[{"data":1,"prerenderedAt":334},["ShallowReactive",2],{"contributor:casey-wei":3,"page:1227":227,"page:48":261,"page:321":297},{"id":4,"slug":5,"name":6,"firstName":7,"lastName":8,"bioHtml":9,"articles":10,"events":127,"seo":153},444,"casey-wei","Casey Wei","Casey","Wei","\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>\u003Ca href=\"http:\u002F\u002Fcaseywei.com\" target=\"_blank\" rel=\"noreferrer noopener\">Casey Wei\u003C\u002Fa> \u003C\u002Fstrong>is an interdisciplinary artist, musician, and writer based in Vancouver, BC, on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh peoples. She is a PhD candidate in Contemporary Arts at Simon Fraser University, where her practice-based research in film-making, writing, and performance is informed by participatory activities such as editing, publishing, and programming. Recent works include the book \u003Cem>Tuning to Oblivion: an artist residency\u003C\u002Fem> (M:ST Performative Art, 2023), and the album \u003Cem>Stimuloso\u003C\u002Fem> (Mint Records, 2022) with her band, Kamikaze Nurse.\u003C\u002Fp>\n",[11,35,53,70,89,104],{"id":12,"slug":13,"title":14,"excerpt":15,"date":16,"year":17,"formattedDate":18,"typeIds":19,"typeNames":22,"wordCount":25,"isBlack":26,"image":27,"contributors":33},1640,"languid-becoming-in-felix-kalmensons-gamodi","Languid becoming in Felix Kalmenson’s Gamodi","\u003Cp>Casey Wei reviews Felix Kalmenson 2023 film, \u003Cem>Gamodi\u003C\u002Fem>, playing at this year’s Vancouver International Film Festival.\u003C\u002Fp>\n","2023-09-11T09:27:54",2023,"Sep 2023",[20,21],6,9,[23,24],"Moving Image","Review",792,false,{"src":28,"srcset":29,"width":30,"height":31,"alt":32},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F09\u002Fgamodi-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F09\u002Fgamodi-splash-768x289.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F09\u002Fgamodi-splash-1536x578.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F09\u002Fgamodi-splash.jpg 1920w",1920,723,"",[34],{"id":4,"name":6,"slug":5},{"id":36,"slug":37,"title":38,"excerpt":39,"date":40,"year":41,"formattedDate":42,"typeIds":43,"typeNames":44,"wordCount":45,"isBlack":26,"image":46,"contributors":51},1142,"the-roots-are-deep-what-about-china-by-trinh-t-minh-ha","The Roots are Deep \u002F\u002F What About China? By Trinh T. Minh-ha","\u003Cp>Casey Wei reviews Trinh T. Minh-ha’s feature-length video essay, \u003Cem>What About China?\u003C\u002Fem> part of 2022’s DOXA Festival.\u003C\u002Fp>\n","2022-05-16T10:22:45",2022,"May 2022",[20,21],[23,24],1325,{"src":47,"srcset":48,"width":49,"height":50,"alt":32},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F05\u002Fwhataboutchina-splash-scaled.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F05\u002Fwhataboutchina-splash-768x276.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F05\u002Fwhataboutchina-splash-1536x552.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F05\u002Fwhataboutchina-splash-2048x735.jpg 2048w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F05\u002Fwhataboutchina-splash-scaled.jpg 2560w",2560,919,[52],{"id":4,"name":6,"slug":5},{"id":54,"slug":55,"title":56,"excerpt":57,"date":58,"year":41,"formattedDate":59,"typeIds":60,"typeNames":61,"wordCount":62,"isBlack":26,"image":63,"contributors":68},1036,"heart-of-process-evan-lee-forged-at-evergreen-gallery","Heart of Process \u002F\u002F Evan Lee: Forged at Art Gallery at Evergreen","\u003Cp>Casey Wei reviews Evan Lee’s \u003Ci>Forged\u003C\u002Fi>, presented at Coquitlam’s Art Gallery at Evergreen and online.