[{"data":1,"prerenderedAt":190},["ShallowReactive",2],{"article:reissue-digestif-whats-on-may-16-31":3,"page:48":117,"page:321":153},{"id":4,"slug":5,"title":6,"excerpt":7,"date":8,"year":9,"formattedDate":10,"typeIds":11,"typeNames":13,"wordCount":15,"isBlack":16,"image":17,"contributors":24,"contentHtml":29,"finalContentHtml":22,"creditsHtml":22,"pdfUrl":30,"vimeo":30,"contributorBios":31,"seo":36},1536,"reissue-digestif-whats-on-may-16-31","ReIssue Digestif: What’s on May 16–31","\u003Cp>Here’s our staff picks for what’s happening, May 16–31.\u003C\u002Fp>\n","2023-05-16T11:06:02",2023,"May 2023",[12],11,[14],"RI",918,false,{"src":18,"srcset":19,"width":20,"height":21,"alt":22,"lqip":23},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002F20230516digestifsplash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002F20230516digestifsplash-768x198.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002F20230516digestifsplash.jpg 1080w",1080,278,"","data:image\u002Fwebp;base64,UklGRmQAAABXRUJQVlA4IFgAAADQAwCdASogAAgAPu1iqU2ppaOiMAgBMB2JYwCdAB6QNoCUoAeKeugA\u002FnvV+5QEBHlY04wVNLl1La62YxBEi6htB2yxE3GhzqTCx38\u002FCfzjQW6yQYgBDwAA",[25],{"id":26,"name":27,"slug":28},1307,"ReIssue Editor","reissue-staff","\n\u003Cp class=\"wp-block-paragraph\">\u003Cem>Welcome to ReIssue Digestif, a bi-weekly-ish round-up of events on our radar. All times in PST.\u003C\u002Fem>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cem>If you are BC- or AB-based and have an exhibition, event or job posting to submit for consideration in the next Digestif, email details to admin@reissue.pub\u003C\u002Fem>\u003C\u002Fp>\n\n\n\n\u003Cfigure class=\"wp-block-image size-full\">\u003Cspan class=\"lqip-wrap\" style=\"background-image:url("data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 180'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRl4AAABXRUJQVlA4IFIAAABQBACdASogABIAPuFep02opSOpMAwBIBwJaQDQGCHXVLAAWD+4+OhkNptIAP11qdlMH\u002FklfYHQ4d536PL\u002FKpNx6FcvWO9sMNWseHzFLf9ZgAAA'\u002F%3E%3C\u002Fsvg%3E")\">\u003Cimg loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F09\u002Fanyox-web.jpg\" alt=\"\" class=\"lqip wp-image-1237\" srcset=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F09\u002Fanyox-web.jpg 1920w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F09\u002Fanyox-web-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F09\u002Fanyox-web-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F09\u002Fanyox-web-100x56.jpg 100w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \u002F>\u003C\u002Fspan>\u003Cfigcaption class=\"wp-element-caption\">Jessica Johnson and Ryan Ermacora, \u003Cem>Anyox\u003C\u002Fem> (2022), 35 and 65mm\u003C\u002Ffigcaption>\u003C\u002Ffigure>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fthecinematheque.ca\u002Fseries\u002Funsettled-settings-ryan-ermacora-jessica-johnson\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Unsettled Settings: Films by Ryan Ermacora & Jessica Johnson\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>The Cinematheque, 1131 Howe St, Vancouver BC\u003Cbr>May 18, 20 and 22\u003Cbr>Tickets and showtimes \u003Ca href=\"https:\u002F\u002Fthecinematheque.ca\u002Fseries\u002Funsettled-settings-ryan-ermacora-jessica-johnson\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>\u003Cbr>\u003Cbr>This is the first full retrospective of Ryan Ermacora and Jessica Johnson’s collaborative experimental films, and the Vancouver theatrical debut of their feature, \u003Cem>Anyox\u003C\u002Fem>. Playing \u003Ca href=\"https:\u002F\u002Fthecinematheque.ca\u002Ffilms\u002F2023\u002Fanyox-no\" target=\"_blank\" rel=\"noreferrer noopener\">May 18\u003C\u002Fa> with a 16mm print of Sharon Lockhart’s \u003Cem>NŌ\u003C\u002Fem>, the