\u002FH+mn0hvM9bvTfXeJr+pE9JD\u002Fswyi39Lqn+y6WVvBun5GekMFeqhL+em9zsvmxYfArEPxkFMIAA=='\u002F%3E%3C\u002Fsvg%3E")\">\u003Cimg loading=\"lazy\" decoding=\"async\" width=\"1080\" height=\"358\" src=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F12\u002F20240201digestif.jpg\" alt=\"\" class=\"lqip wp-image-1865\" style=\"aspect-ratio:3.016759776536313;width:840px;height:auto\" srcset=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F12\u002F20240201digestif.jpg 1080w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F12\u002F20240201digestif-768x255.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F12\u002F20240201digestif-100x33.jpg 100w\" sizes=\"auto, (max-width: 1080px) 100vw, 1080px\" \u002F>\u003C\u002Fspan>\u003C\u002Ffigure>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cem>Welcome to ReIssue Digestif, a bi-weekly-ish round-up of events on our radar. All times in PST.\u003C\u002Fem>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cem>If you are BC- or AB-based and have an exhibition, event or call-for-submissions posting to submit for consideration in the next Digestif (February 15–29th), email details to editor@reissue.pub\u003C\u002Fem>\u003C\u002Fp>\n\n\n\n\u003Cfigure class=\"wp-block-image size-full\">\u003Cspan class=\"lqip-wrap\" style=\"background-image:url("data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 180'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRogAAABXRUJQVlA4IHwAAABwBACdASogABIAPu1irFAppSQjMBgIATAdiWkAA+Q7LvxlSgF3i\u002Fu5rnF5SAD+83j0gBM2HVdOY5zYaE68zI39kxwISZmk9K5aLwZI3gfi1g2Muv1t6H7\u002F5PpWYvPVaTBEfPu6OTYw7J7BXyq12r90PjxmI0uG0tgAjAAA'\u002F%3E%3C\u002Fsvg%3E")\">\u003Cimg loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F02\u002Fmaureen-web.jpg\" alt=\"\" class=\"lqip wp-image-1907\" srcset=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F02\u002Fmaureen-web.jpg 1920w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F02\u002Fmaureen-web-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F02\u002Fmaureen-web-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F02\u002Fmaureen-web-100x56.jpg 100w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \u002F>\u003C\u002Fspan>\u003Cfigcaption class=\"wp-element-caption\">\u003Cem>Maureen Gruben: The land that used to be\u003C\u002Fem>\u003C\u002Ffigcaption>\u003C\u002Ffigure>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>\u003Ca href=\"https:\u002F\u002Fcagvancouver.org\u002Fexhibition\u002Fmaureen-gruben-the-land-that-used-to-be\" target=\"_blank\" rel=\"noreferrer noopener\">Maureen Gruben: The land that used to be\u003C\u002Fa>\u003C\u002Fstrong>\u003Cbr>Contemporary Art Gallery, 555 Nelson St, Vancouver BC\u003Cbr>February 2–May 5, Tuesday–Sunday 12–6pm\u003Cbr>Opening: Thursday February 1, 7–9pm\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Land is fundamental to the work of Tuktoyaktuk-based artist Maureen Gruben. Often drawing on the intimacy of the handmade, Gruben’s work balances the vastness of tundra with the scales at which its inhabitants live with it. This exhibition features the new installation\u003Cem> Qikuryuaq (Clay Hills)\u003C\u002Fem>, comprised of approximately 1000 clay beads, prepared by Gruben with the help of family and community members. The number of beads corresponds to Tuktoyaktuk’s population, while the clay they are made from, sourced from nearby shores, alludes to the material erosion of its shorelines, which has reached a state of emergency. \u003Cem>Qikuryuaq\u003C\u002Fem> is accompanied by two works depicting handmade sleds. Together, the works echo the aspiration of the exhibition to, in the artist’s words, “hold the land a little bit longer before it is gone.”