[{"data":1,"prerenderedAt":220},["ShallowReactive",2],{"contributor:chelsea-yuill":3,"page:1227":112,"page:48":147,"page:321":183},{"id":4,"slug":5,"name":6,"firstName":7,"lastName":8,"bioHtml":9,"articles":10,"events":37,"seo":38},513,"chelsea-yuill","Chelsea Yuill","Chelsea","Yuill","\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>Chelsea Yuill\u003C\u002Fstrong> (b. 1992, Edmonton, Canada) is an emerging curator and textile artist. Yuill’s practice explores mythologies and the absurdities in everyday life. She is an intersectional feminist who is in lifelong support of Black Lives Matter and Indigenous Sovereignty movements. These themes fold and movements are folding into her curatorial work to engage the public with contemporary art in surprising, intersectional and thought-provoking ways to build awareness and offer resonance.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Yuill’s most recent curatorial projects include the virtual exhibition B\u003Cem>ack of My Hand\u003C\u002Fem>, Capture Photography Festival (2020); \u003Cem>A Vase of Pale Roses\u003C\u002Fem>, Capture Photography Festival (2020); and \u003Cem>EAT YOUR TAIL\u003C\u002Fem> at Access Gallery (2020). She was a co-curator of \u003Cem>Intertwined \u003C\u002Fem>(2018); and \u003Cem>88 Artists from 88 Years\u003C\u002Fem> (2017) both of which took place at Emily Carr University of Art + Design (ECUAD). Yuill holds a BFA from ECUAD with a minor in curatorial practices (2019). Currently, she is the Festival & Publication Coordinator at Capture Photography Festival.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">She is of Dutch, Welsh and Scottish ancestry and is an uninvited settler on the unceded and traditional territories of the Musqueam, Squamish, and Tsleil-Waututh First Nations (Vancouver, BC).\u003C\u002Fp>\n",[11],{"id":12,"slug":13,"title":14,"excerpt":15,"date":16,"year":17,"formattedDate":18,"typeIds":19,"typeNames":21,"wordCount":23,"isBlack":24,"image":25,"contributors":31},509,"where-do-we-find-home-in-the-future","Where do we find home in the future?","\u003Cp>Chelsea Yuill interviews interdisciplinary artist Dana Qaddah.\u003C\u002Fp>\n","2021-01-16T09:07:56",2021,"Jan 2021",[20],5,[22],"Interview",1852,false,{"src":26,"srcset":27,"width":28,"height":29,"alt":30},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Fdana-feature-img-50.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Fdana-feature-img-50-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Fdana-feature-img-50-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Fdana-feature-img-50.jpg 1920w",1920,1080,"Dana Qaddah at Libby Lishgold Gallery",[32,33],{"id":4,"name":6,"slug":5},{"id":34,"name":35,"slug":36},514,"Dana Qaddah","dana-qaddah",[],{"title":39,"robots":40,"og_locale":46,"og_type":47,"og_title":39,"og_description":48,"og_url":49,"og_site_name":50,"article_publisher":51,"article_modified_time":52,"twitter_card":53,"twitter_site":54,"twitter_misc":55,"schema":57},"Chelsea Yuill - ReIssue",{"index":41,"follow":42,"max-snippet":43,"max-image-preview":44,"max-video-preview":45},"noindex","follow","max-snippet:-1","max-image-preview:large","max-video-preview:-1","en_US","article","Chelsea Yuill (b. 1992, Edmonton, Canada) is an emerging curator and textile artist. Yuill’s practice explores mythologies and the absurdities in everyday life. She is an intersectional feminist who is in lifelong support of Black Lives Matter and Indigenous Sovereignty movements. These themes fold and movements are folding into her curatorial work to engage the","https:\u002F\u002Freissue.pub\u002Fcontributor\u002Fchelsea-yuill\u002F","ReIssue","https:\u002F\u002Fwww.facebook.com\u002Freissue.pub\u002F","2022-11-06T23:36:23+00:00","summary_large_image","@reissuepub",{"Est. reading time":56},"1 