[{"data":1,"prerenderedAt":190},["ShallowReactive",2],{"article:reissue-digestif-whats-on-november-28-december-11":3,"page:48":117,"page:321":153},{"id":4,"slug":5,"title":6,"excerpt":7,"date":8,"year":9,"formattedDate":10,"typeIds":11,"typeNames":13,"wordCount":15,"isBlack":16,"image":17,"contributors":24,"contentHtml":29,"finalContentHtml":22,"creditsHtml":22,"pdfUrl":30,"vimeo":30,"contributorBios":31,"seo":36},1318,"reissue-digestif-whats-on-november-28-december-11","ReIssue Digestif: What’s happening November 28–December 11","\u003Cp>The holidays are upon us! Check out our do-not-miss list for November 28–December 11.\u003C\u002Fp>\n","2022-11-27T21:36:06",2022,"Nov 2022",[12],11,[14],"RI",1089,false,{"src":18,"srcset":19,"width":20,"height":21,"alt":22,"lqip":23},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fdigestif-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fdigestif-splash-768x219.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fdigestif-splash.jpg 1080w",1080,308,"","data:image\u002Fwebp;base64,UklGRk4AAABXRUJQVlA4IEIAAABwAwCdASogAAkAPu1iqU2ppaOiMAgBMB2JQBadBDv4MZZP8SAA\u002FujF+D1q\u002F+U24ap9YbHwVzCMcRmeRfizKZyAAAA=",[25],{"id":26,"name":27,"slug":28},1307,"ReIssue Editor","reissue-staff","\n\u003Cfigure class=\"wp-block-image size-full\">\u003Cspan class=\"lqip-wrap\" style=\"background-image:url(&quot;data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 91'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRrIAAABXRUJQVlA4IKYAAAAQBACdASogAAkAPu1orU2ppqSiMAgBMB2JbACdMoAlqxNqqHqzTFDPHAD4Q884rmvBEBsCekZkaWqirv9FVtoDPz0p9x1tDzYNeHQ8PVrWMIvvGHwPkOo9+96f3wbouua12BIG\u002Fh9AVNhMOiBfBvLhbBfskTsjU93D2v4qa7w6t7wUZ05NUPdn10y\u002Fb41SOx6DC73NMkbRioOna3ivq+z0RM8llIAA'\u002F%3E%3C\u002Fsvg%3E&quot;)\">\u003Cimg loading=\"lazy\" decoding=\"async\" width=\"1080\" height=\"308\" src=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fdigestif1128-1.jpg\" alt=\"\" class=\"lqip wp-image-1327\" srcset=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fdigestif1128-1.jpg 1080w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fdigestif1128-1-768x219.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fdigestif1128-1-100x29.jpg 100w\" sizes=\"auto, (max-width: 1080px) 100vw, 1080px\" \u002F>\u003C\u002Fspan>\u003C\u002Ffigure>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cem>Welcome to ReIssue Digestif, a bi-weekly(ish) round-up of events on our radar. \u003C\u002Fem>\u003Cbr>\u003Cem>All times in PST.\u003C\u002Fem>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>\u003Ca href=\"https:\u002F\u002Fthefiftyfifty.net\u002Findex.php?action=shows&amp;showid=570558\" target=\"_blank\" rel=\"noreferrer noopener\">ᐊᒐᐦᑯᐢ ᐅᐦᒋ ᐸᐧᑕᒧᐃᐧᐣ\u003C\u002Fa>\u003Cbr>\u003Ca href=\"https:\u002F\u002Fthefiftyfifty.net\u002Findex.php?action=shows&amp;showid=570558\">acahkos ohch\u003C\u002Fa>\u003Ca href=\"https:\u002F\u002Fthefiftyfifty.net\u002Findex.php?action=shows&amp;showid=570558\" target=\"_blank\" rel=\"noreferrer noopener\">i\u003C\u002Fa>\u003Ca href=\"https:\u002F\u002Fthefiftyfifty.net\u002Findex.php?action=shows&amp;showid=570558\"> pwatamowin\u003C\u002Fa>\u003Cbr>\u003Ca href=\"https:\u002F\u002Fthefiftyfifty.net\u002Findex.php?action=shows&amp;showid=570558\" target=\"_blank\" rel=\"noreferrer noopener\">a dream from the stars\u003C\u002Fa>\u003C\u002Fstrong>\u003Cbr>the fifty fifty arts collective, 2516 Douglas St, Victoria BC\u003Cbr>Now–December 8\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Inspired by an interview with nêhiyawêwin (Cree language) teacher Reuben Quinn, artist Eli Hirtle explores nêhiyaw cosmology and worldview through star constellation stories and knowledge. The exhibit represents four constellations of Sîsîkwan (the rattle), Niska (the goose), Atima Acahkosak (the dog stars) and Mista Muskwa (the great bear), represented through ceramic sculptures, caribou-hair tufting, and a sound piece created with musician Matthew Cardinal.