[{"data":1,"prerenderedAt":226},["ShallowReactive",2],{"contributor:deborah-de-boer":3,"page:1227":119,"page:48":153,"page:321":189},{"id":4,"slug":5,"name":6,"firstName":7,"lastName":8,"bioHtml":9,"articles":10,"events":43,"seo":44},1285,"deborah-de-boer","Deborah de Boer","Deborah","de Boer","\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>Deborah de Boer\u003C\u002Fstrong> is a curator and writer working between Victoria and Mexico City. She is the co-founder, with Todd Eacrett, of Deluge Contemporary Art and Antimatter [media art]. de Boer has curated over 400 exhibitions with Deluge, programmed Antimatter since its inception and organized numerous international tours of visual and moving image art.\u003C\u002Fp>\n",[11],{"id":12,"slug":13,"title":14,"excerpt":15,"date":16,"year":17,"formattedDate":18,"typeIds":19,"typeNames":22,"wordCount":25,"isBlack":26,"image":27,"contributors":33},1277,"work-that-has-guts-antimatter-marks-25-years-of-media-art","Work that has guts \u002F\u002F Antimatter marks 25 years of media art","\u003Cp>Paolino Caputo interviews Todd Eacrett, festival director of Antimatter [media art], about the festival’s 25 years of programming.\u003C\u002Fp>\n","2022-10-28T12:33:53",2022,"Oct 2022",[20,21],5,6,[23,24],"Interview","Moving Image",2637,false,{"src":28,"srcset":29,"width":30,"height":31,"alt":32},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F10\u002Fsplash-2.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F10\u002Fsplash-2-768x559.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F10\u002Fsplash-2.jpg 1165w",1165,848,"",[34,38,42],{"id":35,"name":36,"slug":37},1275,"Paolino Caputo","paolino-caputo",{"id":39,"name":40,"slug":41},1276,"Todd Eacrett","todd-eacrett",{"id":4,"name":6,"slug":5},[],{"title":45,"robots":46,"og_locale":52,"og_type":53,"og_title":45,"og_description":54,"og_url":55,"og_site_name":56,"article_publisher":57,"article_modified_time":58,"twitter_card":59,"twitter_site":60,"twitter_misc":61,"schema":63},"Deborah de Boer - ReIssue",{"index":47,"follow":48,"max-snippet":49,"max-image-preview":50,"max-video-preview":51},"noindex","follow","max-snippet:-1","max-image-preview:large","max-video-preview:-1","en_US","article","Deborah de Boer is a curator and writer working between Victoria and Mexico City. She is the co-founder, with Todd Eacrett, of Deluge Contemporary Art and Antimatter [media art]. de Boer has curated over 400 exhibitions with Deluge, programmed Antimatter since its inception and organized numerous international tours of visual and moving image art.","https:\u002F\u002Freissue.pub\u002Fcontributor\u002Fdeborah-de-boer\u002F","ReIssue","https:\u002F\u002Fwww.facebook.com\u002Freissue.pub\u002F","2022-11-06T23:15:30+00:00","summary_large_image","@reissuepub",{"Est. reading time":62},"1 minute",{"@context":64,"@graph":65},"https:\u002F\u002Fschema.org",[66,78,92,107],{"@type":67,"@id":55,"url":55,"name":45,"isPartOf":68,"datePublished":70,"dateModified":58,"breadcrumb":71,"inLanguage":73,"potentialAction":74},"WebPage",{"@id":69},"https:\u002F\u002Freissue.pub\u002F#website","2022-10-28T19:36:12+00:00",{"@id":72},"https:\u002F\u002Freissue.pub\u002Fcontributor\u002Fdeborah-de-boer\u002F#breadcrumb","en-US",[75],{"@type":76,"target":77},"ReadAction",[55],{"@type":79,"@id":72,"itemListElement":80},"BreadcrumbList",[81,86,90],{"@type":82,"position":83,"name":84,"item":85},"ListItem",1,"Home","https:\u002F\u002Freissue.pub\u002F",{"@type":82,"position":87,"name":88,"item":89},2,"Contributors","https:\u002F\u002Freissue.pub\u002Fcontributors\u002F",{"@type":82,"position":91,"name":6},3,{"@type":93,"@id":69,"url":85,"name":56,"description":94,"publisher":95,"potentialAction":97,"inLanguage":73},"WebSite","critical