[{"data":1,"prerenderedAt":190},["ShallowReactive",2],{"article:reissue-digestif-whats-on-november-1-15":3,"page:48":116,"page:321":153},{"id":4,"slug":5,"title":6,"excerpt":7,"date":8,"year":9,"formattedDate":10,"typeIds":11,"typeNames":13,"wordCount":15,"isBlack":16,"image":17,"contributors":24,"contentHtml":29,"finalContentHtml":22,"creditsHtml":22,"pdfUrl":30,"vimeo":30,"contributorBios":31,"seo":36},1708,"reissue-digestif-whats-on-november-1-15","ReIssue Digestif: What’s on November 1–15","\u003Cp>The Digestif is back! Here’s our picks for what’s happening November 1–15.\u003C\u002Fp>\n","2023-11-01T10:25:27",2023,"Nov 2023",[12],11,[14],"RI",1220,true,{"src":18,"srcset":19,"width":20,"height":21,"alt":22,"lqip":23},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F10\u002F20231101digestif-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F10\u002F20231101digestif-splash-768x255.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F10\u002F20231101digestif-splash.jpg 1080w",1080,358,"","data:image\u002Fwebp;base64,UklGRnQAAABXRUJQVlA4IGgAAABwBACdASogAAsAPu1mqk2ppaQiMAgBMB2JbACdMoADg\u002F+09PNQAfeA9F84cAD+5+hllv3Em\u002FljBwRQXbyNTsYV2mKcLdgUuyJ4BkAwSgCf2xHFNRclhOrnmqLjxRYu3YW4g18ONAAAAA==",[25],{"id":26,"name":27,"slug":28},1307,"ReIssue Editor","reissue-staff","\n\u003Cfigure class=\"wp-block-image size-full\">\u003Cspan class=\"lqip-wrap\" style=\"background-image:url("data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 97'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRpIAAABXRUJQVlA4IIYAAAAwBACdASogAAoAPu1kqk4ppaQiMAgBMB2JbACdOUACwxYPHaCd++LDBAAA+OFLQb1A2NQvSeppISSjdwE0xj0kbXkZkkUyPibR6aqfvnx3w6WsfHomC8mph84jLd3JpT8C4d13Emvarm+7W+w\u002FOiB402Jupz\u002F9tZQRsibWrNgIcfXLRuQAAA=='\u002F%3E%3C\u002Fsvg%3E")\">\u003Cimg loading=\"lazy\" decoding=\"async\" width=\"1080\" height=\"326\" src=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F10\u002F20231101digestif.jpg\" alt=\"\" class=\"lqip wp-image-1709\" srcset=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F10\u002F20231101digestif.jpg 1080w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F10\u002F20231101digestif-768x232.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F10\u002F20231101digestif-100x30.jpg 100w\" sizes=\"auto, (max-width: 1080px) 100vw, 1080px\" \u002F>\u003C\u002Fspan>\u003C\u002Ffigure>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cem>Welcome to ReIssue Digestif, a bi-weekly-ish round-up of events on our radar. It’s that time of year to switch from PDT to PST, so try and get that extra hour of sleep everyone!\u003C\u002Fem>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cem>If you are BC- or AB-based and have an exhibition, event or job posting to submit for consideration in the next Digestif (November 16–30), email details to editor@reissue.pub\u003C\u002Fem>\u003C\u002Fp>\n\n\n\n\u003Cfigure class=\"wp-block-image size-full\">\u003Cspan class=\"lqip-wrap\" style=\"background-image:url("data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 180'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRrQAAABXRUJQVlA4IKgAAADwBACdASogABIAPu1kqU2ppaQiMAgBMB2JZQC+SywTnQwLbtFAyQvEDT8ZKkdlKoAA\u002Ft6Fq\u002F96RJRPrsWbv\u002F5BlPsFcxq+h2VuOnzFHpSpR87yUlp4Vsm6M8vshABfYaDym9lYDc9qnRDoPMxRUGugY0enSZHe5wzxTF7K+QV2hsut0emoUlKd7RhvkGPfR8SvsI3YWbugW7tFHExas4d6S77b9hqwAAA='\u002F%3E%3C\u002Fsvg%3E")\">\u003Cimg loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F10\u002Fjocook-replace.jpg\" alt=\"\" class=\"lqip wp-image-1718\" srcset=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F10\u002Fjocook-replace.jpg 1920w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F10\u002Fjocook-replace-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F10\u002Fjocook-replace-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F10\u002Fjocook-replace-100x56.jpg 