[{"data":1,"prerenderedAt":260},["ShallowReactive",2],{"contributor:godfre-leung":3,"page:1227":153,"page:48":187,"page:321":223},{"id":4,"slug":5,"name":6,"firstName":7,"lastName":8,"bioHtml":9,"articles":10,"events":78,"seo":79},518,"godfre-leung","Godfre Leung","Godfre","Leung","\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>\u003Ca href=\"http:\u002F\u002Fgodfreleung.com\" target=\"_blank\" rel=\"noreferrer noopener\">Godfre Leung\u003C\u002Fa> \u003C\u002Fstrong>is an art critic and the curator at the Contemporary Art Gallery in Vancouver, the unceded territories of the xʷməθkʷəy̓əm, Sḵwx̱wú7mesh, and səl̓ilwətaɁɬ Nations. His recent writing includes essays on Kaamil Haider and Pao Houa Her, and the forthcoming monograph \u003Cem>Sonja Ahlers: Classification Crisis\u003C\u002Fem> (Richmond Art Gallery and Conundrum Press).\u003C\u002Fp>\n",[11,33,60],{"id":12,"slug":13,"title":14,"excerpt":15,"date":16,"year":17,"formattedDate":18,"typeIds":19,"typeNames":21,"wordCount":23,"isBlack":24,"image":25,"contributors":31},1515,"broken-time-and-the-intergenerational-marigold-santos-at-saag","Broken Time and the Intergenerational \u002F\u002F Marigold Santos at SAAG","\u003Cp>Godfre Leung reviews Marigold Santos’ \u003Cem>the pace and rhythm of time, floating \u002F ang tulin at kumpas ng oras, lumulutang\u003C\u002Fem> at Southern Alberta Art Gallery.\u003C\u002Fp>\n","2023-04-17T11:31:09",2023,"Apr 2023",[20],9,[22],"Review",1038,false,{"src":26,"srcset":27,"width":28,"height":29,"alt":30},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002F20230417-godfre-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002F20230417-godfre-splash-768x248.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002F20230417-godfre-splash-1536x495.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002F20230417-godfre-splash.jpg 1920w",1920,619,"",[32],{"id":4,"name":6,"slug":5},{"id":34,"slug":35,"title":36,"excerpt":37,"date":38,"year":39,"formattedDate":40,"typeIds":41,"typeNames":43,"wordCount":45,"isBlack":24,"image":46,"contributors":50},972,"the-archive-is-evidence-i-exist-a-conversation-with-sonja-ahlers","The archive is evidence I exist: a conversation with Sonja Ahlers","\u003Cp>A conversation between artist Sonja Ahlers, archivist Alexandra Alisauskas. and critic-curator Godfre Leung.\u003C\u002Fp>\n","2021-11-01T10:45:07",2021,"Nov 2021",[42],5,[44],"Interview",3214,{"src":47,"srcset":48,"width":28,"height":49,"alt":30},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F11\u002Fsonja-feature-50.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F11\u002Fsonja-feature-50-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F11\u002Fsonja-feature-50-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F11\u002Fsonja-feature-50.jpg 1920w",1080,[51,55,56],{"id":52,"name":53,"slug":54},971,"Alexandra Alisauskas","alexandra-alisauskas",{"id":4,"name":6,"slug":5},{"id":57,"name":58,"slug":59},983,"Sonja Ahlers","sonja-ahlers",{"id":61,"slug":62,"title":63,"excerpt":64,"date":65,"year":39,"formattedDate":66,"typeIds":67,"typeNames":69,"wordCount":71,"isBlack":24,"image":72,"contributors":76},517,"tense-on-tanya-lukin-linklaters-we-wear-one-another","Tense: On Tanya Lukin Linklater’s We Wear One Another","\u003Cp>An essay by Godfre Leung on Tanya Lukin Linklater’s installation \u003Cem>We Wear One Another,\u003C\u002Fem> in \u003Cem>Soundings\u003C\u002Fem>, at the Morris and Helen Belkin Art Gallery.