\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>\u003Ca href=\"https:\u002F\u002Fcagvancouver.org\u002Fexhibition\u002Fdiane-severin-nguyen\" target=\"_blank\" rel=\"noreferrer noopener\">Diane Severin Nguyen: If I hadn’t created my own world, I would have died in someone else’s\u003C\u002Fa>\u003C\u002Fstrong>\u003Cbr>Contemporary Art Gallery, 555 Nelson St, Vancouver BC\u003Cbr>February 2–May 5, Tuesday–Sunday 12–6pm\u003Cbr>Opening: Thursday February 1, 7–9pm\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Across her moving image work, Nguyen depicts characters driven to express the enigmatic truths of their existence. At the CAG, Nguyen presents\u003Cem> In Her Time (Iris’ Version)\u003C\u002Fem>, a new edit of her 2023 feature-length film \u003Cem>In Her Time\u003C\u002Fem>. Set amid the outsized period sets of Hengdian World Studios, the largest film studio in Asia, the film follows Iris, a young actress searching for her voice as she prepares for a leading role in a Chinese historical epic. This introduces new content shot from Iris’ iPhone camera, intercutting the “official” footage with reflections on the filmmaking process from the actress’ perspective.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.burnaby.ca\u002Frecreation-and-arts\u002Farts-and-culture-facilities\u002Fburnaby-art-gallery\u002Fexhibitions\u002Froy-henry-vickers\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Roy Henry Vickers\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Burnaby Art Gallery, 6344 Deer Lake Avenue, Burnaby BC\u003Cbr>February 2–April 21, gallery hours \u003Ca href=\"https:\u002F\u002Fwww.burnaby.ca\u002Frecreation-and-arts\u002Farts-and-culture-facilities\u002Fburnaby-art-gallery\u002Fexhibitions\u002Froy-henry-vickers\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>\u003Cbr>Opening: Thursday February 1, 7–9pm\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">This exhibition surveys the extensive printmaking practice of Roy Henry Vickers. Born in the northern village of Lax̱g̱altsʼap (Greenville), Vickers has spent a lifetime drawing inspiration from the Gitxsan, Wet’suwet’en, Gitxaala, Tla-o-qui-aht, and Lkwungen traditional territories he has called home. Practicing over six decades, Vickers has completed dozens of significant carved works and totem poles, advised on numerous major projects including YVR Airport, and is the author of more than 10 illustrated books. His work can be found in private and public art collections around the world.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fnanaimoartgallery.ca\u002Fexhibition\u002Fstories-that-animate-us\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Stories that animate us\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Nanaimo Art Gallery, 150 Commercial St, Nanaimo BC\u003Cbr>February 3–April 7, gallery hours \u003Ca href=\"https:\u002F\u002Fnanaimoartgallery.ca\u002Fexhibition\u002Fstories-that-animate-us\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>\u003Cbr>Opening: Friday February 2, 7–9pm\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Storytelling — its scope and significance — lies at the heart of this group exhibition, featuring works by Osvaldo Ramirez Castillo, Robert Davidson, Francisco de Goya, Jérôme Havre, David Hockey, Ed Pien, Marina Roy, Cauleen Smith, Amanda Strong, Camille Turner, and Joyce Wieland and the Royal Art Lodge. Oral histories, knowledge systems and cosmologies, as well as personal memories, imaginings and dreams, are highlighted in a rich selection of works on paper and animations. Whether evoking the spirit world, creating fictional tales or endeavouring to make sense of historical and current events, the featured artists vividly reflect on such themes as culture, community, memory, death and identity in order to speak to the past, present and future. Curated by Diana Freundi and Zoë Chan.