[{"data":1,"prerenderedAt":190},["ShallowReactive",2],{"article:reissue-digestif-whats-on-march-1-15":3,"page:48":117,"page:321":153},{"id":4,"slug":5,"title":6,"excerpt":7,"date":8,"year":9,"formattedDate":10,"typeIds":11,"typeNames":13,"wordCount":15,"isBlack":16,"image":17,"contributors":24,"contentHtml":29,"finalContentHtml":22,"creditsHtml":22,"pdfUrl":30,"vimeo":30,"contributorBios":31,"seo":36},1442,"reissue-digestif-whats-on-march-1-15","ReIssue Digestif: What’s on March 1–15","\u003Cp>Check out our picks for what’s going on, March 1–15.\u003C\u002Fp>\n","2023-03-01T07:23:59",2023,"Mar 2023",[12],11,[14],"RI",704,false,{"src":18,"srcset":19,"width":20,"height":21,"alt":22,"lqip":23},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002Fsplash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002Fsplash-768x219.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002Fsplash.jpg 1080w",1080,308,"","data:image\u002Fwebp;base64,UklGRkYAAABXRUJQVlA4IDoAAAAwAwCdASogAAkAPu1iqU2ppaOiMAgBMB2JQBOgBgwxUIAAAP7oQvfOx1OQU2VI9AaavhxqLBLORAgA",[25],{"id":26,"name":27,"slug":28},1307,"ReIssue Editor","reissue-staff","\n\u003Cfigure class=\"wp-block-image size-full\">\u003Cspan class=\"lqip-wrap\" style=\"background-image:url("data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 91'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRoQAAABXRUJQVlA4IHgAAACQAwCdASogAAkAPu1iqU2ppaQiMAgBMB2JZAC7AC0JvbKKgHzYAP7py\u002FW33bXDk3Bnn\u002FwQq0KlmxF4w1m+b\u002FO20XRMRD3CuxV6PiOi00u2reHZmxamChl\u002Fz43NOTbexUw8yzO\u002FEKyGvZH7MHWLF2Wr0ogqBGgAAAA='\u002F%3E%3C\u002Fsvg%3E")\">\u003Cimg loading=\"lazy\" decoding=\"async\" width=\"1080\" height=\"308\" src=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002F20230301digestifheader.jpg\" alt=\"\" class=\"lqip wp-image-1444\" srcset=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002F20230301digestifheader.jpg 1080w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002F20230301digestifheader-768x219.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002F20230301digestifheader-100x29.jpg 100w\" sizes=\"auto, (max-width: 1080px) 100vw, 1080px\" \u002F>\u003C\u002Fspan>\u003C\u002Ffigure>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cem>Welcome to ReIssue Digestif, a bi-weekly-ish round-up of events on our radar. All times in PST.\u003C\u002Fem>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cem>If you are BC- or AB-based and have an exhibition, event or job posting to submit for consideration in the next Digestif, email details to admin@reissue.pub\u003C\u002Fem>\u003C\u002Fp>\n\n\n\n\u003Cfigure class=\"wp-block-image size-full\">\u003Cspan class=\"lqip-wrap\" style=\"background-image:url("data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 180'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRo4AAABXRUJQVlA4IIIAAABQBACdASogABIAPu1mqU2ppaQiMAgBMB2JZQAD5JoN8luVRPmJDOl1PS2AAP7vyJiwOr5x94B07hswu0ciopcz+pMMWhJtsIB1CBlyndfDmbi5abeeN3PmWYcasr+keyt6VnjWr42MZDP0iO664M2NubmtK3BLH+Hbn+tgWF8YwQAA'\u002F%3E%3C\u002Fsvg%3E")\">\u003Cimg loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002F20230301digestif-1.jpg\" alt=\"\" class=\"lqip wp-image-1443\" srcset=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002F20230301digestif-1.jpg 1920w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002F20230301digestif-1-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002F20230301digestif-1-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002F20230301digestif-1-100x56.jpg 100w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \u002F>\u003C\u002Fspan>\u003Cfigcaption class=\"wp-element-caption\">Glenn Lewis, The Reddish Problem in Drawing a Conclusion, 2022, stoneware, red pencil,\u003Cbr>4 x 8 in\u003C\u002Ffigcaption>\u003C\u002Ffigure>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"http:\u002F\u002Fwww.waapart.com\u002Fportfolio\u002Fglenn-lewis-real-nature-morte-tie-die-things\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Glenn