100w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \u002F>\u003C\u002Fspan>\u003Cfigcaption class=\"wp-element-caption\">\u003Cem>Jo Cook & Perro Verlag Books by Artists: The Unreadable Sacred\u003C\u002Fem>\u003C\u002Ffigcaption>\u003C\u002Ffigure>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.sfu.ca\u002Fgalleries\u002Fsfu-gallery\u002Fjo-cook.html\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Jo Cook & Perro Verlag Books by Artists: The Unreadable Sacred\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>SFU Gallery, Academic Quadrangle 3004, 8888 University Dr, Burnaby BC\u003Cbr>Now–December 15, Tuesday–Friday, 12–5pm\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">The late Jo Cook extended her own artistic practice of printmaking, collage, painting and paper-based works into an array of artist book publishing centred on the premise of collaboration and reciprocity. Together with artist Wesley Mulvin, \u003Ca href=\"http:\u002F\u002Fwww.perroverlag.com\u002Fmenu.html\" target=\"_blank\" rel=\"noreferrer noopener\">Perro Verlag Books by Artists\u003C\u002Fa> supported the publication of generative exchanges in editorial, typographic, and artistic experimentation. \u003Cem>The Unreadable Sacred\u003C\u002Fem> pairs selected prints, paintings, and paper works by Jo Cook along with Perro Verlag Books by Artists held in the Simon Fraser University Special Collections and Rare Books.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fahva.ubc.ca\u002Fevents\u002Fevent\u002Freflection-point-a-barbara-zeigler-retrospective\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Reflection Point: A Barbara Zeigler Retrospective\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>AHVA Gallery, Audain Art Centre, 6398 University Blvd, Vancouver BC\u003Cbr>November 2–December 2, daily 12–4pm \u003Cbr>Opening: Wednesday November 1, 5pm\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">This exhibition presents a selection of Zeigler’s work from the past five decades, broadly focused on the ever-shifting relations between ecosystems and human cultural structures. Working in printmaking, photography, drawing, installation, and collaborative public art projects, her artwork seeks to prompt questions as to the character and consequences of our existing cultural paradigms.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fthecinematheque.ca\u002Ffilms\u002F2023\u002Fcarole-itter\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Carol Itter: Choreography of the Everyday \u003Cbr>\u003C\u002Fstrong>\u003C\u002Fa>The Cinematheque, 1131 Howe St, Vancouver BC\u003Cbr>Thursday November 2, 6:30pm\u003Cbr>Tickets \u003Ca href=\"https:\u002F\u002Fthecinematheque.ca\u002Ffilms\u002F2023\u002Fcarole-itter\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003Cbr>\u003Cbr>\u003C\u002Fa>On the occasion of the exhibition \u003Ca href=\"https:\u002F\u002Fbelkin.ubc.ca\u002Fexhibitions\u002Fcarole-itter\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cem>Carole Itter: Only when I’m hauling water do I wonder if I’m getting any stronger\u003C\u002Fem>\u003C\u002Fa>, the Belkin and the Cinematheque co-present a series of short films delving into the artist’s works. These films illuminate the choreography of the everyday within Itter’s artistic realm. Itter’s exhibition at the Belkin highlights the artist’s multidisciplinary works and archival materials from the 1960s to the present. Following the screening, there will be a conversation between the artist and Justine Chambers — representatives of two generations of Vancouver artists deeply dedicated to exploring, mining and making sense of the choreography that defines our everyday lives. Make it a double-bill at 8:20pm with choreographer Yvonne Rainer’s 1972 film, \u003Ca href=\"https:\u002F\u002Fthecinematheque.ca\u002Ffilms\u002F2023\u002Flives-of-performers\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cem>Lives of Performers\u003C\u002Fem>\u003C\u002Fa>, further underscoring the profound connections between art and life.