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>\u003Ca href=\"https:\u002F\u002Fwww.showpass.com\u002Fora-cogan-with-hope-city-waters-and-actual-human-people\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">Ora Cogan, Hope City Waters, and actual human people\u003C\u002Fa>\u003C\u002Fstrong>\u003Cbr>Victoria Event Centre, 1415 Broad St, Victoria BC\u003Cbr>Saturday February 3, doors 8pm (19+)\u003Cbr>Tickets \u003Ca href=\"https:\u002F\u002Fwww.showpass.com\u002Fora-cogan-with-hope-city-waters-and-actual-human-people\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa> or at the door ($10 general admission\u002F$5 student)\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Factualhumanpeople.bandcamp.com\u002Ftrack\u002Fhandle-with-care\" target=\"_blank\" rel=\"noreferrer noopener\">Ora Cogan\u003C\u002Fa>‘s approach to gothic country merges with post-punk, psych-rock and traditional balladry. Known for her singular voice and cinematic compositions, she has collaborated with a multitude of artists while touring extensively throughout Europe & North America, sharing the stage with the likes of Grouper & Mazzy Star. Her recent album, \u003Cem>Formless\u003C\u002Fem>, came out to critical acclaim in 2023. With support with local indie-folk bands, \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fhopecitywaters\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">Hope City Waters\u003C\u002Fa> and \u003Ca href=\"https:\u002F\u002Flinktr.ee\u002Factualhumanpeople\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">actual human people\u003C\u002Fa>.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fthecinematheque.ca\u002Ffilms\u002F2023\u002Ftheres-a-hole-in-the-sky\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>There’s a Hole in the Sky\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>The Cinematheque, 1131 Howe St, Vancouver BC\u003Cbr>Wednesday February 7, 7pm\u003Cbr>Tickets \u003Ca href=\"https:\u002F\u002Fthecinematheque.ca\u002Ffilms\u002F2023\u002Ftheres-a-hole-in-the-sky\">here\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">This double bill features Helen Cammock’s \u003Cem>There’s a Hole in the Sky Part I\u003C\u002Fem> (2016) and Black Audio Film Collective’s \u003Cem>Twilight City \u003C\u002Fem>(1989). Cammock’s short travels inland from the shore, as the narrator — always speaking in the first person, whether as herself or as the embodiment of other voices — searches for the last vestiges of a colonial project in freefall. In\u003Cem> Twilight City\u003C\u002Fem>, archival material is set to interviews with a diverse group of academics and activists (including Vancouver’s former city planner Andy Coupland), dream sequences, and footage of the city, captured by a fictional journalist who describes what she sees in a letter to her long-absent mother. Broadcasted two years into Margaret Thatcher’s third term, the film is a “profound meditation on Lon­don and on the city, on being black, on the savagery unleashed by the Thatcher government, on exile and on abandonment” (\u003Ca href=\"https:\u002F\u002Fwww.documentary.org\u002Ffeature\u002Ftwilight-city-black-audio-film-collectives-new-release\" target=\"_blank\" rel=\"noreferrer noopener\">Dan Marks\u003C\u002Fa>, International Documentary Association).\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fevents.sfu.ca\u002Fvoce\u002Fevent\u002F38804-alberto-toscano-late-fascism\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Alberto Toscano: Late Fascism\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Djavad Mowafaghian World Art Centre, SFU Goldcorp Centre for the Arts, 149 W Hastings St, Vancouver BC\u003Cbr>Thursday February 8, 5pm\u003Cbr>Free, register \u003Ca href=\"https:\u002F\u002Fwww.eventbrite.ca\u002Fe\u002Falberto-toscano-late-fascism-tickets-803467792797\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Social theorist and philosopher Alberto Toscano will present on his major new book,\u003Cem> \u003Ca href=\"https:\u002F\u002Fwww.versobooks.com\u002Fen-gb\u002Fproducts\u002F2627-late-fascism\" target=\"_blank\" rel=\"noreferrer noopener\">Late Fascism: Race, Capitalism and the Politics of Crisis\u003C\u002Fa>\u003C\u002Fem>, highlighting the continued and necessary development of ongoing anti-fascist thought and organization. Toscano will be in dialogue with Gastón Gordillo, Lisa Lowe, and Jordy Rosenberg with Q&A moderation by Am Johal.