[{"data":1,"prerenderedAt":217},["ShallowReactive",2],{"contributor:andy-zuliani":3,"page:1227":110,"page:48":144,"page:321":180},{"id":4,"slug":5,"name":6,"firstName":7,"lastName":8,"bioHtml":9,"articles":10,"events":35,"seo":36},1295,"andy-zuliani","Andy Zuliani","Andy","Zuliani","\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>Andy Zuliani\u003C\u002Fstrong> is a multi-media artist and writer who lives in “Vancouver”: a colonial fiction located on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Nations. His work is deeply invested in modes of collective healing and care, and hopes to bring these about through immersive, communal experiences. He has performed and mounted installations at Vines Art Festival, at Deep Blue, at Active\u002FPassive Festival, and is an accompanist in residence at the department of dance at SFU.\u003C\u002Fp>\n",[11],{"id":12,"slug":13,"title":14,"excerpt":15,"date":16,"year":17,"formattedDate":18,"typeIds":19,"typeNames":22,"wordCount":25,"isBlack":26,"image":27,"contributors":33},1309,"contact-at-a-distance-mediating-vessels-at-massy-arts-society","Contact at a Distance \u002F\u002F Mediating Vessels at Massy Arts","\u003Cp>Andy Zuliani gives an expanded review of \u003Cem>Mediating Vessels\u003C\u002Fem> at Massy Arts Society.\u003C\u002Fp>\n","2022-11-07T08:58:17",2022,"Nov 2022",[20,21],7,9,[23,24],"Essay","Review",3258,false,{"src":28,"srcset":29,"width":30,"height":31,"alt":32},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fandy-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fandy-splash-768x217.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fandy-splash-1536x434.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F11\u002Fandy-splash.jpg 1920w",1920,543,"",[34],{"id":4,"name":6,"slug":5},[],{"title":37,"robots":38,"og_locale":44,"og_type":45,"og_title":37,"og_description":46,"og_url":47,"og_site_name":48,"article_publisher":49,"article_modified_time":50,"twitter_card":51,"twitter_site":52,"twitter_misc":53,"schema":55},"Andy Zuliani - ReIssue",{"index":39,"follow":40,"max-snippet":41,"max-image-preview":42,"max-video-preview":43},"noindex","follow","max-snippet:-1","max-image-preview:large","max-video-preview:-1","en_US","article","Andy Zuliani is a multi-media artist and writer who lives in “Vancouver”: a colonial fiction located on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Nations. His work is deeply invested in modes of collective healing and care, and hopes to bring these about through immersive, communal experiences. He has performed and mounted installations","https:\u002F\u002Freissue.pub\u002Fcontributor\u002Fandy-zuliani\u002F","ReIssue","https:\u002F\u002Fwww.facebook.com\u002Freissue.pub\u002F","2022-11-07T01:31:45+00:00","summary_large_image","@reissuepub",{"Est. reading time":54},"1 minute",{"@context":56,"@graph":57},"https:\u002F\u002Fschema.org",[58,70,84,99],{"@type":59,"@id":47,"url":47,"name":37,"isPartOf":60,"datePublished":62,"dateModified":50,"breadcrumb":63,"inLanguage":65,"potentialAction":66},"WebPage",{"@id":61},"https:\u002F\u002Freissue.pub\u002F#website","2022-11-07T01:31:44+00:00",{"@id":64},"https:\u002F\u002Freissue.pub\u002Fcontributor\u002Fandy-zuliani\u002F#breadcrumb","en-US",[67],{"@type":68,"target":69},"ReadAction",[47],{"@type":71,"@id":64,"itemListElement":72},"BreadcrumbList",[73,78,82],{"@type":74,"position":75,"name":76,"item":77},"ListItem",1,"Home","https:\u002F\u002Freissue.pub\u002F",{"@type":74,"position":79,"name":80,"item":81},2,"Contributors","https:\u002F\u002Freissue.pub\u002Fcontributors\u002F",{"@type":74,"position":83,"name":6},3,{"@type":85,"@id":61,"url":77,"name":48,"description":86,"publisher":87,"potentialAction":89,"inLanguage":65},"WebSite","critical