&nbsp;\u003C\u002Fp>\n\n\n\n\u003Cfigure class=\"wp-block-image size-full\">\u003Cspan class=\"lqip-wrap\" style=\"background-image:url(&quot;data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 180'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRg4BAABXRUJQVlA4IAIBAADQBgCdASogABIAPu1gqE2ppSOiMAgBMB2JZACdMzQ+KGY4EhhtqDdOyDrC3FI3iWNCuV3pgVw\u002FH4f\u002FwpX7jGQA\u002FoODpfVCSsax55P08jhEp4mVhXdY73tTY7K\u002FrMiRYzPSVg5KgMSVqsb8lyF35uvR1heyIKWo1rBNwbcKeRZJ2dngyERWmvdzhS06I4qlPmr8TDDrmT5DbgH+L5IO6IGq8R+Xa6B\u002FcKPOoLIW4KjwJTxPOjXnBOautL\u002FEONDtOz3cr0A3T\u002Fz4MsWdKR9UoukLnTVUoMSVT2VSwhkkyeBPbzoJlZ53K8Gzo9fymZziYWaXemchrXUOHzfUOlAjKvdOxgA='\u002F%3E%3C\u002Fsvg%3E&quot;)\">\u003Cimg loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fwovenin-web.jpg\" alt=\"\" class=\"lqip wp-image-1321\" srcset=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fwovenin-web.jpg 1920w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fwovenin-web-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fwovenin-web-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fwovenin-web-100x56.jpg 100w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \u002F>\u003C\u002Fspan>\u003Cfigcaption class=\"wp-element-caption\">Compilation of grassroots media from Gerry Ambers&#8217;s personal archives, late 1960s to late 1990s.\u003C\u002Ffigcaption>\u003C\u002Ffigure>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Faggv.ca\u002Fexhibits\u002Fcurrent\u002Fwoven-in\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Woven In: Indigenous Women&#8217;s Activism and Media\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Art Gallery of Greater Victoria, 1040 Moss St, Victoria BC\u003Cbr>Now–May 7, 2023\u003Cbr>Adult admission $13, free for Indigenous Peoples\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">This thematic exhibition celebrates the intergenerational continuum of grassroots leadership and anticolonial organising led by women through advocacy, communications, artistry, and community initiatives. Co-curators Gerry Ambers, Marianne Nicolson, and Siku Allooloo come together with different pieces of historic and contemporary activisms, highlighting the pivotal work of women within their communities through the exhibition space. A parallel exhibition, \u003Ca href=\"https:\u002F\u002Fopenspacearts.ca\u002Ftide-lines\" target=\"_blank\" rel=\"noreferrer noopener\">Tide Lines: Coastal Resistance of the 60s and 70s\u003C\u002Fa>, runs at Open Space through January 28.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fevergreenculturalcentre.ca\u002Fexhibit\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Han-soom: Grace Han and Gloria Jue-Youn Han\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Art Gallery at Evergreen, Evergreen Cultural Centre, 1205 Pinetree Way, Coquitlam BC\u003Cbr>Now–February 5, 2023\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cem>Han-soom\u003C\u002Fem>, a collective breath, is a two-artist exhibition of Grace Han’s seemingly weightless quilted jars and Gloria Han’s intricately carved bottles. Grace Han, originally from South Korea and now living in Canada, and Gloria Han, a first-generation Korean-Canadian, find inspiration in their personal diasporic experiences which inform their ceramic practices. Together, Korean ceramic vessels contrast with clay objects that are simultaneously unexpected and familiar, enveloping the gallery from ceiling to floor.