filmmakers will be in attendance for an artist talk following the screening. Read Paloma Pacheco’s ReIssue review of \u003Cem>Anyox\u003C\u002Fem> \u003Ca href=\"https:\u002F\u002Freissue.pub\u002Farticles\u002Fanyox-and-geographies-of-solitude-documenting-destruction-and-preserving-place-in-contemporary-landscape-film\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.alternatorcentre.com\u002Fevents\u002Fmichelle-sound-the-aunties-that-do\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Michelle Sound: The Aunties That Do\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Alternator Centre for Contemporary Art, #103-421 Cawston Ave, Kelowna BC\u003Cbr>May 19–July 4, gallery hours \u003Ca href=\"https:\u002F\u002Fwww.alternatorcentre.com\u002Fevents\u002Fmichelle-sound-the-aunties-that-do\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Sound works with traditional and contemporary materials and techniques to explore maternal labour, identity, cultural knowledge, and cultural inheritances. Through utilizing such practices as drum making, caribou hair tufting, beadwork, and photography, personal and familial narratives are explored with a consideration of Indigenous artistic processes.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Ffb.me\u002Fe\u002F2W8X5NTNX\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Fake Jazz May\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Toast Collective, 242 E Pender St, Vancouver BC\u003Cbr>Friday May 19, 9pm\u003Cbr>$20 NOTFLOF\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">May’s edition of Fake Jazz features \u003Ca href=\"http:\u002F\u002Fsaragold.ca\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">Sara Gold\u003C\u002Fa>, \u003Ca href=\"https:\u002F\u002Fmassmarriage.bandcamp.com\u002Falbum\u002Frestless\" target=\"_blank\" rel=\"noreferrer noopener\">Mass Marriage\u003C\u002Fa>, \u003Ca href=\"https:\u002F\u002Fmagneticring.bandcamp.com\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">Magneticring\u003C\u002Fa>, and DJ Skiddy & Mattyfromlife. Check out Sara Gold’s interview by Kayla Guthrie \u003Ca href=\"https:\u002F\u002Freissue.pub\u002Farticles\u002Fresonant-frequencies-a-conversation-with-sara-gold\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"http:\u002F\u002Fdumbinstrumentdance.com\u002F2023\u002F03\u002F16\u002Ftetrad-tongues\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Tetrad Tongues: Interactive Poetry Reading\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Morrow, 910 Richards St, Vancouver BC\u003Cbr>Friday May 19, 6:30pm\u003Cbr>$20-25 sliding scale\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">An evening of interactive poetry in partnership with Vancouver Poetry House featuring local artists, Anjalica Solomon, Johnny Trinh, Christopher Tse and Sarah Wong. Bringing together a diverse group of writers for Asian Heritage Month, \u003Cem>Tetrad Tongues \u003C\u002Fem>will be a conversation reflecting on kin, cultural heritage and intergenerational wisdom.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.backyardfest.ca\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Backyard Fest 2023\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>\u003Ca href=\"https:\u002F\u002Fwww.facebook.com\u002Fevents\u002F760356965472358\u002F?active_tab=discussion\" target=\"_blank\" rel=\"noreferrer noopener\">Sound Heritage\u003C\u002Fa>, Downtown Nanaimo BC\u003Cbr>Saturday May 20 and Sunday May 21\u003Cbr>Tickets and passes \u003Ca href=\"https:\u002F\u002Fwww.eventbrite.com\u002Fe\u002Fbackyard-fest-2023-tickets-604151472317\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Backyard Festival is a two-day music festival featuring \u003Ca