[{"data":1,"prerenderedAt":191},["ShallowReactive",2],{"article:reissue-digestif-whats-on-february-15-28":3,"page:48":118,"page:321":154},{"id":4,"slug":5,"title":6,"excerpt":7,"date":8,"year":9,"formattedDate":10,"typeIds":11,"typeNames":13,"wordCount":15,"isBlack":16,"image":17,"contributors":24,"contentHtml":29,"finalContentHtml":22,"creditsHtml":22,"pdfUrl":30,"vimeo":30,"contributorBios":31,"seo":36},1410,"reissue-digestif-whats-on-february-15-28","ReIssue Digestif: What’s on February 15-28","\u003Cp>Staff picks for what’s going on, February 15–28.\u003C\u002Fp>\n","2023-02-15T08:44:02",2023,"Feb 2023",[12],11,[14],"RI",975,false,{"src":18,"srcset":19,"width":20,"height":21,"alt":22,"lqip":23},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F02\u002Fdfsdg.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F02\u002Fdfsdg-768x219.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F02\u002Fdfsdg.jpg 1080w",1080,308,"","data:image\u002Fwebp;base64,UklGRkgAAABXRUJQVlA4IDwAAADwAgCdASogAAkAPu1iqU2ppaOiMAgBMB2JZQCuHC0kAAD+7Ug7VBMVoQahAxW0EITJ1yL+qqY0lyokAAA=",[25],{"id":26,"name":27,"slug":28},1307,"ReIssue Editor","reissue-staff","\n\u003Cfigure class=\"wp-block-image size-full\">\u003Cspan class=\"lqip-wrap\" style=\"background-image:url("data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 91'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRqwAAABXRUJQVlA4IKAAAAAwBACdASogAAkAPu1kqk2ppaQiMAgBMB2JQBOgO4Fu1HG+NIAj1VzhygAA\u002FoLc87SHzkIE3UqCvt5WTuv9lEqRNjmLHuzNT3pl9xwu\u002FJ6hAweL92ord15HR4wmnqmhfaDEHTTferzm0vg5wk4uBd+H7G1MuW3hxOAzUYZfinj\u002FSFrdPpOC0MbL1fmQ+Zily1G97K3kR3PsH88tw3bejsAA'\u002F%3E%3C\u002Fsvg%3E")\">\u003Cimg loading=\"lazy\" decoding=\"async\" width=\"1080\" height=\"308\" src=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F02\u002F20230215digestif.jpg\" alt=\"\" class=\"lqip wp-image-1411\" srcset=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F02\u002F20230215digestif.jpg 1080w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F02\u002F20230215digestif-768x219.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F02\u002F20230215digestif-100x29.jpg 100w\" sizes=\"auto, (max-width: 1080px) 100vw, 1080px\" \u002F>\u003C\u002Fspan>\u003C\u002Ffigure>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cem>Welcome to ReIssue Digestif, a bi-weekly-ish round-up of events on our radar. All times in PST.\u003C\u002Fem>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cem>If you are BC- or AB-based and have an exhibition, event or job posting to submit for consideration in the next Digestif, email details to \u003C\u002Fem>admin@reissue.pub\u003C\u002Fp>\n\n\n\n\u003Cfigure class=\"wp-block-image size-full\">\u003Cspan class=\"lqip-wrap\" style=\"background-image:url("data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 180'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRrIAAABXRUJQVlA4IKYAAADQBACdASogABIAPu1oqk8ppiOiMBgIATAdiWwAnQA09+k1jcjtFQqS3zLK+TZ3wAD+9DH63NTnVfc87s3J\u002FNzy\u002F8LwsTO+w0Y64b03bhvj\u002FzBI+fY7jIamNnEKXTYi5ese+WOxcVaFJ7MeMZ0OP2M3j9jLduYZut0MJQtUHi2iQZ1R6TQ5S1xOxunWiIf+kFSe\u002Fr7k971q\u002FMatSDsGEUiDHReFTYAA'\u002F%3E%3C\u002Fsvg%3E")\">\u003Cimg loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F02\u002Fchristianvistan.jpg\" alt=\"\" class=\"lqip wp-image-1412\" srcset=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F02\u002Fchristianvistan.jpg 1920w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F02\u002Fchristianvistan-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F02\u002Fchristianvistan-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F02\u002Fchristianvistan-100x56.jpg 100w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \u002F>\u003C\u002Fspan>\u003Cfigcaption class=\"wp-element-caption\">Chrstian Vistan, \u003Cem>Laundry\u003C\u002Fem>, 2021, tempera, ink, watercolour, grey water (from painting) on manila paper, 91 x 119 cm\u003C\u002Ffigcaption>\u003C\u002Ffigure>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fp\u002FColztkqLG5u\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Twilight