[{"data":1,"prerenderedAt":190},["ShallowReactive",2],{"article:reissue-digestif-whats-on-may-1-15":3,"page:48":117,"page:321":153},{"id":4,"slug":5,"title":6,"excerpt":7,"date":8,"year":9,"formattedDate":10,"typeIds":11,"typeNames":13,"wordCount":15,"isBlack":16,"image":17,"contributors":24,"contentHtml":29,"finalContentHtml":22,"creditsHtml":22,"pdfUrl":30,"vimeo":30,"contributorBios":31,"seo":36},1522,"reissue-digestif-whats-on-may-1-15","ReIssue Digestif: What’s on May 1–15","\u003Cp>Here’s our staff picks for what’s going on, May 1–15.\u003C\u002Fp>\n","2023-05-01T09:19:43",2023,"May 2023",[12],11,[14],"RI",915,false,{"src":18,"srcset":19,"width":20,"height":21,"alt":22,"lqip":23},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002F20230501-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002F20230501-splash-768x219.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002F20230501-splash.jpg 1080w",1080,308,"","data:image\u002Fwebp;base64,UklGRjwAAABXRUJQVlA4IDAAAADwAgCdASogAAkAPu1kq04ppaQjMAgBMB2JZwDE2DLxQAD+vU3RQfo0ACDgAZVnAAA=",[25],{"id":26,"name":27,"slug":28},1307,"ReIssue Editor","reissue-staff","\n\u003Cfigure class=\"wp-block-image size-full\">\u003Cspan class=\"lqip-wrap\" style=\"background-image:url("data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 91'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRogAAABXRUJQVlA4IHwAAADQAwCdASogAAkAPu1iqU2ppaQiMAgBMB2JZQCdMoAlih\u002FLSYkweAAA\u002Fu40b\u002Fwgpv+MjlhDPLVVzHIalWpJCVmfAj2lHGJITNJ4cOZd1FF7R12ij6PoihdLfBfLC9LBgk+bYOHcdab9hPSSdi\u002Fjh4nGJQ9GmiVmRdYiAAAA'\u002F%3E%3C\u002Fsvg%3E")\">\u003Cimg loading=\"lazy\" decoding=\"async\" width=\"1080\" height=\"308\" src=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002F20230501-digestif.jpg\" alt=\"\" class=\"lqip wp-image-1523\" srcset=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002F20230501-digestif.jpg 1080w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002F20230501-digestif-768x219.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002F20230501-digestif-100x29.jpg 100w\" sizes=\"auto, (max-width: 1080px) 100vw, 1080px\" \u002F>\u003C\u002Fspan>\u003C\u002Ffigure>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cem>Welcome to ReIssue Digestif, a bi-weekly-ish round-up of events on our radar. All times in PST.\u003C\u002Fem>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cem>If you are BC- or AB-based and have an exhibition, event or job posting to submit for consideration in the next Digestif, email details to admin@reissue.pub\u003C\u002Fem>\u003C\u002Fp>\n\n\n\n\u003Cfigure class=\"wp-block-image size-full\">\u003Cspan class=\"lqip-wrap\" style=\"background-image:url("data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 180'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRtgAAABXRUJQVlA4IMwAAACQBQCdASogABIAPu1krE+ppSQiMBgIATAdiWIAsR8OuoASWqbbiKXMVPf6i7vSZaHI79QCaADb8Vhf3XK2A4GfN+llhTbw2C3\u002FRdhqiad1UADS4qOLLAu1\u002FhZryDPoaLALkSGydcI9RkF3vlYfKTH2VHxiuSRaeYnSJLZA5HFr7vuOK0GB+EOhUTgPARdpH0QJRjgDs159O62+UzOm\u002F3tQMMmVchkDVuSX390WfVWnzByF3E4rqTFLyjQnfUWkFDpqC7Gr\u002F8rA76wgAAA='\u002F%3E%3C\u002Fsvg%3E")\">\u003Cimg loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002F20230501-digestif-1.jpg\" alt=\"\" class=\"lqip wp-image-1524\" srcset=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002F20230501-digestif-1.jpg 1920w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002F20230501-digestif-1-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002F20230501-digestif-1-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002F20230501-digestif-1-100x56.jpg 100w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \u002F>\u003C\u002Fspan>\u003Cfigcaption