[{"data":1,"prerenderedAt":190},["ShallowReactive",2],{"article:reissue-digestif-whats-on-november-7-20":3,"page:48":117,"page:321":153},{"id":4,"slug":5,"title":6,"excerpt":7,"date":8,"year":9,"formattedDate":10,"typeIds":11,"typeNames":13,"wordCount":15,"isBlack":16,"image":17,"contributors":24,"contentHtml":29,"finalContentHtml":22,"creditsHtml":22,"pdfUrl":30,"vimeo":30,"contributorBios":31,"seo":36},1310,"reissue-digestif-whats-on-november-7-20","ReIssue Digestif: What’s happening November 7–20","\u003Cp>Our do-not-miss list for November 7–20.\u003C\u002Fp>\n","2022-11-07T09:23:32",2022,"Nov 2022",[12],11,[14],"RI",917,false,{"src":18,"srcset":19,"width":20,"height":21,"alt":22,"lqip":23},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fdigestif-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fdigestif-splash-768x219.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fdigestif-splash.jpg 1080w",1080,308,"","data:image\u002Fwebp;base64,UklGRk4AAABXRUJQVlA4IEIAAABwAwCdASogAAkAPu1iqU2ppaOiMAgBMB2JQBadBDv4MZZP8SAA\u002FujF+D1q\u002F+U24ap9YbHwVzCMcRmeRfizKZyAAAA=",[25],{"id":26,"name":27,"slug":28},1307,"ReIssue Editor","reissue-staff","\n\u003Cfigure class=\"wp-block-image size-full\">\u003Cspan class=\"lqip-wrap\" style=\"background-image:url("data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 91'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRswAAABXRUJQVlA4IMAAAADwAwCdASogAAkAPu1iqU2ppaQiMAgBMB2JagC06Ysix0rvBzqdsbJkAP6pzLNzN6\u002FoHWvyPh7J4mp0fmgnAWfSrtFlRn85g3HRicTveSdj+5cS9Srme+vUqAJBrdiLQGr8bg4XYXDSsLw7EL6D5uesQnZQe5+p4J348ZuQ9rA+l4zHgGaUbgSWD\u002Fr+FoG5eH4WTGKoB2Q1Va768aDqB1CfHKqCprJ3qzMNLlk\u002Fisx5vPT1kbvAN2ggJWDLE2AAAAA='\u002F%3E%3C\u002Fsvg%3E")\">\u003Cimg loading=\"lazy\" decoding=\"async\" width=\"1080\" height=\"308\" src=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fdigestif.jpg\" alt=\"\" class=\"lqip wp-image-1301\" srcset=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fdigestif.jpg 1080w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fdigestif-768x219.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fdigestif-100x29.jpg 100w\" sizes=\"auto, (max-width: 1080px) 100vw, 1080px\" \u002F>\u003C\u002Fspan>\u003C\u002Ffigure>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cem>Welcome to ReIssue Digestif, a bi-weekly round-up of events on our radar. \u003C\u002Fem>\u003Cbr>\u003Cem>All times in PST.\u003C\u002Fem>\u003C\u002Fp>\n\n\n\n\u003Cdiv style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\">\u003C\u002Fdiv>\n\n\n\n\u003Cfigure class=\"wp-block-image size-full\">\u003Cspan class=\"lqip-wrap\" style=\"background-image:url("data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 180'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRrwAAABXRUJQVlA4ILAAAABwBQCdASogABIAPu1krE+ppSQiMBgIATAdiWcAzNA1eHEH5npjqWq6Z3zEGt\u002F1nax8ZfgAAN4futNkxtUiA8sn9ShFK9V9ctWvj1A5KT+DWWWZ25X1RuAF2ZZgrS9teQV+blljA1FF1vNUHagHWF0R00GxMCftryaUgZprsU05m5I2ZwezAA+C\u002FFNlek0TdcBPNBqjFpvLdhy7Av04JforKvjz4r5ymMVWLryFWgAAAA=='\u002F%3E%3C\u002Fsvg%3E")\">\u003Cimg loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fdeluge-artnews.jpg\" alt=\"\" class=\"lqip wp-image-1303\" srcset=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fdeluge-artnews.jpg 1920w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fdeluge-artnews-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fdeluge-artnews-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fdeluge-artnews-100x56.jpg 100w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \u002F>\u003C\u002Fspan>\u003Cfigcaption class=\"wp-element-caption\">Brandon Poole, \u003Cem>Islands\u003C\u002Fem>, 2022 installation view.