href=\"https:\u002F\u002Fthebackhomesband.bandcamp.com\u002Falbum\u002Ftidalwave\" target=\"_blank\" rel=\"noreferrer noopener\">The Backhomes\u003C\u002Fa>, \u003Ca href=\"https:\u002F\u002Fdevours.bandcamp.com\u002Fmusic\" target=\"_blank\" rel=\"noreferrer noopener\">Devours\u003C\u002Fa>, \u003Ca href=\"https:\u002F\u002Fpaleredband.bandcamp.com\u002Ftrack\u002Fbackwards-loop\" target=\"_blank\" rel=\"noreferrer noopener\">Pale Red\u003C\u002Fa>, \u003Ca href=\"https:\u002F\u002Fsexband.bandcamp.com\u002Falbum\u002Ftextin-yr-exes\" target=\"_blank\" rel=\"noreferrer noopener\">SEX\u003C\u002Fa>, \u003Ca href=\"https:\u002F\u002Fshearingpinx.bandcamp.com\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">Shearing Pinx\u003C\u002Fa>, \u003Ca href=\"https:\u002F\u002Fwutband.bandcamp.com\u002Falbum\u002Fnow\" target=\"_blank\" rel=\"noreferrer noopener\">Wut\u003C\u002Fa>, and many more! Don’t miss it, in fact, get on a ferry to see it.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fviff.org\u002Fwhats-on\u002Fxinema-program-7\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Xinema Program 7: Grass is red and blood is green\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Vancity Theatre, 1181 Seymour Street, Vancouver BC\u003Cbr>Sunday May 21, 7:15pm\u003Cbr>Tickets \u003Ca href=\"https:\u002F\u002Fviff.org\u002Fwhats-on\u002Fxinema-program-7\u002F\">here\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">This iteration of Xinema features works by Barry Doupé, Avalon Fast, and Oliver New. Enter into the psychotropic effects of social isolation, the dark beauty of chaos, and discomfort of the unknown… Read snippets from Barry Doupé’s \u003Cem>100 Pages of Poetic Writing\u003C\u002Fem> featured on ReIssue \u003Ca href=\"https:\u002F\u002Freissue.pub\u002Farticles\u002Fexcerpt-from-100-pages-of-poetic-writing-2010\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>.\u003C\u002Fp>\n\n\n\n\u003Cfigure class=\"wp-block-image size-full\">\u003Cspan class=\"lqip-wrap\" style=\"background-image:url("data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 180'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRngAAABXRUJQVlA4IGwAAADQBACdASogABIAPuFcqU2opSQiMAwBEBwJZwDKtCKGxvL462exvDDUG2zOn\u002F24+AD+8GvutnBlrZD26JFdKd7lOxXfrfdhzR9+In0aZsz1ezmmm1W0WrX8kc2gaPg3dB0wpv3PVjY6yTSkAAA='\u002F%3E%3C\u002Fsvg%3E")\">\u003Cimg loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002Fjenaoki.jpg\" alt=\"\" class=\"lqip wp-image-1538\" srcset=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002Fjenaoki.jpg 1920w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002Fjenaoki-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002Fjenaoki-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002Fjenaoki-100x56.jpg 100w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \u002F>\u003C\u002Fspan>\u003Cfigcaption class=\"wp-element-caption\">Jennifer Aoki, \u003Cem>Echoes of Silence\u003C\u002Fem> (2023), digital.\u003C\u002Ffigcaption>\u003C\u002Ffigure>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fopenspacearts.ca\u002Fechoes-of-silence\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Echoes of Silence: A Conversation\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Open Space, 510 Fort St, Victoria BC\u003Cbr>Wednesday May 24, 7:30pm\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Open Space presents a screening of Jennifer Aoki’s short film \u003Cem>Echoes of Silence\u003C\u002Fem>, a dance performance shot at Vancouver’s Japanese Language School and reflecting on Japanese internment and dispossession during the second world war. The screening will be followed by a reading from poet and playwright Carolyn Nakagawa and a conversation moderated by Dr. Andrea Mariko Grant of UVic’s \u003Cem>Past Wrongs, Future Choices\u003C\u002Fem> project.