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.surrey.ca\u002Fnews-events\u002Fevents\u002Fwinter-opening-and-panel-discussion\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Winter Opening & Panel Discussion\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Surrey Art Gallery, 13750 88 Ave, Surrey BC\u003Cbr>Friday February 9, 6:30–9pm\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">This evening is centred around an artist talk for the group exhibition, \u003Ca href=\"https:\u002F\u002Fwww.surrey.ca\u002Farts-culture\u002Fsurrey-art-gallery\u002Fexhibitions\u002Funtangling-uncovering-undoing\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cem>un\u002Ftangling, un\u002Fcovering, un\u002Fdoing\u003C\u002Fem>\u003C\u002Fa>\u003Cem>. \u003C\u002Fem>Exhibiting artists Becky Bair, Wally Dion, and Claire Yow will be in discussion with curator Suvi Bains, followed by a poetry performance by Natasha Klanipour and music by DJ Hafi. \u003Cem>un\u002Ftangling, un\u002Fcovering, un\u002Fdoing\u003C\u002Fem> runs until March 17.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Artist Josh Hite’s solo exhibition, \u003Ca href=\"https:\u002F\u002Fwww.surrey.ca\u002Farts-culture\u002Fsurrey-art-gallery\u002Fexhibitions\u002Fjosh-hite-vista\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cem>A Vista\u003C\u002Fem>\u003C\u002Fa>, and the group exhibition \u003Ca href=\"https:\u002F\u002Fwww.surrey.ca\u002Farts-culture\u002Fsurrey-art-gallery\u002Fexhibitions\u002Fart-surrey-elementary-school-students\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cem>Art by Surrey Elementary School Students\u003C\u002Fem>\u003C\u002Fa> will also be on view, both running until April 21.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fp\u002FC1uyrpUPgX5\u002F?hl=en\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Woolworm, Sun Spots, Bug Bath, Blimp\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Green Auto, 1822 Pandora St, Vancouver BC\u003Cbr>Friday February 9, doors 7pm\u003Cbr>Tickets \u003Ca href=\"https:\u002F\u002Fwww.eventbrite.com\u002Fe\u002Fwoolworm-sun-spots-bug-back-blimp-tickets-791457268997?aff=oddtdtcreator\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa> or $15 at the door\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Soak in the feedback: check out local rockers \u003Ca href=\"https:\u002F\u002Fwoolworm.bandcamp.com\u002Falbum\u002Fbangs\" target=\"_blank\" rel=\"noreferrer noopener\">Woolworm\u003C\u002Fa> and \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fdeathbyblimp\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">Blimp\u003C\u002Fa>, with touring bands \u003Ca href=\"https:\u002F\u002Fsunspotsaltrock.bandcamp.com\u002Falbum\u002Floosey-ep\" target=\"_blank\" rel=\"noreferrer noopener\">Sun Spots \u003C\u002Fa>(Seattle, WA) and \u003Ca href=\"https:\u002F\u002Fbugbath.bandcamp.com\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">Bug Bath\u003C\u002Fa> (Reno, NV).