Lewis: Real Nature Morte, Tie Die, and Some Other Things\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Wil Aballe Art Projects, 1129 E Hastings St, Vancouver BC\u003Cbr>Now–March 25, 2023, Tuesday–Saturday 12–5pm\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">In his own words, Lewis was inspired by 17th century European still life painting to make “objects in ceramics along with found things, and presenting them in still life as photographs.” By using this historical foundation as an “exploration of techne in contemporary life,” his prop ceramics playfully activate painterly and photographic histories within the domestic.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fartsvictoria.ca\u002Fshow\u002F577046\u002Fview\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Laveen Gammie: CONTENT-AWARE\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>the fifty fifty arts collective, 2516 Douglas St, Victoria BC\u003Cbr>March 3–23, gallery hours \u003Ca href=\"https:\u002F\u002Fthefiftyfifty.net\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>\u003Cbr>Opening: Thursday March 2, 7–10pm\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Victoria-based artist Laveen Gammie is on a tear! Hot on the heels of her show at Fortune Gallery, in CONTENT-AWARE she brings an installation of mixed media and helium balloons to the fifty fifty. \u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Flibby.ecuad.ca\u002Fevents\u002F2023\u002Fcurators-on-curating-march-2-2023.html\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Artist-Curators on Curating: Amber Dawn and Justin Ducharme in conversation\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Thursday March 2, 5:30–7pm \u003Cbr>In-person at the Libby Leshgold Gallery or online via \u003Ca href=\"https:\u002F\u002Femilycarru.zoom.us\u002Fwebinar\u002Fregister\u002FWN_0xlp8ObPTzKwJfNlSQST8A\" target=\"_blank\" rel=\"noreferrer noopener\">Zoom\u003C\u002Fa>\u003Cbr>Free \u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">What do community-engaged practices of curating and organizing look like? In this first talk from the Libby and On Edge Reading Series’ upcoming series of events, writer, editor, and educator Amber Dawn and filmmaker and writer Justin Ducharme will delve into their independent and shared practices, including their co-edited book, \u003Cem>\u003Ca href=\"https:\u002F\u002Farsenalpulp.com\u002FBooks\u002FH\u002FHustling-Verse\" target=\"_blank\" rel=\"noreferrer noopener\">Hustling Verse: An Anthology of Sex Workers’ Poetry\u003C\u002Fa>.\u003C\u002Fem> ASL interpretation provided, masks encouraged.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fgrunt.ca\u002Fexhibitions\u002Fladykiller-the-maneater\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Alison Bremner: Ladykiller the Maneater\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>grunt gallery, #116-350 E 2nd Ave, Vancouver BC\u003Cbr>March 3\u003Cstrong>*\u003C\u002Fstrong>–April 29, Tuesday–Saturday 12–5pm\u003Cbr>*\u003Cem>\u003Cstrong>Note\u003C\u002Fstrong>\u003C\u002Fem> the opening of the exhibition is currently delayed due to shipping issues; stay tuned to \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fgruntgallery\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">grunt’s social media\u003C\u002Fa> for updates\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Tlingit artist Alison Bremner brings forward the experiences of an imagined deity who has existed in a dream-state for so long that no one is certain even of what she was the deity of anymore. Bremner’s paintings demonstrate both the love and bite of the artist’s humour and her penchant to draw from all aspects of contemporary Indigenous identity without adhering to the discourse of traditional vs. contemporary. Curated by Whess Harman.