&nbsp;\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fvicartscouncil.ca\u002F2022\u002F11\u002F01\u002Fday-without-art-22\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Day With(out) Art Screening\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Parkside Hotel Theatre, 810 Humboldt St., Victoria, BC\u003Cbr>Wednesday November 30, 8pm\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Day With(Out) Art is an international day of action and mourning in response to the AIDS crisis. This year Visual AIDS has commissioned a program featuring work by Camila Arce; Davina “Dee” Conner and Karin Hayes; Jaewon Kim; Clifford Prince King; Santiago Lemus and Camilo Acosta Huntertexas; Mikiki; and Jhoel Zempoalteca with La Jerry.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fgrunt.ca\u002Fexhibitions\u002Fthree-way-mirror\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Three Way Mirror \u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>grunt gallery, 350 E 2nd Ave, Vancouver BC\u003Cbr>December 2, 2022–January 14, 2023\u003Cbr>Opening Thursday December 1, 6–9pm\u003Cbr>Free, registration required \u003Ca href=\"https:\u002F\u002Fwww.eventbrite.com\u002Fe\u002Fthree-way-mirror-exhibition-opening-screening-tickets-473514674137?utm-campaign=social&amp;utm-content=attendeeshare&amp;utm-medium=discovery&amp;utm-term=listing&amp;utm-source=cp&amp;aff=escb\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">In a third iteration of their collaborative relationship, Generation X storytellers Barrow, Gear and Gratland continue to explore their shared affinity for queer reclamation strategies and decorative craft traditions during a two week residency at grunt in advance of the exhibition opening. Shaped by the upheavals and isolation of the last three years, the artists explore shared intimacy created through the material intelligence of paper cutting, leather-work, weaving and beading, as well as through time-based storytelling, animation, and documentary film.\u003C\u002Fp>\n\n\n\n\u003Cfigure class=\"wp-block-image size-full\">\u003Cspan class=\"lqip-wrap\" style=\"background-image:url(&quot;data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 180'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRvwAAABXRUJQVlA4IPAAAABQBQCdASogABIAPu1iqU2ppaOiMAgBMB2JQBdggQOyfdIOcxmGMINDwldGWkRiYKGdw+YA\u002FkGxBK+3kOCxmtzLy0EFjn8Xj8xkzv+9tfL4ajAzXZiJlK1qq05RUbS0HFcXWTbYePW2WHF8Fm4+g0g5gHDEdyW5oaZykDFGiM1ydrk9SfGWneSeEopGwKGO+2HpQZypwqqBiBeMOPpvGndiLVKJv++JvXbJhLGMJt03\u002FayaSPA\u002F\u002FoFW\u002F+cahaUok3a+OuRtgux3WymYexpTWZoTl21zX9xlBeZpDrdv3lBJul9Y7A+mTdmARElobrS+AAA='\u002F%3E%3C\u002Fsvg%3E&quot;)\">\u003Cimg loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fjustine-web.jpg\" alt=\"\" class=\"lqip wp-image-1320\" srcset=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fjustine-web.jpg 1920w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fjustine-web-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fjustine-web-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fjustine-web-100x56.jpg 100w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \u002F>\u003C\u002Fspan>\u003Cfigcaption class=\"wp-element-caption\">Left: Donna and Marianne Skanks in newspaper clipping, c. 1963. Ola Skanks Private Collection, Dance Collection Danse. Right: Justine A. Chambers,&nbsp;\u003Cem>Untitled\u003C\u002Fem>&nbsp;c. 1996 at Debbie Wilson&#8217;s studio on Richmond St. West, Toronto. Photographer unknown.