discourse for experimental art practices",{"@id":88},"https:\u002F\u002Freissue.pub\u002F#organization",[90],{"@type":91,"target":92,"query-input":95},"SearchAction",{"@type":93,"urlTemplate":94},"EntryPoint","https:\u002F\u002Freissue.pub\u002F?s={search_term_string}",{"@type":96,"valueRequired":97,"valueName":98},"PropertyValueSpecification",true,"search_term_string",{"@type":100,"@id":88,"name":48,"url":77,"logo":101,"image":106,"sameAs":107},"Organization",{"@type":102,"inLanguage":65,"@id":103,"url":104,"contentUrl":104,"width":30,"height":105,"caption":48},"ImageObject","https:\u002F\u002Freissue.pub\u002F#\u002Fschema\u002Flogo\u002Fimage\u002F","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F06\u002Freissue_logo.jpg",1118,{"@id":103},[49,108,109],"https:\u002F\u002Fx.com\u002Freissuepub","https:\u002F\u002Fwww.instagram.com\u002Freissue.pub\u002F",{"id":111,"slug":112,"title":80,"contentHtml":32,"acf":113,"backgroundBlur":115,"seo":116},1227,"contributors",{"background_image":114,"isBlack":26},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Ffreeschoolbannerimage.jpg","url(\"data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 80'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRnQAAABXRUJQVlA4IGgAAACwAwCdASogAAgAPu1iqk2ppaQiMAgBMB2JaQATwAVjXQxl4unL4AD+\u002Fog0WTYOek+\u002F8KEtg3QLxr09jEpZHTwBehobAsHa7kYhpCdHTKJQama6t6eAzq\u002FOfl9nGFQ1K4xFC226u+AAAA=='\u002F%3E%3C\u002Fsvg%3E\")",{"title":117,"robots":118,"og_locale":44,"og_type":45,"og_title":117,"og_url":81,"og_site_name":48,"article_publisher":49,"article_modified_time":119,"twitter_card":51,"twitter_site":52,"schema":120},"Contributors - ReIssue",{"index":39,"follow":40,"max-snippet":41,"max-image-preview":42,"max-video-preview":43},"2022-10-02T05:40:33+00:00",{"@context":56,"@graph":121},[122,130,134,140],{"@type":59,"@id":81,"url":81,"name":117,"isPartOf":123,"datePublished":124,"dateModified":119,"breadcrumb":125,"inLanguage":65,"potentialAction":127},{"@id":61},"2022-09-18T20:17:50+00:00",{"@id":126},"https:\u002F\u002Freissue.pub\u002Fcontributors\u002F#breadcrumb",[128],{"@type":68,"target":129},[81],{"@type":71,"@id":126,"itemListElement":131},[132,133],{"@type":74,"position":75,"name":76,"item":77},{"@type":74,"position":79,"name":80},{"@type":85,"@id":61,"url":77,"name":48,"description":86,"publisher":135,"potentialAction":136,"inLanguage":65},{"@id":88},[137],{"@type":91,"target":138,"query-input":139},{"@type":93,"urlTemplate":94},{"@type":96,"valueRequired":97,"valueName":98},{"@type":100,"@id":88,"name":48,"url":77,"logo":141,"image":142,"sameAs":143},{"@type":102,"inLanguage":65,"@id":103,"url":104,"contentUrl":104,"width":30,"height":105,"caption":48},{"@id":103},[49,108,109],{"id":145,"slug":146,"title":76,"contentHtml":32,"acf":147,"backgroundBlur":150,"seo":151},48,"home",{"background_image":148,"isBlack":26,"header_text":149},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2026\u002F11\u002Fdaisy_reissue_2.jpg","ReIssue: art and criticism in \u003Cbr>\r\nthe cosmos of cultural production","url(\"data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 