Hour with Christian Vistan\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Sculpture Studio D1357, Emily Carr University, 520 E 1st Ave, Vancouver BC\u003Cbr>Wednesday, February 15, 6pm\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Twilight Hour artist talk with Christian Vistan, whose artistic, writing, and curatorial practice translate experiences of distance and diaspora into hybrid forms that fold together various elements, including memory, place, poetry, and abstraction among others. They are particularly interested in thinking about and working with water as a material in painting and in personal, familial and migrant histories. They run and co-curate \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fdreams_comma_delta\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">dreams comma delta\u003C\u002Fa>, a room for artist projects and exhibitions located inside their family home in Delta, BC with Aubin Soo K, featured in \u003Ca href=\"https:\u002F\u002Freissue.pub\u002Farticles\u002Fin-dreams-liquidity-art-and-business-in-the-real-estate-meat-machine\" target=\"_blank\" rel=\"noreferrer noopener\">In dreams: liquidity, art, and business in the real estate meat machine\u003C\u002Fa>.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fthecinematheque.ca\u002Ffilms\u002F2022\u002Fi-snuck-off-the-slave-ship?fbclid=IwAR3jSNx6HwEnhbZdRLEP46luuOnb7mrP_rwp7NpeCCt2uQKJcaR9TDRfgP8\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>DIM Cinema: I Snuck Off the Slave Ship\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>The Cinematheque, 1181 Howe St, Vancouver BC\u003Cbr>Wednesday, February 15, 7pm\u003Cbr>Tickets \u003Ca href=\"https:\u002F\u002Fthecinematheque.ca\u002Ffilms\u002F2022\u002Fi-snuck-off-the-slave-ship?fbclid=IwAR3jSNx6HwEnhbZdRLEP46luuOnb7mrP_rwp7NpeCCt2uQKJcaR9TDRfgP8\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">The program’s title is artist and musician Lonnie Holley’s metaphor for Black transcendence of ​’America,’ in the eponymous track on his album \u003Ca href=\"https:\u002F\u002Flonnieholley.bandcamp.com\u002Falbum\u002Fmith\">MITH\u003C\u002Fa>. “I Snuck Off the Slave Ship” captures Holley doing ​“his best to transgress reality with his imagination,” using handmade technology to liberate himself and the people he encounters. In DIM’s program, Alice Coltrane’s piano solo is the siren song guiding Cauleen Smith across America to sites of visionary experience that have inspired her. Humming along to the spiritual sung by Mahalia Jackson at the end of Douglas Sirk’s \u003Cem>Imitation of Life\u003C\u002Fem>, Deanna Bowen sinks layers of appropriated audio, video, and graphics into the the sonic matrix of her semi-autobiographical short on intergenerational trauma. Bert Williams’s \u003Cem>Lime Kiln Club Field Day\u003C\u002Fem>, the earliest surviving all-Black feature, is the inspiration for Garrett Bradley’s \u003Cem>America\u003C\u002Fem>, a series of vignettes scored by Trevor Mathison that reimagines the history of Black cinema as a ​“continuous thread of achievement.” Introduction by multidisciplinary artist and musician Tonye Aganaba.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.eventbrite.ca\u002Fe\u002Fout-of-the-sun-on-black-history-and-storytelling-featuring-esi-edugyan-tickets-526030771197\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Out of the Sun: On Black History and Storytelling\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Hermann’s Upstairs, 753 View St, Victoria BC\u003Cbr>Thursday February 16, 5pm\u003Cbr>In-person tickets \u003Ca href=\"https:\u002F\u002Fwww.eventbrite.ca\u002Fe\u002Fout-of-the-sun-on-black-history-and-storytelling-featuring-esi-edugyan-tickets-526030771197\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>, livestream free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">BC Black History Awareness Society presents an evening of conversation with Victoria-based author and Giller prize winner Esi Edugyan.