class=\"wp-element-caption\">Sarah Crawley, “as the wind blew” \u003C\u002Ffigcaption>\u003C\u002Ffigure>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.comoxvalleyartgallery.com\u002Fexhibitions\u002Fas-the-wind-blew\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>\u003Cem>as the wind blew: the ground beneath me, at the water’s edge, in its path\u003C\u002Fem>\u003C\u002Fstrong>: \u003Cstrong>Through the lens of artist Sarah Crawley\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Comox Valley Art Gallery, 580 Duncan Ave, Courtenay BC\u003Cbr>Now–May 27, Wednesdays–Saturdays 12–5pm\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Artist Sarah Crawley shares three bodies of work tracing grief and healing through the fluid medium of photography, combining analog and digital methods. Her exhibition is part of the CVAG’s convergent programming \u003Cem>in | at | on : RETURN TO WATER 2023\u003C\u002Fem>, which also includes a video and audio experience from Scott Smith and Nettie Wild titled GO FISH, and a floating camera obscura by Donald Lawrence that can be visited by kayak!\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"http:\u002F\u002Fwww.waapart.com\u002Fportfolio\u002Fkarice-mitchell-capture-photography-festival-2023\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Karice Mitchell\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Wil Aballe Art Projects, 1129 E Hastings St, Vancouver BC\u003Cbr>Now–June 3, Tuesday–Saturday 12–5pm\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Karice Mitchell is a Toronto-born, photo-based-installation artist whose practice utilizes found imagery and digital manipulation to engage with issues relating to the representation of the Black femme body in Western visual culture and pornography. By reappropriating erotic images of Black femme subjects, Mitchell reasserts the agency of such in the frame to subvert a history and narrative from elsewhere that attempts to categorize the Black female body. This exhibition is part of Capture Photography Festival.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.surrey.ca\u002Farts-culture\u002Fsurrey-art-gallery\u002Fexhibitions\u002Fcharles-campbell-ocean-livity\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Charles Campbell: An Ocean to Livity\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Surrey Art Gallery, 13750 88 Ave, Surrey BC\u003Cbr>Now–June 4, gallery hours \u003Ca href=\"https:\u002F\u002Fwww.surrey.ca\u002Farts-culture\u002Fsurrey-art-gallery\u002Fplan-your-visit\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>\u003Cbr>Free\u003Cbr>\u003Cbr>Large-scale metal sculpture and a multichannel audio installation are just two of the ways Victoria-based artist Charles Campbell engages with themes of Blackness, breath, and diasporic imagination in \u003Cem>An Ocean to Livity. \u003C\u002Fem>Locating that diasporic breath in the Surrey area itself, the audio installation \u003Cem>Black Breath Archives \u003C\u002Fem>shares breath recordings of Black Surrey and Lower Mainland residents. Campbell will be leading a free tour of this exhibition on Saturday May 13, from 2–3:30pm.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.seattleartbookfair.org\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Seattle Art Bookfair\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Washington Hall, 153 14th Ave, Seattle WA\u003Cbr>Saturday May 6, 11am–6pm and Sunday May 7, 11am–5pm\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Okay, this one’s not BC \u003Cem>or \u003C\u002Fem>Alberta based, but we know for a fact that car-loads of artists are heading down the I5 for the first-ever Seattle Art Bookfair—and so is \u003Cem>ReIssue\u003C\u002Fem>! We will be tabling with UNIT\u002FPITT Projects and Dyke News, hope to see you there!