213'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRoIAAABXRUJQVlA4IHYAAADwBACdASogABUAPu1qqlEppaOiqAqpMB2JZwAAKf0c+TYjyG8vhTeRaShCpli8uAAA\u002FnFf8QBzP1T7FqMQfN+5P0sEZp4TM\u002FtvUeu\u002F6PKH+GHrebLLz8IW4Q6wQ5kHZO6aqggnKrdkv+u62izeOgqi4jMyAAAA'\u002F%3E%3C\u002Fsvg%3E\")",{"title":152,"robots":153,"og_locale":44,"og_type":45,"og_title":152,"og_url":154,"og_site_name":48,"article_publisher":49,"article_modified_time":155,"twitter_card":51,"twitter_site":52,"schema":156},"Home - ReIssue",{"index":39,"follow":40,"max-snippet":41,"max-image-preview":42,"max-video-preview":43},"https:\u002F\u002Freissue.pub\u002Fhome\u002F","2026-11-14T21:58:11+00:00",{"@context":56,"@graph":157},[158,166,170,176],{"@type":59,"@id":154,"url":154,"name":152,"isPartOf":159,"datePublished":160,"dateModified":155,"breadcrumb":161,"inLanguage":65,"potentialAction":163},{"@id":61},"2018-04-21T23:04:08+00:00",{"@id":162},"https:\u002F\u002Freissue.pub\u002Fhome\u002F#breadcrumb",[164],{"@type":68,"target":165},[154],{"@type":71,"@id":162,"itemListElement":167},[168,169],{"@type":74,"position":75,"name":76,"item":77},{"@type":74,"position":79,"name":76},{"@type":85,"@id":61,"url":77,"name":48,"description":86,"publisher":171,"potentialAction":172,"inLanguage":65},{"@id":88},[173],{"@type":91,"target":174,"query-input":175},{"@type":93,"urlTemplate":94},{"@type":96,"valueRequired":97,"valueName":98},{"@type":100,"@id":88,"name":48,"url":77,"logo":177,"image":178,"sameAs":179},{"@type":102,"inLanguage":65,"@id":103,"url":104,"contentUrl":104,"width":30,"height":105,"caption":48},{"@id":103},[49,108,109],{"id":181,"slug":182,"title":183,"contentHtml":184,"acf":26,"backgroundBlur":185,"seo":186},321,"subscription-banner","Subscription Banner","\n\u003Cp class=\"wp-block-paragraph\">ReIssue is unfunded, wild and free. Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">To donate, contact: \u003Ca href=\"mailto:editor@reissue.pub\" rel=\"nofollow\">editor@reissue.pub\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Sign up for our email newsletter\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003C\u002Fp>\n",null,{"title":187,"robots":188,"og_locale":44,"og_type":45,"og_title":187,"og_description":189,"og_url":190,"og_site_name":48,"article_publisher":49,"article_modified_time":191,"twitter_card":51,"twitter_site":52,"twitter_misc":192,"schema":193},"Subscription Banner - ReIssue",{"index":39,"follow":40,"max-snippet":41,"max-image-preview":42,"max-video-preview":43},"ReIssue is unfunded, wild and free. Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance. To donate, contact: editor@reissue.pub Sign up for our email newsletter","https:\u002F\u002Freissue.pub\u002Fsubscription-banner\u002F","2026-11-13T20:28:08+00:00",{"Est. reading time":54},{"@context":56,"@graph":194},[195,203,207,213],{"@type":59,"@id":190,"url":190,"name":187,"isPartOf":196,"datePublished":197,"dateModified":191,"breadcrumb":198,"inLanguage":65,"potentialAction":200},{"@id":61},"2020-12-15T23:44:21+00:00",{"@id":199},"https:\u002F\u002Freissue.pub\u002Fsubscription-banner\u002F#breadcrumb",[201],{"@type":68,"target":202},[190],{"@type":71,"@id":199,"itemListElement":204},[205,206],{"@type":74,"position":75,"name":76,"item":77},{"@type":74,"position":79,"name":183},{"@type":85,"@id":61,"url":77,"name":48,"description":86,"publisher":208,"potentialAction":209,"inLanguage":65},{"@id":88},[210],{"@type":91,"target":211,"query-input":212},{"@type":93,"urlTemplate":94},{"@type":96,"valueRequired":97,"valueName":98},{"@type":100,"@id":88,"name":48,"url":77,"logo":214,"image":215,"sameAs":216},{"@type":102,"inLanguage":65,"@id":103,"url":104,"contentUrl":104,"width":30,"height":105,"caption":48},{"@id":103},[49,108,109],1794704119524]