\u003C\u002Fp>\n\n\n\n\u003Cfigure class=\"wp-block-image size-full is-resized\">\u003Cspan class=\"lqip-wrap\" style=\"background-image:url("data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 180'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRqgAAABXRUJQVlA4IJwAAAAQBQCdASogABIAPuVio02pJaMiMAwBIByJaACdMt8CPccYa9OfmHVaFM5HtEpbwCHAAMP\u002FhkNVXOWH7KZs2bq7463nfjmCLMd7b46rqfn+7i6I8E4PiR2Chsr+oNzKCwAhOQicVmozdaIqpQ6sPCzC35Q+lyTSKM4jzYc87iMRSSFiuwUwGuOhp2Rwp2zgXr9ihI4gIQm4hElNJAA='\u002F%3E%3C\u002Fsvg%3E")\">\u003Cimg loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F02\u002Felectricgaza-web.jpg\" alt=\"\" class=\"lqip wp-image-1906\" style=\"width:840px;height:auto\" srcset=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F02\u002Felectricgaza-web.jpg 1920w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F02\u002Felectricgaza-web-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F02\u002Felectricgaza-web-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F02\u002Felectricgaza-web-100x56.jpg 100w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \u002F>\u003C\u002Fspan>\u003Cfigcaption class=\"wp-element-caption\">Rosalind Nashashibi, \u003Cem>Electric Gaza\u003C\u002Fem> (2015)\u003C\u002Ffigcaption>\u003C\u002Ffigure>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.sfu.ca\u002Fsca\u002Fevents---news\u002Fevents\u002Fforms-of-resistance--screening---discussion.html\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Forms of Resistance: Screening & Discussion⁠\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Djavad Mowafaghian World Art Centre⁠, SFU Goldcorp Centre for the Arts⁠, 149 W Hastings St, Vancouver⁠ BC\u003Cbr>Saturday February 10, 7pm (doors 6:30pm)\u003Cbr>Free, RSVP \u003Ca href=\"https:\u002F\u002Fwww.eventbrite.ca\u002Fe\u002Fforms-of-resistance-screening-discussion-tickets-808237709747?aff=oddtdtcreator\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>\u003Cbr>\u003Cbr>This screening pairs an important and rarely seen Palestine resistance focused archival film, \u003Cem>RESISTANCE-WHY\u003C\u002Fem> (1971) by Lebanese filmmaker Christian Ghazi. Preceded by the short, \u003Cem>Electrical Gaza \u003C\u002Fem>(2015) by Palestinian-English artist Rosalind Nashashibi, an exquisite, now elegiac view of Gaza before its current destruction.⁠ RSVP before Friday, February 9, at 5pm.⁠\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fmassyarts.com\u002Fevent\u002Fgrand-mamas-a-literary-and-storytelling-cabaret-fundraiser\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Grand Mamas\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Massy Arts Society, 23 E Pender St, Vancouver BC\u003Cbr>Sunday February 11, 6:30pm\u003Cbr>Tickets \u003Ca href=\"https:\u002F\u002Fwww.eventbrite.ca\u002Fe\u002Fgrand-mamas-a-literary-and-storytelling-cabaret-fundraiser-tickets-796201519177?aff=oddtdtcreator\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa> (sliding scale, $15-$35)\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Grands Mamas is a volunteer-run literary and storytelling cabaret. 100% of the funds raised go to the February 14th Annual Women’s Memorial March. Featuring readings and performances by \u003Ca href=\"http:\u002F\u002Fsookfong.com\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">Jen Sookfong Lee\u003C\u002Fa>, \u003Ca href=\"https:\u002F\u002Findiansummerfest.ca\u002Fteam\u002Fanoushka-ratnarajah\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">Anoushka Ratnarajah\u003C\u002Fa>, \u003Ca href=\"https:\u002F\u002Fwww.hazeljaneplante.com\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">Hazel Jane Plante\u003C\u002Fa>, \u003Ca href=\"https:\u002F\u002Ftararobertson.ca\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">Tara Robertson\u003C\u002Fa>, Natasha Gauthier and more. Hosted by \u003Ca href=\"http:\u002F\u002Fwww.amberdawnwrites.com\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">Amber Dawn\u003C\u002Fa>.