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>\u003Ca href=\"https:\u002F\u002Fevanlee.ca\u002F?p=5596\" target=\"_blank\" rel=\"noreferrer noopener\">Evan Lee: Open Work (years from today)\u003C\u002Fa>\u003C\u002Fstrong>\u003Cbr>CSA Space, 2414 Main St, Vancouver BC\u003Cbr>See Pulpfiction Books (2422 Main St) for admission\u003Cbr>Opening: Thursday November 2, 7pm\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">In his first solo exhibition at CSA Space since 2006, Vancouver artist Evan Lee presents \u003Cem>Open Work (years from today)\u003C\u002Fem>, an installation of experimental lens-based, printed images exploring the subject of elders through drawings, photographs, 3D modelling and 3D prints. Curated by Christopher Bradshaw, Lee’s temporary printed images offer a meditation on the passage of time, reflecting the paradoxical nature of memories and observances: timeless yet fleeting, fragile yet enduring.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.surrey.ca\u002Fnews-events\u002Fevents\u002Fthursday-artist-talk-francisco-berlanga-material-miracle-of-craft\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Thursday Artist Talk: Francisco Berlanga, “Material Miracle of Craft”\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Surrey Art Gallery, 13750 88 Ave, Surrey BC\u003Cbr>Thursday November 2, 730pm\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Berlanga’s art practice reflects upon his relationship to his Mexican identity as a second-generation immigrant through the lens of traditional crafts including weaving, embroidery, and beading. Berlanga will discuss how the process of craft-making can be transformative, even becoming a miraculous one. In Catholic narratives from Mexico, ‘the miracle’ relates to the story of Guadalupe whose roses stain a cloak with an icon of the Blessed Mary. Textiles can take on miraculous characteristics, and Berlanga will share how this offers new understandings into handcrafts.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>\u003Ca href=\"https:\u002F\u002Fthecapilanoreview.com\u002Fdear-friends-a-reading-with-hopeton-hope-anderson-wayde-compton-and-samantha-marie-nock\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">Dear Friends &: A reading with Hopeton (Hope) Anderson, Wayde Compton, and Samantha Marie Nock\u003C\u002Fa>\u003C\u002Fstrong>\u003Cbr>Grand Luxe Hall, Western Front, 303 E 8th Ave, Vancouver BC\u003Cbr>Tuesday November 2, 7:30pm (doors 7pm)\u003Cbr>Free, register \u003Ca href=\"https:\u002F\u002Fwww.eventbrite.ca\u002Fe\u002Fdear-friends-hopeton-hope-anderson-wayde-compton-samantha-marie-nock-tickets-741035345667?aff=oddtdtcreator\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Deanna Fong hosts the final instalment of\u003Cem> Dear Friends &\u003C\u002Fem> reading event of the season, featuring an evening of poetry by Hopeton (Hope) Anderson, Wayde Compton, and Samantha Marie Nock. The event will be in-person and online, \u003Ca href=\"https:\u002F\u002Fvimeo.com\u002Fevent\u002F3807884\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fra.co\u002Fevents\u002F1797115\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Concert: Linda Fox, Neo Image, Mela Melania\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Dolly Disco, 555 Gore Ave, Vancouver BC\u003Cbr>Friday November 3, doors 10pm\u003Cbr>Tickets \u003Ca href=\"https:\u002F\u002Fwww.showpass.com\u002Fnov3\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Get into the groove with a night of \u003Cem>oonz-oonz \u003C\u002Fem>with \u003Ca href=\"https:\u002F\u002Fyoutu.be\u002FkE_xjaB-Ddo?si=aBPGVi_a0wmbmk5I\" target=\"_blank\" rel=\"noreferrer noopener\">Linda Fox\u003C\u002Fa>, \u003Ca href=\"https:\u002F\u002Fon.soundcloud.com\u002FkAGRf\" target=\"_blank\" rel=\"noreferrer noopener\">Mela Melania\u003C\u002Fa>, and \u003Ca href=\"https:\u002F\u002Fon.soundcloud.com\u002FRTpcH\">Neo Image\u003C\u002Fa>.