[{"data":1,"prerenderedAt":190},["ShallowReactive",2],{"article:reissue-digestif-whats-on-march-16-31":3,"page:48":117,"page:321":153},{"id":4,"slug":5,"title":6,"excerpt":7,"date":8,"year":9,"formattedDate":10,"typeIds":11,"typeNames":13,"wordCount":15,"isBlack":16,"image":17,"contributors":24,"contentHtml":29,"finalContentHtml":22,"creditsHtml":22,"pdfUrl":30,"vimeo":30,"contributorBios":31,"seo":36},1468,"reissue-digestif-whats-on-march-16-31","ReIssue Digestif: What’s on March 16–31","\u003Cp>Our staff picks for what&#8217;s happening, March 16–31.\u003C\u002Fp>\n","2023-03-15T12:59:09",2023,"Mar 2023",[12],11,[14],"RI",750,false,{"src":18,"srcset":19,"width":20,"height":21,"alt":22,"lqip":23},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002F20230315digestif-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002F20230315digestif-splash-768x219.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002F20230315digestif-splash.jpg 1080w",1080,308,"","data:image\u002Fwebp;base64,UklGRlIAAABXRUJQVlA4IEYAAADwAgCdASogAAkALrV2u12jqampiYC0SgCdAF+Eja8dYAD+78fAel6af2gNgGuQ0acsHsPI80+8KBjxF8qM0X5\u002FA7j9AAAA",[25],{"id":26,"name":27,"slug":28},1307,"ReIssue Editor","reissue-staff","\n\u003Cfigure class=\"wp-block-image size-full\">\u003Cspan class=\"lqip-wrap\" style=\"background-image:url(&quot;data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 91'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRs4AAABXRUJQVlA4IMIAAADwBACdASogAAkAPu1kqU2ppaQiMAgBMB2JbACdMoR4Gc7PIG+Gv6vSIBht8G0sTsAA\u002FupIP1227nUrd3T7F34Ovb6WBd32vnxtHjysZQ78n8TNivNJHb1N1v73N\u002F9kysk7LXqe5yrfnRTMbfbtltyjwvrpX6yMbZQfU37rWuTSKO\u002FxkQu+1PZV5W1LMlTs0RzGjKP15VjRaoBuzJVWbLvrQR1Llqhsd0T\u002Fo96h6pLxalZIFubf+NrE114xA64WFK6gAA=='\u002F%3E%3C\u002Fsvg%3E&quot;)\">\u003Cimg loading=\"lazy\" decoding=\"async\" width=\"1080\" height=\"308\" src=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002F20230316digestif.jpg\" alt=\"\" class=\"lqip wp-image-1469\" srcset=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002F20230316digestif.jpg 1080w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002F20230316digestif-768x219.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002F20230316digestif-100x29.jpg 100w\" sizes=\"auto, (max-width: 1080px) 100vw, 1080px\" \u002F>\u003C\u002Fspan>\u003C\u002Ffigure>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cem>Welcome to ReIssue Digestif, a bi-weekly-ish round-up of events on our radar. All times in PST.\u003C\u002Fem>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cem>If you are BC- or AB-based and have an exhibition, event or job posting to submit for consideration in the next Digestif, email details to admin@reissue.pub\u003C\u002Fem>\u003C\u002Fp>\n\n\n\n\u003Cfigure class=\"wp-block-image size-full\">\u003Cspan class=\"lqip-wrap\" style=\"background-image:url(&quot;data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 180'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRr4AAABXRUJQVlA4ILIAAAAwBQCdASogABIAPu1kqU2ppaQiMAgBMB2JQBOgO53ZZ0qHTBBboOMVG20M3HAa2hfj1ADKkD7VziBlLDDmIi3b2uydDEoSFswh+gTU0com0XkW520LLqUTDtCq7W+tqz8KbcW5\u002ForQv3+CXX6J30wKi808DXjF07i\u002FjjWxPIb\u002FHIsvww+D4MQ+tTCdS9Sw7HlneRWVtEfRfLJRQb7z3w0KyePZNc8KvadyUy0gopdJ+2YA'\u002F%3E%3C\u002Fsvg%3E&quot;)\">\u003Cimg loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002Fstorykeeping-nag.jpg\" alt=\"\" class=\"lqip