\u003C\u002Fp>\n","2022-01-10T13:05:42","Jan 2022",[21],[24],1167,{"src":64,"srcset":65,"width":30,"height":66,"alt":67},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F01\u002F2022-01-10-forged-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F01\u002F2022-01-10-forged-splash-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F01\u002F2022-01-10-forged-splash-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F01\u002F2022-01-10-forged-splash.jpg 1920w",1080,"Splash image for Forged by Evan Lee",[69],{"id":4,"name":6,"slug":5},{"id":71,"slug":72,"title":73,"excerpt":74,"date":75,"year":76,"formattedDate":77,"typeIds":78,"typeNames":80,"wordCount":82,"isBlack":26,"image":83,"contributors":87},812,"in-dreams-liquidity-art-and-business-in-the-real-estate-meat-machine","In dreams: liquidity, art, and business in the real estate meat machine","\u003Cp>Casey Wei explores pop-up art spaces around Vancouver, situating them amidst an increasingly alienating social landscape.\u003C\u002Fp>\n","2021-07-19T11:59:24",2021,"Jul 2021",[79],7,[81],"Essay",2613,{"src":84,"srcset":85,"width":30,"height":66,"alt":86},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F07\u002Findreams-feature-50.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F07\u002Findreams-feature-50-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F07\u002Findreams-feature-50-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F07\u002Findreams-feature-50.jpg 1920w","Liquidation World",[88],{"id":4,"name":6,"slug":5},{"id":90,"slug":91,"title":92,"excerpt":93,"date":94,"year":76,"formattedDate":95,"typeIds":96,"typeNames":97,"wordCount":98,"isBlack":26,"image":99,"contributors":102},624,"as-we-if-for-a-moment-miradas-alternas-at-polygon-gallery","As ‘we’ if for a moment \u002F\u002F Miradas Alternas at Polygon Gallery","\u003Cp>Casey Wei reviews \u003Cem>Miradas Alternas\u003C\u002Fem> at the Polygon Gallery.\u003C\u002Fp>\n","2021-02-16T12:27:17","Feb 2021",[21],[24],905,{"src":100,"srcset":101,"width":30,"height":66,"alt":32},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F02\u002Fcasey-feature-50.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F02\u002Fcasey-feature-50-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F02\u002Fcasey-feature-50-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F02\u002Fcasey-feature-50.jpg 1920w",[103],{"id":4,"name":6,"slug":5},{"id":105,"slug":106,"title":107,"excerpt":108,"date":109,"year":76,"formattedDate":110,"typeIds":111,"typeNames":113,"wordCount":115,"isBlack":26,"image":116,"contributors":121},445,"a-conversation-between-reissue-founders-brit-bachmann-and-casey-wei","How Did We Get Here?","\u003Cp>A conversation with Brit Bachmann and Casey Wei.\u003C\u002Fp>\n","2021-01-04T17:20:49","Jan 2021",[112],5,[114],"Interview",1895,{"src":117,"srcset":118,"width":30,"height":119,"alt":120},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Fkcbb-feature2.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Fkcbb-feature2-768x320.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Fkcbb-feature2-1536x640.