discourse for experimental art practices",{"@id":96},"https:\u002F\u002Freissue.pub\u002F#organization",[98],{"@type":99,"target":100,"query-input":103},"SearchAction",{"@type":101,"urlTemplate":102},"EntryPoint","https:\u002F\u002Freissue.pub\u002F?s={search_term_string}",{"@type":104,"valueRequired":105,"valueName":106},"PropertyValueSpecification",true,"search_term_string",{"@type":108,"@id":96,"name":56,"url":85,"logo":109,"image":115,"sameAs":116},"Organization",{"@type":110,"inLanguage":73,"@id":111,"url":112,"contentUrl":112,"width":113,"height":114,"caption":56},"ImageObject","https:\u002F\u002Freissue.pub\u002F#\u002Fschema\u002Flogo\u002Fimage\u002F","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F06\u002Freissue_logo.jpg",1920,1118,{"@id":111},[57,117,118],"https:\u002F\u002Fx.com\u002Freissuepub","https:\u002F\u002Fwww.instagram.com\u002Freissue.pub\u002F",{"id":120,"slug":121,"title":88,"contentHtml":32,"acf":122,"backgroundBlur":124,"seo":125},1227,"contributors",{"background_image":123,"isBlack":26},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Ffreeschoolbannerimage.jpg","url(\"data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 80'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRnQAAABXRUJQVlA4IGgAAACwAwCdASogAAgAPu1iqk2ppaQiMAgBMB2JaQATwAVjXQxl4unL4AD+\u002Fog0WTYOek+\u002F8KEtg3QLxr09jEpZHTwBehobAsHa7kYhpCdHTKJQama6t6eAzq\u002FOfl9nGFQ1K4xFC226u+AAAA=='\u002F%3E%3C\u002Fsvg%3E\")",{"title":126,"robots":127,"og_locale":52,"og_type":53,"og_title":126,"og_url":89,"og_site_name":56,"article_publisher":57,"article_modified_time":128,"twitter_card":59,"twitter_site":60,"schema":129},"Contributors - ReIssue",{"index":47,"follow":48,"max-snippet":49,"max-image-preview":50,"max-video-preview":51},"2022-10-02T05:40:33+00:00",{"@context":64,"@graph":130},[131,139,143,149],{"@type":67,"@id":89,"url":89,"name":126,"isPartOf":132,"datePublished":133,"dateModified":128,"breadcrumb":134,"inLanguage":73,"potentialAction":136},{"@id":69},"2022-09-18T20:17:50+00:00",{"@id":135},"https:\u002F\u002Freissue.pub\u002Fcontributors\u002F#breadcrumb",[137],{"@type":76,"target":138},[89],{"@type":79,"@id":135,"itemListElement":140},[141,142],{"@type":82,"position":83,"name":84,"item":85},{"@type":82,"position":87,"name":88},{"@type":93,"@id":69,"url":85,"name":56,"description":94,"publisher":144,"potentialAction":145,"inLanguage":73},{"@id":96},[146],{"@type":99,"target":147,"query-input":148},{"@type":101,"urlTemplate":102},{"@type":104,"valueRequired":105,"valueName":106},{"@type":108,"@id":96,"name":56,"url":85,"logo":150,"image":151,"sameAs":152},{"@type":110,"inLanguage":73,"@id":111,"url":112,"contentUrl":112,"width":113,"height":114,"caption":56},{"@id":111},[57,117,118],{"id":154,"slug":155,"title":84,"contentHtml":32,"acf":156,"backgroundBlur":159,"seo":160},48,"home",{"background_image":157,"isBlack":26,"header_text":158},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2026\u002F11\u002Fdaisy_reissue_2.jpg","ReIssue: art and criticism in \u003Cbr>\r\nthe cosmos of cultural production","url(\"data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 