wp-image-1470\" srcset=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002Fstorykeeping-nag.jpg 1920w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002Fstorykeeping-nag-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002Fstorykeeping-nag-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002Fstorykeeping-nag-100x56.jpg 100w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \u002F>\u003C\u002Fspan>\u003Cfigcaption class=\"wp-element-caption\">Installation view of \u003Cem>Story Keeping\u003C\u002Fem>\u003C\u002Ffigcaption>\u003C\u002Ffigure>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>\u003Ca href=\"https:\u002F\u002Fnanaimoartgallery.ca\u002Fexhibition\u002Fstorykeeping\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">Story Keeping: Brittney Namaakii Bear Hat and Richelle Bear Hat\u003C\u002Fa>\u003C\u002Fstrong>\u003Cbr>Nanaimo Art Gallery, 150 Commercial St, Nanaimo BC\u003Cbr>Now–April 9, gallery hours \u003Ca href=\"https:\u002F\u002Fnanaimoartgallery.ca\u002Fvisit\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Mohkinstsis (Calgary)-based artists Brittney Namaakii Bear Hat and Richelle Bear Hat present new and existing work in \u003Cem>Story Keeping\u003C\u002Fem>, exploring Blackfoot and Dane-zaa Cree storytelling practices through sculpture, photography, drawing, and video.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fthereach.ca\u002Fexhibition\u002Fimage-object-new-approaches-to-three-dimensional-photography\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>image\u002Fobject: new approaches to three-dimensional photography\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Reach Gallery, 32388 Veterans Way, Abbotsford BC\u003Cbr>Now–May 6, 2023, gallery hours \u003Ca href=\"https:\u002F\u002Fthereach.ca\u002Flocation-hours\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Beyond the medium’s representational and symbolic capacities, Canadian artists Karin Bubaš, Natalie Hunter, Karen Zalamea explore photography’s material qualities and spatial potential.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>\u003Ca href=\"https:\u002F\u002Fahva.ubc.ca\u002Fevents\u002Fevent\u002Fdelinda-collier-the-africa-in-media-studies-and-art-history\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">Delinda Collier: The Africa in Media Studies and Art History\u003C\u002Fa>\u003C\u002Fstrong>\u003Cbr>Room 104, Frederic Lasserre Building, University of British Columbia, 6333 Memorial Road, Vancouver BC\u003Cbr>Thursday March 16, 5:30pm\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Dr. Delinda Collier summarizes the history of media studies’ and art history’s reliance on “Africa” as shorthand for unmediated, non-technological, or pre-philosophical art. From Carl Einstein’s Negerplastik’s non-contextual photographs of African sculpture to Marshall McLuhan’s many invocations of Africans’ inability to perceive film or television, Africa was foundational to theories of medium in both fields. This talk will discuss this history in relation to the burgeoning digital and media art scene on the African continent, and will ultimately propose a broader understanding of mediation tied to an “Atlantic” history of art.