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Fkcbb-feature2.jpg 1920w",800,"How Did We Get Here? Feature Image",[122,123],{"id":4,"name":6,"slug":5},{"id":124,"name":125,"slug":126},443,"Brit Bachmann","brit-bachmann",[128,140],{"id":129,"slug":130,"title":131,"excerpt":132,"date":133,"image":134,"contributors":138,"featured":26},1047,"freeschool-06-art-reviews-with-casey-wei","FreeSchool 06: Art Reviews with Casey Wei","\u003Cp>Who ordered a hot-take? With a side of ‘hey now’? So you have an opinion about an exhibition\u002Fperformance\u002Fevent you just saw. However gushy or spicy or ambivalent that opinion is, you feel compelled to put it into words, perhaps to share it publicly. What is that process? Interdisciplinary artist and ReIssue editor Casey Wei hosts \u003C\u002Fp>\n","2022-01-12T12:16:36",{"src":135,"srcset":136,"width":30,"height":66,"alt":137},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F01\u002F2FS06_CaseyHorizontal.png","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F01\u002F2FS06_CaseyHorizontal-768x432.png 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F01\u002F2FS06_CaseyHorizontal-1536x864.png 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F01\u002F2FS06_CaseyHorizontal.png 1920w","FreeSchool 06 Promo Image",[139],{"id":4,"name":6,"slug":5},{"id":141,"slug":142,"title":143,"excerpt":144,"date":145,"image":146,"contributors":151,"featured":26},683,"freeschool-01-grant-writing-with-bcac","FreeSchool 01: Grant Writing with BCAC","\u003Cp>For ReIssue’s first FreeSchool workshop, join editor Casey Wei and BCAC programs officer Sarah Todd for a two session workshop on grant-writing. Session 1 on April 10th will be presented in a Zoom webinar format, open to the public, covering the ins-and-outs of the granting process, with a chance for Q&A from the audience. Register \u003C\u002Fp>\n","2021-03-16T15:39:59",{"src":147,"srcset":148,"width":30,"height":66,"alt":149,"lqip":150},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F03\u002FReIssue-FreeSchool01-Promo-web.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F03\u002FReIssue-FreeSchool01-Promo-web-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F03\u002FReIssue-FreeSchool01-Promo-web-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F03\u002FReIssue-FreeSchool01-Promo-web.jpg 1920w","FreeSchool 01 Feature Image","data:image\u002Fwebp;base64,UklGRrIAAABXRUJQVlA4IKYAAACwBACdASogABIAPu1kqU2ppaQiMAgBMB2JZQAIFmPuLD1EfZFX6PE8Y0XaEiJIAP7w7cs+yOhUG1VdYghEujiEyuy6d9zUM\u002FxLSEP91UySqjgvlU6B4uSAkxX9nIKRu+1L+eMyCXnikNHVpSx49xjud5KXVF\u002FtQrE5ueiZ+KJuJWCuvSq1XeaFEx+7HYrkf4Xsh08r28PYfu8roH8bxKXU\u002FaBsAAAA",[152],{"id":4,"name":6,"slug":5},{"title":154,"robots":155,"og_locale":161,"og_type":162,"og_title":154,"og_description":163,"og_url":164,"og_site_name":165,"article_publisher":166,"article_modified_time":167,"twitter_card":168,"twitter_site":169,"twitter_misc":170,"schema":172},"Casey Wei - ReIssue",{"index":156,"follow":157,"max-snippet":158,"max-image-preview":159,"max-video-preview":160},"noindex","follow","max-snippet:-1","max-image-preview:large","max-video-preview:-1","en_US","article","Casey Wei is an interdisciplinary artist, musician, and writer based in Vancouver, BC, on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh peoples. She is a PhD candidate in Contemporary Arts at Simon Fraser University, where her practice-based research in film-making, writing, and performance is informed by participatory activities such as editing, publishing, and","https:\u002F\u002Freissue.pub\u002Fcontributor\u002Fcasey-wei\u002F","ReIssue","https:\u002F\u002Fwww.facebook.com\u002Freissue.pub\u002F","2023-09-11T00:47:10+00:00","summary_large_image","@reissuepub",{"Est. reading