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwritingcentre.ecuad.ca\u002Fon-edge-reading-series\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>On the Edge Reading Series: El Jones\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>The University Writing Centre, Emily Carr University of Art and Design (online via Zoom)\u003Cbr>Tuesday February 13, 6:30pm\u003Cbr>Free, register \u003Ca href=\"https:\u002F\u002Femilycarru.zoom.us\u002Fmeeting\u002Fregister\u002Fu5Asf-2trz8iGNZq-AygynRW4j-XMMzs4L0M\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">February’s \u003Ca href=\"https:\u002F\u002Fwritingcentre.ecuad.ca\u002Fon-edge-reading-series\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">On the Edge Reading Series\u003C\u002Fa> features El Jones, a poet, journalist, professor and activist living in Halifax, Nova Scotia. Jones was Halifax’s Poet Laureat from 2013–2015. She teaches at Mount Saint Vincent University, where she was named the 15th Nancy’s Chair in Women’s Studies in 2017. She is the author of Live from the \u003Cem>Afrikan Resistance!\u003C\u002Fem>, a collection of poems about resisting white colonialism. Her work focuses on social justice issues, such as feminism, prison abolition, anti-racism and decolonization. Her latest book \u003Cem>Abolitionist Intimacies\u003C\u002Fem> examines the movement to abolish prisons through the Black feminist principles of care and collectivity. ASL interpretation is provided. Organized by Mercedes Eng with assistance by Tenaya.\u003C\u002Fp>\n\n\n\n\u003Cdiv style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\">\u003C\u002Fdiv>\n\n\n\n\u003Ch3 class=\"wp-block-heading\">\u003Cem>Calls\u003C\u002Fem>\u003C\u002Fh3>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.vinesartsociety.com\u002Fartist-applications\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Artist Application\u003C\u002Fstrong>\u003C\u002Fa>, Vines Festival (Vancouver, BC)\u003Cbr>Deadline: February 5\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>\u003Ca href=\"https:\u002F\u002Fwww.richmond.ca\u002Fculture\u002Fhowartworks\u002Fpublicart\u002Fartist-calls.htm\" target=\"_blank\" rel=\"noreferrer noopener\">Request for Qualifications\u003C\u002Fa>\u003C\u002Fstrong>, Richmond Public Art Program: Bowling Green Community Activity Centre (Richmond, BC)\u003Cbr>Deadline: February 5\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.cognitoforms.com\u002FTheEastsideFlea\u002FVendorApplication\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Vendor Application\u003C\u002Fstrong>\u003C\u002Fa>, The Eastside Flea (Vancouver, BC)\u003Cbr>Open until spots filled\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.cacv.ca\u002Fcall-for-artists-gift-of-madness-exhibition\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Gifts of Madness Art Submission\u003C\u002Fstrong>\u003C\u002Fa>, Gallery Gachet (Vancouver, BC) and Penticton Art Gallery (Penticton, BC)\u003Cbr>Deadline: February 15\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Foxygenartcentre.org\u002Fexhibitions-residencies\u002Fsubmissions\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Exhibition and Residency\u003C\u002Fstrong>\u003C\u002Fa>, Oxygen Art Centre (Nelson, BC)\u003Cbr>Deadline: February 16\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.richmond.ca\u002Fculture\u002Fhowartworks\u002Fpublicart\u002Fartist-calls.htm\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Request for Qualifications\u003C\u002Fstrong>\u003C\u002Fa>, Richmond Public Art Program: Temporary Public Art Installation (Richmond, BC)\u003Cbr>Deadline: February 29\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>\u003Ca href=\"https:\u002F\u002Fbcbid.gov.bc.ca\u002Fpage.aspx\u002Fen\u002Fbpm\u002Fprocess_manage_extranet\u002F187686\" target=\"_blank\" rel=\"noreferrer noopener\">Request for Qualifications\u003C\u002Fa>,\u003C\u002Fstrong> Surrey Langley Skytrain Public Art Project (Surrey, BC)\u003Cbr>Deadline: February 