[{"data":1,"prerenderedAt":189},["ShallowReactive",2],{"article:reissue-digestif-whats-on-february-1-14":3,"page:48":116,"page:321":152},{"id":4,"slug":5,"title":6,"excerpt":7,"date":8,"year":9,"formattedDate":10,"typeIds":11,"typeNames":13,"wordCount":15,"isBlack":16,"image":17,"contributors":23,"contentHtml":28,"finalContentHtml":22,"creditsHtml":22,"pdfUrl":29,"vimeo":29,"contributorBios":30,"seo":35},1383,"reissue-digestif-whats-on-february-1-14","ReIssue Digestif: What’s on February 1–14","\u003Cp>Check out our bi-weekly happening selection for February 1–14.\u003C\u002Fp>\n","2023-02-01T08:37:24",2023,"Feb 2023",[12],11,[14],"RI",739,false,{"src":18,"srcset":19,"width":20,"height":21,"alt":22},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F01\u002FScreen-Shot-2023-01-31-at-9.07.25-PM.png","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F01\u002FScreen-Shot-2023-01-31-at-9.07.25-PM-768x213.png 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F01\u002FScreen-Shot-2023-01-31-at-9.07.25-PM.png 1075w",1075,298,"",[24],{"id":25,"name":26,"slug":27},1307,"ReIssue Editor","reissue-staff","\n\u003Cfigure class=\"wp-block-image size-full\">\u003Cspan class=\"lqip-wrap\" style=\"background-image:url("data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 104'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRqYAAABXRUJQVlA4IJoAAAAQBACdASogAAoAPu1Ct1apoqakGAEwHYlsAJ0ygC9ADPnsVc27Gtu7AAD+dY236wKC\u002FHS0Y01OJMx+lnAPRKhBA1meyvbri4cBNYsk6cB2td8m3Zbo2sF3LqmvTgsD6oyOi2WlLtWyZ5Ouvysy1oupEdrA4uiHtId7LzMp2\u002FcXHkmmF52l6DW2wNgzthzS8Ts3gos7iBHPU0AA'\u002F%3E%3C\u002Fsvg%3E")\">\u003Cimg loading=\"lazy\" decoding=\"async\" width=\"1080\" height=\"350\" src=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F01\u002Fdigestif-02012023.jpg\" alt=\"\" class=\"lqip wp-image-1384\" srcset=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F01\u002Fdigestif-02012023.jpg 1080w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F01\u002Fdigestif-02012023-768x249.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F01\u002Fdigestif-02012023-100x32.jpg 100w\" sizes=\"auto, (max-width: 1080px) 100vw, 1080px\" \u002F>\u003C\u002Fspan>\u003C\u002Ffigure>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cem>Welcome to ReIssue Digestif, a bi-weekly-ish round-up of events on our radar. All times in PST.\u003C\u002Fem>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cem>If you are BC- or AB-based and have an exhibition, event or job posting to submit for consideration in the next Digestif, email details to \u003C\u002Fem>\u003Ca href=\"mailto:admin@reissue.pub\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cem>admin@reissue.pub\u003C\u002Fem>\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cfigure class=\"wp-block-image size-full\">\u003Cspan class=\"lqip-wrap\" style=\"background-image:url("data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 180'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRtAAAABXRUJQVlA4IMQAAADQBQCdASogABIAPu1orE+ppiQiMBgIATAdiUAWoRV\u002F4B9rl02AvTDeRvgKM7BA7MoGhFtb8RvgAP7tYNYZ0JzLdf5Pefn5wcRSusZXVaCKqOs2zXQxjpUhWgeIdKOBPWk05rGhGWd4rt+1kHbez31TFbMp0R7Dk4RhSBGcmVEXlVTpNGix86SWbw+hOicA75eyP52QBtZiwy9oVp\u002F7AI2P\u002FYBLR+x8RKo1h0LmoNAQHB6ivGmx9wLqKSoNa7uhEL83WwAA'\u002F%3E%3C\u002Fsvg%3E")\">\u003Cimg loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F01\u002Fdigestif02012023.jpg\" alt=\"\" class=\"lqip wp-image-1385\" srcset=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F01\u002Fdigestif02012023.jpg 1920w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F01\u002Fdigestif02012023-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F01\u002Fdigestif02012023-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F01\u002Fdigestif02012023-100x56.jpg 100w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \u002F>\u003C\u002Fspan>\u003Cfigcaption