[{"data":1,"prerenderedAt":190},["ShallowReactive",2],{"article:reissue-digestif-whats-on-november-16-30":3,"page:48":117,"page:321":153},{"id":4,"slug":5,"title":6,"excerpt":7,"date":8,"year":9,"formattedDate":10,"typeIds":11,"typeNames":13,"wordCount":15,"isBlack":16,"image":17,"contributors":24,"contentHtml":29,"finalContentHtml":22,"creditsHtml":22,"pdfUrl":30,"vimeo":30,"contributorBios":31,"seo":36},1741,"reissue-digestif-whats-on-november-16-30","ReIssue Digestif: What’s on November 16–30","\u003Cp>Here’s our picks for what’s happening November 16–30.\u003C\u002Fp>\n","2023-11-16T09:20:39",2023,"Nov 2023",[12],11,[14],"RI",1196,false,{"src":18,"srcset":19,"width":20,"height":21,"alt":22,"lqip":23},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002F20231116digestifsplash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002F20231116digestifsplash-768x255.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002F20231116digestifsplash.jpg 1080w",1080,358,"","data:image\u002Fwebp;base64,UklGRlIAAABXRUJQVlA4IEYAAAAwAwCdASogAAsAPu1kqk4ppaQiMAgBMB2JQAAQffE22iVYAP7uVAx\u002FbYz6IeiWATW0e\u002F6rLEttTcG7ltOwux7FtsmF3mAA",[25],{"id":26,"name":27,"slug":28},1307,"ReIssue Editor","reissue-staff","\n\u003Cfigure class=\"wp-block-image size-full\">\u003Cspan class=\"lqip-wrap\" style=\"background-image:url("data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 106'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRsIAAABXRUJQVlA4ILYAAADwBACdASogAAsAPu1iqk2ppaQiMAgBMB2JbACdMoR3AdDQ8mfOKxsO3XJP5qSnkBgA\u002FjmYffnXKYYNAbUhnKjcl8WOp19sTjF\u002FJiZaYHBiK6Z6VhddClx4RhO8BQaLcreGmTPmVi1Dvyx3U3WCrHHhkanhrXxg6BCbz\u002Frx2cgRPBYkZ9LG\u002Fh908acXCSoI04AVBgJhfPCKFQ5Y6AhWvBzQsfnKEv0nj\u002FsoLzbWjr8Ns62cpAcAAA=='\u002F%3E%3C\u002Fsvg%3E")\">\u003Cimg loading=\"lazy\" decoding=\"async\" width=\"1080\" height=\"358\" src=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002F20231116digestif.jpg\" alt=\"\" class=\"lqip wp-image-1742\" srcset=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002F20231116digestif.jpg 1080w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002F20231116digestif-768x255.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002F20231116digestif-100x33.jpg 100w\" sizes=\"auto, (max-width: 1080px) 100vw, 1080px\" \u002F>\u003C\u002Fspan>\u003C\u002Ffigure>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cem>Welcome to ReIssue Digestif, a bi-weekly-ish round-up of events on our radar. All times in PST.\u003C\u002Fem>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cem>If you are BC- or AB-based and have an exhibition, event or call-for-submissions posting to submit for consideration in the next and final Digestif of the year, email details to editor@reissue.pub\u003C\u002Fem>\u003C\u002Fp>\n\n\n\n\u003Cfigure class=\"wp-block-image size-full\">\u003Cspan class=\"lqip-wrap\" style=\"background-image:url("data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 180'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRsgAAABXRUJQVlA4ILwAAABwBQCdASogABIAPu1mqk8ppaOiKA1RMB2JagAjwA7ADwaegldXp98t4HeCUJq4F1+Fe02AAP75wmDZDHOSG9O\u002Fk4zqBFvCwJAw88PquBsBpEoyTult2A3iK\u002FAsHuM5t0yHpDuzclYGCTX0ElNe4RmDoplgYKiyNeYI\u002F7XwtFCuIeAWjle7ImDdIRAz7f8SJO4MSD4Gkfgvdq2UjSon3wMPLHNQClfitnlupG7+wAxdrqyCF44OfsjUksAAAA=='\u002F%3E%3C\u002Fsvg%3E")\">\u003Cimg loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002Fxinema-november16.jpg\" alt=\"\" class=\"lqip wp-image-1743\" srcset=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002Fxinema-november16.jpg 1920w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002Fxinema-november16-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002Fxinema-november16-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002Fxinema-november16-100x56.jpg 100w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \u002F>\u003C\u002Fspan>\u003Cfigcaption class=\"wp-element-caption\">Richard Reeves, still from \u003Cem>Intersextion\u003C\u002Fem> (2014)\u003C\u002Ffigcaption>\u003C\u002Ffigure>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fviff.org\u002Fwhats-on\u002Fxinema-one-year-cine-celebration\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Xinema One Year Cine-Celebration\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Vancity Theatre, 1181 Seymour St, Vancouver BC\u003Cbr>Thursday November 16, 7:30pm\u003Cbr>Tickets \u003Ca href=\"https:\u002F\u002Fviff.org\u002Fwhats-on\u002Fxinema-one-year-cine-celebration\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">It’s Xinema’s \u003Cem>One Year Cine-Celebration\u003C\u002Fem>, featuring an open submission screening showcasing short works by XINEMA alumni and close supporters. Celebrating BC’s rich film community, the program will showcase films from 1997 to the present that explore topics of love, longing, new imaginaries, the Anthropocene, and more. Surprise merch available!\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fp\u002FCzaKwroL3t1\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Fake Jazz November\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Toast Collective, 242 E Pender St, Vancouver BC\u003Cbr>Friday November 17, 9pm\u003Cbr>$20 NOTAFLOF\u003Cbr>\u003Cbr>This month’s Fake Jazz features Volt (\u003Ca href=\"https:\u002F\u002Froxannenesbitt.com\u002Fabout.html\" target=\"_blank\" rel=\"noreferrer noopener\">Roxanne Nesbitt\u003C\u002Fa> & \u003Ca href=\"https:\u002F\u002Fwww.anjusingh.com\u002Fcontact\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">Anju Singh\u003C\u002Fa>), \u003Ca href=\"https:\u002F\u002Fdevonmichigan.com\u002Fprojects\u002Fpelvic-space\" target=\"_blank\" rel=\"noreferrer noopener\">Ghost Taco\u003C\u002Fa> (Devon Michigan), and  \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fknife._.knife\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">Knife Knife\u003C\u002Fa>. \u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwesternfront.ca\u002Fevents\u002Fco-motion-single-field-instrument\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Co-Motion Single Field Instrument\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Libby Leshgold Gallery, Emily Carr University, 520 E 1st Ave, Vancouver BC\u003Cbr>Friday November 17, 7:30pm, and Saturday November 18, 3pm \u003Cbr>Tickets \u003Ca href=\"https:\u002F\u002Fwww.eventbrite.ca\u002Fe\u002Fnour-mobarak-co-motion-single-field-instrument-tickets-749573774337?aff=oddtdtcreator\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa> (PWYC)\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Curated by Aki Onda, performance and sound artist Nour Mobarak’s\u003Cem> Co-Motion Single Field Instrument\u003C\u002Fem> turns the gallery into a room-sized instrument by using a real-time tracking system. Designed and conceptualized by the artist, and digitally programmed by Alex Iglizian, sounds, samples, and audio and lighting effects will be triggered as Mobarak moves across colour-coded marks on the floor.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fvpl.bibliocommons.com\u002Fevents\u002F65329b6b5c850f480052e087\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Among the Braves: The Battle for Hong Kong\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Alice Mackay Room, Lower Level, Vancouver Public Library Central Branch, 350 W Georgia St, Vancouver BC\u003Cbr>Monday November 20, 7pm\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Journalists Shibani Mahtani and Timothy McLaughlin discuss their new book, \u003Cem>\u003Ca href=\"https:\u002F\u002Fwww.hachettebookgroup.com\u002Ftitles\u002Fshibani-mahtani\u002Famong-the-braves\u002F9780306830365\u002F?lens=hachette-books\" target=\"_blank\" rel=\"noreferrer noopener\">Among the Braves\u003C\u002Fa>\u003C\u002Fem>, a gripping narrative history of the Hong Kong pro-democracy movement centered around a cast of four core activists, culminating in the 2019 mass protests and Beijing’s brutal crackdown. Nobel Peace Prize winner Maria Ressa called this book “a must-read for anyone who cherishes liberty.” Moderated by Joanna Chiu, \u003Cem>Toronto Star\u003C\u002Fem> reporter and author of \u003Cem>\u003Ca href=\"https:\u002F\u002Fhouseofanansi.com\u002Fproducts\u002Fchina-unbound\" target=\"_blank\" rel=\"noreferrer noopener\">China Unbound\u003C\u002Fa>\u003C\u002Fem>.