[{"data":1,"prerenderedAt":216},["ShallowReactive",2],{"contributor:amila-li-李嘉怡":3,"page:1227":109,"page:48":143,"page:321":179},{"id":4,"slug":5,"name":6,"firstName":7,"lastName":8,"bioHtml":9,"articles":10,"events":33,"seo":34},1220,"amila-li-%e6%9d%8e%e5%98%89%e6%80%a1","Amila Li 李嘉怡","Amila","Li 李嘉怡","\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>Amila Li\u003C\u002Fstrong> 李嘉怡 is a storyteller based in Vancouver, on unceded xwməθkwəy̓ əm, Sḵwx̱ wú7mesh, and səlilwətaɬ territory. By way of photography, she explores her myriad feelings about effort and ease, whether in a subject’s movement, compositional a\u002Fsymmetry, or colour grading. She is particularly drawn to scenes that obscure under- and overstatement for their capacities to redefine or altogether abandon these categories. Amila received her BA (Honours) and MA degrees in English from Simon Fraser University as well as an ARCT diploma in Piano Pedagogy from the Royal Conservatory of Music after dropping out of cosmetology school. Currently, she is pursuing a PhD in English Literature at the University of British Columbia. Through lines in her research and writing are questions of value and performance surrounding classed, gendered, and racialised labour; beauty and comportment; and care and dis\u002Fability.&nbsp;\u003C\u002Fp>\n",[11],{"id":12,"slug":13,"title":14,"excerpt":15,"date":16,"year":17,"formattedDate":18,"typeIds":19,"typeNames":21,"wordCount":23,"isBlack":24,"image":25,"contributors":31},1218,"on-love-and-immobility-christopher-k-hos-cx-889-at-vancouver-art-gallery-offsite","On love and immobility \u002F\u002F CX 889 by Christopher K. Ho at Vancouver Art Gallery Offsite","\u003Cp>Amila Li 李嘉怡 reviews Christopher K. Ho&#8217;s \u003Cem>CX 889\u003C\u002Fem>.\u003C\u002Fp>\n","2022-09-06T16:41:54",2022,"Sep 2022",[20],9,[22],"Review",952,false,{"src":26,"srcset":27,"width":28,"height":29,"alt":30},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F09\u002Fonlove-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F09\u002Fonlove-splash-768x234.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F09\u002Fonlove-splash-1536x467.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F09\u002Fonlove-splash.jpg 1920w",1920,584,"",[32],{"id":4,"name":6,"slug":5},[],{"title":35,"robots":36,"og_locale":42,"og_type":43,"og_title":35,"og_description":44,"og_url":45,"og_site_name":46,"article_publisher":47,"article_modified_time":48,"twitter_card":49,"twitter_site":50,"twitter_misc":51,"schema":53},"Amila Li 李嘉怡 - ReIssue",{"index":37,"follow":38,"max-snippet":39,"max-image-preview":40,"max-video-preview":41},"noindex","follow","max-snippet:-1","max-image-preview:large","max-video-preview:-1","en_US","article","Amila Li 李嘉怡 is a storyteller based in Vancouver, on unceded xwməθkwəy̓ əm, Sḵwx̱ wú7mesh, and səlilwətaɬ territory. By way of photography, she explores her myriad feelings about effort and ease, whether in a subject’s movement, compositional a\u002Fsymmetry, or colour grading. She is particularly drawn to scenes that obscure under- and overstatement for their capacities","https:\u002F\u002Freissue.pub\u002Fcontributor\u002Famila-li-李嘉怡\u002F","ReIssue","https:\u002F\u002Fwww.facebook.com\u002Freissue.pub\u002F","2022-11-06T23:18:31+00:00","summary_large_image","@reissuepub",{"Est. reading time":52},"1 