\u003C\u002Fp>\n\n\n\n\u003Cfigure class=\"wp-block-image size-full\">\u003Cspan class=\"lqip-wrap\" style=\"background-image:url("data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 180'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRu4AAABXRUJQVlA4IOIAAABQBQCdASogABIAPu1mqU2ppaQiMAgBMB2JaACdACKFPpXKprIP8u\u002FU6W+rieZYykJVPcAA98xozsgCLCsbKDUdG+Y1\u002FJrYf4Hka5ppLFOMKBM7SrvcFbRE5arhKKOY9jGEGyiGnSYsbFwZGVsNVm7KwWpKzpWdLI+\u002FdSW8wNuK+VGuMpTkBtx5oDmYsPGuAm422JsfxGHn7JzD7WbW8VFNYLxG9hiMp2KY57pfcGwO0iNevGEUgT+kbnH8W9CJzsfDM3kNjlOwGXWMVcFQK5t5HYJhQ\u002FPn6JWtKeCjY+wTIwAA'\u002F%3E%3C\u002Fsvg%3E")\">\u003Cimg loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F10\u002Fstopthesweeps.jpg\" alt=\"\" class=\"lqip wp-image-1712\" srcset=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F10\u002Fstopthesweeps.jpg 1920w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F10\u002Fstopthesweeps-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F10\u002Fstopthesweeps-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F10\u002Fstopthesweeps-100x56.jpg 100w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \u002F>\u003C\u002Fspan>\u003Cfigcaption class=\"wp-element-caption\">Ryan Sudds, \u003Cem>Stop the Sweeps\u003C\u002Fem> (2023)\u003C\u002Ffigcaption>\u003C\u002Ffigure>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.heartofthecityfestival.com\u002Ffestival-schedule-2023\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Screening: Stop the Sweeps\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Carnegie Community Centre Theatre, 401 Main St, Vancouver BC\u003Cbr>Saturday November 4, 3:30pm\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">As a part of \u003Ca href=\"https:\u002F\u002Fwww.heartofthecityfestival.com\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">Heart of the City Festival \u003C\u002Fa>and co-presented by Gallery Gachet, Ryan Sudds’ documentary chronicles the violent decampments of the unhoused people in the DTES and subsequent community resistance against the ongoing state-sanctioned violence and neglect. To be followed by an informal townhall conversation moderated by the Stop the Sweeps team.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"http:\u002F\u002Fpidcproject.ca\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>PIDC Project: Dissemination Three\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Pat Martin Bates Gallery, 1800 Store St, Victoria BC\u003Cbr>November 5–26, Wednesday–Sunday 12–5pm\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Featuring artists Amber Downie-Back, Ebony Rose, Evan Locke, Melissa Flagg, Jane Chan, Lee Ingram, Art Action Earwig, Kayla Henry, Valerie Salez, Nicole Mandryk, and Owen Fairbairn, \u003Cem>Dissemination Three \u003C\u002Fem>presents a diversity of work including new collaborative work and individual experimentation from the artists, as well as revisits previously presented collaborative work. Overarching themes include liminal space, our connection to the land, climate anxiety, the body and movement, and the exploration of emerging technologies including generative AI and Augmented Reality.