29\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.alternatorcentre.com\u002Fsubmit-main-project-gallery\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>2025 Call for Submissions\u003C\u002Fstrong>\u003C\u002Fa>, Alternator Centre for Contemporary Art (Kelowna, BC)\u003Cbr>Deadline: March 18\u003C\u002Fp>\n\n\n\n\u003Cdiv style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\">\u003C\u002Fdiv>\n",null,[32],{"id":26,"slug":28,"name":27,"firstName":33,"lastName":34,"bioHtml":35},"ReIssue","Editor","\n\u003Cp class=\"has-text-align-center wp-block-paragraph\">🎨\u003C\u002Fp>\n",{"title":37,"robots":38,"og_locale":44,"og_type":45,"og_title":37,"og_description":46,"og_url":47,"og_site_name":33,"article_publisher":48,"article_modified_time":49,"og_image":50,"twitter_card":53,"twitter_site":54,"twitter_misc":55,"schema":57},"ReIssue Digestif: What's on February 1–14 - ReIssue",{"index":39,"follow":40,"max-snippet":41,"max-image-preview":42,"max-video-preview":43},"noindex","follow","max-snippet:-1","max-image-preview:large","max-video-preview:-1","en_US","article","Here’s our picks for what’s happening February 1–14.","https:\u002F\u002Freissue.pub\u002Farticles\u002Freissue-digestif-whats-on-february-1-14-2\u002F","https:\u002F\u002Fwww.facebook.com\u002Freissue.pub\u002F","2024-02-01T17:46:05+00:00",[51],{"width":20,"height":21,"url":18,"type":52},"image\u002Fjpeg","summary_large_image","@reissuepub",{"Est. reading time":56},"8 minutes",{"@context":58,"@graph":59},"https:\u002F\u002Fschema.org",[60,75,77,92,107],{"@type":61,"@id":47,"url":47,"name":37,"isPartOf":62,"primaryImageOfPage":64,"image":66,"thumbnailUrl":18,"datePublished":67,"dateModified":49,"breadcrumb":68,"inLanguage":70,"potentialAction":71},"WebPage",{"@id":63},"https:\u002F\u002Freissue.pub\u002F#website",{"@id":65},"https:\u002F\u002Freissue.pub\u002Farticles\u002Freissue-digestif-whats-on-february-1-14-2\u002F#primaryimage",{"@id":65},"2024-02-01T17:28:53+00:00",{"@id":69},"https:\u002F\u002Freissue.pub\u002Farticles\u002Freissue-digestif-whats-on-february-1-14-2\u002F#breadcrumb","en-US",[72],{"@type":73,"target":74},"ReadAction",[47],{"@type":76,"inLanguage":70,"@id":65,"url":18,"contentUrl":18,"width":20,"height":21},"ImageObject",{"@type":78,"@id":69,"itemListElement":79},"BreadcrumbList",[80,85,89],{"@type":81,"position":82,"name":83,"item":84},"ListItem",1,"Home","https:\u002F\u002Freissue.pub\u002F",{"@type":81,"position":86,"name":87,"item":88},2,"Articles","https:\u002F\u002Freissue.pub\u002Farticles\u002F",{"@type":81,"position":90,"name":91},3,"ReIssue Digestif: What’s on February 1–14",{"@type":93,"@id":63,"url":84,"name":33,"description":94,"publisher":95,"potentialAction":97,"inLanguage":70},"WebSite","critical discourse for experimental art practices",{"@id":96},"https:\u002F\u002Freissue.pub\u002F#organization",[98],{"@type":99,"target":100,"query-input":103},"SearchAction",{"@type":101,"urlTemplate":102},"EntryPoint","https:\u002F\u002Freissue.pub\u002F?s={search_term_string}",{"@type":104,"valueRequired":105,"valueName":106},"PropertyValueSpecification",true,"search_term_string",{"@type":108,"@id":96,"name":33,"url":84,"logo":109,"image":114,"sameAs":115},"Organization",{"@type":76,"inLanguage":70,"@id":110,"url":111,"contentUrl":111,"width":112,"height":113,"caption":33},"https:\u002F\u002Freissue.pub\u002F#\u002Fschema\u002Flogo\u002Fimage\u002F","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F06\u002Freissue_logo.jpg",1920,1118,{"@id":110},[48,116,117],"https:\u002F\u002Fx.com\u002Freissuepub","https:\u002F\u002Fwww.instagram.com\u002Freissue.pub\u002F",{"id":119,"slug":120,"title":83,"contentHtml":22,"acf":121,"backgroundBlur":124,"seo":125},48,"home",{"background_image":122,"isBlack":16,"header_text":123},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2026\u002F11\u002Fdaisy_reissue_2.jpg","ReIssue: art and criticism in \u003Cbr>\r\nthe cosmos of