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fmoa.ubc.ca\u002Fevents\u002Fvisual-material-culture-research-seminar-series-fall-2023\u002F#nov-23\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Re-Materializing the Printed Image: The Case of Early Modern Copper\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Community Lounge, Museum of Anthropology, 6393 NW Marine Drive, Vancouver BC\u003Cbr>Thursday November 23, 4pm\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">As a part of Visual + Material Culture Research Seminar Series, AHVA PhD student Tim McCall presents his research, tracing contemporary media discourse back to issues arising from early modern printmaking with a focus on copper. A complex array of historical actors — medieval craftspeople that imbued copper with abstract “virtues”, Europe’s most powerful banking family that monopolized Hungarian copper mining at risk of Ottoman invasion, the self-trained hand of the engraver that worked among proto-industrial machinery — converged on the early modern copper plate even before paper received its image.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>\u003Ca href=\"https:\u002F\u002Fgachet.org\u002Fcurrent-events-and-exhibitions\u002Fdion-smith-dokkie\" target=\"_blank\" rel=\"noreferrer noopener\">Dion Smith-Dokkie: This Will Be the First of a Thousand Worlds We Give Life To\u003C\u002Fa>\u003C\u002Fstrong>\u003Cbr>Gallery Gachet, 9 W Hastings St, Vancouver BC\u003Cbr>November 24–January 20, 2024, Tuesdays–Saturday 12–6pm\u003Cbr>Opening: Friday November 24, 7pm\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Smith-Dokkie probes into what they call the ‘neo-colonial terraforming project’ at work in NEBC, a region that has undergone rapid, extensive industrialization over the course of the past century. This programme of resource extraction and environmental design is still at work, as evinced by pervasive and cumulative impacts on this territory and the webs of life it sustains: mines, pipelines, dams, farms, cities, roads, and so on. Taking up the model of the traditional land-use study (TLUS), which transcribes oral histories and auto-ethnographic knowledge and experience into qualitative and quantitative data, the artist transforms topographical and satellite-image maps into speculative territories and affective records that problematize an extractive colonial imagination of the region.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>\u003Ca href=\"https:\u002F\u002Fwww.unitpitt.ca\u002Fupdates\u002Fblue-greens-workers\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">Blue Greens Workers: Alyson Bucharest, Sauha Lee, Kiyoshi Whitley\u003C\u002Fa>\u003C\u002Fstrong>\u003Cbr>UNIT PITT Gallery, 2954 West 4th Ave, Vancouver BC\u003Cbr>November 25–February 3, 2024, Thursday–Saturday, 12–5pm\u003Cbr>Opening: Friday November 24, 7pm\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cem>Blue Greens Workers \u003C\u002Fem>marks UNIT\u002FPITT’s inaugural exhibition at their new gallery location, following three years of remote operations. The mixed-media works consider overlapping dimensions of time, labour, memory, and landscape through the ever-shifting realm of psychic-space and meaning-making. A common thread linking the artworks is their responsiveness to material and temporal realities of place — acting as records of gesture, playing with past and futurity, and presenting psychic impressions of place.