\u003C\u002Fp>\n\n\n\n\u003Cfigure class=\"wp-block-image size-full\">\u003Cspan class=\"lqip-wrap\" style=\"background-image:url("data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 180'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRowAAABXRUJQVlA4IIAAAACwBACdASogABIAPu1kqE2ppaOiMBgMATAdiUATplAAnPtjGRqldidxC8atnGgAAM0y4nvC9cWYQ7Mybtln8d4WqAEGWbAsbjYJaf9fz6wv1H5L0F80eVR2WO1xn66S7EoVmJHoSqn8C+8z+u14vsEVge8SM97GLL8jSEW6i7IAAA=='\u002F%3E%3C\u002Fsvg%3E")\">\u003Cimg loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002F20230501-digestif-2.jpg\" alt=\"\" class=\"lqip wp-image-1525\" srcset=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002F20230501-digestif-2.jpg 1920w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002F20230501-digestif-2-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002F20230501-digestif-2-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002F20230501-digestif-2-100x56.jpg 100w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \u002F>\u003C\u002Fspan>\u003Cfigcaption class=\"wp-element-caption\">Terra Long, \u003Cem>Feet in Water, Head on Fire\u003C\u002Fem> (2023)\u003C\u002Ffigcaption>\u003C\u002Ffigure>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fdoxa2023.eventive.org\u002Ffilms\u002F642230f8137f86002c258ebe\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Feet in Water, Head on Fire\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>The Cinematheque, 1131 Howe St, Vancouver BC\u003Cbr>Sunday May 7, 7:30pm\u003Cbr>Vancity Theatre, 1181 Seymour St, Vancouver BC\u003Cbr>Saturday May 13, 3:45pm\u003Cbr>Tickets and info \u003Ca href=\"https:\u002F\u002Fdoxa2023.eventive.org\u002Ffilms\u002F642230f8137f86002c258ebe\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Screening at this year’s \u003Ca href=\"https:\u002F\u002Fdoxa2023.eventive.org\u002Fwelcome\" target=\"_blank\" rel=\"noreferrer noopener\">DOXA Documentary Film Festival\u003C\u002Fa>, director Terra Long’s feature debut portrays California’s Coachella Valley through the specifics of place and community, while freely exploring the limits of cinematic time and space. Shaped by seismic forces of the San Andreas Fault, the Coachella Valley is home to an agricultural community built around the date palm trees introduced to the region in the early 1900s. Today, the land and its people face combined threats from economic upheaval, US immigration policy and climate change. Shot on 16mm film and featuring hand-processing techniques that incorporate plants native to the Coachella Valley into the film, Long’s documentary is grounded in place even on a material level. \u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fdoxa2023.eventive.org\u002Ffilms\u002F642230f8137f86002c258ebd\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Kite Zo A\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Djavad Mowafaghian Cinema, SFU Goldcorp Centre for the Arts, 149 W Hastings St, Vancouver BC\u003Cbr>Saturday May 13, 7:30pm\u003Cbr>The Cinematheque, 1131 Howe St, Vancouver, BC\u003Cbr>Sunday May 14, 7:30pm\u003Cbr>Tickets and info \u003Ca href=\"https:\u002F\u002Fdoxa2023.eventive.org\u002Ffilms\u002F642230f8137f86002c258ebd\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">“Vodou is the culture we’re born into because we used Vodou to gain our independence,” explains a Vodou priest. The story of colonial oppression and unrest is told through archival footage and spoken word, while the story of resilience is shown through rollerblading and musical processions. Directed by Kaveh Nabatian, featuring poetry by Wood-Jerry Gabriel and music by the Lakou Mizik group and Joseph Ray, the film builds up to Kanaval, culminating in a cathartic celebration of joy and endurance.