minute",{"@context":54,"@graph":55},"https:\u002F\u002Fschema.org",[56,69,83,98],{"@type":57,"@id":58,"url":58,"name":35,"isPartOf":59,"datePublished":61,"dateModified":48,"breadcrumb":62,"inLanguage":64,"potentialAction":65},"WebPage","https:\u002F\u002Freissue.pub\u002Fcontributor\u002Famila-li-%e6%9d%8e%e5%98%89%e6%80%a1\u002F",{"@id":60},"https:\u002F\u002Freissue.pub\u002F#website","2022-09-06T23:39:19+00:00",{"@id":63},"https:\u002F\u002Freissue.pub\u002Fcontributor\u002Famila-li-%e6%9d%8e%e5%98%89%e6%80%a1\u002F#breadcrumb","en-US",[66],{"@type":67,"target":68},"ReadAction",[58],{"@type":70,"@id":63,"itemListElement":71},"BreadcrumbList",[72,77,81],{"@type":73,"position":74,"name":75,"item":76},"ListItem",1,"Home","https:\u002F\u002Freissue.pub\u002F",{"@type":73,"position":78,"name":79,"item":80},2,"Contributors","https:\u002F\u002Freissue.pub\u002Fcontributors\u002F",{"@type":73,"position":82,"name":6},3,{"@type":84,"@id":60,"url":76,"name":46,"description":85,"publisher":86,"potentialAction":88,"inLanguage":64},"WebSite","critical discourse for experimental art practices",{"@id":87},"https:\u002F\u002Freissue.pub\u002F#organization",[89],{"@type":90,"target":91,"query-input":94},"SearchAction",{"@type":92,"urlTemplate":93},"EntryPoint","https:\u002F\u002Freissue.pub\u002F?s={search_term_string}",{"@type":95,"valueRequired":96,"valueName":97},"PropertyValueSpecification",true,"search_term_string",{"@type":99,"@id":87,"name":46,"url":76,"logo":100,"image":105,"sameAs":106},"Organization",{"@type":101,"inLanguage":64,"@id":102,"url":103,"contentUrl":103,"width":28,"height":104,"caption":46},"ImageObject","https:\u002F\u002Freissue.pub\u002F#\u002Fschema\u002Flogo\u002Fimage\u002F","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F06\u002Freissue_logo.jpg",1118,{"@id":102},[47,107,108],"https:\u002F\u002Fx.com\u002Freissuepub","https:\u002F\u002Fwww.instagram.com\u002Freissue.pub\u002F",{"id":110,"slug":111,"title":79,"contentHtml":30,"acf":112,"backgroundBlur":114,"seo":115},1227,"contributors",{"background_image":113,"isBlack":24},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Ffreeschoolbannerimage.jpg","url(\"data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 80'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRnQAAABXRUJQVlA4IGgAAACwAwCdASogAAgAPu1iqk2ppaQiMAgBMB2JaQATwAVjXQxl4unL4AD+\u002Fog0WTYOek+\u002F8KEtg3QLxr09jEpZHTwBehobAsHa7kYhpCdHTKJQama6t6eAzq\u002FOfl9nGFQ1K4xFC226u+AAAA=='\u002F%3E%3C\u002Fsvg%3E\")",{"title":116,"robots":117,"og_locale":42,"og_type":43,"og_title":116,"og_url":80,"og_site_name":46,"article_publisher":47,"article_modified_time":118,"twitter_card":49,"twitter_site":50,"schema":119},"Contributors - 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Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">To donate, contact: \u003Ca href=\"mailto:editor@reissue.pub\" rel=\"nofollow\">editor@reissue.pub\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Sign up for our email newsletter\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003C\u002Fp>\n",null,{"title":186,"robots":187,"og_locale":42,"og_type":43,"og_title":186,"og_description":188,"og_url":189,"og_site_name":46,"article_publisher":47,"article_modified_time":190,"twitter_card":49,"twitter_site":50,"twitter_misc":191,"schema":192},"Subscription Banner - ReIssue",{"index":37,"follow":38,"max-snippet":39,"max-image-preview":40,"max-video-preview":41},"ReIssue is unfunded, wild and free. 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