\u003C\u002Ffigcaption>\u003C\u002Ffigure>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"http:\u002F\u002Fwww.sfu.ca\u002Fgalleries\u002FSFUGalleriesEvents\u002F2022\u002Fperformance-justine-a-chambers.html\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Performance: Justine A. Chambers\u003C\u002Fstrong>\u003Cbr>\u003C\u002Fa>Teck Gallery, SFU Harbour Centre, 515 W Hastings St, Vancouver BC\u003Cbr>Friday, December 2, 7pm\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">In the finale event for the exhibition, \u003Cem>It&#8217;s About Time: Dancing Black in Canada 1900–1970 and Now curated by Seika Boye\u003C\u002Fem>, Chambers will be performing &#8216;Archives and heirlooms,&#8217; a stirring up of inherited movement held by the archive of scores from her past work.&nbsp;Justine A. Chambers’ movement-based practice considers how choreography can be an empathic practice rooted in collaborative creation, close observation, and the body as a site of a cumulative embodied archive.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Ftoquecraftfair.com\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Toque Craft Fair \u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Western Front, 303 E 8 Ave, Vancouver BC\u003Cbr>Friday December 2, 6–10pm; Weekend December 3–4, 11am–5pm\u003Cbr>Admission by donation\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Western Front’s annual holiday craft market is back! This year, check out present ideas from \u003Ca href=\"https:\u002F\u002Faxewood.ca\u002Findex.html\">Axe Wood\u003C\u002Fa>, \u003Ca href=\"https:\u002F\u002Fwww.cracherdanslasoupeparfum.org\u002F\">Cracher Dans La Soupe\u003C\u002Fa>, \u003Ca href=\"https:\u002F\u002Fmdwjewelry.com\u002F\">MDW Jewellery,\u003C\u002Fa> \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fstationeryforhorses\u002F\">Stationery for Horses\u003C\u002Fa>, and more! 30% of the sales go towards supporting Western Front’s artistic program. Read an interview with Huệ Nguyen, the artist behind Stationery for Horses, from March 2021: \u003Ca href=\"https:\u002F\u002Freissue.pub\u002Farticles\u002Fspeculative-spaces-of-feeling-interdisciplinary-experimentations-a-conversation-with-hue-nguyen\">“Speculative spaces of feeling, interdisciplinary experimentations” by Amanda Wan.\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cfigure class=\"wp-block-image size-full\">\u003Cspan class=\"lqip-wrap\" style=\"background-image:url(&quot;data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 180'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRg4BAABXRUJQVlA4IAIBAADQBQCdASogABIAPu1iqU2ppaOiMAgBMB2JaACsMzAnAgAHWWMbHJI3\u002FjvC+PbVFctv9r9UGcmgAP5gmS35RoJK3Fm9YqqO1IugL55h\u002FlBh\u002FMy8TJuj03tzqXYrp\u002F0qx5K5fuIjlsczXMqFO7hPvIhDD5Dj0fdZXGNwVbXDi9GRuB1b2V4px\u002Fa3zrqJzwMOQo2ghbh+j7NjN3HBxVD1ZXEb+13+hrmFcFRHRZAuKn6hcxCfKQ92788BuTRODycrELXl9BMAFKaySZyCuVdBpjXLVrvj\u002FdzEC3ECOZKuggXu8sOvDJ3O9BLooRlVvGKbPC5LA+o2\u002F1TvTDQw7o2cbGFiAAA='\u002F%3E%3C\u002Fsvg%3E&quot;)\">\u003Cimg loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fsdadasd.jpg\" alt=\"\" class=\"lqip wp-image-1323\" srcset=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fsdadasd.jpg 1920w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fsdadasd-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fsdadasd-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fsdadasd-100x56.jpg 100w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \u002F>\u003C\u002Fspan>\u003Cfigcaption class=\"wp-element-caption\">Show poster by Madeline Burger.