class=\"wp-element-caption\">Ranu Mukherjee, \u003Cem>unlanding\u003C\u002Fem>, 2022, pigment, cristalina, ink and UV inkjet print on silk and cotton sari fabric on linen 72 x 96 inches\u003C\u002Ffigcaption>\u003C\u002Ffigure>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.ecuad.ca\u002Fevents\u002Fartist-talk-ranu-mukherjee\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Art Forums: Ranu Mukherjee\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Emily Carr University (Online)\u003Cbr>Wednesday February 1, 4pm–5:30pm\u003Cbr>Free, register \u003Ca href=\"https:\u002F\u002Fwww.ecuad.ca\u002Fevents\u002Fartist-talk-ranu-mukherjee\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">ECU’s Art Forums presents an artist talk with Ranu Mukherjee, a visual artist working in moving image, painting, and installation to build new imaginative capacities, drawing on collage, feminist science fiction, and Indian mythological images. Her recent artwork is guided by the forces of ecology and non-human agency, diaspora and migration, motherhood and transnational feminisms.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fthecinematheque.ca\u002Ffilms\u002F2022\u002Fcariboo-country-how-to-break-a-quarter-horse-the-education-of-phyllistine\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Cariboo Country: The Education of Phyllistine + How to Break a Quarter Horse\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>The Cinematheque, 1181 Howe St, Vancouver BC\u003Cbr>Wednesday February 1, 7pm\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">The finale screening of The Cinematheque’s \u003Cem>The Image Before Us: A History of Film in British Columbia\u003C\u002Fem> ends with a double-bill of North Vancouver-raised Philip Keatley’s 1960s’ TV series, \u003Cem>Cariboo Country\u003C\u002Fem>. Groundbreaking during its time for casting First Nation actors to play First Nation characters, the two 60-minute specials treat issues of racism, justice, friendship, and family. The films will be introduced by Colin Browne, with special guests in attendance: Sun Dance Chief Rueben George and Julia Keatley.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fcanton-sardine.com\u002F2022\u002F11\u002F25\u002Fjeff-wall-views-in-and-out-of-vancouver\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Views In and Out of Vancouver\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Canton Sardine, #71–268 Keefer St, Vancouver BC\u003Cbr>Now–March 25, Wednesday–Saturday 12–6pm\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">An intimate opportunity with three of Wall’s classic lightbox transparencies created between 1987–1999, from “a time that now seems almost like another era.”\u003Cem> Views In and Out of Vancouver\u003C\u002Fem> is Wall’s first solo show in Vancouver since 2009. Curated by Lam Wong.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fbelkin.ubc.ca\u002Fexhibitions\u002Fthe-willful-plot\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>The Willful Plot\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Curated by Melanie O’Brian\u003Cbr>Morris and Helen Belkin Art Gallery, 1825 Main Mall, Vancouver BC\u003Cbr>Now–April 16, Tuesday–Saturday 12–5pm\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">In its willfulness, the resistance garden is a counter-site, a heterotopia for alternative cultivation and potential transformation. This group exhibition brings together the practices of erya Akay and Vivienne Bissette, Gabi Dao, Derek Jarman, Charmian Johnson, Glenn Lewis, Mike MacDonald, Rehab Nazzal and Dana Qaddah to expand the notion of the garden as a site of tension between wild and cultivated, temporal and perpetual, public and private, sovereign and colonized.