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.sfu.ca\u002Fsca\u002Fprojects---activities\u002Faudain-visual-artist-in-residence\u002Fkota-ezawa.html?utm_campaign=skedlink&utm_medium=button&utm_source=skedlink\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>SFU Galleries Presents: Kota Ezawa Artist Talk\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Djavad Mowafaghian World Art Centre, SFU Goldcorp Centre for the Arts, 149 W Hastings St, Vancouver BC\u003Cbr>Thursday February 16, 6pm\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Cologne-based artist Kota Ezawa produces animated videos, slide projections, lightboxes, collages, and prints that recreate images and events from recent history and popular culture. Through a labour-intensive process that involves the production of hundreds of drawings, Ezawa translates charged historical and news events into simplified animations, what he considers as ‘moving paintings.’ Ezawa received a SECA Art Award from SFMOMA in 2006 and a Eureka Fellowship in 2010, and has participated in the the Whitney Biennial 2019 and the Shanghai Biennale 2004.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.eventbrite.ca\u002Fe\u002Fintro-to-taxes-for-artists-tickets-537790364457\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Workshop: Intro to Taxes for Artists with Gillian Cofsky\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Vines Festival (Online)\u003Cbr>Thursday February 23, 2–4pm\u003Cbr>Free, register \u003Ca href=\"https:\u002F\u002Fwww.eventbrite.ca\u002Fe\u002Fintro-to-taxes-for-artists-tickets-537790364457\">here\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">This is the critical real-world information that art schools should actually teach! Gillian Cofsky will demystify tax season for independent artists, and provide spreadsheet templates for record-keeping, tracking income, GST, and all that other number stuff we loathe to do. \u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fviff.org\u002Fwhats-on\u002Fkdocsff-2023-love-in-the-time-of-fentanyl\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Love in a Time of Fentanyl\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>VIFF Centre, 1181 Seymour St, Vancouver BC\u003Cbr>Thursday February 23, 5pm\u003Cbr>Tickets \u003Ca href=\"https:\u002F\u002Fviff.org\u002Fwhats-on\u002Fkdocsff-2023-love-in-the-time-of-fentanyl\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">When the opioid crisis in BC escalated to the heights of a public emergency in 2016, folks at the Overdose Prevention Society (OPS) set up a tent in Vancouver’s Downtown Eastside as a critical frontline response. Technically illegal despite its necessity, the OPS was — and continues to be — a site rooted in harm reduction, where people are able to use drugs safely with supervision. An intimate observation of the OPS over a number of years, \u003Cem>Love in the Time of Fentanyl \u003C\u002Fem>witnesses the exhausting but essential work required to keep the site running and the people dedicated to its continuance. Panel discussion\u002FQ&A following the film.\u003C\u002Fp>\n\n\n\n\u003Cfigure class=\"wp-block-image size-full\">\u003Cspan class=\"lqip-wrap\" style=\"background-image:url("data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 180'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRrwAAABXRUJQVlA4ILAAAAAwBQCdASogABIAPu1mqk2ppaQiMAgBMB2JbACdM3a+4Cr1y4oA8PcZKtDBgI7AQaKFpAD+8N3fFSTvO9pOuSYJXXKCcAQIJGhqvHykgTQyEtQMKvcxXDZeY\u002Fx2c0g6ZiErhKWHc+gWGxc3VBrmbBbMQPFvsIIpfP\u002FEyITY+vIr90lf6zRt0AHYiau6NFHHtmzD59Rs12oG7TmOvcvyixu5flFb9Z\u002FJXjbSa3EbnwoAAA=='\u002F%3E%3C\u002Fsvg%3E")\">\u003Cimg loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F02\u002Faswerise.jpg\" alt=\"\" class=\"lqip wp-image-1413\" srcset=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F02\u002Faswerise.jpg 1920w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F02\u002Faswerise-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F02\u002Faswerise-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F02\u002Faswerise-100x56.jpg 100w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \u002F>\u003C\u002Fspan>\u003Cfigcaption