\u003C\u002Ffigcaption>\u003C\u002Ffigure>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Ffb.me\u002Fe\u002F3dw1DYp3g\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>The Mint Records Ridiculously Early Holiday Party \u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Red Gate Arts Society, 1965 Main St, Vancouver BC\u003Cbr>Sunday December 4, doors 6pm\u003Cbr>Tickets: $15\u002FPWYC, presale tickets \u003Ca href=\"https:\u002F\u002Fredgate.tv\u002Ftickets\u002F\">here\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">The night will celebrate the season, Mint’s artists, and 2022 releases, featuring live performances by \u003Ca href=\"https:\u002F\u002Fkellarissa.bandcamp.com\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">Kellarissa\u003C\u002Fa>, \u003Ca href=\"https:\u002F\u002Fonlyavisitor.bandcamp.com\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">Only A Visitor\u003C\u002Fa>, \u003Ca href=\"https:\u002F\u002Fdumbband.bandcamp.com\u002Falbum\u002Fpray-4-tomorrow\" target=\"_blank\" rel=\"noreferrer noopener\">Dumb\u003C\u002Fa>, \u003Ca href=\"https:\u002F\u002Fkamikazenurse.com\" target=\"_blank\" rel=\"noreferrer noopener\">Kamikaze Nurse\u003C\u002Fa>, \u003Ca href=\"https:\u002F\u002Fwww.mieshaandthespanks.net\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">Miesha &amp; The Spanks\u003C\u002Fa>, and \u003Ca href=\"https:\u002F\u002Fheavenforreal.bandcamp.com\u002Falbum\u002Fenergy-bar\" target=\"_blank\" rel=\"noreferrer noopener\">Heaven For Real\u003C\u002Fa>! Funds raised from online and in-person ticket sales for this event will be matched by Mint Records and donated to the \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fdistro_disco\u002F?hl=en\" target=\"_blank\" rel=\"noreferrer noopener\">distro disco\u003C\u002Fa>, a mobile free store redistributing material resources to our unhoused neighbours on unceded Musqueam, Squamish &amp; Tsleil-Waututh territory.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fnanaimoartgallery.ca\u002Fshop\u002Fprograms\u002Fadults\u002Ftides-and-moons-stories-sounds-and-flavours-from-the-sea\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Tides and Moons: Stories, Sounds and Flavours from the Sea\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Organised by the Nanaimo Art Gallery at St Paul’s Church Hall, 100 Chapel St, Nanaimo BC\u003Cbr>Sunday December 11, 2–4pm\u003Cbr>$10\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Participants will learn about Japanese Canadian fishing communities in Nanaimo prior to WWII and share a warm fisherman’s meal consisting of chagai, grilled salted salmon, and kazunoko. After an introduction by Tami Hirasawa, President of 7 Potatoes, Central Vancouver Island Japanese Canadian Society, artist Cindy Mochizuki and independent curator Makiko Hara will share transpacific stories, food, and music. Following the meal, participants will return to Nanaimo Art Gallery to view Cindy Mochizuki’s exhibition: \u003Cem>Tides and Moons: Herring Capital\u003C\u002Fem>.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fcagvancouver.org\u002Fevent\u002Fcag-reads-howie-tsui\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>CAG Reads [Online]: Howie Tsui presents David Berman\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Contemporary Art Gallery, 555 Nelson St, Vancouver BC \u003Cbr>Saturday, December 10, 4–5:30pm on Zoom\u003Cbr>Free, register \u003Ca href=\"https:\u002F\u002Fus02web.zoom.us\u002Fmeeting\u002Fregister\u002FtZMpduusrjwjHNL4iFCjNCiplppZpUPnhkud\" target=\"_blank\" rel=\"noreferrer noopener\">here\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">For the latest instalment of CAG Reads, a book club where artists invite us to read alongside them, Howie Tsui presents David Berman’s poetry collection \u003Cem>Actual Air\u003C\u002Fem> (1999). Howie Tsui is a Hong Kong born artist based in Vancouver. Working in ink brush, sound sculptures, lenticular lightboxes and installation, Tsui constructs tense, fictive environments that undermine venerated art forms and narrative genres, often stemming from the Chinese literati tradition. David Berman (1967–2019) was a musician and writer whose musical projects include the Silver Jews and Purple Mountains.