[{"data":1,"prerenderedAt":190},["ShallowReactive",2],{"article:reissue-digestif-whats-on-june-16-30":3,"page:48":117,"page:321":153},{"id":4,"slug":5,"title":6,"excerpt":7,"date":8,"year":9,"formattedDate":10,"typeIds":11,"typeNames":13,"wordCount":15,"isBlack":16,"image":17,"contributors":24,"contentHtml":29,"finalContentHtml":22,"creditsHtml":22,"pdfUrl":30,"vimeo":30,"contributorBios":31,"seo":36},1562,"reissue-digestif-whats-on-june-16-30","ReIssue Digestif: What’s on June 16–30","\u003Cp>Here’s our staff picks for what’s happening June 16–30.\u003C\u002Fp>\n","2023-06-16T08:23:35",2023,"Jun 2023",[12],11,[14],"RI",1035,false,{"src":18,"srcset":19,"width":20,"height":21,"alt":22,"lqip":23},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002Fdigestif-01162023-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002Fdigestif-01162023-splash-768x252.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002Fdigestif-01162023-splash.jpg 1080w",1080,355,"","data:image\u002Fwebp;base64,UklGRloAAABXRUJQVlA4IE4AAABQAwCdASogAAsALrV2u12jqampiYC0SxgF+cIeFPHYwB\u002FtQAD+9p5nJMucjJpehH9MZMtte84kJclf1eaQtccx\u002F4XOzGjfqrrDdtM5rgA=",[25],{"id":26,"name":27,"slug":28},1307,"ReIssue Editor","reissue-staff","\n\u003Cfigure class=\"wp-block-image size-full\">\u003Cspan class=\"lqip-wrap\" style=\"background-image:url("data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 105'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRrwAAABXRUJQVlA4ILAAAACQBACdASogAAsAPu1iqk2ppaQiMAgBMB2JbACdMoEUgAWBo0N7VB+LV8aFcCAA\u002FuWu9\u002FnRqxDkQk0ctr7OhHNF2d9RBaZ1332bPY9QxdedNxcGdoEz1R8adMrhEfko6oYvAOMowH3a3Xpt99o8YVEJuB2kZudhdx5aus1tCXtQq3VSNdF5sKWeUy8ajfQqzrOEiYYdBWRiaIALkNpSM9ngx2H1jDQqYp7fyIX9LM+AAA=='\u002F%3E%3C\u002Fsvg%3E")\">\u003Cimg loading=\"lazy\" decoding=\"async\" width=\"1080\" height=\"355\" src=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002F20230616digestif.jpg\" alt=\"\" class=\"lqip wp-image-1563\" srcset=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002F20230616digestif.jpg 1080w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002F20230616digestif-768x252.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002F20230616digestif-100x33.jpg 100w\" sizes=\"auto, (max-width: 1080px) 100vw, 1080px\" \u002F>\u003C\u002Fspan>\u003C\u002Ffigure>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cem>Welcome to ReIssue Digestif, a bi-weekly-ish round-up of events on our radar. All times in PDT.\u003C\u002Fem>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cem>If you are BC- or AB-based and have an exhibition, event or job posting to submit for consideration in the next Digestif, email details to editor@reissue.pub\u003C\u002Fem>\u003C\u002Fp>\n\n\n\n\u003Cfigure class=\"wp-block-image\">\u003Cspan class=\"lqip-wrap\" style=\"background-image:url("data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 180'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRmYAAABXRUJQVlA4IFoAAAAQBACdASogABIAPu1mqU2ppaQiMAgBMB2JaQDLaCHfwoIzIr\u002FXvTd8wAD+5xgkDg+XmL4nqj9CVal5CUwfOOuRg6a+zyM0CBA2\u002FcH2AhsLo\u002Fx3X4T39uxgAAA='\u002F%3E%3C\u002Fsvg%3E")\">\u003Cimg loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002Ffragments.jpg\" alt=\"\" class=\"lqip wp-image-1564\" srcset=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002Ffragments.jpg 1920w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002Ffragments-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002Ffragments-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002Ffragments-100x56.jpg 100w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \u002F>\u003C\u002Fspan>\u003Cfigcaption