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fmassyarts.com\u002Fevent\u002Fbottom-rail-on-top-by-dm-bradford-with-cecily-nicholson-junie-desil-mercedes-eng\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Bottom Rail on Top by DM Bradford with Cecily Nicholson, Junie Désil & Mercedes Eng\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Massy Arts Society, 23 E Pender St, Vancouver BC\u003Cbr>Monday November 6, 6–8pm\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Join Massy Arts, Massy Books and Brick Books in celebrating the launch of \u003Cem>\u003Ca href=\"https:\u002F\u002Fwww.brickbooks.ca\u002Fshop\u002Fbottom-rail-on-top-by-dm-bradford\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">Bottom Rail on Top\u003C\u002Fa>\u003C\u002Fem> by D.M. Bradford with Cecily Nicholson and Junie Désil, hosted by Mercedes Eng. Somewhere in the cut between Harriet Jacobs and surveillance, Southampton and sneaker game, Lake Providence and the supply chain, \u003Cem>Bottom Rail on Top \u003C\u002Fem>sets off a mediation between the complications of legacy and selfhood. In a kind of archives-powered unmooring of the linear progress story, Bradford fragments and recomposes American histories of antebellum Black life and emancipation, and stages the action in tandem with the matter of his own life.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>\u003Ca href=\"https:\u002F\u002Fviff.org\u002Fwhats-on\u002Fbeyond-land-acknowledgement\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">Beyond the Land Acknowledgement: How Indigenous Governance is Central to Reconciliation\u003C\u002Fa>\u003C\u002Fstrong>\u003Cbr>Vancity Theatre, 1181 Seymour St, Vancouver BC\u003Cbr>Wednesday November 8, 7:30pm\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">The David Suzuki Foundation presents the first short film from its new series, Treaty Promises, a series exploring Indigenous land governance systems and treaty-making between the Crown and Indigenous Peoples. Episode 1: Treaty making will be screened, followed by a live conversation with some of the Indigenous scholars and activists featured in the films: Severn Cullis-Suzuki (executive director, the David Suzuki Foundation), Margot Young (board chair, the David Suzuki Foundation), Celeste Haldane (chief commissioner, B.C. Treaty Commission), Robert Clifford (assistant professor, Allard School of Law, UBC), Aimée Craft (associate professor, University of Ottawa), Johnny Mack (assistant professor, Allard School of Law, UBC). All five Treaty Promises shorts are available online, \u003Ca href=\"https:\u002F\u002Fdavidsuzuki.org\u002Fwhat-you-can-do\u002Ftreaty-promises\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fthepolygon.ca\u002Fexhibition\u002Ffrom-slanders-brand\u002F\">\u003Cstrong>From Slander’s Bran\u003C\u002Fstrong>\u003C\u002Fa>\u003Ca href=\"https:\u002F\u002Fthepolygon.ca\u002Fexhibition\u002Ffrom-slanders-brand\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>d\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Polygon Gallery, 101 Carrie Cates Ct, North Vancouver, BC\u003Cbr>November 10–February 4, 2023\u003Cbr>Opening: Thursday, November 9, 7–9pm\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Featuring work by Hannah Darabi, Rachel Khedoori and Ron Terada, this three-person exhibition features artworks that are durational, monumental, and archival in nature. Each is the culmination of years of artistic labour created in response to pivotal moments of historical transformation and trauma. Through their works, the artists ask how art — through archival acts that parallel reportage — might act as witness, interlocutor, and critical reflector. At the heart of the exhibition is the question of how artworks give form to events that defy description.