213'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRoIAAABXRUJQVlA4IHYAAADwBACdASogABUAPu1qqlEppaOiqAqpMB2JZwAAKf0c+TYjyG8vhTeRaShCpli8uAAA\u002FnFf8QBzP1T7FqMQfN+5P0sEZp4TM\u002FtvUeu\u002F6PKH+GHrebLLz8IW4Q6wQ5kHZO6aqggnKrdkv+u62izeOgqi4jMyAAAA'\u002F%3E%3C\u002Fsvg%3E\")",{"title":161,"robots":162,"og_locale":52,"og_type":53,"og_title":161,"og_url":163,"og_site_name":56,"article_publisher":57,"article_modified_time":164,"twitter_card":59,"twitter_site":60,"schema":165},"Home - ReIssue",{"index":47,"follow":48,"max-snippet":49,"max-image-preview":50,"max-video-preview":51},"https:\u002F\u002Freissue.pub\u002Fhome\u002F","2026-11-14T21:58:11+00:00",{"@context":64,"@graph":166},[167,175,179,185],{"@type":67,"@id":163,"url":163,"name":161,"isPartOf":168,"datePublished":169,"dateModified":164,"breadcrumb":170,"inLanguage":73,"potentialAction":172},{"@id":69},"2018-04-21T23:04:08+00:00",{"@id":171},"https:\u002F\u002Freissue.pub\u002Fhome\u002F#breadcrumb",[173],{"@type":76,"target":174},[163],{"@type":79,"@id":171,"itemListElement":176},[177,178],{"@type":82,"position":83,"name":84,"item":85},{"@type":82,"position":87,"name":84},{"@type":93,"@id":69,"url":85,"name":56,"description":94,"publisher":180,"potentialAction":181,"inLanguage":73},{"@id":96},[182],{"@type":99,"target":183,"query-input":184},{"@type":101,"urlTemplate":102},{"@type":104,"valueRequired":105,"valueName":106},{"@type":108,"@id":96,"name":56,"url":85,"logo":186,"image":187,"sameAs":188},{"@type":110,"inLanguage":73,"@id":111,"url":112,"contentUrl":112,"width":113,"height":114,"caption":56},{"@id":111},[57,117,118],{"id":190,"slug":191,"title":192,"contentHtml":193,"acf":26,"backgroundBlur":194,"seo":195},321,"subscription-banner","Subscription Banner","\n\u003Cp class=\"wp-block-paragraph\">ReIssue is unfunded, wild and free. Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">To donate, contact: \u003Ca href=\"mailto:editor@reissue.pub\" rel=\"nofollow\">editor@reissue.pub\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Sign up for our email newsletter\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003C\u002Fp>\n",null,{"title":196,"robots":197,"og_locale":52,"og_type":53,"og_title":196,"og_description":198,"og_url":199,"og_site_name":56,"article_publisher":57,"article_modified_time":200,"twitter_card":59,"twitter_site":60,"twitter_misc":201,"schema":202},"Subscription Banner - ReIssue",{"index":47,"follow":48,"max-snippet":49,"max-image-preview":50,"max-video-preview":51},"ReIssue is unfunded, wild and free. Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance. To donate, contact: editor@reissue.pub Sign up for our email newsletter","https:\u002F\u002Freissue.pub\u002Fsubscription-banner\u002F","2026-11-13T20:28:08+00:00",{"Est. reading time":62},{"@context":64,"@graph":203},[204,212,216,222],{"@type":67,"@id":199,"url":199,"name":196,"isPartOf":205,"datePublished":206,"dateModified":200,"breadcrumb":207,"inLanguage":73,"potentialAction":209},{"@id":69},"2020-12-15T23:44:21+00:00",{"@id":208},"https:\u002F\u002Freissue.pub\u002Fsubscription-banner\u002F#breadcrumb",[210],{"@type":76,"target":211},[199],{"@type":79,"@id":208,"itemListElement":213},[214,215],{"@type":82,"position":83,"name":84,"item":85},{"@type":82,"position":87,"name":192},{"@type":93,"@id":69,"url":85,"name":56,"description":94,"publisher":217,"potentialAction":218,"inLanguage":73},{"@id":96},[219],{"@type":99,"target":220,"query-input":221},{"@type":101,"urlTemplate":102},{"@type":104,"valueRequired":105,"valueName":106},{"@type":108,"@id":96,"name":56,"url":85,"logo":223,"image":224,"sameAs":225},{"@type":110,"inLanguage":73,"@id":111,"url":112,"contentUrl":112,"width":113,"height":114,"caption":56},{"@id":111},[57,117,118],1794704119669]