\u003C\u002Fp>\n\n\n\n\u003Cdiv style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\">\u003C\u002Fdiv>\n\n\n\n\u003Ch3 class=\"wp-block-heading\">\u003Cem>Job Calls\u003C\u002Fem>\u003C\u002Fh3>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>\u003Ca href=\"https:\u002F\u002Fecuad.peopleadmin.ca\u002Fpostings\u002F1925\" target=\"_blank\" rel=\"noreferrer noopener\">Emily Carr University of Art + Design: Curatorial Assistant\u003C\u002Fa>\u003C\u002Fstrong> (Vancouver, BC), apply by 11\u002F28\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>\u003Ca href=\"https:\u002F\u002Fartspeak.ca\u002Fbulletin\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">Artspeak: P\u002FT Gallery Coordinator\u003C\u002Fa>\u003C\u002Fstrong> (Vancouver, BC), apply by 11\u002F30\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>\u003Ca href=\"https:\u002F\u002Fartspeak.ca\u002Fbulletin\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">Artspeak: P\u002FT Curatorial Assistant\u003C\u002Fa> \u003C\u002Fstrong>(Vancouver, BC), apply by 11\u002F30\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.megaphonemagazine.com\u002Fwork\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Megaphone: Operations Coordinator\u003C\u002Fstrong>\u003C\u002Fa> (Vancouver, BC), apply by 01\u002F03\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.banffcentre.ca\u002Fcareers\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Banff Centre for Arts and Creativity: Director, Leighton Studios and Program Partnerships; Director, Music; Director, Theatre Arts\u003C\u002Fstrong>\u003C\u002Fa> (Banff, AB), apply by 12\u002F09\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.surrey.ca\u002Fabout-surrey\u002Fjobs-careers\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Surrey Art Gallery: Gallery Communications Coordinato\u003C\u002Fstrong>r\u003C\u002Fa> (Surrey, BC), apply by 12\u002F05\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>\u003Ca href=\"https:\u002F\u002Fthepolygon.ca\u002Fnews\u002Fjob-opportunity-audain-chief-curator\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">The Polygon: Audain Chief Curator\u003C\u002Fa>\u003C\u002Fstrong> (North Vancouver, BC), until filled\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fqueerartsfestival.com\u002Fwp-content\u002Fuploads\u002Fsites\u002F2\u002F2022\u002F10\u002FJob-Posting_General-Manager_-September-2022.docx.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Pride in Art Society\u002FQueer Arts Festival: General Manager\u003C\u002Fstrong>\u003C\u002Fa> (Vancouver, BC), until filled\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fcharityvillage.com\u002Fjobs\u002Fdirector-artistic-and-operations-in-ottawa-lower-town-sandy-hill-university-of-ottawa-ontario-k1n-ca\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Digital Arts Resource Centre (DARC): Director\u003C\u002Fstrong>\u003C\u002Fa> (Ottawa, ON), until filled\u003C\u002Fp>\n\n\n\n\u003Cdiv style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\">\u003C\u002Fdiv>\n",null,[32],{"id":26,"slug":28,"name":27,"firstName":33,"lastName":34,"bioHtml":35},"ReIssue","Editor","\n\u003Cp