\u003C\u002Fp>\n\n\n\n\u003Cfigure class=\"wp-block-image size-full\">\u003Cspan class=\"lqip-wrap\" style=\"background-image:url("data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 180'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRqIAAABXRUJQVlA4IJYAAABQBQCdASogABIAPuVcpU2pJSOiMAwBIByJaQDKtCHKNaRvrcATml3L3tsOkdtQj4INgYAA\u002FpEBA6z7zkw7vuzL\u002FIuCkK2TsdweBVk0rOQn9gwV0yBXpXqfQUdK0frk3zJyTaPlY8EHUybHuknFkZ6HAF7mgVbcxPAaZoGeFTiNnxq5Kk3HikLse0ypMiDZuOKtKEAAAAA='\u002F%3E%3C\u002Fsvg%3E")\">\u003Cimg loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002F20230301-digestif2.jpg\" alt=\"\" class=\"lqip wp-image-1445\" srcset=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002F20230301-digestif2.jpg 1920w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002F20230301-digestif2-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002F20230301-digestif2-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002F20230301-digestif2-100x56.jpg 100w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \u002F>\u003C\u002Fspan>\u003Cfigcaption class=\"wp-element-caption\">Antonia Wright, \u003Cem>And so with ends comes beginnings\u003C\u002Fem> (still), 2019, single-channel video with sound, 4:30min\u003C\u002Ffigcaption>\u003C\u002Ffigure>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Forgallery.org\u002Fexhibitions-projects\u002Fheather-diack-sinking-feeling\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Sinking Feeling\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Or Gallery, 236 E Pender St, Vancouver BC \u003Cbr>March 2–April 29, Tuesday–Saturday 12–5pm\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">In sync with rising sea-levels, artists are increasingly attuned to the sinking feeling of climate catastrophe. \u003Cem>Sinking Feeling\u003C\u002Fem> features work by Miami-based artists Eddie Arroyo, Claudio Nolasco, Jamilah Sabur, Erin Thurlow & Antonia Wright. Designated the most unaffordable city in the US, Miami is a gateway to the Caribbean and Latin America, popularly dubbed the ‘Magic City,’ is ground zero for the impending peril it faces from warming waters and flooding. Combining references to the transformational role water plays in our survival and potential demise, the artworks are as much about immersion and reflection as creating a rising tide of interconnected awareness and environmental justice. Curated by Heather Diack.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Ffb.me\u002Fe\u002F2j4PJLhsE\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Only A Visitor Album Release: Decay\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Red Gate Arts Society, 1965 Main St, Vancouver BC\u003Cbr>Friday March 3, doors 7:30pm\u003Cbr>Tickets $15, presale \u003Ca href=\"https:\u002F\u002Fwww.eventbrite.ca\u002Fe\u002Fonly-a-visitor-album-release-party-with-troll-dolly-and-buddie-at-red-gate-tickets-533961010757?fbclid=IwAR3J8EM_6SRLlmf815l8ukc-D31E3H0BXZUvjp0zvwkSUgtmvan_0Mfy9PM\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Mint Records is releasing Only A Visitor’s latest album, \u003Cem>\u003Ca href=\"https:\u002F\u002Fmintrecs.com\u002Fnews\u002Fonly-visitor-announce-mint-debut-decay\" target=\"_blank\" rel=\"noreferrer noopener\">Decay\u003C\u002Fa>\u003C\u002Fem>. Described as “Bjork’s light-footed nymph child,” (Beatroute) Vancouver quintet Only A Visitor brings a precise and buoyant live energy to song-crafting with their “kaleidoscopic compositions” (Dusted Magazine). With Troll Dolly and Buddie, and live visuals by Chris Strickler.