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.griffinartprojects.ca\u002Fexhibitions\u002Fper-diem-part-ii-the-gerd-metzdorff-collection\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Per Diem Part II: The Gerd Metzdorff Collection\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Griffins Art Projects, 1174 Welch St, North Vancouver BC \u003Cbr>May 27–August 27, Friday–Sunday 12–5pm\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Griffin Art Projects continues to share local collector Gerd Metzdorff’s collection in \u003Cem>Per Diem Part II\u003C\u002Fem>. Originally derived from Metzdorff’s modest savings of the per diems provided to him by the airline where he was employed as a steward, he purchased work by some of the most important European and Canadian artists working today. \u003Cem>Part II\u003C\u002Fem> focuses on painting in all its forms, featuring works by local and international artists Sonny Assu, Lynda Benglis, Gathie Falk, Pia Fries, Ken Lum, Sigmar Polke, Etienne Zack and more. Curated by Lisa Baldissera.\u003C\u002Fp>\n\n\n\n\u003Cfigure class=\"wp-block-image size-full\">\u003Cspan class=\"lqip-wrap\" style=\"background-image:url("data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 180'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRtAAAABXRUJQVlA4IMQAAAAwBQCdASogABIAPu1kqU2ppaOiMAgBMB2JZADE2mwAmnIgk8r2P+HRTfbSnFNNCKojiAD+83t868rf89vZoAyeiKEluYsVze5jkHISiUwvVObUSMBbtQxGqWskO0TVktWwuR0Gfo4mPG\u002FpgQBNHRfW2lsXSaBfwM2S3QMZoFCEn3S7+Aoggwq84u+XNnc1Re\u002Ff3aD90OjVt1DoRSh\u002F2iPquXbuAFHMt3CLP6Ijnff20EtqsDcdTxWgGEZpuCSmletqQAAA'\u002F%3E%3C\u002Fsvg%3E")\">\u003Cimg loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002Fyear-two-image.jpg\" alt=\"\" class=\"lqip wp-image-1540\" srcset=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002Fyear-two-image.jpg 1920w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002Fyear-two-image-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002Fyear-two-image-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002Fyear-two-image-100x56.jpg 100w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \u002F>\u003C\u002Fspan>\u003Cfigcaption class=\"wp-element-caption\">UNIT\u002FPITT Double Book Launch: \u003Cem>ReIssue Year 2 Anthology\u003C\u002Fem> & \u003Cem>I Spy…\u003C\u002Fem>\u003C\u002Ffigcaption>\u003C\u002Ffigure>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>\u003Ca href=\"https:\u002F\u002Fwww.eventbrite.ca\u002Fe\u002Funitpitt-book-launch-i-spy-project-catalogue-reissue-year-2-anthology-tickets-637608603497\" target=\"_blank\" rel=\"noreferrer noopener\">UNIT\u002FPITT Double Book Launch: ReIssue Year 2 Anthology & I Spy…\u003C\u002Fa>\u003C\u002Fstrong>\u003Cbr>Or Gallery Bookstore, 236 E Pender St, Vancouver BC\u003Cbr>Tuesday May 30, 5pm\u003Cbr>Free, register \u003Ca href=\"https:\u002F\u002Fwww.eventbrite.ca\u002Fe\u002Funitpitt-book-launch-i-spy-project-catalogue-reissue-year-2-anthology-tickets-637608603497\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">It’s here! Guest edited by Julia Prudhomme, and designed by \u003Cem>ReIssue \u003C\u002Fem>Editor Casey Wei, \u003Cem>ReIssue Year 2 Anthology\u003C\u002Fem> surveys reissue.pub’s second year of online published works; including contributions by EA Douglas, Alex Jensen, Steff Hui Ci Ling, Fellow Peter, Julia Prudhomme, Dion Smith-Dokkie, Sue-Shane Tsomondo, Reid Urchison, Yasmine Whaley-Kalaora, and Casey Wei. \u003Cem>ReIssue Year 2 \u003C\u002Fem>will be launched with UNIT\u002FPITT’s \u003Cem>I Spy… Project Catalogue 2020-2022\u003C\u002Fem>, a beautiful full-colour publication featuring photographic contributions by all 46 artists who participated in the \u003Ca href=\"http:\u002F\u002Fwww.unitpitt.ca\u002Fi-spy\">I Spy… A Disposable Camera Mail Art Project\u003C\u002Fa> over its 3-year span. The resulting catalogue exhibits 46 photo series in an asynchronous fashion, with an introduction by 2022 Curator Rachel Lau, and closing essay by Brit Bachmann who initiated and oversaw the project. Designed by Ricky Castanedo Laredo and printed by Hemlock Printers.