\u003C\u002Fp>\n\n\n\n\u003Cdiv style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\">\u003C\u002Fdiv>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003C\u002Fp>\n",null,[32],{"id":26,"slug":28,"name":27,"firstName":33,"lastName":34,"bioHtml":35},"ReIssue","Editor","\n\u003Cp class=\"has-text-align-center wp-block-paragraph\">🎨\u003C\u002Fp>\n",{"title":37,"robots":38,"og_locale":44,"og_type":45,"og_title":37,"og_description":46,"og_url":47,"og_site_name":33,"article_publisher":48,"article_modified_time":49,"og_image":50,"twitter_card":53,"twitter_site":54,"twitter_misc":55,"schema":57},"ReIssue Digestif: What’s on November 1–15 - ReIssue",{"index":39,"follow":40,"max-snippet":41,"max-image-preview":42,"max-video-preview":43},"noindex","follow","max-snippet:-1","max-image-preview:large","max-video-preview:-1","en_US","article","The Digestif is back! Here's our picks for what's happening November 1–15.","https:\u002F\u002Freissue.pub\u002Farticles\u002Freissue-digestif-whats-on-november-1-15\u002F","https:\u002F\u002Fwww.facebook.com\u002Freissue.pub\u002F","2023-12-18T21:00:45+00:00",[51],{"width":20,"height":21,"url":18,"type":52},"image\u002Fjpeg","summary_large_image","@reissuepub",{"Est. reading time":56},"7 minutes",{"@context":58,"@graph":59},"https:\u002F\u002Fschema.org",[60,75,77,91,105],{"@type":61,"@id":47,"url":47,"name":37,"isPartOf":62,"primaryImageOfPage":64,"image":66,"thumbnailUrl":18,"datePublished":67,"dateModified":49,"breadcrumb":68,"inLanguage":70,"potentialAction":71},"WebPage",{"@id":63},"https:\u002F\u002Freissue.pub\u002F#website",{"@id":65},"https:\u002F\u002Freissue.pub\u002Farticles\u002Freissue-digestif-whats-on-november-1-15\u002F#primaryimage",{"@id":65},"2023-11-01T17:25:27+00:00",{"@id":69},"https:\u002F\u002Freissue.pub\u002Farticles\u002Freissue-digestif-whats-on-november-1-15\u002F#breadcrumb","en-US",[72],{"@type":73,"target":74},"ReadAction",[47],{"@type":76,"inLanguage":70,"@id":65,"url":18,"contentUrl":18,"width":20,"height":21},"ImageObject",{"@type":78,"@id":69,"itemListElement":79},"BreadcrumbList",[80,85,89],{"@type":81,"position":82,"name":83,"item":84},"ListItem",1,"Home","https:\u002F\u002Freissue.pub\u002F",{"@type":81,"position":86,"name":87,"item":88},2,"Articles","https:\u002F\u002Freissue.pub\u002Farticles\u002F",{"@type":81,"position":90,"name":6},3,{"@type":92,"@id":63,"url":84,"name":33,"description":93,"publisher":94,"potentialAction":96,"inLanguage":70},"WebSite","critical discourse for experimental art practices",{"@id":95},"https:\u002F\u002Freissue.pub\u002F#organization",[97],{"@type":98,"target":99,"query-input":102},"SearchAction",{"@type":100,"urlTemplate":101},"EntryPoint","https:\u002F\u002Freissue.pub\u002F?s={search_term_string}",{"@type":103,"valueRequired":16,"valueName":104},"PropertyValueSpecification","search_term_string",{"@type":106,"@id":95,"name":33,"url":84,"logo":107,"image":112,"sameAs":113},"Organization",{"@type":76,"inLanguage":70,"@id":108,"url":109,"contentUrl":109,"width":110,"height":111,"caption":33},"https:\u002F\u002Freissue.pub\u002F#\u002Fschema\u002Flogo\u002Fimage\u002F","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F06\u002Freissue_logo.jpg",1920,1118,{"@id":108},[48,114,115],"https:\u002F\u002Fx.com\u002Freissuepub","https:\u002F\u002Fwww.instagram.com\u002Freissue.pub\u002F",{"id":117,"slug":118,"title":83,"contentHtml":22,"acf":119,"backgroundBlur":123,"seo":124},48,"home",{"background_image":120,"isBlack":121,"header_text":122},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2026\u002F11\u002Fdaisy_reissue_2.jpg",false,"ReIssue: art and criticism in \u003Cbr>\r\nthe cosmos of cultural production","url(\"data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 