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>\u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fp\u002FCzcXOliN1AC\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">Fan Wu: Wounded Healer (Without Dependency)\u003C\u002Fa>\u003C\u002Fstrong>\u003Cbr>Grand Luxe Hall, Western Front, 303 E 8th Ave, Vancouver BC\u003Cbr>Saturday November 25, 7:30pm\u003Cbr>Tickets $5-15 sliding scale, or free with album purchase\u003Cbr>\u003Cbr>\u003Ca href=\"https:\u002F\u002Fsecondspringonline.cargo.site\u002Ftouch-the-Ten-Thousand-Things-without-dependency-1\" target=\"_blank\" rel=\"noreferrer noopener\">Second Spring\u003C\u002Fa> presents interdisciplinary writer Fan Wu’s débutanté LP of “drone\u002Fpoetry”, \u003Cem>touch the Ten Thousand Things without dependency\u003C\u002Fem>. Hosted and supported by the Western Front, this album release party will feature performances by Fan Wu & Ensemble, \u003Ca href=\"https:\u002F\u002Fprincenifty.bandcamp.com\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">Prince Nifty\u003C\u002Fa>, Eddy Wang, and \u003Ca href=\"https:\u002F\u002Fjulianyi-zhonghou.bandcamp.com\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">Julian Hou\u003C\u002Fa>. Preceding the album release on Thursday November 23, Wu will also host a \u003Ca href=\"https:\u002F\u002Fwesternfront.ca\u002Fevents\u002Ften-thousand-things\" target=\"_blank\" rel=\"noreferrer noopener\">reading\u002Fscreening\u003C\u002Fa> at the Western Front with local artist writers, Tiziana La Melia, SF Ho, and Hamish Ballantyne.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fevents.sfu.ca\u002Fvoce\u002Fevent\u002F37907-in-the-archive-of-memory\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>In the Archive of Memory\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>SFU Goldcorp Centre for the Arts, 149 W Hastings St, Vancouver BC\u003Cbr>Sunday November 26, 2pm\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Ten years since the publication of her groundbreaking \u003Cem>\u003Ca href=\"https:\u002F\u002Fharbourpublishing.com\u002Fproducts\u002F9780889712874#:~:text=children%20of%20air%20india%20is%20a%20distillation%20of%20rage%2C%20grief,a%20blessing%20for%20the%20dead.\" target=\"_blank\" rel=\"noreferrer noopener\">children of air india, un\u002Fauthorized exhibits and interjections\u003C\u002Fa>\u003C\u002Fem> (Nightwood Editions, 2013), award winning author Renée Sarojini Saklikar discusses research and creation in conversation with Dr. Angela Failler, Canada Research Chair in Culture and Public Memory, and Shachi Kurl, President of the Angus Reid Institute. The three come together to celebrate the anniversary of Saklikar’s original book of poetry, and to reflect on the importance of creative approaches to histories of violence — past and present — as a means of fostering critical understanding and hope. Moderated by Am Johal, Director, SFU’s Vancity Office of Community Engagement.\u003C\u002Fp>\n\n\n\n\u003Cfigure class=\"wp-block-image size-full\">\u003Cspan class=\"lqip-wrap\" style=\"background-image:url("data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 180'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRtoAAABXRUJQVlA4IM4AAACQBQCdASogABIAPu1qq08ppiOiMBgIATAdiUAQRgHAEAtISLRFgtj1i1zQI7CUil3vRv\u002FrIAD+6jPu8eXMrt6rWF8K+5CmStn3cRjEneuFwe4h2m5g+LBCr\u002FsoN3Yr\u002FY21Rq1sTUTCCM1C6CnDWutfqp\u002FtfqxQe7lkwD7mXjtlnRalScCnej0paJxtIUrud\u002FEp+cd19cCsXqyeTlAVrqrkCB95pqSP9eiLMfRxDX1mtRo1exjyqfoKOKD\u002FWLLrXtqIJpSeoiuczuRwFggAAA=='\u002F%3E%3C\u002Fsvg%3E")\">\u003Cimg loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002FCao-Minghao-november.jpg\" alt=\"\" class=\"lqip wp-image-1744\" srcset=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002FCao-Minghao-november.jpg 1920w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002FCao-Minghao-november-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002FCao-Minghao-november-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002FCao-Minghao-november-100x56.jpg 