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fu17544693.ct.sendgrid.net\u002Fls\u002Fclick?upn=M4A6Zjl4hkp-2FWIROvy6349jbGsOETSF0J0ss5tNNbRcSbuAan2DBpCvNzgBMz4KQSOim5bm-2BpbumzyMPRwy0Gg-3D-3DMzAb_b0bVbPWkdtToB8Sk-2BwM44owezmBSOPgVZdfx-2BMszT-2FnN1dU-2FTP-2F7SLz1iQqbhlGPTazxMy6aepNNuaK70GjGU8FhIFcNqrY0AvG1ClEMNpXE4Sh1StGLMiDzN5y1lzdG5aJUpds6nHLynCELC4FF9-2Bid-2FNXhZScWiW7Xh8b0WRx8c4L-2BJIthZsNKYBo-2FPNlh-2Fl6QwZeg1ALUvQyGjaC6yuCPO7erTJly0QPJrcHnyPmjWATuLm8WR6vhf-2FisRRWYkrTb6PsZ9ujMvgqfRgDGMNUpPb-2Fzh2l33x8O0n3A0AWbsEnLdfJfQCbVYxh6voUGAr1XgTRIlwT6fegMBBbmsTCXtd-2B7STUfGz9GZTXZfL12o3Mp2-2BTuCjfwXGEgKqrwJrCzb9wGQAq14-2Ft1BH0yed1Q-2B7aK-2FyGfpwnJEhQQwbn0ZWkqX3T8n5lsMrHL8XwW7RYs6yb3R1LTNhF1R2B-2FJsgfJX43Vpc9PDC4MfkDrpq2bYaYoROP0cf2z20abHMb5HvSmczpbeXkON94GTQkRvrUQ-2BX3RxPW19fVAfC-2BRxIFrKJbe0ObjqKnGuoynbwUBOz-2BO3uqFma0ytLehTEWcYDm08FAeiKmlqGIkxOjRchjzKWOEBz8bI9MoKHeEGPJemEiLGjZVOtuvjaTmwn-2BCJflbBuYZy70jUF-2F7iuqRQamC8ipDIzH-2Btt7ALXyEaSKvubgs6F0-2FWG6wCcOK1ykzV-2Bv72IfTudtwpNyUc93nND0FYKnpc0KTeH4zjPz6EN2IT3Zw6CGX-2BhodfA5R57gm4sYC-2Fm1gJvTEdh9C4oW9w38pqKetMjkCYydI82m8qB-2BePBiJI5yV20Udsg4ZmPGuhXdU9IjjwnZObKUMmDlYye-2FA-2FytM0U2atb2uYIw8I9T2Lcg2XXNsH3W6y3MdHa6RZkNyJ8vm7Hp0bH-2B9KM5vjTFZkRImk4MdBMBx4NM-2FI1uWzyDpAZuecjoNbpZzrU62IGwvwh9VSRh6Sy0mFj87yU-3D\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Alison Bremner: Ladykiller the Maneater\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>grunt gallery, #116-350 E 2nd Ave, Vancouver BC\u003Cbr>March 16–April 29, Tuesday–Saturday, 12–5pm\u003Cbr>Free\u003Cbr>\u003Cbr>Tlingit artist Alison Bremner brings forward the experiences of an imagined deity who has existed in a dream-state for so long that no one is certain even of what she was the deity of anymore. Bremner’s paintings demonstrate both the love and bite of the artist’s humour and her penchant to draw from all aspects of contemporary Indigenous identity without adhering to the discourse of traditional vs. contemporary. Curated by Whess Harman.\u003C\u002Fp>\n\n\n\n\u003Cfigure class=\"wp-block-image size-full\">\u003Cspan class=\"lqip-wrap\" style=\"background-image:url(&quot;data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 180'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRrwAAABXRUJQVlA4ILAAAAAQBQCdASogABIAPu1iqU2ppaQiMAgBMB2JZgCsMxENiASRoew+iJX8hK3M+WTS9CaAAN38NfcVBrnWSmHC\u002FHb+t6jvXM5Cth+YXF9K4SF4Llr8bn79qTj2OhFZtmiblukZDfP8xqmlfWsl4ZujiuZyOUD4jWiiyeQNG2j5yodA5KBbobtRCVLvjH\u002FThTwEOcNYTPWmDodC8wJF4tX31SPn\u002Fiu\u002Fh3diwOcV15WbFiI4AA=='\u002F%3E%3C\u002Fsvg%3E&quot;)\">\u003Cimg loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002Fkamlooops.jpg\" alt=\"\" class=\"lqip wp-image-1471\" srcset=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002Fkamlooops.jpg 1920w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002Fkamlooops-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002Fkamlooops-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002Fkamlooops-100x56.jpg 100w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \u002F>\u003C\u002Fspan>\u003Cfigcaption class=\"wp-element-caption\">Installation view of \u003Cem>Queer Newfoundland Hockey League\u003C\u002Fem>\u003C\u002Ffigcaption>\u003C\u002Ffigure>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>\u003Ca href=\"https:\u002F\u002Fkag.bc.ca\u002Fall-programs\u002Fplayxplay\" target=\"_blank\" rel=\"noreferrer noopener\">Play by Play: Hazel Meyer, Lucas Morneau, and Tak Pham in Conversation\u003C\u002Fa>\u003C\u002Fstrong>\u003Cbr>Kamloops Art Gallery (online via Zoom)\u003Cbr>Thursday March 23, 2:30pm\u003Cbr>Free, register \u003Ca href=\"https:\u002F\u002Fus02web.zoom.us\u002Fwebinar\u002Fregister\u002FWN_WEhIP7wJS2Szuw2siI_2tw\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Exhibiting artist Lucas Morneau, artist Hazel Meyer, and curator Tak Pham discuss the relationship between queerness, sports, and the artists’ creative practices in this talk organized in association with Lucas Morneau’s exhibition, \u003Cem>Queer Newfoundland Hockey League\u003C\u002Fem> (QNHL).