class=\"has-text-align-center wp-block-paragraph\">🎨\u003C\u002Fp>\n",{"title":37,"robots":38,"og_locale":44,"og_type":45,"og_title":37,"og_description":46,"og_url":47,"og_site_name":33,"article_publisher":48,"article_modified_time":49,"og_image":50,"twitter_card":53,"twitter_site":54,"twitter_misc":55,"schema":57},"ReIssue Digestif: What’s happening November 28–December 11 - ReIssue",{"index":39,"follow":40,"max-snippet":41,"max-image-preview":42,"max-video-preview":43},"noindex","follow","max-snippet:-1","max-image-preview:large","max-video-preview:-1","en_US","article","The holidays are upon us! Check out our do-not-miss list for November 28–December 11.","https:\u002F\u002Freissue.pub\u002Farticles\u002Freissue-digestif-whats-on-november-28-december-11\u002F","https:\u002F\u002Fwww.facebook.com\u002Freissue.pub\u002F","2023-12-11T05:07:49+00:00",[51],{"width":20,"height":21,"url":18,"type":52},"image\u002Fjpeg","summary_large_image","@reissuepub",{"Est. reading time":56},"6 minutes",{"@context":58,"@graph":59},"https:\u002F\u002Fschema.org",[60,75,77,91,106],{"@type":61,"@id":47,"url":47,"name":37,"isPartOf":62,"primaryImageOfPage":64,"image":66,"thumbnailUrl":18,"datePublished":67,"dateModified":49,"breadcrumb":68,"inLanguage":70,"potentialAction":71},"WebPage",{"@id":63},"https:\u002F\u002Freissue.pub\u002F#website",{"@id":65},"https:\u002F\u002Freissue.pub\u002Farticles\u002Freissue-digestif-whats-on-november-28-december-11\u002F#primaryimage",{"@id":65},"2022-11-28T05:36:06+00:00",{"@id":69},"https:\u002F\u002Freissue.pub\u002Farticles\u002Freissue-digestif-whats-on-november-28-december-11\u002F#breadcrumb","en-US",[72],{"@type":73,"target":74},"ReadAction",[47],{"@type":76,"inLanguage":70,"@id":65,"url":18,"contentUrl":18,"width":20,"height":21},"ImageObject",{"@type":78,"@id":69,"itemListElement":79},"BreadcrumbList",[80,85,89],{"@type":81,"position":82,"name":83,"item":84},"ListItem",1,"Home","https:\u002F\u002Freissue.pub\u002F",{"@type":81,"position":86,"name":87,"item":88},2,"Articles","https:\u002F\u002Freissue.pub\u002Farticles\u002F",{"@type":81,"position":90,"name":6},3,{"@type":92,"@id":63,"url":84,"name":33,"description":93,"publisher":94,"potentialAction":96,"inLanguage":70},"WebSite","critical discourse for experimental art practices",{"@id":95},"https:\u002F\u002Freissue.pub\u002F#organization",[97],{"@type":98,"target":99,"query-input":102},"SearchAction",{"@type":100,"urlTemplate":101},"EntryPoint","https:\u002F\u002Freissue.pub\u002F?s={search_term_string}",{"@type":103,"valueRequired":104,"valueName":105},"PropertyValueSpecification",true,"search_term_string",{"@type":107,"@id":95,"name":33,"url":84,"logo":108,"image":113,"sameAs":114},"Organization",{"@type":76,"inLanguage":70,"@id":109,"url":110,"contentUrl":110,"width":111,"height":112,"caption":33},"https:\u002F\u002Freissue.pub\u002F#\u002Fschema\u002Flogo\u002Fimage\u002F","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F06\u002Freissue_logo.jpg",1920,1118,{"@id":109},[48,115,116],"https:\u002F\u002Fx.com\u002Freissuepub","https:\u002F\u002Fwww.instagram.com\u002Freissue.pub\u002F",{"id":118,"slug":119,"title":83,"contentHtml":22,"acf":120,"backgroundBlur":123,"seo":124},48,"home",{"background_image":121,"isBlack":16,"header_text":122},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2026\u002F11\u002Fdaisy_reissue_2.jpg","ReIssue: art and criticism in \u003Cbr>\r\nthe cosmos of cultural production","url(\"data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 