[{"data":1,"prerenderedAt":220},["ShallowReactive",2],{"contributor:dana-qaddah":3,"page:1227":112,"page:48":147,"page:321":183},{"id":4,"slug":5,"name":6,"firstName":7,"lastName":8,"bioHtml":9,"articles":10,"events":37,"seo":38},514,"dana-qaddah","Dana Qaddah","Dana","Qaddah","\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>Dana Qaddah \u003C\u002Fstrong>(b. 1996, Beirut, Lebanon) is a third generation expatriate, artist and organizer based on the unceded territories of the Squamish, Tsleil-Waututh, and Musqueam nations. Qaddah’s interdisciplinary practice draws upon the condition of generational displacement, being abstracted from the destruction of one’s own sense of self, place, and home.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Qaddah completed a BFA at ECUAD in 2019. In 2018, they participated in Plug In ICA’s Summer Institute II: BUSH gallery. The following year, they were invited to participate in Access Gallery’s PLOT space as a writer-in-residence. In 2020, Qaddah curated a program hosted by Western Front as part of Recollective: Vancouver Independent Archives Week. Recent presentations of Qaddah’s work includes the group exhibition\u003Cem> The Neighbour’s Plate\u003C\u002Fem> at Unit 17 (Vancouver) and the solo exhibition of \u003Cem>Vessel(s) through which\u003C\u002Fem> at Libby Leshgold Gallery (Vancouver). Qaddah is currently one of the artists-in-residence at the Media Arts Committee’s sound art program.\u003C\u002Fp>\n",[11],{"id":12,"slug":13,"title":14,"excerpt":15,"date":16,"year":17,"formattedDate":18,"typeIds":19,"typeNames":21,"wordCount":23,"isBlack":24,"image":25,"contributors":31},509,"where-do-we-find-home-in-the-future","Where do we find home in the future?","\u003Cp>Chelsea Yuill interviews interdisciplinary artist Dana Qaddah.\u003C\u002Fp>\n","2021-01-16T09:07:56",2021,"Jan 2021",[20],5,[22],"Interview",1852,false,{"src":26,"srcset":27,"width":28,"height":29,"alt":30},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Fdana-feature-img-50.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Fdana-feature-img-50-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Fdana-feature-img-50-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Fdana-feature-img-50.jpg 1920w",1920,1080,"Dana Qaddah at Libby Lishgold Gallery",[32,36],{"id":33,"name":34,"slug":35},513,"Chelsea Yuill","chelsea-yuill",{"id":4,"name":6,"slug":5},[],{"title":39,"robots":40,"og_locale":46,"og_type":47,"og_title":39,"og_description":48,"og_url":49,"og_site_name":50,"article_publisher":51,"article_modified_time":52,"twitter_card":53,"twitter_site":54,"twitter_misc":55,"schema":57},"Dana Qaddah - ReIssue",{"index":41,"follow":42,"max-snippet":43,"max-image-preview":44,"max-video-preview":45},"noindex","follow","max-snippet:-1","max-image-preview:large","max-video-preview:-1","en_US","article","Dana Qaddah (b. 1996, Beirut, Lebanon) is a third generation expatriate, artist and organizer based on the unceded territories of the Squamish, Tsleil-Waututh, and Musqueam nations. Qaddah’s interdisciplinary practice draws upon the condition of generational displacement, being abstracted from the destruction of one’s own sense of self, place, and home. Qaddah completed a BFA at","https:\u002F\u002Freissue.pub\u002Fcontributor\u002Fdana-qaddah\u002F","ReIssue","https:\u002F\u002Fwww.facebook.com\u002Freissue.pub\u002F","2022-11-06T23:36:08+00:00","summary_large_image","@reissuepub",{"Est. reading time":56},"1 minute",{"@context":58,"@graph":59},"https:\u002F\u002Fschema.org",[60,72,86,101],{"@type":61,"@id":49,"url":49,"name":39,"isPartOf":62,"datePublished":64,"dateModified":52,"breadcrumb":65,"inLanguage":67,"potentialAction":68},"WebPage",{"@id":63},"https:\u002F\u002Freissue.pub\u002F#website","2021-01-15T23:32:06+00:00",{"@id":66},"https:\u002F\u002Freissue.pub\u002Fcontributor\u002Fdana-qaddah\u002F#breadcrumb","en-US",[69],{"@type":70,"target":71},"ReadAction",[49],{"@type":73,"@id":66,"itemListElement":74},"BreadcrumbList",[75,80,84],{"@type":76,"position":77,"name":78,"item":79},"ListItem",1,"Home","https:\u002F\u002Freissue.pub\u002F",{"@type":76,"position":81,"name":82,"item":83},2,"Contributors","https:\u002F\u002Freissue.pub\u002Fcontributors\u002F",{"@type":76,"position":85,"name":6},3,{"@type":87,"@id":63,"url":79,"name":50,"description":88,"publisher":89,"potentialAction":91,"inLanguage":67},"WebSite","critical discourse for experimental art practices",{"@id":90},"https:\u002F\u002Freissue.pub\u002F#organization",[92],{"@type":93,"target":94,"query-input":97},"SearchAction",{"@type":95,"urlTemplate":96},"EntryPoint","https:\u002F\u002Freissue.pub\u002F?s={search_term_string}",{"@type":98,"valueRequired":99,"valueName":100},"PropertyValueSpecification",true,"search_term_string",{"@type":102,"@id":90,"name":50,"url":79,"logo":103,"image":108,"sameAs":109},"Organization",{"@type":104,"inLanguage":67,"@id":105,"url":106,"contentUrl":106,"width":28,"height":107,"caption":50},"ImageObject","https:\u002F\u002Freissue.pub\u002F#\u002Fschema\u002Flogo\u002Fimage\u002F","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F06\u002Freissue_logo.jpg",1118,{"@id":105},[51,110,111],"https:\u002F\u002Fx.com\u002Freissuepub","https:\u002F\u002Fwww.instagram.com\u002Freissue.pub\u002F",{"id":113,"slug":114,"title":82,"contentHtml":115,"acf":116,"backgroundBlur":118,"seo":119},1227,"contributors","",{"background_image":117,"isBlack":24},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Ffreeschoolbannerimage.jpg","url(\"data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 80'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRnQAAABXRUJQVlA4IGgAAACwAwCdASogAAgAPu1iqk2ppaQiMAgBMB2JaQATwAVjXQxl4unL4AD+\u002Fog0WTYOek+\u002F8KEtg3QLxr09jEpZHTwBehobAsHa7kYhpCdHTKJQama6t6eAzq\u002FOfl9nGFQ1K4xFC226u+AAAA=='\u002F%3E%3C\u002Fsvg%3E\")",{"title":120,"robots":121,"og_locale":46,"og_type":47,"og_title":120,"og_url":83,"og_site_name":50,"article_publisher":51,"article_modified_time":122,"twitter_card":53,"twitter_site":54,"schema":123},"Contributors - 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Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">To donate, contact: \u003Ca href=\"mailto:editor@reissue.pub\" rel=\"nofollow\">editor@reissue.pub\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Sign up for our email newsletter\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003C\u002Fp>\n",null,{"title":190,"robots":191,"og_locale":46,"og_type":47,"og_title":190,"og_description":192,"og_url":193,"og_site_name":50,"article_publisher":51,"article_modified_time":194,"twitter_card":53,"twitter_site":54,"twitter_misc":195,"schema":196},"Subscription Banner - ReIssue",{"index":41,"follow":42,"max-snippet":43,"max-image-preview":44,"max-video-preview":45},"ReIssue is unfunded, wild and free. 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