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">This double event is hosted by Or Gallery Bookstore. Refreshments and snacks will be served, and remarks on the publications given at 6:45pm.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fartspeak.ca\u002Fartspeak-wp\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002FArtspeak-Mailer-Quarter-2-corrected-spelling.jpg\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Artspeak: Community Talk\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Artspeak, 223 Carrall Street, Vancouver BC\u003Cbr>Tuesday May 30, 6pm\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Artists and decision makers come together to discuss the state of public art in Vancouver. Guests include Rebecca Bair, Sandeep Johal, Quyen Hoang, and LAIWAN. Moderated by Jas Lally.\u003C\u002Fp>\n\n\n\n\u003Cdiv style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\">\u003C\u002Fdiv>\n\n\n\n\u003Ch3 class=\"wp-block-heading\">\u003Cem>Jobs \u002F Calls\u003C\u002Fem>\u003C\u002Fh3>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.allianceforarts.com\u002Fjob-board\u002F2023\u002F5\u002F11\u002Ffront-of-house-manager\" target=\"_blank\" rel=\"noreferrer noopener\">P\u002FT Front of House Manager, The Cinematheque (Vancouver)\u003C\u002Fa>, apply by 05\u002F18\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.allianceforarts.com\u002Fjob-board\u002F2023\u002F4\u002F30\u002Fmanaging-director\" target=\"_blank\" rel=\"noreferrer noopener\">F\u002FT Managing Director, Geist Magazine (Vancouver)\u003C\u002Fa>, apply by 05\u002F18\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.allianceforarts.com\u002Fjob-board\u002F2023\u002F4\u002F17\u002Fprogram-director\" target=\"_blank\" rel=\"noreferrer noopener\">F\u002FT Program Director, grunt gallery (Vancouver)\u003C\u002Fa>, apply by 05\u002F19\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.allianceforarts.com\u002Fjob-board\u002F2023\u002F5\u002F3\u002Fmpcas-curator\" target=\"_blank\" rel=\"noreferrer noopener\">1-year P\u002FT contract, MPCAS Curator, grunt gallery (Vancouver)\u003C\u002Fa>, apply by 05\u002F26\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.allianceforarts.com\u002Fjob-board\u002F2023\u002F4\u002F23\u002Fdeputy-executive-director\" target=\"_blank\" rel=\"noreferrer noopener\">F\u002FT Deputy Executive Director, Out on Screen (Vancouver)\u003C\u002Fa>, apply by 05\u002F30\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.allianceforarts.com\u002Fjob-board\u002F2023\u002F5\u002F14\u002Fmanager-of-development-and-engagement\" target=\"_blank\" rel=\"noreferrer noopener\">F\u002FT Manager of Development and Engagement, PuSh International Performing Arts Festival (Vancouver)\u003C\u002Fa>, apply by 06\u002F15\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fothersights.ca\u002Fwp-content\u002Fuploads\u002F2023\u002F05\u002FFLEET-Project-Manager-June7.