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fmuseumofvancouver.ca\u002Ftobias-wong-artist-tour?fbclid=IwAR2LdRpjqdvTE1uiXnmHiAPGPX7HsTugQPE3nRk_LLai0VstXJuJOrV2yms\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Artist Tour of All We Want is More: The Tobias Wong Project\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Museum of Vancouver, 1100 Chestnut St, Vancouver BC\u003Cbr>Tuesday March 14, 6–7pm\u003Cbr>Tickets $15 \u003Ca href=\"https:\u002F\u002Fmuseumofvancouver.ca\u002Ftobias-wong-artist-tour?fbclid=IwAR2LdRpjqdvTE1uiXnmHiAPGPX7HsTugQPE3nRk_LLai0VstXJuJOrV2yms\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Experience the exhibition in a walkthrough with two close friends\u002Fcollaborators of Tobias Wong, Amelia Bauer and Pablo Griff. In the early 2000s, Tobias Wong (1974–2010) took the design world by storm. Born and raised in Vancouver, Wong’s work moved between conceptual art, performance and product design. His international career took off and developed in New York City, where he resided until his untimely death in 2010. \u003C\u002Fp>\n\n\n\n\u003Cdiv style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\">\u003C\u002Fdiv>\n\n\n\n\u003Ch3 class=\"wp-block-heading\">\u003Cem>Jobs \u002F Calls\u003C\u002Fem>\u003C\u002Fh3>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.allianceforarts.com\u002Fjob-board\u002F2023\u002F2\u002F13\u002Fexhibition-amp-gallery-coordinator\" target=\"_blank\" rel=\"noreferrer noopener\">Exhibition & Gallery Coordinator, Richmond Art Gallery (Richmond)\u003C\u002Fa>, apply by 03\u002F08\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.allianceforarts.com\u002Fjob-board\u002F2022\u002F12\u002F19\u002Foperations-manager-contractpart-time\" target=\"_blank\" rel=\"noreferrer noopener\">Operations Manager, Vancouver Art Book Fair (Vancouver)\u003C\u002Fa>, until filled\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fecuad.peopleadmin.ca\u002Fpostings\u002F1993\" target=\"_blank\" rel=\"noreferrer noopener\">Receptionist\u002FInformation Services, Emily Carr University (Vancouver)\u003C\u002Fa>, until filled\u003C\u002Fp>\n\n\n\n\u003Cdiv style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\">\u003C\u002Fdiv>\n",null,[32],{"id":26,"slug":28,"name":27,"firstName":33,"lastName":34,"bioHtml":35},"ReIssue","Editor","\n\u003Cp class=\"has-text-align-center wp-block-paragraph\">🎨\u003C\u002Fp>\n",{"title":37,"robots":38,"og_locale":44,"og_type":45,"og_title":37,"og_description":46,"og_url":47,"og_site_name":33,"article_publisher":48,"article_modified_time":49,"og_image":50,"twitter_card":53,"twitter_site":54,"twitter_misc":55,"schema":57},"ReIssue Digestif: What’s on March 1–15 - ReIssue",{"index":39,"follow":40,"max-snippet":41,"max-image-preview":42,"max-video-preview":43},"noindex","follow","max-snippet:-1","max-image-preview:large","max-video-preview:-1","en_US","article","Check out our picks for what's going on, March 1–15.","https:\u002F\u002Freissue.pub\u002Farticles\u002Freissue-digestif-whats-on-march-1-15\u002F","https:\u002F\u002Fwww.facebook.com\u002Freissue.pub\u002F","2023-12-18T00:11:09+00:00",[51],{"width":20,"height":21,"url":18,"type":52},"image\u002Fjpeg","summary_large_image","@reissuepub",{"Est. reading time":56},"5 minutes",{"@context":58,"@graph":59},"https:\u002F\u002Fschema.org",[60,75,77,91,106],{"@type":61,"@id":47,"url":47,"name":37,"isPartOf":62,"primaryImageOfPage":64,"image":66,"thumbnailUrl":18,"datePublished":67,"dateModified":49,"breadcrumb":68,"inLanguage":70,"potentialAction":71},"WebPage",{"@id":63},"https:\u002F\u002Freissue.pub\u002F#website",{"@id":65},"https:\u002F\u002Freissue.pub\u002Farticles\u002Freissue-digestif-whats-on-march-1-15\u002F#primaryimage",{"@id":65},"2023-03-01T15:23:59+00:00",{"@id":69},"https:\u002F\u002Freissue.pub\u002Farticles\u002Freissue-digestif-whats-on-march-1-15\u002F#breadcrumb","en-US",[72],{"@type":73,"target":74},"ReadAction",[47],{"@type":76,"inLanguage":70,"@id":65,"url":18,"contentUrl":18,"width":20,"height":21},"ImageObject",{"@type":78,"@id":69,"itemListElement":79},"BreadcrumbList",[80,85,89],{"@type":81,"position":82,"name":83,"item":84},"ListItem",1,"Home","https:\u002F\u002Freissue.pub\u002F",{"@type":81,"position":86,"name":87,"item":88},2,"Articles","https:\u002F\u002Freissue.pub\u002Farticles\u002F",{"@type":81,"position":90,"name":6},3,{"@type":92,"@id":63,"url":84,"name":33,"description":93,"publisher":94,"potentialAction":96,"inLanguage":70},"WebSite","critical