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fcentrea.org\u002Fcaardi-2023\u002Fkai-cheng-thom\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>CAARDI: Kai Cheng Thom\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Centre A, 205-268 Keefer St, Vancouver BC\u003Cbr>Friday May 12, 1–3pm\u003Cbr>Free, register \u003Ca href=\"https:\u002F\u002Fwww.eventbrite.ca\u002Fe\u002Fcaardi-by-centre-a-kai-cheng-thom-tickets-622113186287\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Join mediator, author, and healing justice practitioner Kai Cheng Thom for a skills-based presentation on working with conflict in social movements. How can we understand conflict as an opportunity for relationship growth and transformation? How can community organizers and leaders respond to conflict in a courageous, loving way? And crucially, how do we de-escalate and respond to conflicts that threaten to destabilize our communities? Kai Cheng will present several key concepts for analyzing and working with conflict grounded in a trauma sensitive, abolition based approach. \u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fevergreenculturalcentre.ca\u002Fupcoming-exhibition\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Transmissions\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Art Gallery at Evergreen, Evergreen Cultural Centre, 1205 Pinetree Way, Coquitlam BC\u003Cbr>May 13–July 23, gallery hours \u003Ca href=\"https:\u002F\u002Fevergreenculturalcentre.ca\u002Fupcoming-exhibition\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Within the spun fibres of yarn, the warp and weft of a weaving, the blocks of a quilt and the bond of indigo dye to fabric, textiles hold boundless knowledge, transmitted over generations. Artists Jonathan Alfaro, Katherine Boyer, Roxanne Charles, Emily Hermant, Damla Tamer, and Valérie d. Walker create textile-based works using a variety of organic and manufactured materials—from animal fibres and plant material to wire, rubber silicone and plastic. Relating to the body, three-dimensional space and evolving technologies, the artworks draw on complex histories and rich cultural and personal practices connected to textiles to build sculptural works that move away from the gallery wall.\u003C\u002Fp>\n\n\n\n\u003Cdiv style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\">\u003C\u002Fdiv>\n\n\n\n\u003Ch3 class=\"wp-block-heading\">\u003Cem>Jobs \u002F Calls\u003C\u002Fem>\u003C\u002Fh3>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fvancouvercivictheatres.com\u002Fmedia\u002F8266\u002Fvct-visual-arts-call-2024.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Visual Arts Exhibition at Vancouver Civic Theatres (Vancouver)\u003C\u002Fa>, apply by 06\u002F14\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.allianceforarts.com\u002Fjob-board\u002F2023\u002F4\u002F17\u002Fprogram-director\" target=\"_blank\" rel=\"noreferrer noopener\">F\u002FT Program Director, grunt gallery (Vancouver)\u003C\u002Fa>, apply by 05\u002F19\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.allianceforarts.com\u002Fjob-board\u002F2023\u002F4\u002F23\u002Fcommunications-amp-marketing-associate\" target=\"_blank\" rel=\"noreferrer noopener\">F\u002FT Communications & Marketing Associate, Contemporary Art Gallery (Vancouver)\u003C\u002Fa>, 05\u002F18\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.allianceforarts.com\u002Fjob-board\u002F2023\u002F4\u002F13\u002Fcommunity-services-assistant-5-performing-arts-programmer\" target=\"_blank\" rel=\"noreferrer noopener\">P\u002FT Performing Arts Programming (Surrey)\u003C\u002Fa>, until filled\u003C\u002Fp>\n\n\n\n\u003Cdiv style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\">\u003C\u002Fdiv>\n",null,[32],{"id":26,"slug":28,"name":27,"firstName":33,"lastName":34,"bioHtml":35},"ReIssue","Editor","\n\u003Cp class=\"has-text-align-center wp-block-paragraph\">🎨\u003C\u002Fp>\n",{"title":37,"robots":38,"og_locale":44,"og_type":45,"og_title":37,"og_description":46,"og_url":47,"og_site_name":33,"article_publisher":48,"article_modified_time":49,"og_image":50,"twitter_card":53,"twitter_site":54,"twitter_misc":55,"schema":57},"ReIssue Digestif: What’s on May 1–15 - ReIssue",{"index":39,"follow":40,"max-snippet":41,"max-image-preview":42,"max-video-preview":43},"noindex","follow","max-snippet:-1","max-image-preview:large","max-video-preview:-1","en_US","article","Here's our staff picks for what's going on, May 1–15.","https:\u002F\u002Freissue.pub\u002Farticles\u002Freissue-digestif-whats-on-may-1-15\u002F","https:\u002F\u002Fwww.facebook.com\u002Freissue.pub\u002F","2023-12-18T00:29:55+00:00",[51],{"width":20,"height":21,"url":18,"type":52},"image\u002Fjpeg","summary_large_image","@reissuepub",{"Est. reading time":56},"5 minutes",{"@context":58,"@graph":59},"https:\u002F\u002Fschema.org",[60,75,77,91,106],{"@type":61,"@id":47,"url":47,"name":37,"isPartOf":62,"primaryImageOfPage":64,"image":66,"thumbnailUrl":18,"datePublished":67,"dateModified":49,"breadcrumb":68,"inLanguage":70,"potentialAction":71},"WebPage",{"@id":63},"https:\u002F\u002Freissue.pub\u002F#website",{"@id":65},"https:\u002F\u002Freissue.pub\u002Farticles\u002Freissue-digestif-whats-on-may-1-15\u002F#primaryimage",{"@id":65},"2023-05-01T16:19:43+00:00",{"@id":69},"https:\u002F\u002Freissue.pub\u002Farticles\u002Freissue-digestif-whats-on-may-1-15\u002F#breadcrumb","en-US",[72],{"@type":73,"target":74},"ReadAction",[47],{"@type":76,"inLanguage":70,"@id":65,"url":18,"contentUrl":18,"width":20,"height":21},"ImageObject",{"@type":78,"@id":69,"itemListElement":79},"BreadcrumbList",[80,85,89],{"@type":81,"position":82,"name":83,"item":84},"ListItem",1,"Home","https:\u002F\u002Freissue.pub\u002F",{"@type":81,"position":86,"name":87,"item":88},2,"Articles","https:\u002F\u002Freissue.pub\u002Farticles\u002F",{"@type":81,"position":90,"name":6},3,{"@type":92,"@id":63,"url":84,"name":33,"description":93,"publisher":94,"potentialAction":96,"inLanguage":70},"WebSite","critical discourse for experimental art practices",{"@id":95},"https:\u002F\u002Freissue.pub\u002F#organization",[97],{"@type":98,"target":99,"query-input":102},"SearchAction",{"@type":100,"urlTemplate":101},"EntryPoint","https:\u002F\u002Freissue.pub\u002F?s={search_term_string}",{"@type":103,"valueRequired":104,"valueName":105},"PropertyValueSpecification",true,"search_term_string",{"@type":107,"@id":95,"name":33,"url":84,"logo":108,"image":113,"sameAs":114},"Organization",{"@type":76,"inLanguage":70,"@id":109,"url":110,"contentUrl":110,"width":111,"height":112,"caption":33},"https:\u002F\u002Freissue.pub\u002F#\u002Fschema\u002Flogo\u002Fimage\u002F","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F06\u002Freissue_logo.jpg",1920,1118,{"@id":109},[48,115,116],"https:\u002F\u002Fx.com\u002Freissuepub","https:\u002F\u002Fwww.instagram.com\u002Freissue.pub\u002F",{"id":118,"slug":119,"title":83,"contentHtml":22,"acf":120,"backgroundBlur":123,"seo":124},48,"home",{"background_image":121,"isBlack":16,"header_text":122},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2026\u002F11\u002Fdaisy_reissue_2.jpg","ReIssue: art and criticism in \u003Cbr>\r\nthe cosmos of cultural production","url(\"data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 