time":171},"1 minute",{"@context":173,"@graph":174},"https:\u002F\u002Fschema.org",[175,187,201,216],{"@type":176,"@id":164,"url":164,"name":154,"isPartOf":177,"datePublished":179,"dateModified":167,"breadcrumb":180,"inLanguage":182,"potentialAction":183},"WebPage",{"@id":178},"https:\u002F\u002Freissue.pub\u002F#website","2021-01-05T00:06:04+00:00",{"@id":181},"https:\u002F\u002Freissue.pub\u002Fcontributor\u002Fcasey-wei\u002F#breadcrumb","en-US",[184],{"@type":185,"target":186},"ReadAction",[164],{"@type":188,"@id":181,"itemListElement":189},"BreadcrumbList",[190,195,199],{"@type":191,"position":192,"name":193,"item":194},"ListItem",1,"Home","https:\u002F\u002Freissue.pub\u002F",{"@type":191,"position":196,"name":197,"item":198},2,"Contributors","https:\u002F\u002Freissue.pub\u002Fcontributors\u002F",{"@type":191,"position":200,"name":6},3,{"@type":202,"@id":178,"url":194,"name":165,"description":203,"publisher":204,"potentialAction":206,"inLanguage":182},"WebSite","critical discourse for experimental art practices",{"@id":205},"https:\u002F\u002Freissue.pub\u002F#organization",[207],{"@type":208,"target":209,"query-input":212},"SearchAction",{"@type":210,"urlTemplate":211},"EntryPoint","https:\u002F\u002Freissue.pub\u002F?s={search_term_string}",{"@type":213,"valueRequired":214,"valueName":215},"PropertyValueSpecification",true,"search_term_string",{"@type":217,"@id":205,"name":165,"url":194,"logo":218,"image":223,"sameAs":224},"Organization",{"@type":219,"inLanguage":182,"@id":220,"url":221,"contentUrl":221,"width":30,"height":222,"caption":165},"ImageObject","https:\u002F\u002Freissue.pub\u002F#\u002Fschema\u002Flogo\u002Fimage\u002F","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F06\u002Freissue_logo.jpg",1118,{"@id":220},[166,225,226],"https:\u002F\u002Fx.com\u002Freissuepub","https:\u002F\u002Fwww.instagram.com\u002Freissue.pub\u002F",{"id":228,"slug":229,"title":197,"contentHtml":32,"acf":230,"backgroundBlur":232,"seo":233},1227,"contributors",{"background_image":231,"isBlack":26},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Ffreeschoolbannerimage.jpg","url(\"data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 80'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRnQAAABXRUJQVlA4IGgAAACwAwCdASogAAgAPu1iqk2ppaQiMAgBMB2JaQATwAVjXQxl4unL4AD+\u002Fog0WTYOek+\u002F8KEtg3QLxr09jEpZHTwBehobAsHa7kYhpCdHTKJQama6t6eAzq\u002FOfl9nGFQ1K4xFC226u+AAAA=='\u002F%3E%3C\u002Fsvg%3E\")",{"title":234,"robots":235,"og_locale":161,"og_type":162,"og_title":234,"og_url":198,"og_site_name":165,"article_publisher":166,"article_modified_time":236,"twitter_card":168,"twitter_site":169,"schema":237},"Contributors - ReIssue",{"index":156,"follow":157,"max-snippet":158,"max-image-preview":159,"max-video-preview":160},"2022-10-02T05:40:33+00:00",{"@context":173,"@graph":238},[239,247,251,257],{"@type":176,"@id":198,"url":198,"name":234,"isPartOf":240,"datePublished":241,"dateModified":236,"breadcrumb":242,"inLanguage":182,"potentialAction":244},{"@id":178},"2022-09-18T20:17:50+00:00",{"@id":243},"https:\u002F\u002Freissue.pub\u002Fcontributors\u002F#breadcrumb",[245],{"@type":185,"target":246},[198],{"@type":188,"@id":243,"itemListElement":248},[249,250],{"@type":191,"position":192,"name":193,"item":194},{"@type":191,"position":196,"name":197},{"@type":202,"@id":178,"url":194,"name":165,"description":203,"publisher":252,"potentialAction":253,"inLanguage":182},{"@id":205},[254],{"@type":208,"target":255,"query-input":256},{"@type":210,"urlTemplate":211},{"@type":213,"valueRequired":214,"valueName":215},{"@type":217,"@id":205,"name":165,"url":194,"logo":258,"image":259,"sameAs":260},{"@type":219,"inLanguage":182,"@id":220,"url":221,"contentUrl":221,"width":30,"height":222,"caption":165},{"@id":220},[166,225,226],{"id":262,"slug":263,"title":193,"contentHtml":32,"acf":264,"backgroundBlur":267,"seo":268},48,"home",{"background_image":265,"isBlack":26,"header_text":266},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2026\u002F11\u002Fdaisy_reissue_2.jpg","ReIssue: art and criticism in \u003Cbr>\r\nthe cosmos of cultural production","url(\"data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 213'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRoIAAABXRUJQVlA4IHYAAADwBACdASogABUAPu1qqlEppaOiqAqpMB2JZwAAKf0c+TYjyG8vhTeRaShCpli8uAAA\u002FnFf8QBzP1T7FqMQfN+5P0sEZp4TM\u002FtvUeu\u002F6PKH+GHrebLLz8IW4Q6wQ5kHZO6aqggnKrdkv+u62izeOgqi4jMyAAAA'\u002F%3E%3C\u002Fsvg%3E\")",{"title":269,"robots":270,"og_locale":161,"og_type":162,"og_title":269,"og_url":271,"og_site_name":165,"article_publisher":166,"article_modified_time":272,"twitter_card":168,"twitter_site":169,"schema":273},"Home - ReIssue",{"index":156,"follow":157,"max-snippet":158,"max-image-preview":159,"max-video-preview":160},"https:\u002F\u002Freissue.pub\u002Fhome\u002F","2026-11-14T21:58:11+00:00",{"@context":173,"@graph":274},[275,283,287,293],{"@type":176,"@id":271,"url":271,"name":269,"isPartOf":276,"datePublished":277,"dateModified":272,"breadcrumb":278,"inLanguage":182,"potentialAction":280},{"@id":178},"2018-04-21T23:04:08+00:00",{"@id":279},"https:\u002F\u002Freissue.pub\u002Fhome\u002F#breadcrumb",[281],{"@type":185,"target":282},[271],{"@type":188,"@id":279,"itemListElement":284},[285,286],{"@type":191,"position":192,"name":193,"item":194},{"@type":191,"position":196,"name":193},{"@type":202,"@id":178,"url":194,"name":165,"description":203,"publisher":288,"potentialAction":289,"inLanguage":182},{"@id":205},[290],{"@type":208,"target":291,"query-input":292},{"@type":210,"urlTemplate":211},{"@type":213,"valueRequired":214,"valueName":215},{"@type":217,"@id":205,"name":165,"url":194,"logo":294,"image":295,"sameAs":296},{"@type":219,"inLanguage":182,"@id":220,"url":221,"contentUrl":221,"width":30,"height":222,"caption":165},{"@id":220},[166,225,226],{"id":298,"slug":299,"title":300,"contentHtml":301,"acf":26,"backgroundBlur":302,"seo":303},321,"subscription-banner","Subscription Banner","\n\u003Cp class=\"wp-block-paragraph\">ReIssue is unfunded, wild and free. Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">To donate, contact: \u003Ca href=\"mailto:editor@reissue.pub\" rel=\"nofollow\">editor@reissue.pub\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Sign up for our email newsletter\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003C\u002Fp>\n",null,{"title":304,"robots":305,"og_locale":161,"og_type":162,"og_title":304,"og_description":306,"og_url":307,"og_site_name":165,"article_publisher":166,"article_modified_time":308,"twitter_card":168,"twitter_site":169,"twitter_misc":309,"schema":310},"Subscription Banner - ReIssue",{"index":156,"follow":157,"max-snippet":158,"max-image-preview":159,"max-video-preview":160},"ReIssue is unfunded, wild and free. Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance. 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