class=\"wp-element-caption\">Mariah Miguel-Juan, \u003Cem>Remnants\u003C\u002Fem>\u003C\u002Ffigcaption>\u003C\u002Ffigure>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>\u003Ca href=\"https:\u002F\u002Fwww.alternatorcentre.com\u002Fevents\u002Fmariah-miguel-juan-remnants\" target=\"_blank\" rel=\"noreferrer noopener\">Mariah Miguel-Juan: Remnants\u003C\u002Fa>\u003C\u002Fstrong>\u003Cbr>Alternator Centre for Contemporary Art, 103-421 Cawston Ave, Kelowna BC\u003Cbr>June 16–July 5, gallery hours \u003Ca href=\"https:\u002F\u002Fwww.alternatorcentre.com\u002Fabout\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">The next Members Gallery exhibition at the Alternator is emerging artist and UBC Okanagan BFA student Mariah Miguel-Juan with her series of collage-based screen prints. Through this series, which draws on experimental screen printing with different media, Miguel-Juan maps significant places in her memory. \u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.sfu.ca\u002Fsca\u002Fevents---news\u002Fevents\u002Fthe-new-daydream-imaginary--on-the-ethico-aesthetics-of-spontane.html\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>The New Daydream Imaginary: On the Ethico-Aesthetics of Spontaneous Thought\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Djavad Mowafaghian World Art Centre + Cinema, SFU Goldcorp Centre for the arts, 149 W Hastings St, Vancouver BC\u003Cbr>Friday June 16 and Saturday June 17\u003Cbr>Free, info and schedule \u003Ca href=\"https:\u002F\u002Fwww.sfu.ca\u002Fsca\u002Fevents---news\u002Fevents\u002Fthe-new-daydream-imaginary--on-the-ethico-aesthetics-of-spontane.html\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">In his 1972 essay “Passing for Human” (read at the second annual Science-Fiction Convention in Vancouver), Philip K. Dick observed that The State was unable to tame the erratic behaviours associated with youth culture, and predicted that burnouts, paranoids, and heavy trippers would therefore be the salvation of the future in North America. However, Dick’s prediction has not exactly come to pass, for today we see such modes of thought as co-constitutive of the attention and information economy. \u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">What role does the wandering mind play in the productive operations of cognitive capitalism, and what remains of its potential for resistance? How do cognitive processes such as distracted fantasizing figure in the current marketplace of meaning? Is there any hope left for the safeguarding of unruly and non-commodifiable forms of thought? With presentations by \u003Cem>ReIssue\u003C\u002Fem> contributor \u003Ca href=\"https:\u002F\u002Freissue.pub\u002Farticles\u002Fthe-future-in-mind\" target=\"_blank\" rel=\"noreferrer noopener\">David Biddle\u003C\u002Fa>, Mena El Shazly, Gabrielle Moser, Tania Willard, and many other artist-researchers in the field.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Flobestudio.ca\u002Fnew-events\u002Fnational-deafblind-awareness-month-2023-william-russell-and-silas-ng\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Listening experiences by William Russell & Silas Ng\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Lobe Studio, 713 E Hastings St, Vancouver BC\u003Cbr>Saturday June 17, 2:15pm and 3:45pm\u003Cbr>Tickets \u003Ca href=\"https:\u002F\u002Fwww.eventbrite.ca\u002Fe\u002Fnational-deafblind-awareness-month-2023-william-russell-and-silas-ng-tickets-644531259347\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa> (PWYC, suggested $15-$30)\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">A combined listening experience featuring \u003Ca href=\"https:\u002F\u002Flobestudio.ca\u002Fwilliam-russell\" target=\"_blank\" rel=\"noreferrer noopener\">William Russell\u003C\u002Fa>‘s \u003Cem>Lost Spaces\u003C\u002Fem>, followed by \u003Cem>Touching Unseen Sound\u003C\u002Fem> by \u003Ca href=\"https:\u002F\u002Flobestudio.ca\u002Fsilas-ng\" target=\"_blank\" rel=\"noreferrer noopener\">Silas Ng\u003C\u002Fa>. Working with spatial audio, Russell’s work is concerned with sonic dynamics of climate phenomena, combined with music to stimulate the listener’s empathetic awareness. For his soundwork, Ng went on performative soundwalks through familiar urban and natural environments, where actions of walking, throwing rocks, kicking metal bins, and so on were recorded and arranged as a way to explore how sonic memory is stored in the body. The runtime for this program is 45 minutes.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Forgallery.org\u002Fevents\u002Feco-film-processing-workshop\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Eco Film-Processing Workshop with Ana Valine, Karen Zalamea, and Sidney Gordon\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Or Gallery, 236 E Pender St, Vancouver BC\u003Cbr>Saturday June 17, 11:30am\u003Cbr>Free, register \u003Ca href=\"https:\u002F\u002Fwww.eventbrite.ca\u002Fe\u002Feco-film-processing-workshop-tickets-652388069277\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Join us for an eco film-processing workshop led by exhibiting artists Ana Valine, Karen Zalamea, and Sidney Gordon, responding to the \u003Ca href=\"https:\u002F\u002Forgallery.org\u002Fexhibitions-projects\u002Fcoursing\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cem>Coursing\u003C\u002Fem>\u003C\u002Fa> exhibition guest curated by Katrina Goetjen. This program will involve a neighbourhood walking tour and plant botanical film development lesson. At the close of the workshop, participants will be invited to respond with a guided writing exercise reflecting on collectivity, care, and water stewardship.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>\u003Ca href=\"https:\u002F\u002Flibby.ecuad.ca\u002Fexhibitions\u002F2023\u002Fart-rock-summer.html\" target=\"_blank\" rel=\"noreferrer noopener\">Art Rock Summer\u003C\u002Fa>\u003C\u002Fstrong>\u003Cbr>Libby Leshgold Gallery, Emily Carr University of Art + Design, 520 E 1st Ave, Vancouver BC\u003Cbr>June 17–August 12, daily 12–5pm\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">This summer, the Libby Leshgold Gallery is taking a vacation from Art and embracing Art Rock! The exhibition will play music and sound art by visual artists, host performances by art rock bands, show visual artists’ music videos, host a listening library of artists’ albums, and display and sell merch by artists’ bands. See the full schedule \u003Ca href=\"https:\u002F\u002Flibby.ecuad.ca\u002Fexhibitions\u002F2023\u002Fart-rock-summer.html\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>.\u003C\u002Fp>\n\n\n\n\u003Cfigure class=\"wp-block-image size-full is-resized\">\u003Cspan class=\"lqip-wrap\" style=\"background-image:url("data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 180'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRtgAAABXRUJQVlA4IMwAAACQBQCdASogABIAPu1oq08ppiOiMBgIATAdiUAXzRgAcAKDMdIIm2OJhInK7hxKPXzgbpdmkAD+jNwXCKrIIWvcJ7QHcFNAKPtRCTO3oyydszEnh1gddace2BKvb4S9CwgHHwU\u002FPAvDBlymgeKNIkIbVwoJLriWbhJwzljUUuUoF94w6GDDL7IgOXazyE4\u002FeJVWPkPDJBeLeuciQTG7Sjz97VHH3+6ved65Y2k1ArA14e1i40hMtNykQIt9MrM5Sk7FRrnk\u002FYQqebFgAAA='\u002F%3E%3C\u002Fsvg%3E")\">\u003Cimg loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002Fcolourofpom.jpg\" alt=\"\" class=\"lqip wp-image-1565\" srcset=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002Fcolourofpom.jpg 1920w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002Fcolourofpom-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002Fcolourofpom-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F06\u002Fcolourofpom-100x56.jpg 100w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \u002F>\u003C\u002Fspan>\u003Cfigcaption class=\"wp-element-caption\">Sergei Parajanov, \u003Cem>The Colour of Pomegranates\u003C\u002Fem> (1969, Criterion)\u003C\u002Ffigcaption>\u003C\u002Ffigure>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>\u003Ca href=\"https:\u002F\u002Fthecinematheque.ca\u002Ffilms\u002F2023\u002Fthe-colour-of-pomegranates\" target=\"_blank\" rel=\"noreferrer noopener\">The Colour of Pomegranates (Sayat Nova Նռան գույնը)\u003C\u002Fa>\u003C\u002Fstrong>\u003Cbr>The Cinematheque, 1131 Howe St, Vancouver BC\u003Cbr>June 17, 19, and 22\u003Cbr>Showtimes and tickets \u003Ca href=\"https:\u002F\u002Fthecinematheque.ca\u002Ffilms\u002F2023\u002Fthe-colour-of-pomegranates\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">An influence to filmmakers like Federico Fellini, Mohsen Makhmalbaf, and, most recently, Ari Aster, Sergei Parajanov’s \u003Cem>The Colour of Pomegranates (Sayat Nova Նռան գույնը)\u003C\u002Fem> has come to inextricably define international perceptions of Armenian ​“national” cinema. Commissioned by the state studio, Hayfilm, to make a biopic of the great 18th-century Armenian ashugh (troubadour) Sayat Nova, Parajanov turned the task on its head, reinventing the genre as a psychological dreamscape rendered through a surreal inversion of medieval Armenian art, architecture, and music. This non-linear and purely associative approach was an extreme example of 1960s Soviet ​“poetic cinema.” Screening as a part of the series, Moving Mountains: The Centenary of Armenian Cinema.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.cinecenta.com\u002Fcalendar\u002Fsoft\u002F2023-06-21\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Soft\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Cinecenta, 3800 Finnerty Road University of Victoria, Victoria BC\u003Cbr>Wednesday June 21 and Thursday June 22, 5pm\u003Cbr>Tickets at the door\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Toronto-based director Joseph Amenta’s debut feature film premiered at last year’s TIFF and screened at VIFF—but if you didn’t catch it then, now’s your chance to see this lovingly-told story of queer childhood, brought to life by a talented group of young actors. Make it a double feature and catch the campy classic \u003Cem>To Wong Foo, Thanks for Everything! Julie Newmar \u003C\u002Fem>(dir. Beeban Kidron, 1995) following \u003Cem>Soft\u003C\u002Fem> at 7pm.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>\u003Ca href=\"https:\u002F\u002Fdreamscomma.com\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">CU\u003C\u002Fa>\u003C\u002Fstrong>\u003Ca href=\"https:\u002F\u002Fdreamscomma.com\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>~\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>dreams comma delta, \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fdreams_comma_delta\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">DM\u003C\u002Fa> for address\u003Cbr>June 25–July 16, by appointment\u003Cbr>Opening: Sunday June 25, 3pm\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">The