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">1-year P\u002FT contract FLEET Project Manager Other Sights (Vancouver)\u003C\u002Fa>, apply by 06\u002F20\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.allianceforarts.com\u002Fjob-board\u002F2023\u002F5\u002F9\u002Fgraphic-designer\" target=\"_blank\" rel=\"noreferrer noopener\">Graphic Designer, Greater Vancouver International Film Festival Society (Vancouver)\u003C\u002Fa>, apply by 07\u002F07\u003C\u002Fp>\n\n\n\n\u003Cdiv style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\">\u003C\u002Fdiv>\n",null,[32],{"id":26,"slug":28,"name":27,"firstName":33,"lastName":34,"bioHtml":35},"ReIssue","Editor","\n\u003Cp class=\"has-text-align-center wp-block-paragraph\">🎨\u003C\u002Fp>\n",{"title":37,"robots":38,"og_locale":44,"og_type":45,"og_title":37,"og_description":46,"og_url":47,"og_site_name":33,"article_publisher":48,"article_modified_time":49,"og_image":50,"twitter_card":53,"twitter_site":54,"twitter_misc":55,"schema":57},"ReIssue Digestif: What’s on May 16–31 - ReIssue",{"index":39,"follow":40,"max-snippet":41,"max-image-preview":42,"max-video-preview":43},"noindex","follow","max-snippet:-1","max-image-preview:large","max-video-preview:-1","en_US","article","Here's our staff picks for what's happening, May 16–31.","https:\u002F\u002Freissue.pub\u002Farticles\u002Freissue-digestif-whats-on-may-16-31\u002F","https:\u002F\u002Fwww.facebook.com\u002Freissue.pub\u002F","2023-12-18T00:31:05+00:00",[51],{"width":20,"height":21,"url":18,"type":52},"image\u002Fjpeg","summary_large_image","@reissuepub",{"Est. reading time":56},"5 minutes",{"@context":58,"@graph":59},"https:\u002F\u002Fschema.org",[60,75,77,91,106],{"@type":61,"@id":47,"url":47,"name":37,"isPartOf":62,"primaryImageOfPage":64,"image":66,"thumbnailUrl":18,"datePublished":67,"dateModified":49,"breadcrumb":68,"inLanguage":70,"potentialAction":71},"WebPage",{"@id":63},"https:\u002F\u002Freissue.pub\u002F#website",{"@id":65},"https:\u002F\u002Freissue.pub\u002Farticles\u002Freissue-digestif-whats-on-may-16-31\u002F#primaryimage",{"@id":65},"2023-05-16T18:06:02+00:00",{"@id":69},"https:\u002F\u002Freissue.pub\u002Farticles\u002Freissue-digestif-whats-on-may-16-31\u002F#breadcrumb","en-US",[72],{"@type":73,"target":74},"ReadAction",[47],{"@type":76,"inLanguage":70,"@id":65,"url":18,"contentUrl":18,"width":20,"height":21},"ImageObject",{"@type":78,"@id":69,"itemListElement":79},"BreadcrumbList",[80,85,89],{"@type":81,"position":82,"name":83,"item":84},"ListItem",1,"Home","https:\u002F\u002Freissue.pub\u002F",{"@type":81,"position":86,"name":87,"item":88},2,"Articles","https:\u002F\u002Freissue.pub\u002Farticles\u002F",{"@type":81,"position":90,"name":6},3,{"@type":92,"@id":63,"url":84,"name":33,"description":93,"publisher":94,"potentialAction":96,"inLanguage":70},"WebSite","critical discourse for experimental art practices",{"@id":95},"https:\u002F\u002Freissue.pub\u002F#organization",[97],{"@type":98,"target":99,"query-input":102},"SearchAction",{"@type":100,"urlTemplate":101},"EntryPoint","https:\u002F\u002Freissue.pub\u002F?s={search_term_string}",{"@type":103,"valueRequired":104,"valueName":105},"PropertyValueSpecification",true,"search_term_string",{"@type":107,"@id":95,"name":33,"url":84,"logo":108,"image":113,"sameAs":114},"Organization",{"@type":76,"inLanguage":70,"@id":109,"url":110,"contentUrl":110,"width":111,"height":112,"caption":33},"https:\u002F\u002Freissue.pub\u002F#\u002Fschema\u002Flogo\u002Fimage\u002F","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F06\u002Freissue_logo.jpg",1920,1118,{"@id":109},[48,115,116],"https:\u002F\u002Fx.com\u002Freissuepub","https:\u002F\u002Fwww.instagram.com\u002Freissue.pub\u002F",{"id":118,"slug":119,"title":83,"contentHtml":22,"acf":120,"backgroundBlur":123,"seo":124},48,"home",{"background_image":121,"isBlack":16,"header_text":122},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2026\u002F11\u002Fdaisy_reissue_2.jpg","ReIssue: art and criticism in \u003Cbr>\r\nthe cosmos of cultural production","url(\"data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 