minute",{"@context":58,"@graph":59},"https:\u002F\u002Fschema.org",[60,72,86,101],{"@type":61,"@id":49,"url":49,"name":39,"isPartOf":62,"datePublished":64,"dateModified":52,"breadcrumb":65,"inLanguage":67,"potentialAction":68},"WebPage",{"@id":63},"https:\u002F\u002Freissue.pub\u002F#website","2021-01-15T23:22:18+00:00",{"@id":66},"https:\u002F\u002Freissue.pub\u002Fcontributor\u002Fchelsea-yuill\u002F#breadcrumb","en-US",[69],{"@type":70,"target":71},"ReadAction",[49],{"@type":73,"@id":66,"itemListElement":74},"BreadcrumbList",[75,80,84],{"@type":76,"position":77,"name":78,"item":79},"ListItem",1,"Home","https:\u002F\u002Freissue.pub\u002F",{"@type":76,"position":81,"name":82,"item":83},2,"Contributors","https:\u002F\u002Freissue.pub\u002Fcontributors\u002F",{"@type":76,"position":85,"name":6},3,{"@type":87,"@id":63,"url":79,"name":50,"description":88,"publisher":89,"potentialAction":91,"inLanguage":67},"WebSite","critical discourse for experimental art practices",{"@id":90},"https:\u002F\u002Freissue.pub\u002F#organization",[92],{"@type":93,"target":94,"query-input":97},"SearchAction",{"@type":95,"urlTemplate":96},"EntryPoint","https:\u002F\u002Freissue.pub\u002F?s={search_term_string}",{"@type":98,"valueRequired":99,"valueName":100},"PropertyValueSpecification",true,"search_term_string",{"@type":102,"@id":90,"name":50,"url":79,"logo":103,"image":108,"sameAs":109},"Organization",{"@type":104,"inLanguage":67,"@id":105,"url":106,"contentUrl":106,"width":28,"height":107,"caption":50},"ImageObject","https:\u002F\u002Freissue.pub\u002F#\u002Fschema\u002Flogo\u002Fimage\u002F","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F06\u002Freissue_logo.jpg",1118,{"@id":105},[51,110,111],"https:\u002F\u002Fx.com\u002Freissuepub","https:\u002F\u002Fwww.instagram.com\u002Freissue.pub\u002F",{"id":113,"slug":114,"title":82,"contentHtml":115,"acf":116,"backgroundBlur":118,"seo":119},1227,"contributors","",{"background_image":117,"isBlack":24},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Ffreeschoolbannerimage.jpg","url(\"data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 80'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRnQAAABXRUJQVlA4IGgAAACwAwCdASogAAgAPu1iqk2ppaQiMAgBMB2JaQATwAVjXQxl4unL4AD+\u002Fog0WTYOek+\u002F8KEtg3QLxr09jEpZHTwBehobAsHa7kYhpCdHTKJQama6t6eAzq\u002FOfl9nGFQ1K4xFC226u+AAAA=='\u002F%3E%3C\u002Fsvg%3E\")",{"title":120,"robots":121,"og_locale":46,"og_type":47,"og_title":120,"og_url":83,"og_site_name":50,"article_publisher":51,"article_modified_time":122,"twitter_card":53,"twitter_site":54,"schema":123},"Contributors - ReIssue",{"index":41,"follow":42,"max-snippet":43,"max-image-preview":44,"max-video-preview":45},"2022-10-02T05:40:33+00:00",{"@context":58,"@graph":124},[125,133,137,143],{"@type":61,"@id":83,"url":83,"name":120,"isPartOf":126,"datePublished":127,"dateModified":122,"breadcrumb":128,"inLanguage":67,"potentialAction":130},{"@id":63},"2022-09-18T20:17:50+00:00",{"@id":129},"https:\u002F\u002Freissue.pub\u002Fcontributors\u002F#breadcrumb",[131],{"@type":70,"target":132},[83],{"@type":73,"@id":129,"itemListElement":134},[135,136],{"@type":76,"position":77,"name":78,"item":79},{"@type":76,"position":81,"name":82},{"@type":87,"@id":63,"url":79,"name":50,"description":88,"publisher":138,"potentialAction":139,"inLanguage":67},{"@id":90},[140],{"@type":93,"target":141,"query-input":142},{"@type":95,"urlTemplate":96},{"@type":98,"valueRequired":99,"valueName":100},{"@type":102,"@id":90,"name":50,"url":79,"logo":144,"image":145,"sameAs":146},{"@type":104,"inLanguage":67,"@id":105,"url":106,"contentUrl":106,"width":28,"height":107,"caption":50},{"@id":105},[51,110,111],{"id":148,"slug":149,"title":78,"contentHtml":115,"acf":150,"backgroundBlur":153,"seo":154},48,"home",{"background_image":151,"isBlack":24,"header_text":152},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2026\u002F11\u002Fdaisy_reissue_2.jpg","ReIssue: art and