discourse for experimental art practices",{"@id":95},"https:\u002F\u002Freissue.pub\u002F#organization",[97],{"@type":98,"target":99,"query-input":102},"SearchAction",{"@type":100,"urlTemplate":101},"EntryPoint","https:\u002F\u002Freissue.pub\u002F?s={search_term_string}",{"@type":103,"valueRequired":104,"valueName":105},"PropertyValueSpecification",true,"search_term_string",{"@type":107,"@id":95,"name":33,"url":84,"logo":108,"image":113,"sameAs":114},"Organization",{"@type":76,"inLanguage":70,"@id":109,"url":110,"contentUrl":110,"width":111,"height":112,"caption":33},"https:\u002F\u002Freissue.pub\u002F#\u002Fschema\u002Flogo\u002Fimage\u002F","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F06\u002Freissue_logo.jpg",1920,1118,{"@id":109},[48,115,116],"https:\u002F\u002Fx.com\u002Freissuepub","https:\u002F\u002Fwww.instagram.com\u002Freissue.pub\u002F",{"id":118,"slug":119,"title":83,"contentHtml":22,"acf":120,"backgroundBlur":123,"seo":124},48,"home",{"background_image":121,"isBlack":16,"header_text":122},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2026\u002F11\u002Fdaisy_reissue_2.jpg","ReIssue: art and criticism in \u003Cbr>\r\nthe cosmos of cultural production","url(\"data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 213'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRoIAAABXRUJQVlA4IHYAAADwBACdASogABUAPu1qqlEppaOiqAqpMB2JZwAAKf0c+TYjyG8vhTeRaShCpli8uAAA\u002FnFf8QBzP1T7FqMQfN+5P0sEZp4TM\u002FtvUeu\u002F6PKH+GHrebLLz8IW4Q6wQ5kHZO6aqggnKrdkv+u62izeOgqi4jMyAAAA'\u002F%3E%3C\u002Fsvg%3E\")",{"title":125,"robots":126,"og_locale":44,"og_type":45,"og_title":125,"og_url":127,"og_site_name":33,"article_publisher":48,"article_modified_time":128,"twitter_card":53,"twitter_site":54,"schema":129},"Home - ReIssue",{"index":39,"follow":40,"max-snippet":41,"max-image-preview":42,"max-video-preview":43},"https:\u002F\u002Freissue.pub\u002Fhome\u002F","2026-11-14T21:58:11+00:00",{"@context":58,"@graph":130},[131,139,143,149],{"@type":61,"@id":127,"url":127,"name":125,"isPartOf":132,"datePublished":133,"dateModified":128,"breadcrumb":134,"inLanguage":70,"potentialAction":136},{"@id":63},"2018-04-21T23:04:08+00:00",{"@id":135},"https:\u002F\u002Freissue.pub\u002Fhome\u002F#breadcrumb",[137],{"@type":73,"target":138},[127],{"@type":78,"@id":135,"itemListElement":140},[141,142],{"@type":81,"position":82,"name":83,"item":84},{"@type":81,"position":86,"name":83},{"@type":92,"@id":63,"url":84,"name":33,"description":93,"publisher":144,"potentialAction":145,"inLanguage":70},{"@id":95},[146],{"@type":98,"target":147,"query-input":148},{"@type":100,"urlTemplate":101},{"@type":103,"valueRequired":104,"valueName":105},{"@type":107,"@id":95,"name":33,"url":84,"logo":150,"image":151,"sameAs":152},{"@type":76,"inLanguage":70,"@id":109,"url":110,"contentUrl":110,"width":111,"height":112,"caption":33},{"@id":109},[48,115,116],{"id":154,"slug":155,"title":156,"contentHtml":157,"acf":16,"backgroundBlur":30,"seo":158},321,"subscription-banner","Subscription Banner","\n\u003Cp class=\"wp-block-paragraph\">ReIssue is unfunded, wild and free. Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">To donate, contact: \u003Ca href=\"mailto:editor@reissue.pub\" rel=\"nofollow\">editor@reissue.pub\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Sign up for our email newsletter\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003C\u002Fp>\n",{"title":159,"robots":160,"og_locale":44,"og_type":45,"og_title":159,"og_description":161,"og_url":162,"og_site_name":33,"article_publisher":48,"article_modified_time":163,"twitter_card":53,"twitter_site":54,"twitter_misc":164,"schema":166},"Subscription Banner - ReIssue",{"index":39,"follow":40,"max-snippet":41,"max-image-preview":42,"max-video-preview":43},"ReIssue is unfunded, wild and free. 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