cultural production","url(\"data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 213'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRoIAAABXRUJQVlA4IHYAAADwBACdASogABUAPu1qqlEppaOiqAqpMB2JZwAAKf0c+TYjyG8vhTeRaShCpli8uAAA\u002FnFf8QBzP1T7FqMQfN+5P0sEZp4TM\u002FtvUeu\u002F6PKH+GHrebLLz8IW4Q6wQ5kHZO6aqggnKrdkv+u62izeOgqi4jMyAAAA'\u002F%3E%3C\u002Fsvg%3E\")",{"title":126,"robots":127,"og_locale":44,"og_type":45,"og_title":126,"og_url":128,"og_site_name":33,"article_publisher":48,"article_modified_time":129,"twitter_card":53,"twitter_site":54,"schema":130},"Home - ReIssue",{"index":39,"follow":40,"max-snippet":41,"max-image-preview":42,"max-video-preview":43},"https:\u002F\u002Freissue.pub\u002Fhome\u002F","2026-11-14T21:58:11+00:00",{"@context":58,"@graph":131},[132,140,144,150],{"@type":61,"@id":128,"url":128,"name":126,"isPartOf":133,"datePublished":134,"dateModified":129,"breadcrumb":135,"inLanguage":70,"potentialAction":137},{"@id":63},"2018-04-21T23:04:08+00:00",{"@id":136},"https:\u002F\u002Freissue.pub\u002Fhome\u002F#breadcrumb",[138],{"@type":73,"target":139},[128],{"@type":78,"@id":136,"itemListElement":141},[142,143],{"@type":81,"position":82,"name":83,"item":84},{"@type":81,"position":86,"name":83},{"@type":93,"@id":63,"url":84,"name":33,"description":94,"publisher":145,"potentialAction":146,"inLanguage":70},{"@id":96},[147],{"@type":99,"target":148,"query-input":149},{"@type":101,"urlTemplate":102},{"@type":104,"valueRequired":105,"valueName":106},{"@type":108,"@id":96,"name":33,"url":84,"logo":151,"image":152,"sameAs":153},{"@type":76,"inLanguage":70,"@id":110,"url":111,"contentUrl":111,"width":112,"height":113,"caption":33},{"@id":110},[48,116,117],{"id":155,"slug":156,"title":157,"contentHtml":158,"acf":16,"backgroundBlur":30,"seo":159},321,"subscription-banner","Subscription Banner","\n\u003Cp class=\"wp-block-paragraph\">ReIssue is unfunded, wild and free. Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">To donate, contact: \u003Ca href=\"mailto:editor@reissue.pub\" rel=\"nofollow\">editor@reissue.pub\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Sign up for our email newsletter\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003C\u002Fp>\n",{"title":160,"robots":161,"og_locale":44,"og_type":45,"og_title":160,"og_description":162,"og_url":163,"og_site_name":33,"article_publisher":48,"article_modified_time":164,"twitter_card":53,"twitter_site":54,"twitter_misc":165,"schema":167},"Subscription Banner - ReIssue",{"index":39,"follow":40,"max-snippet":41,"max-image-preview":42,"max-video-preview":43},"ReIssue is unfunded, wild and free. Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance. To donate, contact: editor@reissue.pub Sign up for our email newsletter","https:\u002F\u002Freissue.pub\u002Fsubscription-banner\u002F","2026-11-13T20:28:08+00:00",{"Est. reading time":166},"1 minute",{"@context":58,"@graph":168},[169,177,181,187],{"@type":61,"@id":163,"url":163,"name":160,"isPartOf":170,"datePublished":171,"dateModified":164,"breadcrumb":172,"inLanguage":70,"potentialAction":174},{"@id":63},"2020-12-15T23:44:21+00:00",{"@id":173},"https:\u002F\u002Freissue.pub\u002Fsubscription-banner\u002F#breadcrumb",[175],{"@type":73,"target":176},[163],{"@type":78,"@id":173,"itemListElement":178},[179,180],{"@type":81,"position":82,"name":83,"item":84},{"@type":81,"position":86,"name":157},{"@type":93,"@id":63,"url":84,"name":33,"description":94,"publisher":182,"potentialAction":183,"inLanguage":70},{"@id":96},[184],{"@type":99,"target":185,"query-input":186},{"@type":101,"urlTemplate":102},{"@type":104,"valueRequired":105,"valueName":106},{"@type":108,"@id":96,"name":33,"url":84,"logo":188,"image":189,"sameAs":190},{"@type":76,"inLanguage":70,"@id":110,"url":111,"contentUrl":111,"width":112,"height":113,"caption":33},{"@id":110},[48,116,117],1794704112569]