100w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \u002F>\u003C\u002Fspan>\u003Cfigcaption class=\"wp-element-caption\">Cao Minghao & Chen Jianjun, \u003Cem>Water System Project\u003C\u002Fem>, Wen Chuan County, 2019\u003C\u002Ffigcaption>\u003C\u002Ffigure>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fahva.ubc.ca\u002Fevents\u002Fevent\u002Fcao-minghao-the-water-system-rhizome\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Cao Minghao – The Water System Rhizome\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Coach House, Green College, 6021 Cecil Green Park Rd, Vancouver BC\u003Cbr>Wednesday November 28, 5pm\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">An artist’s talk by Cao Minghao, UBC’s AHVA Distinguished Visiting Artist. Rooted in field investigation, research, and knowledge exchange — ‘durational water-system practice’ goes beyond the ways in which a natural environment is defined through predictive and conceptual means. Cao will discuss the ways in which she and her collaborator, Chen Jianjun, ground their work through long term research and find a particular site as the basis of their ecological practice. In their work, they attest that any place, any subtle details of the water system rhizome, can become not only a potential method for discussing and exploring deeper environmental issues but also an impetus to build a mutual alliance among the earth’s ecologies.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Ffb.me\u002Fe\u002F59nY4evMD\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Improv Karaoke #12\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>8EAST, 10 E Pender St, Vancouver BC\u003Cbr>Wednesday November 29, 6pm\u003Cbr>Free\u002FPYCW, register \u003Ca href=\"https:\u002F\u002Fwww.eventbrite.ca\u002Fe\u002Fimprov-karaoke-12-tickets-733140221137?aff=oddtdtcreator\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">On the last Wednesday of every month, 8East hosts a collaborative, improvised music karaoke night! Open to improvising musicians of all genres and experience levels. Small ensembles will be randomly created from musicians that register to play short sets together. Limited capacity of 25 musicians. Registrations open one-week prior to each event, drop-in registrations at the door are available but capacity-dependent; audience members are always welcome and do not need to register. Co-hosted by Andrea Wong, Spencer Schoening, Mike WT Allen, and Matthew Ariaratnam.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003C\u002Fp>\n\n\n\n\u003Cdiv style=\"height:31px\" aria-hidden=\"true\" class=\"wp-block-spacer\">\u003C\u002Fdiv>\n\n\n\n\u003Ch3 class=\"wp-block-heading\">\u003Cem>Calls\u003C\u002Fem>\u003C\u002Fh3>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>\u003Ca href=\"https:\u002F\u002Fthereach.ca\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002FTheReach_Call-for-Submissions-AoD-10.1-10.2.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">The Reach Gallery Museum: Art on Demand 10.1 & 10.2\u003C\u002Fa>\u003C\u002Fstrong>, Exhibition (Abbotsford, BC)\u003Cbr>Deadline: November 27\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.surrey.ca\u002Farts-culture\u002Fcommunity-art\u002Farts-clayton-community-centre\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Clayton Community Centre\u003C\u002Fstrong>\u003C\u002Fa>, Pop-Up Artist (Surrey, BC)\u003Cbr>Deadline: November 19\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.dekunumag.com\u002Fsubmit\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Dek Unu Magazine\u003C\u002Fstrong>\u003C\u002Fa>, Writing Call (online)\u003Cbr>Deadline: November 20\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fp\u002FCzqMI-FO6eg\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>With Intentions: Form\u003C\u002Fstrong>\u003C\u002Fa>, Writing Call (online)\u003Cbr>Deadline: November 