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fthefiftyfifty.net\u002Findex.php?action=shows&showid=574965\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>erasure: Samantha Dickie\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>the fifty fifty arts collective, 2516 Douglas St, Victoria BC\u003Cbr>February 2–25, Saturday 1–5pm\u003Cbr>Opening: February 2, 7pm\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Victoria-based artist Samantha Dickie’s practice looks to themes of erasure both past and ongoing through ceramic sculpture and installation.\u003C\u002Fp>\n\n\n\n\u003Cfigure class=\"wp-block-image size-full\">\u003Cspan class=\"lqip-wrap\" style=\"background-image:url("data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 180'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRmgAAABXRUJQVlA4IFwAAADwAwCdASogABIAPu1kqU2ppaQiMAgBMB2JQBj8hDv4Q8RGAigHtwQAAP7nBdN6w6+G8CAyQf3GQ0Mee3askMaR5vtDyqJRFQCkbCudS7waOZOv4UpAb0rQRqZYAA=='\u002F%3E%3C\u002Fsvg%3E")\">\u003Cimg loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F01\u002Fdigestif02012023-2.jpg\" alt=\"\" class=\"lqip wp-image-1386\" srcset=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F01\u002Fdigestif02012023-2.jpg 1920w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F01\u002Fdigestif02012023-2-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F01\u002Fdigestif02012023-2-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F01\u002Fdigestif02012023-2-100x56.jpg 100w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \u002F>\u003C\u002Fspan>\u003Cfigcaption class=\"wp-element-caption\">Hannah Jickling & Reed H. Reed, \u003Cem>Untitled (Bordette Set 2: Straw, Straw Wrapper, Pixie Stick),\u003C\u002Fem> 2022, collagraph & monoprint\u003C\u002Ffigcaption>\u003C\u002Ffigure>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fkelownaartgallery.com\u002Fpinking-index\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Pinking Index: Hannah Jickling and Reed H. Reed\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Kelowna Art Gallery, 1315 Water St, Kelowna BC\u003Cbr>February 4–May 7, gallery hours \u003Ca href=\"https:\u002F\u002Fkelownaartgallery.com\u002Fpinking-index\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>\u003Cbr>$6-7; Free for children under 12\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Remember \u003Ca href=\"http:\u002F\u002Fbigrockcandymountain.ca\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">Big Rock Candy Mountain\u003C\u002Fa>, the edible artist collaboration with elementary school students? This new exhibition by the artists, a collection of mono-prints, is a continuation of that social practice and research, based on gathered bits and ephemera from past projects. \u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Farc-hivearc.org\u002Falex-jensen\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Sad Anime Fan: Alex Jensen\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>arc\u002Fhive artist-run centre, 2516 Bridge St, Victoria BC \u003Cbr>February 4–19, Saturdays & Sundays 12–4pm\u003Cbr>Opening: February 4, 5pm\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Recent \u003Cem>ReIssue\u003C\u002Fem> writer Alex Jensen shares this work engaging with Anno Hideaki’s enigmatic 1995 anime, \u003Cem>Neon Genesis Evangelion\u003C\u002Fem>, and a self-reflexive look at the artist’s fan world.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.cinecenta.com\u002Fcalendar\u002Fdo-the-right-thing\u002F2023-02-09\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Do the Right Thing\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Cinecenta, 3800 Finnerty Rd, University of Victoria, Victoria BC\u003Cbr>Thursday February 9, 5pm & 7:15pm\u003Cbr>Tickets available at the door, student & seniors discount available\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Thirty-four years later, the Spike Lee classic still hits. Catch it at Cinecenta as part of their Black History Month programming.