final show at dreams comma delta will feature artworks by Mona Lisa Ali, Claire Geddes Bailey, Elisa Ferrari, Megan Hepburn, Marisa Kriangwiwat Holmes, Tiziana La Melia, Juan Cisneros Neumann, Ellis Sam, Rachelle Sawatsky, and Douglas Watt. Read about the project space by Christian Vistan and Aubin Soonhwan Kwon in \u003Cem>ReIssue\u003C\u002Fem> \u003Ca href=\"https:\u002F\u002Freissue.pub\u002Farticles\u002Fin-dreams-liquidity-art-and-business-in-the-real-estate-meat-machine\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fartspeak.ca\u002Fartspeak-wp\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002FUSEArtspeak-Mailer-Quarter-2-corrected-spellingdate.jpg\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Speakeasy\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Artspeak, 233 Carrall St, Vancouver BC\u003Cbr>Tuesday June 27, 6–8pm\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">A monthly after-hours event 😉\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fviff.org\u002Fwhats-on\u002Frumble-indians-rocked-world\u002F#event-overview\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Rumble: The Indians Who Rocked the World + A Conversation with Pura Fé\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Vancity Theatre, 1181 Seymour St, Vancouver BC\u003Cbr>Tuesday June 27, 6:30pm\u003Cbr>Tickets \u003Ca href=\"https:\u002F\u002Fviff.org\u002Fwhats-on\u002Frumble-indians-rocked-world\u002F#event-overview\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">This revelatory documentary brings to light the profound and overlooked influence of Indigenous people on popular music in North America. Focusing on music icons like Link Wray, Jimi Hendrix, Buffy Sainte-Marie, Taboo (The Black Eyed Peas), Charley Patton, Mildred Bailey, Jesse Ed Davis, Robbie Robertson, and Randy Castillo, \u003Cem>Rumble: The Indians Who Rocked the World\u003C\u002Fem> shows how these pioneering Native American musicians helped shape the soundtracks of our lives.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Copresented by VIFF, Coastal Jazz and Talking Stick, this screening will be followed by a conversation with Indigenous singer-songwriter, activist and storyteller Pura Fé, moderated by Doreen Manuel, and a celebratory reception with a performance by M’Girl singers.\u003C\u002Fp>\n\n\n\n\u003Cdiv style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\">\u003C\u002Fdiv>\n\n\n\n\u003Ch3 class=\"wp-block-heading\">\u003Cem>Jobs \u002F Calls\u003C\u002Fem>\u003C\u002Fh3>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.allianceforarts.com\u002Fjob-board\u002F2023\u002F6\u002F8\u002Fcurator-of-outdoor-art\" target=\"_blank\" rel=\"noreferrer noopener\">P\u002FT Curator of Outdoor Art, Morris and Helen Belkin Art Gallery (Vancouver),\u003C\u002Fa> apply by 07\u002F05\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.allianceforarts.com\u002Fjob-board\u002F2023\u002F6\u002F12\u002Farts-and-culture-coordinator\" target=\"_blank\" rel=\"noreferrer noopener\">P\u002FT Arts and Culture Coordinator (Sechelt)\u003C\u002Fa>, apply by 06\u002F19\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.allianceforarts.com\u002Fjob-board\u002F2023\u002F6\u002F6\u002Fgallery-technician\" target=\"_blank\" rel=\"noreferrer noopener\">F\u002FT Gallery Technician, Nanaimo Art Gallery (Nanaimo)\u003C\u002Fa>, apply by 06\u002F28\u003C\u002Fp>\n\n\n\n\u003Cdiv style=\"height:51px\" aria-hidden=\"true\" class=\"wp-block-spacer\">\u003C\u002Fdiv>\n",null,[32],{"id":26,"slug":28,"name":27,"firstName":33,"lastName":34,"bioHtml":35},"ReIssue","Editor","\n\u003Cp