213'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRoIAAABXRUJQVlA4IHYAAADwBACdASogABUAPu1qqlEppaOiqAqpMB2JZwAAKf0c+TYjyG8vhTeRaShCpli8uAAA\u002FnFf8QBzP1T7FqMQfN+5P0sEZp4TM\u002FtvUeu\u002F6PKH+GHrebLLz8IW4Q6wQ5kHZO6aqggnKrdkv+u62izeOgqi4jMyAAAA'\u002F%3E%3C\u002Fsvg%3E\")",{"title":125,"robots":126,"og_locale":44,"og_type":45,"og_title":125,"og_url":127,"og_site_name":33,"article_publisher":48,"article_modified_time":128,"twitter_card":53,"twitter_site":54,"schema":129},"Home - ReIssue",{"index":39,"follow":40,"max-snippet":41,"max-image-preview":42,"max-video-preview":43},"https:\u002F\u002Freissue.pub\u002Fhome\u002F","2026-11-14T21:58:11+00:00",{"@context":58,"@graph":130},[131,139,143,149],{"@type":61,"@id":127,"url":127,"name":125,"isPartOf":132,"datePublished":133,"dateModified":128,"breadcrumb":134,"inLanguage":70,"potentialAction":136},{"@id":63},"2018-04-21T23:04:08+00:00",{"@id":135},"https:\u002F\u002Freissue.pub\u002Fhome\u002F#breadcrumb",[137],{"@type":73,"target":138},[127],{"@type":78,"@id":135,"itemListElement":140},[141,142],{"@type":81,"position":82,"name":83,"item":84},{"@type":81,"position":86,"name":83},{"@type":92,"@id":63,"url":84,"name":33,"description":93,"publisher":144,"potentialAction":145,"inLanguage":70},{"@id":95},[146],{"@type":98,"target":147,"query-input":148},{"@type":100,"urlTemplate":101},{"@type":103,"valueRequired":104,"valueName":105},{"@type":107,"@id":95,"name":33,"url":84,"logo":150,"image":151,"sameAs":152},{"@type":76,"inLanguage":70,"@id":109,"url":110,"contentUrl":110,"width":111,"height":112,"caption":33},{"@id":109},[48,115,116],{"id":154,"slug":155,"title":156,"contentHtml":157,"acf":16,"backgroundBlur":30,"seo":158},321,"subscription-banner","Subscription Banner","\n\u003Cp class=\"wp-block-paragraph\">ReIssue is unfunded, wild and free. Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">To donate, contact: \u003Ca href=\"mailto:editor@reissue.pub\" rel=\"nofollow\">editor@reissue.pub\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Sign up for our email newsletter\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003C\u002Fp>\n",{"title":159,"robots":160,"og_locale":44,"og_type":45,"og_title":159,"og_description":161,"og_url":162,"og_site_name":33,"article_publisher":48,"article_modified_time":163,"twitter_card":53,"twitter_site":54,"twitter_misc":164,"schema":166},"Subscription Banner - ReIssue",{"index":39,"follow":40,"max-snippet":41,"max-image-preview":42,"max-video-preview":43},"ReIssue is unfunded, wild and free. Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance. To donate, contact: editor@reissue.pub Sign up for our email newsletter","https:\u002F\u002Freissue.pub\u002Fsubscription-banner\u002F","2026-11-13T20:28:08+00:00",{"Est. reading time":165},"1 minute",{"@context":58,"@graph":167},[168,176,180,186],{"@type":61,"@id":162,"url":162,"name":159,"isPartOf":169,"datePublished":170,"dateModified":163,"breadcrumb":171,"inLanguage":70,"potentialAction":173},{"@id":63},"2020-12-15T23:44:21+00:00",{"@id":172},"https:\u002F\u002Freissue.pub\u002Fsubscription-banner\u002F#breadcrumb",[174],{"@type":73,"target":175},[162],{"@type":78,"@id":172,"itemListElement":177},[178,179],{"@type":81,"position":82,"name":83,"item":84},{"@type":81,"position":86,"name":156},{"@type":92,"@id":63,"url":84,"name":33,"description":93,"publisher":181,"potentialAction":182,"inLanguage":70},{"@id":95},[183],{"@type":98,"target":184,"query-input":185},{"@type":100,"urlTemplate":101},{"@type":103,"valueRequired":104,"valueName":105},{"@type":107,"@id":95,"name":33,"url":84,"logo":187,"image":188,"sameAs":189},{"@type":76,"inLanguage":70,"@id":109,"url":110,"contentUrl":110,"width":111,"height":112,"caption":33},{"@id":109},[48,115,116],1794704113752]