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.sfu.ca\u002Fgalleries\u002FSFUGalleriesEvents\u002F2023\u002FFamily-Day-Collage-Collage.html\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Family Day: Please Meet the Geese with Collage Collage\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Audain Gallery, 149 W Hastings St, Vancouver BC\u003Cbr>Saturday February 11, 2–5pm\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Beloved Vancouver art studio and shop \u003Ca href=\"https:\u002F\u002Fshop.collagecollage.ca\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">Collage Collage\u003C\u002Fa> hosts an experience for children visiting the Audain Gallery with their families. Inspired by Carole Itter’s collection of found and fabricated geese and the environments made for them in her exhibition, gallery visitors with children can create some geese of their own! All materials provided.\u003C\u002Fp>\n\n\n\n\u003Cfigure class=\"wp-block-image size-full\">\u003Cspan class=\"lqip-wrap\" style=\"background-image:url("data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 180'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRgIBAABXRUJQVlA4IPYAAABQBgCdASogABIAPu1kqU2ppaQiMAgBMB2JZACdMuz6Xf\u002Fl2CMGFuQknDQGCpGbouyb6vPLhkiBJngYAAD91wkFpnIUlc2nufrUgTRF2fg0N2S1V2sKZEoM\u002FDkoswQaNATyS7yj0d9bVzpTvbFnmiEGzkCjDeBlBMWmIpccQq6K4FG4L5o5YgxitDP36EQLAccF54Ut6xgoRp7r8tIE03Hrm3vIDi3MUl2Rr2Q+6eoECvBU97Lc1Ndgx+qvH7roc2EJcbhRQ477xzOiye5Or90EPmdwH+f518Siw6UHywMP0qvuxE\u002FaF8ESr7PoJwGR3XMb\u002FYxAAAA='\u002F%3E%3C\u002Fsvg%3E")\">\u003Cimg loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F01\u002Fpurple-rain.jpg\" alt=\"\" class=\"lqip wp-image-1387\" srcset=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F01\u002Fpurple-rain.jpg 1920w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F01\u002Fpurple-rain-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F01\u002Fpurple-rain-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F01\u002Fpurple-rain-100x56.jpg 100w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \u002F>\u003C\u002Fspan>\u003Cfigcaption class=\"wp-element-caption\">Albert Magnoli, \u003Cem>Purple Rain\u003C\u002Fem> (1984; Purple Films), DCP\u003C\u002Ffigcaption>\u003C\u002Ffigure>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fviff.org\u002Fwhats-on\u002Fpurple-rain\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Purple Rain\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Vancity Theatre, 1181 Seymour St, Vancouver BC\u003Cbr>Tuesday February 14, 6:20pm (19+)\u003Cbr>Tickets available at the box office, or online \u003Ca href=\"https:\u002F\u002Fviff.org\u002Fwhats-on\u002Fpurple-rain\u002F\">here\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Prince on Valentine’s Day, nuff said.\u003C\u002Fp>\n\n\n\n\u003Cdiv style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\">\u003C\u002Fdiv>\n\n\n\n\u003Ch3 class=\"wp-block-heading\">\u003Cstrong>\u003Cem>Jobs \u002F Calls\u003C\u002Fem>\u003C\u002Fstrong>\u003C\u002Fh3>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fheritagebc.ca\u002Fjob-board\u002Fexecutive-director-vancouver-heritage-foundation\u002F\">Executive Director, Vancouver Heritage Foundation (Vancouver)\u003C\u002Fa>, apply by 02\u002F12\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fnanaimoartgallery.ca\u002Femployment\u002F\">Indigenous Engagement Coordinator, Nanaimo Art Gallery (Nanaimo)\u003C\u002Fa>, apply by 02\u002F17\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Ftre.tbe.taleo.net\u002Ftre01\u002Fats\u002Fcareers\u002Fv2\u002FviewRequisition?org=SIMOFRAS&cws=37&rid=4781\">Collection Manager, SFU Galleries (Burnaby)\u003C\u002Fa>, apply by 