class=\"has-text-align-center wp-block-paragraph\">🎨\u003C\u002Fp>\n",{"title":37,"robots":38,"og_locale":44,"og_type":45,"og_title":37,"og_description":46,"og_url":47,"og_site_name":33,"article_publisher":48,"article_modified_time":49,"og_image":50,"twitter_card":53,"twitter_site":54,"twitter_misc":55,"schema":57},"ReIssue Digestif: What’s on June 16–30 - ReIssue",{"index":39,"follow":40,"max-snippet":41,"max-image-preview":42,"max-video-preview":43},"noindex","follow","max-snippet:-1","max-image-preview:large","max-video-preview:-1","en_US","article","Here's our staff picks for what's happening June 16–30.","https:\u002F\u002Freissue.pub\u002Farticles\u002Freissue-digestif-whats-on-june-16-30\u002F","https:\u002F\u002Fwww.facebook.com\u002Freissue.pub\u002F","2023-12-18T00:38:24+00:00",[51],{"width":20,"height":21,"url":18,"type":52},"image\u002Fjpeg","summary_large_image","@reissuepub",{"Est. reading time":56},"6 minutes",{"@context":58,"@graph":59},"https:\u002F\u002Fschema.org",[60,75,77,91,106],{"@type":61,"@id":47,"url":47,"name":37,"isPartOf":62,"primaryImageOfPage":64,"image":66,"thumbnailUrl":18,"datePublished":67,"dateModified":49,"breadcrumb":68,"inLanguage":70,"potentialAction":71},"WebPage",{"@id":63},"https:\u002F\u002Freissue.pub\u002F#website",{"@id":65},"https:\u002F\u002Freissue.pub\u002Farticles\u002Freissue-digestif-whats-on-june-16-30\u002F#primaryimage",{"@id":65},"2023-06-16T15:23:35+00:00",{"@id":69},"https:\u002F\u002Freissue.pub\u002Farticles\u002Freissue-digestif-whats-on-june-16-30\u002F#breadcrumb","en-US",[72],{"@type":73,"target":74},"ReadAction",[47],{"@type":76,"inLanguage":70,"@id":65,"url":18,"contentUrl":18,"width":20,"height":21},"ImageObject",{"@type":78,"@id":69,"itemListElement":79},"BreadcrumbList",[80,85,89],{"@type":81,"position":82,"name":83,"item":84},"ListItem",1,"Home","https:\u002F\u002Freissue.pub\u002F",{"@type":81,"position":86,"name":87,"item":88},2,"Articles","https:\u002F\u002Freissue.pub\u002Farticles\u002F",{"@type":81,"position":90,"name":6},3,{"@type":92,"@id":63,"url":84,"name":33,"description":93,"publisher":94,"potentialAction":96,"inLanguage":70},"WebSite","critical discourse for experimental art practices",{"@id":95},"https:\u002F\u002Freissue.pub\u002F#organization",[97],{"@type":98,"target":99,"query-input":102},"SearchAction",{"@type":100,"urlTemplate":101},"EntryPoint","https:\u002F\u002Freissue.pub\u002F?s={search_term_string}",{"@type":103,"valueRequired":104,"valueName":105},"PropertyValueSpecification",true,"search_term_string",{"@type":107,"@id":95,"name":33,"url":84,"logo":108,"image":113,"sameAs":114},"Organization",{"@type":76,"inLanguage":70,"@id":109,"url":110,"contentUrl":110,"width":111,"height":112,"caption":33},"https:\u002F\u002Freissue.pub\u002F#\u002Fschema\u002Flogo\u002Fimage\u002F","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F06\u002Freissue_logo.jpg",1920,1118,{"@id":109},[48,115,116],"https:\u002F\u002Fx.com\u002Freissuepub","https:\u002F\u002Fwww.instagram.com\u002Freissue.pub\u002F",{"id":118,"slug":119,"title":83,"contentHtml":22,"acf":120,"backgroundBlur":123,"seo":124},48,"home",{"background_image":121,"isBlack":16,"header_text":122},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2026\u002F11\u002Fdaisy_reissue_2.jpg","ReIssue: art and criticism in \u003Cbr>\r\nthe cosmos of cultural production","url(\"data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 