27\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fcapebretoncraft.com\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Cape Breton Centre for Craft & Design\u003C\u002Fstrong>\u003C\u002Fa>, Call for Artisans (Cape Breton Island, NS)\u003Cbr>Deadline: Open until full\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.mpcas.ca\u002Fparticipate\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Mount Pleasant Community Screen\u003C\u002Fstrong>,\u003C\u002Fa> Screen-based work (Vancouver, BC)\u003Cbr>Deadline: January 12, 2024\u003C\u002Fp>\n\n\n\n\u003Cdiv style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\">\u003C\u002Fdiv>\n",null,[32],{"id":26,"slug":28,"name":27,"firstName":33,"lastName":34,"bioHtml":35},"ReIssue","Editor","\n\u003Cp class=\"has-text-align-center wp-block-paragraph\">🎨\u003C\u002Fp>\n",{"title":37,"robots":38,"og_locale":44,"og_type":45,"og_title":37,"og_description":46,"og_url":47,"og_site_name":33,"article_publisher":48,"article_modified_time":49,"og_image":50,"twitter_card":53,"twitter_site":54,"twitter_misc":55,"schema":57},"ReIssue Digestif: What’s on November 16–30 - ReIssue",{"index":39,"follow":40,"max-snippet":41,"max-image-preview":42,"max-video-preview":43},"noindex","follow","max-snippet:-1","max-image-preview:large","max-video-preview:-1","en_US","article","Here’s our picks for what’s happening November 16–30.","https:\u002F\u002Freissue.pub\u002Farticles\u002Freissue-digestif-whats-on-november-16-30\u002F","https:\u002F\u002Fwww.facebook.com\u002Freissue.pub\u002F","2024-02-01T17:35:28+00:00",[51],{"width":20,"height":21,"url":18,"type":52},"image\u002Fjpeg","summary_large_image","@reissuepub",{"Est. reading time":56},"7 minutes",{"@context":58,"@graph":59},"https:\u002F\u002Fschema.org",[60,75,77,91,106],{"@type":61,"@id":47,"url":47,"name":37,"isPartOf":62,"primaryImageOfPage":64,"image":66,"thumbnailUrl":18,"datePublished":67,"dateModified":49,"breadcrumb":68,"inLanguage":70,"potentialAction":71},"WebPage",{"@id":63},"https:\u002F\u002Freissue.pub\u002F#website",{"@id":65},"https:\u002F\u002Freissue.pub\u002Farticles\u002Freissue-digestif-whats-on-november-16-30\u002F#primaryimage",{"@id":65},"2023-11-16T17:20:39+00:00",{"@id":69},"https:\u002F\u002Freissue.pub\u002Farticles\u002Freissue-digestif-whats-on-november-16-30\u002F#breadcrumb","en-US",[72],{"@type":73,"target":74},"ReadAction",[47],{"@type":76,"inLanguage":70,"@id":65,"url":18,"contentUrl":18,"width":20,"height":21},"ImageObject",{"@type":78,"@id":69,"itemListElement":79},"BreadcrumbList",[80,85,89],{"@type":81,"position":82,"name":83,"item":84},"ListItem",1,"Home","https:\u002F\u002Freissue.pub\u002F",{"@type":81,"position":86,"name":87,"item":88},2,"Articles","https:\u002F\u002Freissue.pub\u002Farticles\u002F",{"@type":81,"position":90,"name":6},3,{"@type":92,"@id":63,"url":84,"name":33,"description":93,"publisher":94,"potentialAction":96,"inLanguage":70},"WebSite","critical discourse for experimental art practices",{"@id":95},"https:\u002F\u002Freissue.pub\u002F#organization",[97],{"@type":98,"target":99,"query-input":102},"SearchAction",{"@type":100,"urlTemplate":101},"EntryPoint","https:\u002F\u002Freissue.pub\u002F?s={search_term_string}",{"@type":103,"valueRequired":104,"valueName":105},"PropertyValueSpecification",true,"search_term_string",{"@type":107,"@id":95,"name":33,"url":84,"logo":108,"image":113,"sameAs":114},"Organization",{"@type":76,"inLanguage":70,"@id":109,"url":110,"contentUrl":110,"width":111,"height":112,"caption":33},"https:\u002F\u002Freissue.pub\u002F#\u002Fschema\u002Flogo\u002Fimage\u002F","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F06\u002Freissue_logo.jpg",1920,1118,{"@id":109},[48,115,116],"https:\u002F\u002Fx.com\u002Freissuepub","https:\u002F\u002Fwww.instagram.com\u002Freissue.pub\u002F",{"id":118,"slug":119,"title":83,"contentHtml":22,"acf":120,"backgroundBlur":123,"seo":124},48,"home",{"background_image":121,"isBlack":16,"header_text":122},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2026\u002F11\u002Fdaisy_reissue_2.jpg","ReIssue: art and criticism in \u003Cbr>\r\nthe cosmos of cultural production","url(\"data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 213'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRoIAAABXRUJQVlA4IHYAAADwBACdASogABUAPu1qqlEppaOiqAqpMB2JZwAAKf0c+TYjyG8vhTeRaShCpli8uAAA\u002FnFf8QBzP1T7FqMQfN+5P0sEZp4TM\u002FtvUeu\u002F6PKH+GHrebLLz8IW4Q6wQ5kHZO6aqggnKrdkv+u62izeOgqi4jMyAAAA'\u002F%3E%3C\u002Fsvg%3E\")",{"title":125,"robots":126,"og_locale":44,"og_type":45,"og_title":125,"og_url":127,"og_site_name":33,"article_publisher":48,"article_modified_time":128,"twitter_card":53,"twitter_site":54,"schema":129},"Home - ReIssue",{"index":39,"follow":40,"max-snippet":41,"max-image-preview":42,"max-video-preview":43},"https:\u002F\u002Freissue.pub\u002Fhome\u002F","2026-11-14T21:58:11+00:00",{"@context":58,"@graph":130},[131,139,143,149],{"@type":61,"@id":127,"url":127,"name":125,"isPartOf":132,"datePublished":133,"dateModified":128,"breadcrumb":134,"inLanguage":70,"potentialAction":136},{"@id":63},"2018-04-21T23:04:08+00:00",{"@id":135},"https:\u002F\u002Freissue.pub\u002Fhome\u002F#breadcrumb",[137],{"@type":73,"target":138},[127],{"@type":78,"@id":135,"itemListElement":140},[141,142],{"@type":81,"position":82,"name":83,"item":84},{"@type":81,"position":86,"name":83},{"@type":92,"@id":63,"url":84,"name":33,"description":93,"publisher":144,"potentialAction":145,"inLanguage":70},{"@id":95},[146],{"@type":98,"target":147,"query-input":148},{"@type":100,"urlTemplate":101},{"@type":103,"valueRequired":104,"valueName":105},{"@type":107,"@id":95,"name":33,"url":84,"logo":150,"image":151,"sameAs":152},{"@type":76,"inLanguage":70,"@id":109,"url":110,"contentUrl":110,"width":111,"height":112,"caption":33},{"@id":109},[48,115,116],{"id":154,"slug":155,"title":156,"contentHtml":157,"acf":16,"backgroundBlur":30,"seo":158},321,"subscription-banner","Subscription Banner","\n\u003Cp class=\"wp-block-paragraph\">ReIssue is unfunded, wild and free. Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">To donate, contact: \u003Ca href=\"mailto:editor@reissue.pub\" rel=\"nofollow\">editor@reissue.pub\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Sign up for our email newsletter\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003C\u002Fp>\n",{"title":159,"robots":160,"og_locale":44,"og_type":45,"og_title":159,"og_description":161,"og_url":162,"og_site_name":33,"article_publisher":48,"article_modified_time":163,"twitter_card":53,"twitter_site":54,"twitter_misc":164,"schema":166},"Subscription Banner - ReIssue",{"index":39,"follow":40,"max-snippet":41,"max-image-preview":42,"max-video-preview":43},"ReIssue is unfunded, wild and free. Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance. To donate, contact: editor@reissue.pub Sign up for our email newsletter","https:\u002F\u002Freissue.pub\u002Fsubscription-banner\u002F","2026-11-13T20:28:08+00:00",{"Est. reading time":165},"1 minute",{"@context":58,"@graph":167},[168,176,180,186],{"@type":61,"@id":162,"url":162,"name":159,"isPartOf":169,"datePublished":170,"dateModified":163,"breadcrumb":171,"inLanguage":70,"potentialAction":173},{"@id":63},"2020-12-15T23:44:21+00:00",{"@id":172},"https:\u002F\u002Freissue.pub\u002Fsubscription-banner\u002F#breadcrumb",[174],{"@type":73,"target":175},[162],{"@type":78,"@id":172,"itemListElement":177},[178,179],{"@type":81,"position":82,"name":83,"item":84},{"@type":81,"position":86,"name":156},{"@type":92,"@id":63,"url":84,"name":33,"description":93,"publisher":181,"potentialAction":182,"inLanguage":70},{"@id":95},[183],{"@type":98,"target":184,"query-input":185},{"@type":100,"urlTemplate":101},{"@type":103,"valueRequired":104,"valueName":105},{"@type":107,"@id":95,"name":33,"url":84,"logo":187,"image":188,"sameAs":189},{"@type":76,"inLanguage":70,"@id":109,"url":110,"contentUrl":110,"width":111,"height":112,"caption":33},{"@id":109},[48,115,116],1794704112857]