02\u002F19\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.allianceforarts.com\u002Fjob-board\u002F2023\u002F1\u002F25\u002Fmanager-marketing-communications-and-brand\">Manager, Marketing, Communications and Brand, The ACT Arts Centre\u002FMaple Ridge Pitt Meadows Art Council (Maple Ridge)\u003C\u002Fa>, until filled\u003C\u002Fp>\n\n\n\n\u003Cdiv style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\">\u003C\u002Fdiv>\n",null,[31],{"id":25,"slug":27,"name":26,"firstName":32,"lastName":33,"bioHtml":34},"ReIssue","Editor","\n\u003Cp class=\"has-text-align-center wp-block-paragraph\">🎨\u003C\u002Fp>\n",{"title":36,"robots":37,"og_locale":43,"og_type":44,"og_title":36,"og_description":45,"og_url":46,"og_site_name":32,"article_publisher":47,"article_modified_time":48,"og_image":49,"twitter_card":52,"twitter_site":53,"twitter_misc":54,"schema":56},"ReIssue Digestif: What’s on February 1–14 - ReIssue",{"index":38,"follow":39,"max-snippet":40,"max-image-preview":41,"max-video-preview":42},"noindex","follow","max-snippet:-1","max-image-preview:large","max-video-preview:-1","en_US","article","Check out our bi-weekly happening selection for February 1–14.","https:\u002F\u002Freissue.pub\u002Farticles\u002Freissue-digestif-whats-on-february-1-14\u002F","https:\u002F\u002Fwww.facebook.com\u002Freissue.pub\u002F","2023-12-12T04:02:50+00:00",[50],{"width":20,"height":21,"url":18,"type":51},"image\u002Fpng","summary_large_image","@reissuepub",{"Est. reading time":55},"5 minutes",{"@context":57,"@graph":58},"https:\u002F\u002Fschema.org",[59,74,76,90,105],{"@type":60,"@id":46,"url":46,"name":36,"isPartOf":61,"primaryImageOfPage":63,"image":65,"thumbnailUrl":18,"datePublished":66,"dateModified":48,"breadcrumb":67,"inLanguage":69,"potentialAction":70},"WebPage",{"@id":62},"https:\u002F\u002Freissue.pub\u002F#website",{"@id":64},"https:\u002F\u002Freissue.pub\u002Farticles\u002Freissue-digestif-whats-on-february-1-14\u002F#primaryimage",{"@id":64},"2023-02-01T16:37:24+00:00",{"@id":68},"https:\u002F\u002Freissue.pub\u002Farticles\u002Freissue-digestif-whats-on-february-1-14\u002F#breadcrumb","en-US",[71],{"@type":72,"target":73},"ReadAction",[46],{"@type":75,"inLanguage":69,"@id":64,"url":18,"contentUrl":18,"width":20,"height":21},"ImageObject",{"@type":77,"@id":68,"itemListElement":78},"BreadcrumbList",[79,84,88],{"@type":80,"position":81,"name":82,"item":83},"ListItem",1,"Home","https:\u002F\u002Freissue.pub\u002F",{"@type":80,"position":85,"name":86,"item":87},2,"Articles","https:\u002F\u002Freissue.pub\u002Farticles\u002F",{"@type":80,"position":89,"name":6},3,{"@type":91,"@id":62,"url":83,"name":32,"description":92,"publisher":93,"potentialAction":95,"inLanguage":69},"WebSite","critical discourse for experimental art practices",{"@id":94},"https:\u002F\u002Freissue.pub\u002F#organization",[96],{"@type":97,"target":98,"query-input":101},"SearchAction",{"@type":99,"urlTemplate":100},"EntryPoint","https:\u002F\u002Freissue.pub\u002F?s={search_term_string}",{"@type":102,"valueRequired":103,"valueName":104},"PropertyValueSpecification",true,"search_term_string",{"@type":106,"@id":94,"name":32,"url":83,"logo":107,"image":112,"sameAs":113},"Organization",{"@type":75,"inLanguage":69,"@id":108,"url":109,"contentUrl":109,"width":110,"height":111,"caption":32},"https:\u002F\u002Freissue.pub\u002F#\u002Fschema\u002Flogo\u002Fimage\u002F","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F06\u002Freissue_logo.jpg",1920,1118,{"@id":108},[47,114,115],"https:\u002F\u002Fx.com\u002Freissuepub","https:\u002F\u002Fwww.instagram.com\u002Freissue.pub\u002F",{"id":117,"slug":118,"title":82,"contentHtml":22,"acf":119,"backgroundBlur":122,"seo":123},48,"home",{"background_image":120,"isBlack":16,"header_text":121},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2026\u002F11\u002Fdaisy_reissue_2.jpg","ReIssue: art and criticism in \u003Cbr>\r\nthe cosmos of