213'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRoIAAABXRUJQVlA4IHYAAADwBACdASogABUAPu1qqlEppaOiqAqpMB2JZwAAKf0c+TYjyG8vhTeRaShCpli8uAAA\u002FnFf8QBzP1T7FqMQfN+5P0sEZp4TM\u002FtvUeu\u002F6PKH+GHrebLLz8IW4Q6wQ5kHZO6aqggnKrdkv+u62izeOgqi4jMyAAAA'\u002F%3E%3C\u002Fsvg%3E\")",{"title":125,"robots":126,"og_locale":44,"og_type":45,"og_title":125,"og_url":127,"og_site_name":33,"article_publisher":48,"article_modified_time":128,"twitter_card":53,"twitter_site":54,"schema":129},"Home - ReIssue",{"index":39,"follow":40,"max-snippet":41,"max-image-preview":42,"max-video-preview":43},"https:\u002F\u002Freissue.pub\u002Fhome\u002F","2026-11-14T21:58:11+00:00",{"@context":58,"@graph":130},[131,139,143,149],{"@type":61,"@id":127,"url":127,"name":125,"isPartOf":132,"datePublished":133,"dateModified":128,"breadcrumb":134,"inLanguage":70,"potentialAction":136},{"@id":63},"2018-04-21T23:04:08+00:00",{"@id":135},"https:\u002F\u002Freissue.pub\u002Fhome\u002F#breadcrumb",[137],{"@type":73,"target":138},[127],{"@type":78,"@id":135,"itemListElement":140},[141,142],{"@type":81,"position":82,"name":83,"item":84},{"@type":81,"position":86,"name":83},{"@type":92,"@id":63,"url":84,"name":33,"description":93,"publisher":144,"potentialAction":145,"inLanguage":70},{"@id":95},[146],{"@type":98,"target":147,"query-input":148},{"@type":100,"urlTemplate":101},{"@type":103,"valueRequired":104,"valueName":105},{"@type":107,"@id":95,"name":33,"url":84,"logo":150,"image":151,"sameAs":152},{"@type":76,"inLanguage":70,"@id":109,"url":110,"contentUrl":110,"width":111,"height":112,"caption":33},{"@id":109},[48,115,116],{"id":154,"slug":155,"title":156,"contentHtml":157,"acf":16,"backgroundBlur":30,"seo":158},321,"subscription-banner","Subscription Banner","\n\u003Cp class=\"wp-block-paragraph\">ReIssue is unfunded, wild and free. Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">To donate, contact: \u003Ca href=\"mailto:editor@reissue.pub\" rel=\"nofollow\">editor@reissue.pub\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Sign up for our email newsletter\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003C\u002Fp>\n",{"title":159,"robots":160,"og_locale":44,"og_type":45,"og_title":159,"og_description":161,"og_url":162,"og_site_name":33,"article_publisher":48,"article_modified_time":163,"twitter_card":53,"twitter_site":54,"twitter_misc":164,"schema":166},"Subscription Banner - ReIssue",{"index":39,"follow":40,"max-snippet":41,"max-image-preview":42,"max-video-preview":43},"ReIssue is unfunded, wild and free. Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance. To donate, contact: editor@reissue.pub Sign up for our email newsletter","https:\u002F\u002Freissue.pub\u002Fsubscription-banner\u002F","2026-11-13T20:28:08+00:00",{"Est. reading time":165},"1 minute",{"@context":58,"@graph":167},[168,176,180,186],{"@type":61,"@id":162,"url":162,"name":159,"isPartOf":169,"datePublished":170,"dateModified":163,"breadcrumb":171,"inLanguage":70,"potentialAction":173},{"@id":63},"2020-12-15T23:44:21+00:00",{"@id":172},"https:\u002F\u002Freissue.pub\u002Fsubscription-banner\u002F#breadcrumb",[174],{"@type":73,"target":175},[162],{"@type":78,"@id":172,"itemListElement":177},[178,179],{"@type":81,"position":82,"name":83,"item":84},{"@type":81,"position":86,"name":156},{"@type":92,"@id":63,"url":84,"name":33,"description":93,"publisher":181,"potentialAction":182,"inLanguage":70},{"@id":95},[183],{"@type":98,"target":184,"query-input":185},{"@type":100,"urlTemplate":101},{"@type":103,"valueRequired":104,"valueName":105},{"@type":107,"@id":95,"name":33,"url":84,"logo":187,"image":188,"sameAs":189},{"@type":76,"inLanguage":70,"@id":109,"url":110,"contentUrl":110,"width":111,"height":112,"caption":33},{"@id":109},[48,115,116],1794704113530]