criticism in \u003Cbr>\r\nthe cosmos of cultural production","url(\"data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 213'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRoIAAABXRUJQVlA4IHYAAADwBACdASogABUAPu1qqlEppaOiqAqpMB2JZwAAKf0c+TYjyG8vhTeRaShCpli8uAAA\u002FnFf8QBzP1T7FqMQfN+5P0sEZp4TM\u002FtvUeu\u002F6PKH+GHrebLLz8IW4Q6wQ5kHZO6aqggnKrdkv+u62izeOgqi4jMyAAAA'\u002F%3E%3C\u002Fsvg%3E\")",{"title":155,"robots":156,"og_locale":46,"og_type":47,"og_title":155,"og_url":157,"og_site_name":50,"article_publisher":51,"article_modified_time":158,"twitter_card":53,"twitter_site":54,"schema":159},"Home - ReIssue",{"index":41,"follow":42,"max-snippet":43,"max-image-preview":44,"max-video-preview":45},"https:\u002F\u002Freissue.pub\u002Fhome\u002F","2026-11-14T21:58:11+00:00",{"@context":58,"@graph":160},[161,169,173,179],{"@type":61,"@id":157,"url":157,"name":155,"isPartOf":162,"datePublished":163,"dateModified":158,"breadcrumb":164,"inLanguage":67,"potentialAction":166},{"@id":63},"2018-04-21T23:04:08+00:00",{"@id":165},"https:\u002F\u002Freissue.pub\u002Fhome\u002F#breadcrumb",[167],{"@type":70,"target":168},[157],{"@type":73,"@id":165,"itemListElement":170},[171,172],{"@type":76,"position":77,"name":78,"item":79},{"@type":76,"position":81,"name":78},{"@type":87,"@id":63,"url":79,"name":50,"description":88,"publisher":174,"potentialAction":175,"inLanguage":67},{"@id":90},[176],{"@type":93,"target":177,"query-input":178},{"@type":95,"urlTemplate":96},{"@type":98,"valueRequired":99,"valueName":100},{"@type":102,"@id":90,"name":50,"url":79,"logo":180,"image":181,"sameAs":182},{"@type":104,"inLanguage":67,"@id":105,"url":106,"contentUrl":106,"width":28,"height":107,"caption":50},{"@id":105},[51,110,111],{"id":184,"slug":185,"title":186,"contentHtml":187,"acf":24,"backgroundBlur":188,"seo":189},321,"subscription-banner","Subscription Banner","\n\u003Cp class=\"wp-block-paragraph\">ReIssue is unfunded, wild and free. Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">To donate, contact: \u003Ca href=\"mailto:editor@reissue.pub\" rel=\"nofollow\">editor@reissue.pub\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Sign up for our email newsletter\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003C\u002Fp>\n",null,{"title":190,"robots":191,"og_locale":46,"og_type":47,"og_title":190,"og_description":192,"og_url":193,"og_site_name":50,"article_publisher":51,"article_modified_time":194,"twitter_card":53,"twitter_site":54,"twitter_misc":195,"schema":196},"Subscription Banner - ReIssue",{"index":41,"follow":42,"max-snippet":43,"max-image-preview":44,"max-video-preview":45},"ReIssue is unfunded, wild and free. Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance. To donate, contact: editor@reissue.pub Sign up for our email newsletter","https:\u002F\u002Freissue.pub\u002Fsubscription-banner\u002F","2026-11-13T20:28:08+00:00",{"Est. reading time":56},{"@context":58,"@graph":197},[198,206,210,216],{"@type":61,"@id":193,"url":193,"name":190,"isPartOf":199,"datePublished":200,"dateModified":194,"breadcrumb":201,"inLanguage":67,"potentialAction":203},{"@id":63},"2020-12-15T23:44:21+00:00",{"@id":202},"https:\u002F\u002Freissue.pub\u002Fsubscription-banner\u002F#breadcrumb",[204],{"@type":70,"target":205},[193],{"@type":73,"@id":202,"itemListElement":207},[208,209],{"@type":76,"position":77,"name":78,"item":79},{"@type":76,"position":81,"name":186},{"@type":87,"@id":63,"url":79,"name":50,"description":88,"publisher":211,"potentialAction":212,"inLanguage":67},{"@id":90},[213],{"@type":93,"target":214,"query-input":215},{"@type":95,"urlTemplate":96},{"@type":98,"valueRequired":99,"valueName":100},{"@type":102,"@id":90,"name":50,"url":79,"logo":217,"image":218,"sameAs":219},{"@type":104,"inLanguage":67,"@id":105,"url":106,"contentUrl":106,"width":28,"height":107,"caption":50},{"@id":105},[51,110,111],1794704121796]