213'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRoIAAABXRUJQVlA4IHYAAADwBACdASogABUAPu1qqlEppaOiqAqpMB2JZwAAKf0c+TYjyG8vhTeRaShCpli8uAAA\u002FnFf8QBzP1T7FqMQfN+5P0sEZp4TM\u002FtvUeu\u002F6PKH+GHrebLLz8IW4Q6wQ5kHZO6aqggnKrdkv+u62izeOgqi4jMyAAAA'\u002F%3E%3C\u002Fsvg%3E\")",{"title":125,"robots":126,"og_locale":44,"og_type":45,"og_title":125,"og_url":127,"og_site_name":33,"article_publisher":48,"article_modified_time":128,"twitter_card":53,"twitter_site":54,"schema":129},"Home - ReIssue",{"index":39,"follow":40,"max-snippet":41,"max-image-preview":42,"max-video-preview":43},"https:\u002F\u002Freissue.pub\u002Fhome\u002F","2026-11-14T21:58:11+00:00",{"@context":58,"@graph":130},[131,139,143,149],{"@type":61,"@id":127,"url":127,"name":125,"isPartOf":132,"datePublished":133,"dateModified":128,"breadcrumb":134,"inLanguage":70,"potentialAction":136},{"@id":63},"2018-04-21T23:04:08+00:00",{"@id":135},"https:\u002F\u002Freissue.pub\u002Fhome\u002F#breadcrumb",[137],{"@type":73,"target":138},[127],{"@type":78,"@id":135,"itemListElement":140},[141,142],{"@type":81,"position":82,"name":83,"item":84},{"@type":81,"position":86,"name":83},{"@type":92,"@id":63,"url":84,"name":33,"description":93,"publisher":144,"potentialAction":145,"inLanguage":70},{"@id":95},[146],{"@type":98,"target":147,"query-input":148},{"@type":100,"urlTemplate":101},{"@type":103,"valueRequired":104,"valueName":105},{"@type":107,"@id":95,"name":33,"url":84,"logo":150,"image":151,"sameAs":152},{"@type":76,"inLanguage":70,"@id":109,"url":110,"contentUrl":110,"width":111,"height":112,"caption":33},{"@id":109},[48,115,116],{"id":154,"slug":155,"title":156,"contentHtml":157,"acf":16,"backgroundBlur":30,"seo":158},321,"subscription-banner","Subscription Banner","\n\u003Cp class=\"wp-block-paragraph\">ReIssue is unfunded, wild and free. Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">To donate, contact: \u003Ca href=\"mailto:editor@reissue.pub\" rel=\"nofollow\">editor@reissue.pub\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Sign up for our email newsletter\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003C\u002Fp>\n",{"title":159,"robots":160,"og_locale":44,"og_type":45,"og_title":159,"og_description":161,"og_url":162,"og_site_name":33,"article_publisher":48,"article_modified_time":163,"twitter_card":53,"twitter_site":54,"twitter_misc":164,"schema":166},"Subscription Banner - ReIssue",{"index":39,"follow":40,"max-snippet":41,"max-image-preview":42,"max-video-preview":43},"ReIssue is unfunded, wild and free. Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance. To donate, contact: editor@reissue.pub Sign up for our email newsletter","https:\u002F\u002Freissue.pub\u002Fsubscription-banner\u002F","2026-11-13T20:28:08+00:00",{"Est. reading time":165},"1 minute",{"@context":58,"@graph":167},[168,176,180,186],{"@type":61,"@id":162,"url":162,"name":159,"isPartOf":169,"datePublished":170,"dateModified":163,"breadcrumb":171,"inLanguage":70,"potentialAction":173},{"@id":63},"2020-12-15T23:44:21+00:00",{"@id":172},"https:\u002F\u002Freissue.pub\u002Fsubscription-banner\u002F#breadcrumb",[174],{"@type":73,"target":175},[162],{"@type":78,"@id":172,"itemListElement":177},[178,179],{"@type":81,"position":82,"name":83,"item":84},{"@type":81,"position":86,"name":156},{"@type":92,"@id":63,"url":84,"name":33,"description":93,"publisher":181,"potentialAction":182,"inLanguage":70},{"@id":95},[183],{"@type":98,"target":184,"query-input":185},{"@type":100,"urlTemplate":101},{"@type":103,"valueRequired":104,"valueName":105},{"@type":107,"@id":95,"name":33,"url":84,"logo":187,"image":188,"sameAs":189},{"@type":76,"inLanguage":70,"@id":109,"url":110,"contentUrl":110,"width":111,"height":112,"caption":33},{"@id":109},[48,115,116],1794704113645]