class=\"wp-element-caption\">Xaviera Simmons, \u003Cem>Denver, \u003C\u002Fem>2008, colour photograph\u003C\u002Ffigcaption>\u003C\u002Ffigure>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fthepolygon.ca\u002Fexhibition\u002Fas-we-rise\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>As We Rise: Photography from the Black Atlantic  \u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Polygon Gallery, 101 Carrie Cates Ct, North Vancouver BC\u003Cbr>February 24–May 14, Wednesday–Sunday 12–5pm\u003Cbr>Opening: Thursday February 23, 7pm \u003Cbr>RSVP \u003Ca href=\"https:\u002F\u002Fthepolygon.typeform.com\u002Fto\u002FMttTZodv\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Curated by Elliott Ramsey, the exhibition is organized by Aperture and features more than 100 photographs from the Wedge Collection — Canada’s largest privately owned collection committed to championing Black artists. Highlight works include images by iconic civil rights photographer Gordon Parks, Hasselblad Award-winner Malick Sidibé, influential portraitist Carrie Mae Weems, contemporary photographer and rising star Texas Isaiah (the first trans photographer to shoot a Vogue cover), and more.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.eventbrite.ca\u002Fe\u002Fsook-yin-lee-with-ora-cogan-pesewa-at-centennial-united-church-tickets-519909843337\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Sook-Yin Lee, Ora Cogan, Pesewa\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Centennial United Church, E Gorge Road, Victoria BC\u003Cbr>Friday February 24, doors 6pm\u003Cbr>Tickets \u003Ca href=\"https:\u002F\u002Fwww.eventbrite.ca\u002Fe\u002Fsook-yin-lee-with-ora-cogan-pesewa-at-centennial-united-church-tickets-519909843337\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">The Action Index, Audio Osmosis & the fifty fifty present a night of ethereal, experimental, and lofi work from Sook-Yin Lee and Victoria’s own Ora Cogan and Pesewa; sure to be a night of dreamy escape featuring forays into both folk and afrofuturism.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fopenspacearts.ca\u002Fqaleidoscope-queer-film-on-tour\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Qaleidoscope: Queer Film on Tour\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Open Space (2nd floor), 510 Fort St, Victoria BC \u003Cbr>Saturday February 24 & Sunday February 25, 7:30pm \u003Cbr>Tickets \u003Ca href=\"https:\u002F\u002Fopenspacearts.ca\u002Fqaleidoscope-queer-film-on-tour\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa> \u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Queer City Cinema is bringing two individual screening programs to Victoria as part of their 2023 nation-wide tour. Featuring work from TJ Cuthand, Vivek Shraya, and Kenya-Jade Pinto, among a host of others, this is a rare chance to catch queer & trans experimental work you will not see elsewhere!\u003C\u002Fp>\n\n\n\n\u003Cdiv style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\">\u003C\u002Fdiv>\n\n\n\n\u003Ch3 class=\"wp-block-heading\">\u003Cstrong>\u003Cem>Jobs \u002F Calls\u003C\u002Fem>\u003C\u002Fstrong>\u003C\u002Fh3>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fnanaimoartgallery.ca\u002Femployment\u002F\">Indigenous Engagement Coordinator, Nanaimo Art Gallery (Nanaimo)\u003C\u002Fa>, apply by 02\u002F17\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Ftre.tbe.taleo.net\u002Ftre01\u002Fats\u002Fcareers\u002Fv2\u002FviewRequisition?org=SIMOFRAS&cws=37&rid=4781\">Collection Manager, SFU Galleries (Burnaby)\u003C\u002Fa>, apply by 02\u002F19\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.allianceforarts.com\u002Fjob-board\u002F2023\u002F1\u002F25\u002Fmanager-marketing-communications-and-brand\">Manager, Marketing, Communications and Brand, The ACT Arts Centre\u002FMaple Ridge Pitt Meadows Art Council (Maple Ridge)\u003C\u002Fa>, until filled\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.allianceforarts.com\u002Fjob-board\u002F2023\u002F2\u002F7\u002Fshop-technician-wood-shop-manager\" target=\"_blank\" rel=\"noreferrer