\u003C\u002Ffigcaption>\u003C\u002Ffigure>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fdeluge.squarespace.com\u002Fnow\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Islands: Brando\u003C\u002Fstrong>\u003C\u002Fa>\u003Ca href=\"https:\u002F\u002Fdeluge.squarespace.com\u002Fnow\">\u003Cstrong>n Poole\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Deluge Contemporary Art, 636 Yates St, Victoria BC\u003Cbr>Now–December 3, gallery hours: Wednesday–Friday, 12–5pm\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Poole’s media installation, \u003Cem>Islands\u003C\u002Fem>, is a re-edit of \u003Cem>Carla’s Island\u003C\u002Fem>, an animation generated by  supercomputer Cray-1 from 1981. Having influenced “representation of liquid in fluid-mechanics, military simulations, cinema, and video games,” Poole’s reassemblage “navigates an archipelago of maritime simulations, sounding the depths of their representations for what is lost, and for what might be found.”\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Ffb.me\u002Fe\u002F5lyxC2Hth\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Twilight Hour: Les Ramsay\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Sculpture Studio Room D1357, Emily Carr University of Art and Design, 520 E 1st Ave, Vancouver BC\u003Cbr>Wednesday November 9, 6–8pm\u003Cbr>Free\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cem>Twilight Hour\u003C\u002Fem> is a speaker series hosted by the Painting and Sculpture + Expanded Practices programs at ECUAD, organized by Elizabeth McIntosh and Emily Hermant. For this iteration, artist Les Ramsay will be speaking on his layered, multimedia studio practice. “Les draws inspiration from domestic craft, textiles, folk art and digital drawing, forming groups of large oil paintings, fabric assemblages, sculpture, and framed needlepoint.”\u003C\u002Fp>\n\n\n\n\u003Cfigure class=\"wp-block-image size-full\">\u003Cspan class=\"lqip-wrap\" style=\"background-image:url("data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 180'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRv4AAABXRUJQVlA4IPIAAAAQBgCdASogABIAPu1gqE2ppaOiMAgBMB2JQBWAZdgPi0ULdduJht17W1UPxyrLGfQLmhoHCD9I6AAA\u002Fq2tRwZ8QBFZZ6gtMD58rkJPIWjb\u002FKjGBL32ISef8XBi4phH8d9oKHPACS16ln7fMWH+ZGDa72EHpLBxcMYZa3fHL3bz1+GzrZaCfOaZxcbUV3JsuBmkNWseg5rAVV78Yw3eDzYG\u002FKhUvM21PYUbPfmiA1f\u002Faa+O1\u002FVzGwiGhf5zIIUAkSUjHvvbCTwaOaBSsOSdxNsAk445\u002F2hHac6wNJ7l5KqebunPswSpYbjxSboQWvXyWdO4AA=='\u002F%3E%3C\u002Fsvg%3E")\">\u003Cimg loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fcinematheque.jpg\" alt=\"\" class=\"lqip wp-image-1302\" srcset=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fcinematheque.jpg 1920w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fcinematheque-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fcinematheque-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fcinematheque-100x56.jpg 100w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \u002F>\u003C\u002Fspan>\u003Cfigcaption class=\"wp-element-caption\">Roberta Cantow, \u003Cem>Clotheslines\u003C\u002Fem> (1981, Film-maker’s Coop, 2022), 16mm.