213'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRoIAAABXRUJQVlA4IHYAAADwBACdASogABUAPu1qqlEppaOiqAqpMB2JZwAAKf0c+TYjyG8vhTeRaShCpli8uAAA\u002FnFf8QBzP1T7FqMQfN+5P0sEZp4TM\u002FtvUeu\u002F6PKH+GHrebLLz8IW4Q6wQ5kHZO6aqggnKrdkv+u62izeOgqi4jMyAAAA'\u002F%3E%3C\u002Fsvg%3E\")",{"title":125,"robots":126,"og_locale":44,"og_type":45,"og_title":125,"og_url":127,"og_site_name":33,"article_publisher":48,"article_modified_time":128,"twitter_card":53,"twitter_site":54,"schema":129},"Home - ReIssue",{"index":39,"follow":40,"max-snippet":41,"max-image-preview":42,"max-video-preview":43},"https:\u002F\u002Freissue.pub\u002Fhome\u002F","2026-11-14T21:58:11+00:00",{"@context":58,"@graph":130},[131,139,143,149],{"@type":61,"@id":127,"url":127,"name":125,"isPartOf":132,"datePublished":133,"dateModified":128,"breadcrumb":134,"inLanguage":70,"potentialAction":136},{"@id":63},"2018-04-21T23:04:08+00:00",{"@id":135},"https:\u002F\u002Freissue.pub\u002Fhome\u002F#breadcrumb",[137],{"@type":73,"target":138},[127],{"@type":78,"@id":135,"itemListElement":140},[141,142],{"@type":81,"position":82,"name":83,"item":84},{"@type":81,"position":86,"name":83},{"@type":92,"@id":63,"url":84,"name":33,"description":93,"publisher":144,"potentialAction":145,"inLanguage":70},{"@id":95},[146],{"@type":98,"target":147,"query-input":148},{"@type":100,"urlTemplate":101},{"@type":103,"valueRequired":16,"valueName":104},{"@type":106,"@id":95,"name":33,"url":84,"logo":150,"image":151,"sameAs":152},{"@type":76,"inLanguage":70,"@id":108,"url":109,"contentUrl":109,"width":110,"height":111,"caption":33},{"@id":108},[48,114,115],{"id":154,"slug":155,"title":156,"contentHtml":157,"acf":121,"backgroundBlur":30,"seo":158},321,"subscription-banner","Subscription Banner","\n\u003Cp class=\"wp-block-paragraph\">ReIssue is unfunded, wild and free. Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">To donate, contact: \u003Ca href=\"mailto:editor@reissue.pub\" rel=\"nofollow\">editor@reissue.pub\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Sign up for our email newsletter\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003C\u002Fp>\n",{"title":159,"robots":160,"og_locale":44,"og_type":45,"og_title":159,"og_description":161,"og_url":162,"og_site_name":33,"article_publisher":48,"article_modified_time":163,"twitter_card":53,"twitter_site":54,"twitter_misc":164,"schema":166},"Subscription Banner - ReIssue",{"index":39,"follow":40,"max-snippet":41,"max-image-preview":42,"max-video-preview":43},"ReIssue is unfunded, wild and free. Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance. To donate, contact: editor@reissue.pub Sign up for our email newsletter","https:\u002F\u002Freissue.pub\u002Fsubscription-banner\u002F","2026-11-13T20:28:08+00:00",{"Est. reading time":165},"1 minute",{"@context":58,"@graph":167},[168,176,180,186],{"@type":61,"@id":162,"url":162,"name":159,"isPartOf":169,"datePublished":170,"dateModified":163,"breadcrumb":171,"inLanguage":70,"potentialAction":173},{"@id":63},"2020-12-15T23:44:21+00:00",{"@id":172},"https:\u002F\u002Freissue.pub\u002Fsubscription-banner\u002F#breadcrumb",[174],{"@type":73,"target":175},[162],{"@type":78,"@id":172,"itemListElement":177},[178,179],{"@type":81,"position":82,"name":83,"item":84},{"@type":81,"position":86,"name":156},{"@type":92,"@id":63,"url":84,"name":33,"description":93,"publisher":181,"potentialAction":182,"inLanguage":70},{"@id":95},[183],{"@type":98,"target":184,"query-input":185},{"@type":100,"urlTemplate":101},{"@type":103,"valueRequired":16,"valueName":104},{"@type":106,"@id":95,"name":33,"url":84,"logo":187,"image":188,"sameAs":189},{"@type":76,"inLanguage":70,"@id":108,"url":109,"contentUrl":109,"width":110,"height":111,"caption":33},{"@id":108},[48,114,115],1794704113037]