noopener\">Shop Technician (Wood Shop Manager), SFU School for the Contemporary Arts (Vancouver),\u003C\u002Fa> apply by 02\u002F27\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.allianceforarts.com\u002Fjob-board\u002F2023\u002F1\u002F9\u002Fmuseum-assistant\" target=\"_blank\" rel=\"noreferrer noopener\">Museum Assistant, Chinese Canadian Museum (Vancouver)\u003C\u002Fa>, until filled\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.allianceforarts.com\u002Fjob-board\u002F2023\u002F1\u002F9\u002Fassociate-curator\" target=\"_blank\" rel=\"noreferrer noopener\">Associate Curator, Chinese Canadian Museum (Vancouver)\u003C\u002Fa>, until filled\u003C\u002Fp>\n\n\n\n\u003Cdiv style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\">\u003C\u002Fdiv>\n",null,[32],{"id":26,"slug":28,"name":27,"firstName":33,"lastName":34,"bioHtml":35},"ReIssue","Editor","\n\u003Cp class=\"has-text-align-center wp-block-paragraph\">🎨\u003C\u002Fp>\n",{"title":37,"robots":38,"og_locale":44,"og_type":45,"og_title":37,"og_description":46,"og_url":47,"og_site_name":33,"article_publisher":48,"article_modified_time":49,"og_image":50,"twitter_card":53,"twitter_site":54,"twitter_misc":55,"schema":57},"ReIssue Digestif: What's on February 15-28 - ReIssue",{"index":39,"follow":40,"max-snippet":41,"max-image-preview":42,"max-video-preview":43},"noindex","follow","max-snippet:-1","max-image-preview:large","max-video-preview:-1","en_US","article","Staff picks for what's going on, February 15–28.","https:\u002F\u002Freissue.pub\u002Farticles\u002Freissue-digestif-whats-on-february-15-28\u002F","https:\u002F\u002Fwww.facebook.com\u002Freissue.pub\u002F","2023-12-12T04:08:32+00:00",[51],{"width":20,"height":21,"url":18,"type":52},"image\u002Fjpeg","summary_large_image","@reissuepub",{"Est. reading time":56},"6 minutes",{"@context":58,"@graph":59},"https:\u002F\u002Fschema.org",[60,75,77,92,107],{"@type":61,"@id":47,"url":47,"name":37,"isPartOf":62,"primaryImageOfPage":64,"image":66,"thumbnailUrl":18,"datePublished":67,"dateModified":49,"breadcrumb":68,"inLanguage":70,"potentialAction":71},"WebPage",{"@id":63},"https:\u002F\u002Freissue.pub\u002F#website",{"@id":65},"https:\u002F\u002Freissue.pub\u002Farticles\u002Freissue-digestif-whats-on-february-15-28\u002F#primaryimage",{"@id":65},"2023-02-15T16:44:02+00:00",{"@id":69},"https:\u002F\u002Freissue.pub\u002Farticles\u002Freissue-digestif-whats-on-february-15-28\u002F#breadcrumb","en-US",[72],{"@type":73,"target":74},"ReadAction",[47],{"@type":76,"inLanguage":70,"@id":65,"url":18,"contentUrl":18,"width":20,"height":21},"ImageObject",{"@type":78,"@id":69,"itemListElement":79},"BreadcrumbList",[80,85,89],{"@type":81,"position":82,"name":83,"item":84},"ListItem",1,"Home","https:\u002F\u002Freissue.pub\u002F",{"@type":81,"position":86,"name":87,"item":88},2,"Articles","https:\u002F\u002Freissue.pub\u002Farticles\u002F",{"@type":81,"position":90,"name":91},3,"ReIssue Digestif: What’s on February 15-28",{"@type":93,"@id":63,"url":84,"name":33,"description":94,"publisher":95,"potentialAction":97,"inLanguage":70},"WebSite","critical discourse for experimental art practices",{"@id":96},"https:\u002F\u002Freissue.pub\u002F#organization",[98],{"@type":99,"target":100,"query-input":103},"SearchAction",{"@type":101,"urlTemplate":102},"EntryPoint","https:\u002F\u002Freissue.pub\u002F?s={search_term_string}",{"@type":104,"valueRequired":105,"valueName":106},"PropertyValueSpecification",true,"search_term_string",{"@type":108,"@id":96,"name":33,"url":84,"logo":109,"image":114,"sameAs":115},"Organization",{"@type":76,"inLanguage":70,"@id":110,"url":111,"contentUrl":111,"width":112,"height":113,"caption":33},"https:\u002F\u002Freissue.pub\u002F#\u002Fschema\u002Flogo\u002Fimage\u002F","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F06\u002Freissue_logo.jpg",1920,1118,{"@id":110},[48,116,117],"https:\u002F\u002Fx.com\u002Freissuepub","https:\u002F\u002Fwww.instagram.com\u002Freissue.pub\u002F",{"id":119,"slug":120,"title":83,"contentHtml":22,"acf":121,"backgroundBlur":124,"seo":125},48,"home",{"background_image":122,"isBlack":16,"header_text":123},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2026\u002F11\u002Fdaisy_reissue_2.jpg","ReIssue: art and criticism in \u003Cbr>\r\nthe cosmos of cultural production","url(\"data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 213'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRoIAAABXRUJQVlA4IHYAAADwBACdASogABUAPu1qqlEppaOiqAqpMB2JZwAAKf0c+TYjyG8vhTeRaShCpli8uAAA\u002FnFf8QBzP1T7FqMQfN+5P0sEZp4TM\u002FtvUeu\u002F6PKH+GHrebLLz8IW4Q6wQ5kHZO6aqggnKrdkv+u62izeOgqi4jMyAAAA'\u002F%3E%3C\u002Fsvg%3E\")",{"title":126,"robots":127,"og_locale":44,"og_type":45,"og_title":126,"og_url":128,"og_site_name":33,"article_publisher":48,"article_modified_time":129,"twitter_card":53,"twitter_site":54,"schema":130},"Home - ReIssue",{"index":39,"follow":40,"max-snippet":41,"max-image-preview":42,"max-video-preview":43},"https:\u002F\u002Freissue.pub\u002Fhome\u002F","2026-11-14T21:58:11+00:00",{"@context":58,"@graph":131},[132,140,144,150],{"@type":61,"@id":128,"url":128,"name":126,"isPartOf":133,"datePublished":134,"dateModified":129,"breadcrumb":135,"inLanguage":70,"potentialAction":137},{"@id":63},"2018-04-21T23:04:08+00:00",{"@id":136},"https:\u002F\u002Freissue.pub\u002Fhome\u002F#breadcrumb",[138],{"@type":73,"target":139},[128],{"@type":78,"@id":136,"itemListElement":141},[142,143],{"@type":81,"position":82,"name":83,"item":84},{"@type":81,"position":86,"name":83},{"@type":93,"@id":63,"url":84,"name":33,"description":94,"publisher":145,"potentialAction":146,"inLanguage":70},{"@id":96},[147],{"@type":99,"target":148,"query-input":149},{"@type":101,"urlTemplate":102},{"@type":104,"valueRequired":105,"valueName":106},{"@type":108,"@id":96,"name":33,"url":84,"logo":151,"image":152,"sameAs":153},{"@type":76,"inLanguage":70,"@id":110,"url":111,"contentUrl":111,"width":112,"height":113,"caption":33},{"@id":110},[48,116,117],{"id":155,"slug":156,"title":157,"contentHtml":158,"acf":16,"backgroundBlur":30,"seo":159},321,"subscription-banner","Subscription Banner","\n\u003Cp class=\"wp-block-paragraph\">ReIssue is unfunded, wild and free. Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">To donate, contact: \u003Ca href=\"mailto:editor@reissue.pub\" rel=\"nofollow\">editor@reissue.pub\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Sign up for our email newsletter\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003C\u002Fp>\n",{"title":160,"robots":161,"og_locale":44,"og_type":45,"og_title":160,"og_description":162,"og_url":163,"og_site_name":33,"article_publisher":48,"article_modified_time":164,"twitter_card":53,"twitter_site":54,"twitter_misc":165,"schema":167},"Subscription Banner - ReIssue",{"index":39,"follow":40,"max-snippet":41,"max-image-preview":42,"max-video-preview":43},"ReIssue is unfunded, wild and free. 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To donate, contact: editor@reissue.pub Sign up for our email newsletter","https:\u002F\u002Freissue.pub\u002Fsubscription-banner\u002F","2026-11-13T20:28:08+00:00",{"Est. reading time":166},"1 minute",{"@context":58,"@graph":168},[169,177,181,187],{"@type":61,"@id":163,"url":163,"name":160,"isPartOf":170,"datePublished":171,"dateModified":164,"breadcrumb":172,"inLanguage":70,"potentialAction":174},{"@id":63},"2020-12-15T23:44:21+00:00",{"@id":173},"https:\u002F\u002Freissue.pub\u002Fsubscription-banner\u002F#breadcrumb",[175],{"@type":73,"target":176},[163],{"@type":78,"@id":173,"itemListElement":178},[179,180],{"@type":81,"position":82,"name":83,"item":84},{"@type":81,"position":86,"name":157},{"@type":93,"@id":63,"url":84,"name":33,"description":94,"publisher":182,"potentialAction":183,"inLanguage":70},{"@id":96},[184],{"@type":99,"target":185,"query-input":186},{"@type":101,"urlTemplate":102},{"@type":104,"valueRequired":105,"valueName":106},{"@type":108,"@id":96,"name":33,"url":84,"logo":188,"image":189,"sameAs":190},{"@type":76,"inLanguage":70,"@id":110,"url":111,"contentUrl":111,"width":112,"height":113,"caption":33},{"@id":110},[48,116,117],1794704114267]