\u003C\u002Ffigcaption>\u003C\u002Ffigure>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fthecinematheque.ca\u002Ffilms\u002F2022\u002Ffolding-time\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>DIM Cinema: Folding\u003C\u002Fstrong>\u003C\u002Fa>\u003Ca href=\"https:\u002F\u002Fthecinematheque.ca\u002Ffilms\u002F2022\u002Ffolding-time\">\u003Cstrong> Time\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>The Cinematheque, 1131 Howe St, Vancouver BC\u003Cbr>Wednesday November 9, 7–9pm\u003Cbr>$10–14\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">In its fourteenth year, DIM Cinema is a monthly program featuring moving image works by local and international artists. Curated by Michele Smith, \u003Cem>Folding Time \u003C\u002Fem>features films by Dóra Maurer, Roberta Cantow, and Lynne Sachs & Lizzie Olesker, looking at the domestic passage of time via “the ever-fresh theme of laundry.” A perfect pairing with Anna Zoria’s piece, \u003Cem>\u003Ca href=\"https:\u002F\u002Freissue.pub\u002Farticles\u002Fwaiting\" target=\"_blank\" rel=\"noreferrer noopener\">Waiting\u003C\u002Fa>\u003C\u002Fem>.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.burnaby.ca\u002Frecreation-and-arts\u002Fevents\u002Fdream-marrow\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Dream Marrow: Hana Amani & Audie Murray\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Burnaby Art Gallery, 6344 Deer Lake Ave, Burnaby BC \u003Cbr>November 11–January 22, 2023, Tuesday–Friday 10:30am–4pm, Saturday–Sunday 12–5pm\u003Cbr>Opening Thursday November 10, 7–9pm\u003Cbr>$5 suggested donation\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">This two-person exhibition explores the generative aspects of dreaming by artists Hana Amani and Audie Murray. Works across different mediums take dreaming as a point of departure in “resistance to various forms of oppression, dispossession, and rule.”\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>\u003Ca href=\"https:\u002F\u002Fcloakroom.bandcamp.com\u002Falbum\u002Fdissolution-wave\" target=\"_blank\" rel=\"noreferrer noopener\">Cloakroom\u003C\u002Fa> & \u003Ca href=\"https:\u002F\u002Fwoolworm.bandcamp.com\u002Falbum\u002Fawe\" target=\"_blank\" rel=\"noreferrer noopener\">Woolworm\u003C\u002Fa> + Rubber DJs\u003C\u002Fstrong>\u003Cbr>\u003Ca href=\"http:\u002F\u002Fthelido.net\">The Lido\u003C\u002Fa>, 518 E Broadway, Vancouver BC\u003Cbr>Friday November 11, doors 8pm\u003Cbr>$15, advance tickets available at The Lido\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Mount Pleasant’s favourite bar also hosts tight two-band bills. This week, a heavy night of shoegaze with “quintessentially American” Cloakroom, and local openers Woolworm. BYOE (earplugs).\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.comoxvalleyartgallery.com\u002Fevents\u002Fwalk-with-me-comox-valley-community-walks-fall-2022-2\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Walk with Me\u002FStory Walk II\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Comox Valley Art Gallery, 580 Duncan Avenue, Courtenay, BC\u003Cbr>Tuesday November 15, 1–2:30pm\u003Cbr>Free, register \u003Ca href=\"http:\u002F\u002Fwww.eventbrite.com\u002Fe\u002F429217881237\">here\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cem>Story Walks\u003C\u002Fem> are guided audio walks, where participants are invited to walk and listen together through various outdoor reflective spaces. At the end of the walk, participants respond to the audio guides in a sharing circle. Through this process, communities are encouraged to find connectedness with the people and places at the heart of the toxic drug poisoning crisis.