\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>\u003Ca href=\"https:\u002F\u002Fwww.foxcabaret.com\u002Fmonthly-calendar\u002F2023\u002F3\u002Fwares\" target=\"_blank\" rel=\"noreferrer noopener\">Wares, Kamikaze Nurse and Soyjoy at the Fox\u003C\u002Fa>\u003C\u002Fstrong>\u003Cbr>Fox Cabaret, 2321 Main St, Vancouver BC\u003Cbr>Thursday March 23, doors 8pm\u003Cbr>Tickets $15 \u003Ca href=\"https:\u002F\u002Fwww.eventbrite.ca\u002Fe\u002Fkamikaze-nurse-wares-and-soyjoy-at-fox-cabaret-tickets-532687712287\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa> or at the door\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwares.bandcamp.com\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">Wares\u003C\u002Fa> is a heavy, dreamy, rough-around the edges pop band led by singer\u002Fguitarist Cassia Hardy from amiskwacîy, Treaty 6 territory. With local bands \u003Ca href=\"https:\u002F\u002Fkamikazenurse.bandcamp.com\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">Kamikaze Nurse\u003C\u002Fa> and \u003Ca href=\"https:\u002F\u002Fsoyjoy.bandcamp.com\u002Falbum\u002Fsongs-to-feed-your-friends-to-ep\" target=\"_blank\" rel=\"noreferrer noopener\">Soyjoy\u003C\u002Fa>.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>\u003Ca href=\"https:\u002F\u002Fwww.cinecenta.com\u002Fcalendar\u002Fframing-agnes\u002F2023-03-31\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">Framing Agnes\u003C\u002Fa>\u003C\u002Fstrong>\u003Cbr>Cinecenta, 3800 Finnerty Road, University of Victoria, Victoria BC\u003Cbr>Friday March 31, 5pm\u003Cbr>Tickets at the door\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Filmmaker and UVic Gender Studies prof Chase Joynt’s 2022 feature film combines fiction and non-fiction by bringing together a cast of esteemed trans actors to reenact and reimagine case study interviews from a 1950s gender clinic. The film premiered last year at Sundance and is coming back to Victoria for one night at Cinecenta: don’t miss it!\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>\u003Ca href=\"https:\u002F\u002Fvinylenvy.com\u002Fshow\u002F577717\u002Fview\" target=\"_blank\" rel=\"noreferrer noopener\">Vinyl Envy 8th Birthday Party at The Roxy! (Folkie Friday)\u003C\u002Fa>\u003C\u002Fstrong>\u003Cbr>Roxy Theatre, 2657 Quadra St, Victoria BC\u003Cbr>Friday March 31, 7:30–10pm\u003Cbr>Tickets $29 \u003Ca href=\"https:\u002F\u002Fwww.eventbrite.ca\u002Fe\u002Fvinyl-envy-8th-birthday-party-at-the-roxy-folky-friday-tickets-490803304897\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Victoria record shop and music venue Vinyl Envy celebrates its 8th birthday Friday March 31 at The Roxy! Featuring local folk music by \u003Ca href=\"https:\u002F\u002Fmamasbroke.bandcamp.com\" target=\"_blank\" rel=\"noreferrer noopener\">Mama’s Broke\u003C\u002Fa>, \u003Ca href=\"http:\u002F\u002Fwww.danasipos.com\" target=\"_blank\" rel=\"noreferrer noopener\">Dana Sipos\u003C\u002Fa>, and \u003Ca href=\"https:\u002F\u002Fwww.ghostlyhounds.com\" target=\"_blank\" rel=\"noreferrer noopener\">Ghostly Hounds\u003C\u002Fa>, along with a special tribute to late local musician Vic Horvath.