cultural production","url(\"data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 213'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRoIAAABXRUJQVlA4IHYAAADwBACdASogABUAPu1qqlEppaOiqAqpMB2JZwAAKf0c+TYjyG8vhTeRaShCpli8uAAA\u002FnFf8QBzP1T7FqMQfN+5P0sEZp4TM\u002FtvUeu\u002F6PKH+GHrebLLz8IW4Q6wQ5kHZO6aqggnKrdkv+u62izeOgqi4jMyAAAA'\u002F%3E%3C\u002Fsvg%3E\")",{"title":124,"robots":125,"og_locale":43,"og_type":44,"og_title":124,"og_url":126,"og_site_name":32,"article_publisher":47,"article_modified_time":127,"twitter_card":52,"twitter_site":53,"schema":128},"Home - ReIssue",{"index":38,"follow":39,"max-snippet":40,"max-image-preview":41,"max-video-preview":42},"https:\u002F\u002Freissue.pub\u002Fhome\u002F","2026-11-14T21:58:11+00:00",{"@context":57,"@graph":129},[130,138,142,148],{"@type":60,"@id":126,"url":126,"name":124,"isPartOf":131,"datePublished":132,"dateModified":127,"breadcrumb":133,"inLanguage":69,"potentialAction":135},{"@id":62},"2018-04-21T23:04:08+00:00",{"@id":134},"https:\u002F\u002Freissue.pub\u002Fhome\u002F#breadcrumb",[136],{"@type":72,"target":137},[126],{"@type":77,"@id":134,"itemListElement":139},[140,141],{"@type":80,"position":81,"name":82,"item":83},{"@type":80,"position":85,"name":82},{"@type":91,"@id":62,"url":83,"name":32,"description":92,"publisher":143,"potentialAction":144,"inLanguage":69},{"@id":94},[145],{"@type":97,"target":146,"query-input":147},{"@type":99,"urlTemplate":100},{"@type":102,"valueRequired":103,"valueName":104},{"@type":106,"@id":94,"name":32,"url":83,"logo":149,"image":150,"sameAs":151},{"@type":75,"inLanguage":69,"@id":108,"url":109,"contentUrl":109,"width":110,"height":111,"caption":32},{"@id":108},[47,114,115],{"id":153,"slug":154,"title":155,"contentHtml":156,"acf":16,"backgroundBlur":29,"seo":157},321,"subscription-banner","Subscription Banner","\n\u003Cp class=\"wp-block-paragraph\">ReIssue is unfunded, wild and free. Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">To donate, contact: \u003Ca href=\"mailto:editor@reissue.pub\" rel=\"nofollow\">editor@reissue.pub\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Sign up for our email newsletter\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003C\u002Fp>\n",{"title":158,"robots":159,"og_locale":43,"og_type":44,"og_title":158,"og_description":160,"og_url":161,"og_site_name":32,"article_publisher":47,"article_modified_time":162,"twitter_card":52,"twitter_site":53,"twitter_misc":163,"schema":165},"Subscription Banner - ReIssue",{"index":38,"follow":39,"max-snippet":40,"max-image-preview":41,"max-video-preview":42},"ReIssue is unfunded, wild and free. Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance. To donate, contact: editor@reissue.pub Sign up for our email newsletter","https:\u002F\u002Freissue.pub\u002Fsubscription-banner\u002F","2026-11-13T20:28:08+00:00",{"Est. reading time":164},"1 minute",{"@context":57,"@graph":166},[167,175,179,185],{"@type":60,"@id":161,"url":161,"name":158,"isPartOf":168,"datePublished":169,"dateModified":162,"breadcrumb":170,"inLanguage":69,"potentialAction":172},{"@id":62},"2020-12-15T23:44:21+00:00",{"@id":171},"https:\u002F\u002Freissue.pub\u002Fsubscription-banner\u002F#breadcrumb",[173],{"@type":72,"target":174},[161],{"@type":77,"@id":171,"itemListElement":176},[177,178],{"@type":80,"position":81,"name":82,"item":83},{"@type":80,"position":85,"name":155},{"@type":91,"@id":62,"url":83,"name":32,"description":92,"publisher":180,"potentialAction":181,"inLanguage":69},{"@id":94},[182],{"@type":97,"target":183,"query-input":184},{"@type":99,"urlTemplate":100},{"@type":102,"valueRequired":103,"valueName":104},{"@type":106,"@id":94,"name":32,"url":83,"logo":186,"image":187,"sameAs":188},{"@type":75,"inLanguage":69,"@id":108,"url":109,"contentUrl":109,"width":110,"height":111,"caption":32},{"@id":108},[47,114,115],1794704114376]