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fcmagazine.com\u002Fevents\u002Fsoloman-chiniquay-in-conversation-with-nicole-kelly-westman\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Online: Soloman Chiniquay in conversation with nicole kelly westman\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>C Magazine online\u003Cbr>Wednesday November 15, 5–6pm\u003Cbr>Free, register \u003Ca href=\"https:\u002F\u002Fus02web.zoom.us\u002Fwebinar\u002Fregister\u002FWN_ASGB-1GTQeOBu3J4fB7nCg\">here\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">A conversation between photographer and documentary filmmaker Soloman Chiniquay and artist\u002Fcurator nicole kelly westman about the artist project they brought to C Magazine’s current issue, C152 “Extraction.” Centred around the “ethics of empathy” explored in Chiniquay’s film, \u003Cem>Mâkochî Nîbi Îhonîach (The Land is Close to Death)\u003C\u002Fem>, westman positions Chiniquay’s work against the tradition of “photographers and photojournalists [who] act like hunters, focused on finding an image that precisely encapsulates complexities that are too challenging to succinctly summarise.”\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Foxygenartcentre.org\u002Fclasses\u002Fadult\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Continuing Arts Education Workshops\u003C\u002Fstrong>\u003C\u002Fa>\u003Cbr>Oxygen Art Centre, #3–320 Vernon St (alleyway entrance), Nelson BC\u003Cbr>Various dates and times, register \u003Ca href=\"https:\u002F\u002Foxygenartcentre.org\u002Fclasses\u002Fadult\u002F\">here\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>\u003Cem>Sunday, November 13: DIY 16mm Film Processing + Intro to Bolex Camera with Brian Lye, $130\u003C\u002Fem>\u003C\u002Fstrong>\u003Cbr>In this hands-on workshop participants will be introduced to the Bolex film camera and how to process black and white 16mm film using Caffenol-C. Caffenol-C is a home made and non-toxic film developer made from instant coffee, washing soda, and vitamin C powder. In groups of three, participants will shoot a 100 foot roll of film and hand process it in a DIY darkroom. No experience necessary.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cem>\u003Cstrong>Wednesday, November 15, 22, 29: Poetry & Bookmaking Intensive with Rayya Liebich and Myra Rasmussen, $155\u003C\u002Fstrong>\u003C\u002Fem>\u003Cbr>Artist Myra Rasmussen, and poet Rayya Liebich will lead the creation of handmade books of poetry. Over three sessions, participants will experiment with marbling paper, collage, and two bookbinding methods. Each session will also include “patchwork poetry” to create new poems. Participants will leave the course with a completed mixed media art book featuring their original poems and a blank journal for future writing.\u003C\u002Fp>\n\n\n\n\u003Cfigure class=\"wp-block-image size-full\">\u003Cspan class=\"lqip-wrap\" style=\"background-image:url("data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 180'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRsYAAABXRUJQVlA4ILoAAADwBACdASogABIAPu1iqU2ppaOiMAgBMB2JQBndsZKb6HaRQ4sovCquPd3a9uIwUAAA\u002FpG\u002FmNRkRd7+qkuwoiLblvKWKFcnUPzVFcmwiPA2LMTI1at8SeSvfVuwwXW0GXkNsB\u002FV7QkYZAQogCSdOg\u002FDgvi1Fb3g+Ye6olDYbzOQZZBAt6iVrGUEcY8IZTH6Xvrc5Ajo2haGdf2s5glXDQyJJS9\u002FWz\u002Fgr+Cdvz3Wmy9z+KkxpqUfXaAAAAA='\u002F%3E%3C\u002Fsvg%3E")\">\u003Cimg loading=\"lazy\" decoding=\"async\" width=\"1917\" height=\"1080\" src=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Flunch-poems.jpg\" alt=\"\" class=\"lqip wp-image-1314\" srcset=\"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Flunch-poems.jpg 1917w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Flunch-poems-768x433.