213'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRoIAAABXRUJQVlA4IHYAAADwBACdASogABUAPu1qqlEppaOiqAqpMB2JZwAAKf0c+TYjyG8vhTeRaShCpli8uAAA\u002FnFf8QBzP1T7FqMQfN+5P0sEZp4TM\u002FtvUeu\u002F6PKH+GHrebLLz8IW4Q6wQ5kHZO6aqggnKrdkv+u62izeOgqi4jMyAAAA'\u002F%3E%3C\u002Fsvg%3E\")",{"title":125,"robots":126,"og_locale":44,"og_type":45,"og_title":125,"og_url":127,"og_site_name":33,"article_publisher":48,"article_modified_time":128,"twitter_card":53,"twitter_site":54,"schema":129},"Home - ReIssue",{"index":39,"follow":40,"max-snippet":41,"max-image-preview":42,"max-video-preview":43},"https:\u002F\u002Freissue.pub\u002Fhome\u002F","2026-11-14T21:58:11+00:00",{"@context":58,"@graph":130},[131,139,143,149],{"@type":61,"@id":127,"url":127,"name":125,"isPartOf":132,"datePublished":133,"dateModified":128,"breadcrumb":134,"inLanguage":70,"potentialAction":136},{"@id":63},"2018-04-21T23:04:08+00:00",{"@id":135},"https:\u002F\u002Freissue.pub\u002Fhome\u002F#breadcrumb",[137],{"@type":73,"target":138},[127],{"@type":78,"@id":135,"itemListElement":140},[141,142],{"@type":81,"position":82,"name":83,"item":84},{"@type":81,"position":86,"name":83},{"@type":92,"@id":63,"url":84,"name":33,"description":93,"publisher":144,"potentialAction":145,"inLanguage":70},{"@id":95},[146],{"@type":98,"target":147,"query-input":148},{"@type":100,"urlTemplate":101},{"@type":103,"valueRequired":104,"valueName":105},{"@type":107,"@id":95,"name":33,"url":84,"logo":150,"image":151,"sameAs":152},{"@type":76,"inLanguage":70,"@id":109,"url":110,"contentUrl":110,"width":111,"height":112,"caption":33},{"@id":109},[48,115,116],{"id":154,"slug":155,"title":156,"contentHtml":157,"acf":16,"backgroundBlur":30,"seo":158},321,"subscription-banner","Subscription Banner","\n\u003Cp class=\"wp-block-paragraph\">ReIssue is unfunded, wild and free. Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">To donate, contact: \u003Ca href=\"mailto:editor@reissue.pub\" rel=\"nofollow\">editor@reissue.pub\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Sign up for our email newsletter\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003C\u002Fp>\n",{"title":159,"robots":160,"og_locale":44,"og_type":45,"og_title":159,"og_description":161,"og_url":162,"og_site_name":33,"article_publisher":48,"article_modified_time":163,"twitter_card":53,"twitter_site":54,"twitter_misc":164,"schema":166},"Subscription Banner - ReIssue",{"index":39,"follow":40,"max-snippet":41,"max-image-preview":42,"max-video-preview":43},"ReIssue is unfunded, wild and free. Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance. To donate, contact: editor@reissue.pub Sign up for our email newsletter","https:\u002F\u002Freissue.pub\u002Fsubscription-banner\u002F","2026-11-13T20:28:08+00:00",{"Est. reading time":165},"1 minute",{"@context":58,"@graph":167},[168,176,180,186],{"@type":61,"@id":162,"url":162,"name":159,"isPartOf":169,"datePublished":170,"dateModified":163,"breadcrumb":171,"inLanguage":70,"potentialAction":173},{"@id":63},"2020-12-15T23:44:21+00:00",{"@id":172},"https:\u002F\u002Freissue.pub\u002Fsubscription-banner\u002F#breadcrumb",[174],{"@type":73,"target":175},[162],{"@type":78,"@id":172,"itemListElement":177},[178,179],{"@type":81,"position":82,"name":83,"item":84},{"@type":81,"position":86,"name":156},{"@type":92,"@id":63,"url":84,"name":33,"description":93,"publisher":181,"potentialAction":182,"inLanguage":70},{"@id":95},[183],{"@type":98,"target":184,"query-input":185},{"@type":100,"urlTemplate":101},{"@type":103,"valueRequired":104,"valueName":105},{"@type":107,"@id":95,"name":33,"url":84,"logo":187,"image":188,"sameAs":189},{"@type":76,"inLanguage":70,"@id":109,"url":110,"contentUrl":110,"width":111,"height":112,"caption":33},{"@id":109},[48,115,116],1794704114753]