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>\u003Ca href=\"https:\u002F\u002Fwww.sfu.ca\u002Fskoden\u002FFestival\u002Fskoden-indigenous-film-festival---2023.html\" target=\"_blank\" rel=\"noreferrer noopener\">Skoden Indigenous Film Festival\u003C\u002Fa>\u003C\u002Fstrong>\u003Cbr>Djavad Mowafaghian Cinema, SFU Goldcorp Centre for the Arts, 149 W Hastings St, Vancouver BC\u003Cbr>Friday March 31 and Saturday April 1\u003Cbr>PWYC, schedule \u003Ca href=\"https:\u002F\u002Fwww.sfu.ca\u002Fskoden\u002FFestival\u002Fskoden-indigenous-film-festival---2023.html\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">The two-day student-led Skoden Film Festival is back for its fifth year! Founded and led by Carr Sappier (Wolastoqew) and Grace Mathisen, Skoen is organized by students from SFU’s School of Contemporary Arts and the Faculty of Communication, Art, and Technology. Showcasing works by Indigenous filmmakers, this year’s programs are titled: Activating the Landscape; It’s a Long Story (with feature Ever Deadly); The Deepest Part of my Heart; Who I Am, Who We Are; and Our Connections.\u003C\u002Fp>\n\n\n\n\u003Cdiv style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\">\u003C\u002Fdiv>\n\n\n\n\u003Ch3 class=\"wp-block-heading\">\u003Cem>Jobs \u002F Calls\u003C\u002Fem>\u003C\u002Fh3>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.allianceforarts.com\u002Fjob-board\u002F2023\u002F3\u002F9\u002Fspecial-events-assistant\" target=\"_blank\" rel=\"noreferrer noopener\">Special Events Assistant, City of Burnaby (Burnaby)\u003C\u002Fa>, apply by 03\u002F19\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.allianceforarts.com\u002Fjob-board\u002F2023\u002F3\u002F3\u002Fgraphic-designer\" target=\"_blank\" rel=\"noreferrer noopener\">Graphic Designer, Polygon Gallery (North Vancouver)\u003C\u002Fa>, apply by 03\u002F20\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.allianceforarts.com\u002Fjob-board\u002F2023\u002F3\u002F8\u002Fgraphic-designer\" target=\"_blank\" rel=\"noreferrer noopener\">Graphic Designer, Museum of Anthropology at UBC (Vancouver)\u003C\u002Fa>, apply by 03\u002F21\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.allianceforarts.com\u002Fjob-board\u002F2023\u002F3\u002F9\u002Fsenior-development-manager\" target=\"_blank\" rel=\"noreferrer noopener\">Senior Development Manager, Vancouver Writers Fest (Vancouver)\u003C\u002Fa>, apply by 03\u002F27\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.allianceforarts.com\u002Fjob-board\u002F2023\u002F3\u002F6\u002Fgeneral-manager-outreach-coordinator\" target=\"_blank\" rel=\"noreferrer noopener\">General Manager\u002FOutreach Coordinator, All Bodies Dance Project (Vancouver)\u003C\u002Fa>, apply by 04\u002F14\u003C\u002Fp>\n\n\n\n\u003Cdiv style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\">\u003C\u002Fdiv>\n",null,[32],{"id":26,"slug":28,"name":27,"firstName":33,"lastName":34,"bioHtml":35},"ReIssue","Editor","\n\u003Cp class=\"has-text-align-center wp-block-paragraph\">🎨\u003C\u002Fp>\n",{"title":37,"robots":38,"og_locale":44,"og_type":45,"og_title":37,"og_description":46,"og_url":47,"og_site_name":33,"article_publisher":48,"article_modified_time":49,"og_image":50,"twitter_card":53,"twitter_site":54,"twitter_misc":55,"schema":57},"ReIssue Digestif: What’s on March 16–31 - ReIssue",{"index":39,"follow":40,"max-snippet":41,"max-image-preview":42,"max-video-preview":43},"noindex","follow","max-snippet:-1","max-image-preview:large","max-video-preview:-1","en_US","article","Our staff picks for what's happening, March 16–31.","https:\u002F\u002Freissue.pub\u002Farticles\u002Freissue-digestif-whats-on-march-16-31\u002F","https:\u002F\u002Fwww.facebook.com\u002Freissue.pub\u002F","2023-12-18T00:24:18+00:00",[51],{"width":20,"height":21,"url":18,"type":52},"image\u002Fjpeg","summary_large_image","@reissuepub",{"Est. reading time":56},"5 minutes",{"@context":58,"@graph":59},"https:\u002F\u002Fschema.org",[60,75,77,91,106],{"@type":61,"@id":47,"url":47,"name":37,"isPartOf":62,"primaryImageOfPage":64,"image":66,"thumbnailUrl":18,"datePublished":67,"dateModified":49,"breadcrumb":68,"inLanguage":70,"potentialAction":71},"WebPage",{"@id":63},"https:\u002F\u002Freissue.pub\u002F#website",{"@id":65},"https:\u002F\u002Freissue.pub\u002Farticles\u002Freissue-digestif-whats-on-march-16-31\u002F#primaryimage",{"@id":65},"2023-03-15T19:59:09+00:00",{"@id":69},"https:\u002F\u002Freissue.pub\u002Farticles\u002Freissue-digestif-whats-on-march-16-31\u002F#breadcrumb","en-US",[72],{"@type":73,"target":74},"ReadAction",[47],{"@type":76,"inLanguage":70,"@id":65,"url":18,"contentUrl":18,"width":20,"height":21},"ImageObject",{"@type":78,"@id":69,"itemListElement":79},"BreadcrumbList",[80,85,89],{"@type":81,"position":82,"name":83,"item":84},"ListItem",1,"Home","https:\u002F\u002Freissue.pub\u002F",{"@type":81,"position":86,"name":87,"item":88},2,"Articles","https:\u002F\u002Freissue.pub\u002Farticles\u002F",{"@type":81,"position":90,"name":6},3,{"@type":92,"@id":63,"url":84,"name":33,"description":93,"publisher":94,"potentialAction":96,"inLanguage":70},"WebSite","critical discourse for experimental art practices",{"@id":95},"https:\u002F\u002Freissue.pub\u002F#organization",[97],{"@type":98,"target":99,"query-input":102},"SearchAction",{"@type":100,"urlTemplate":101},"EntryPoint","https:\u002F\u002Freissue.pub\u002F?s={search_term_string}",{"@type":103,"valueRequired":104,"valueName":105},"PropertyValueSpecification",true,"search_term_string",{"@type":107,"@id":95,"name":33,"url":84,"logo":108,"image":113,"sameAs":114},"Organization",{"@type":76,"inLanguage":70,"@id":109,"url":110,"contentUrl":110,"width":111,"height":112,"caption":33},"https:\u002F\u002Freissue.pub\u002F#\u002Fschema\u002Flogo\u002Fimage\u002F","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F06\u002Freissue_logo.jpg",1920,1118,{"@id":109},[48,115,116],"https:\u002F\u002Fx.com\u002Freissuepub","https:\u002F\u002Fwww.instagram.com\u002Freissue.pub\u002F",{"id":118,"slug":119,"title":83,"contentHtml":22,"acf":120,"backgroundBlur":123,"seo":124},48,"home",{"background_image":121,"isBlack":16,"header_text":122},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2026\u002F11\u002Fdaisy_reissue_2.jpg","ReIssue: art and criticism in \u003Cbr>\r\nthe cosmos of cultural production","url(\"data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 213'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRoIAAABXRUJQVlA4IHYAAADwBACdASogABUAPu1qqlEppaOiqAqpMB2JZwAAKf0c+TYjyG8vhTeRaShCpli8uAAA\u002FnFf8QBzP1T7FqMQfN+5P0sEZp4TM\u002FtvUeu\u002F6PKH+GHrebLLz8IW4Q6wQ5kHZO6aqggnKrdkv+u62izeOgqi4jMyAAAA'\u002F%3E%3C\u002Fsvg%3E\")",{"title":125,"robots":126,"og_locale":44,"og_type":45,"og_title":125,"og_url":127,"og_site_name":33,"article_publisher":48,"article_modified_time":128,"twitter_card":53,"twitter_site":54,"schema":129},"Home - ReIssue",{"index":39,"follow":40,"max-snippet":41,"max-image-preview":42,"max-video-preview":43},"https:\u002F\u002Freissue.pub\u002Fhome\u002F","2026-11-14T21:58:11+00:00",{"@context":58,"@graph":130},[131,139,143,149],{"@type":61,"@id":127,"url":127,"name":125,"isPartOf":132,"datePublished":133,"dateModified":128,"breadcrumb":134,"inLanguage":70,"potentialAction":136},{"@id":63},"2018-04-21T23:04:08+00:00",{"@id":135},"https:\u002F\u002Freissue.pub\u002Fhome\u002F#breadcrumb",[137],{"@type":73,"target":138},[127],{"@type":78,"@id":135,"itemListElement":140},[141,142],{"@type":81,"position":82,"name":83,"item":84},{"@type":81,"position":86,"name":83},{"@type":92,"@id":63,"url":84,"name":33,"description":93,"publisher":144,"potentialAction":145,"inLanguage":70},{"@id":95},[146],{"@type":98,"target":147,"query-input":148},{"@type":100,"urlTemplate":101},{"@type":103,"valueRequired":104,"valueName":105},{"@type":107,"@id":95,"name":33,"url":84,"logo":150,"image":151,"sameAs":152},{"@type":76,"inLanguage":70,"@id":109,"url":110,"contentUrl":110,"width":111,"height":112,"caption":33},{"@id":109},[48,115,116],{"id":154,"slug":155,"title":156,"contentHtml":157,"acf":16,"backgroundBlur":30,"seo":158},321,"subscription-banner","Subscription Banner","\n\u003Cp class=\"wp-block-paragraph\">ReIssue is unfunded, wild and free. Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">To donate, contact: \u003Ca href=\"mailto:editor@reissue.pub\" rel=\"nofollow\">editor@reissue.pub\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Sign up for our email newsletter\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003C\u002Fp>\n",{"title":159,"robots":160,"og_locale":44,"og_type":45,"og_title":159,"og_description":161,"og_url":162,"og_site_name":33,"article_publisher":48,"article_modified_time":163,"twitter_card":53,"twitter_site":54,"twitter_misc":164,"schema":166},"Subscription Banner - ReIssue",{"index":39,"follow":40,"max-snippet":41,"max-image-preview":42,"max-video-preview":43},"ReIssue is unfunded, wild and free. Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance. To donate, contact: editor@reissue.pub Sign up for our email newsletter","https:\u002F\u002Freissue.pub\u002Fsubscription-banner\u002F","2026-11-13T20:28:08+00:00",{"Est. reading time":165},"1 minute",{"@context":58,"@graph":167},[168,176,180,186],{"@type":61,"@id":162,"url":162,"name":159,"isPartOf":169,"datePublished":170,"dateModified":163,"breadcrumb":171,"inLanguage":70,"potentialAction":173},{"@id":63},"2020-12-15T23:44:21+00:00",{"@id":172},"https:\u002F\u002Freissue.pub\u002Fsubscription-banner\u002F#breadcrumb",[174],{"@type":73,"target":175},[162],{"@type":78,"@id":172,"itemListElement":177},[178,179],{"@type":81,"position":82,"name":83,"item":84},{"@type":81,"position":86,"name":156},{"@type":92,"@id":63,"url":84,"name":33,"description":93,"publisher":181,"potentialAction":182,"inLanguage":70},{"@id":95},[183],{"@type":98,"target":184,"query-input":185},{"@type":100,"urlTemplate":101},{"@type":103,"valueRequired":104,"valueName":105},{"@type":107,"@id":95,"name":33,"url":84,"logo":187,"image":188,"sameAs":189},{"@type":76,"inLanguage":70,"@id":109,"url":110,"contentUrl":110,"width":111,"height":112,"caption":33},{"@id":109},[48,115,116],1794704113986]