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Flunch-poems-1536x865.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Flunch-poems-100x56.jpg 100w\" sizes=\"auto, (max-width: 1917px) 100vw, 1917px\" \u002F>\u003C\u002Fspan>\u003C\u002Ffigure>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Ca href=\"https:\u002F\u002Fwww.eventbrite.ca\u002Fe\u002Flunch-poems-featuring-tawahum-bige-heidi-greco-at-harbour-centre-registration-420017011187?_eboga=2029606087.1656719368\" target=\"_blank\" rel=\"noreferrer noopener\">\u003Cstrong>Lunch Poems: Tawahum Bige & Heid\u003C\u002Fstrong>\u003C\u002Fa>\u003Cstrong>\u003Ca href=\"https:\u002F\u002Fwww.eventbrite.ca\u002Fe\u002Flunch-poems-featuring-tawahum-bige-heidi-greco-at-harbour-centre-registration-420017011187?_eboga=2029606087.1656719368\" target=\"_blank\" rel=\"noreferrer noopener\">i Greco\u003C\u002Fa>\u003C\u002Fstrong>\u003Cbr>Teck Gallery, SFU Harbour Centre, 515 W Hastings St, Vancouver BC\u003Cbr>Thursday November 16, 12–1pm\u003Cbr>Free, register \u003Ca href=\"https:\u002F\u002Fwww.eventbrite.ca\u002Fe\u002Flunch-poems-featuring-tawahum-bige-heidi-greco-at-harbour-centre-registration-420017011187?_eboga=2029606087.1656719368\">here\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">November’s \u003Ca href=\"https:\u002F\u002Fwww.sfu.ca\u002Fcontinuing-studies\u002Fevents\u002Flunch-poems.html\" target=\"_blank\" rel=\"noreferrer noopener\">Lunch Poems\u003C\u002Fa> reading features poets Tawahum Bige & Heidi Greco. Bige’s “Scorpio-moon-ass poems expose growth, resistance and persistence as a hopeless Two Spirit Nonbinary sadboy on occupied Turtle Island.” Bige’s debut poetry collection \u003Cem>Cut to Fortress\u003C\u002Fem>, was published in March 2022 by Nightwood Editions and his debut EP was released in May 2022. Greco’s ongoing work as an environmental activist influences her work as a poet, writer, editor, and book reviewer. She recently published, \u003Cem>Glorious Birds: A Celebratory Homage to ‘Harold and Maude’\u003C\u002Fem> on Anvil Press in 2021. \u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>\u003Ca href=\"https:\u002F\u002Fviff.org\u002Fwhats-on\u002Fxinema-program-2-void-of-the-voice\u002F\" target=\"_blank\" rel=\"noreferrer noopener\">Xinema 2: The Void of the Voice\u003C\u002Fa>\u003C\u002Fstrong>\u003Cbr>VIFF Studio Theatre, 1181 Seymour St, Vancouver BC\u003Cbr>Sunday November 20, 6–8pm\u003Cbr>$10–15\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Curated by Celina de Leon & Sidney Gordon, XINEMA is a new film-series that showcases the works of local emerging and established experimental filmmakers, on every third Sunday of the month. For its 2nd iteration, titled, \u003Cem>The Void of the Voice\u003C\u002Fem>, nine shorts explore the presence and absence of voice and the implications thereof. Featuring works by Dana Bontempo, Nita Bowerman, Mena El Shazly, Patricia Gruben, Alger Ji-Liang, Xinyue Liu, Hân Phạm, Rea Saxena, and Svava Tergeson.\u003C\u002Fp>\n",null,[32],{"id":26,"slug":28,"name":27,"firstName":33,"lastName":34,"bioHtml":35},"ReIssue","Editor","\n\u003Cp class=\"has-text-align-center wp-block-paragraph\">🎨\u003C\u002Fp>\n",{"title":37,"robots":38,"og_locale":44,"og_type":45,"og_title":37,"og_description":46,"og_url":47,"og_site_name":33,"article_publisher":48,"article_modified_time":49,"og_image":50,"twitter_card":53,"twitter_site":54,"twitter_misc":55,"schema":57},"ReIssue Digestif: What’s happening November 7–20 - ReIssue",{"index":39,"follow":40,"max-snippet":41,"max-image-preview":42,"max-video-preview":43},"noindex","follow","max-snippet:-1","max-image-preview:large","max-video-preview:-1","en_US","article","Our do-not-miss list for November 7–20.","https:\u002F\u002Freissue.pub\u002Farticles\u002Freissue-digestif-whats-on-november-7-20\u002F","https:\u002F\u002Fwww.facebook.com\u002Freissue.pub\u002F","2023-12-11T02:19:09+00:00",[51],{"width":20,"height":21,"url":18,"type":52},"image\u002Fjpeg","summary_large_image","@reissuepub",{"Est. reading time":56},"5 minutes",{"@context":58,"@graph":59},"https:\u002F\u002Fschema.org",[60,75,77,91,106],{"@type":61,"@id":47,"url":47,"name":37,"isPartOf":62,"primaryImageOfPage":64,"image":66,"thumbnailUrl":18,"datePublished":67,"dateModified":49,"breadcrumb":68,"inLanguage":70,"potentialAction":71},"WebPage",{"@id":63},"https:\u002F\u002Freissue.pub\u002F#website",{"@id":65},"https:\u002F\u002Freissue.pub\u002Farticles\u002Freissue-digestif-whats-on-november-7-20\u002F#primaryimage",{"@id":65},"2022-11-07T17:23:32+00:00",{"@id":69},"https:\u002F\u002Freissue.pub\u002Farticles\u002Freissue-digestif-whats-on-november-7-20\u002F#breadcrumb","en-US",[72],{"@type":73,"target":74},"ReadAction",[47],{"@type":76,"inLanguage":70,"@id":65,"url":18,"contentUrl":18,"width":20,"height":21},"ImageObject",{"@type":78,"@id":69,"itemListElement":79},"BreadcrumbList",[80,85,89],{"@type":81,"position":82,"name":83,"item":84},"ListItem",1,"Home","https:\u002F\u002Freissue.pub\u002F",{"@type":81,"position":86,"name":87,"item":88},2,"Articles","https:\u002F\u002Freissue.pub\u002Farticles\u002F",{"@type":81,"position":90,"name":6},3,{"@type":92,"@id":63,"url":84,"name":33,"description":93,"publisher":94,"potentialAction":96,"inLanguage":70},"WebSite","critical discourse for experimental art practices",{"@id":95},"https:\u002F\u002Freissue.pub\u002F#organization",[97],{"@type":98,"target":99,"query-input":102},"SearchAction",{"@type":100,"urlTemplate":101},"EntryPoint","https:\u002F\u002Freissue.pub\u002F?s={search_term_string}",{"@type":103,"valueRequired":104,"valueName":105},"PropertyValueSpecification",true,"search_term_string",{"@type":107,"@id":95,"name":33,"url":84,"logo":108,"image":113,"sameAs":114},"Organization",{"@type":76,"inLanguage":70,"@id":109,"url":110,"contentUrl":110,"width":111,"height":112,"caption":33},"https:\u002F\u002Freissue.pub\u002F#\u002Fschema\u002Flogo\u002Fimage\u002F","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F06\u002Freissue_logo.jpg",1920,1118,{"@id":109},[48,115,116],"https:\u002F\u002Fx.com\u002Freissuepub","https:\u002F\u002Fwww.instagram.com\u002Freissue.pub\u002F",{"id":118,"slug":119,"title":83,"contentHtml":22,"acf":120,"backgroundBlur":123,"seo":124},48,"home",{"background_image":121,"isBlack":16,"header_text":122},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2026\u002F11\u002Fdaisy_reissue_2.jpg","ReIssue: art and criticism in \u003Cbr>\r\nthe cosmos of cultural production","url(\"data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 213'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRoIAAABXRUJQVlA4IHYAAADwBACdASogABUAPu1qqlEppaOiqAqpMB2JZwAAKf0c+TYjyG8vhTeRaShCpli8uAAA\u002FnFf8QBzP1T7FqMQfN+5P0sEZp4TM\u002FtvUeu\u002F6PKH+GHrebLLz8IW4Q6wQ5kHZO6aqggnKrdkv+u62izeOgqi4jMyAAAA'\u002F%3E%3C\u002Fsvg%3E\")",{"title":125,"robots":126,"og_locale":44,"og_type":45,"og_title":125,"og_url":127,"og_site_name":33,"article_publisher":48,"article_modified_time":128,"twitter_card":53,"twitter_site":54,"schema":129},"Home - ReIssue",{"index":39,"follow":40,"max-snippet":41,"max-image-preview":42,"max-video-preview":43},"https:\u002F\u002Freissue.pub\u002Fhome\u002F","2026-11-14T21:58:11+00:00",{"@context":58,"@graph":130},[131,139,143,149],{"@type":61,"@id":127,"url":127,"name":125,"isPartOf":132,"datePublished":133,"dateModified":128,"breadcrumb":134,"inLanguage":70,"potentialAction":136},{"@id":63},"2018-04-21T23:04:08+00:00",{"@id":135},"https:\u002F\u002Freissue.pub\u002Fhome\u002F#breadcrumb",[137],{"@type":73,"target":138},[127],{"@type":78,"@id":135,"itemListElement":140},[141,142],{"@type":81,"position":82,"name":83,"item":84},{"@type":81,"position":86,"name":83},{"@type":92,"@id":63,"url":84,"name":33,"description":93,"publisher":144,"potentialAction":145,"inLanguage":70},{"@id":95},[146],{"@type":98,"target":147,"query-input":148},{"@type":100,"urlTemplate":101},{"@type":103,"valueRequired":104,"valueName":105},{"@type":107,"@id":95,"name":33,"url":84,"logo":150,"image":151,"sameAs":152},{"@type":76,"inLanguage":70,"@id":109,"url":110,"contentUrl":110,"width":111,"height":112,"caption":33},{"@id":109},[48,115,116],{"id":154,"slug":155,"title":156,"contentHtml":157,"acf":16,"backgroundBlur":30,"seo":158},321,"subscription-banner","Subscription Banner","\n\u003Cp class=\"wp-block-paragraph\">ReIssue is unfunded, wild and free. Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">To donate, contact: \u003Ca href=\"mailto:editor@reissue.pub\" rel=\"nofollow\">editor@reissue.pub\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Sign up for our email newsletter\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003C\u002Fp>\n",{"title":159,"robots":160,"og_locale":44,"og_type":45,"og_title":159,"og_description":161,"og_url":162,"og_site_name":33,"article_publisher":48,"article_modified_time":163,"twitter_card":53,"twitter_site":54,"twitter_misc":164,"schema":166},"Subscription Banner - ReIssue",{"index":39,"follow":40,"max-snippet":41,"max-image-preview":42,"max-video-preview":43},"ReIssue is unfunded, wild and free. Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance. To donate, contact: editor@reissue.pub Sign up for our email newsletter","https:\u002F\u002Freissue.pub\u002Fsubscription-banner\u002F","2026-11-13T20:28:08+00:00",{"Est. reading time":165},"1 minute",{"@context":58,"@graph":167},[168,176,180,186],{"@type":61,"@id":162,"url":162,"name":159,"isPartOf":169,"datePublished":170,"dateModified":163,"breadcrumb":171,"inLanguage":70,"potentialAction":173},{"@id":63},"2020-12-15T23:44:21+00:00",{"@id":172},"https:\u002F\u002Freissue.pub\u002Fsubscription-banner\u002F#breadcrumb",[174],{"@type":73,"target":175},[162],{"@type":78,"@id":172,"itemListElement":177},[178,179],{"@type":81,"position":82,"name":83,"item":84},{"@type":81,"position":86,"name":156},{"@type":92,"@id":63,"url":84,"name":33,"description":93,"publisher":181,"potentialAction":182,"inLanguage":70},{"@id":95},[183],{"@type":98,"target":184,"query-input":185},{"@type":100,"urlTemplate":101},{"@type":103,"valueRequired":104,"valueName":105},{"@type":107,"@id":95,"name":33,"url":84,"logo":187,"image":188,"sameAs":189},{"@type":76,"inLanguage":70,"@id":109,"url":110,"contentUrl":110,"width":111,"height":112,"caption":33},{"@id":109},[48,115,116],1794704114828]