\u003C\u002Fp>\n","2021-01-18T12:01:58","Jan 2021",[68],7,[70],"Essay",2909,{"src":73,"srcset":74,"width":28,"height":49,"alt":75},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Fgodfre-secondary-image-50.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Fgodfre-secondary-image-50-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Fgodfre-secondary-image-50-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Fgodfre-secondary-image-50.jpg 1920w","Tense Feature Image",[77],{"id":4,"name":6,"slug":5},[],{"title":80,"robots":81,"og_locale":87,"og_type":88,"og_title":80,"og_description":89,"og_url":90,"og_site_name":91,"article_publisher":92,"article_modified_time":93,"twitter_card":94,"twitter_site":95,"twitter_misc":96,"schema":98},"Godfre Leung - ReIssue",{"index":82,"follow":83,"max-snippet":84,"max-image-preview":85,"max-video-preview":86},"noindex","follow","max-snippet:-1","max-image-preview:large","max-video-preview:-1","en_US","article","Godfre Leung is an art critic and the curator at the Contemporary Art Gallery in Vancouver, the unceded territories of the xʷməθkʷəy̓əm, Sḵwx̱wú7mesh, and səl̓ilwətaɁɬ Nations. His recent writing includes essays on Kaamil Haider and Pao Houa Her, and the forthcoming monograph Sonja Ahlers: Classification Crisis (Richmond Art Gallery and Conundrum Press).","https:\u002F\u002Freissue.pub\u002Fcontributor\u002Fgodfre-leung\u002F","ReIssue","https:\u002F\u002Fwww.facebook.com\u002Freissue.pub\u002F","2023-04-17T18:31:51+00:00","summary_large_image","@reissuepub",{"Est. reading time":97},"1 minute",{"@context":99,"@graph":100},"https:\u002F\u002Fschema.org",[101,113,127,142],{"@type":102,"@id":90,"url":90,"name":80,"isPartOf":103,"datePublished":105,"dateModified":93,"breadcrumb":106,"inLanguage":108,"potentialAction":109},"WebPage",{"@id":104},"https:\u002F\u002Freissue.pub\u002F#website","2021-01-16T23:13:50+00:00",{"@id":107},"https:\u002F\u002Freissue.pub\u002Fcontributor\u002Fgodfre-leung\u002F#breadcrumb","en-US",[110],{"@type":111,"target":112},"ReadAction",[90],{"@type":114,"@id":107,"itemListElement":115},"BreadcrumbList",[116,121,125],{"@type":117,"position":118,"name":119,"item":120},"ListItem",1,"Home","https:\u002F\u002Freissue.pub\u002F",{"@type":117,"position":122,"name":123,"item":124},2,"Contributors","https:\u002F\u002Freissue.pub\u002Fcontributors\u002F",{"@type":117,"position":126,"name":6},3,{"@type":128,"@id":104,"url":120,"name":91,"description":129,"publisher":130,"potentialAction":132,"inLanguage":108},"WebSite","critical discourse for experimental art practices",{"@id":131},"https:\u002F\u002Freissue.pub\u002F#organization",[133],{"@type":134,"target":135,"query-input":138},"SearchAction",{"@type":136,"urlTemplate":137},"EntryPoint","https:\u002F\u002Freissue.pub\u002F?s={search_term_string}",{"@type":139,"valueRequired":140,"valueName":141},"PropertyValueSpecification",true,"search_term_string",{"@type":143,"@id":131,"name":91,"url":120,"logo":144,"image":149,"sameAs":150},"Organization",{"@type":145,"inLanguage":108,"@id":146,"url":147,"contentUrl":147,"width":28,"height":148,"caption":91},"ImageObject","https:\u002F\u002Freissue.pub\u002F#\u002Fschema\u002Flogo\u002Fimage\u002F","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F06\u002Freissue_logo.jpg",1118,{"@id":146},[92,151,152],"https:\u002F\u002Fx.com\u002Freissuepub","https:\u002F\u002Fwww.instagram.com\u002Freissue.pub\u002F",{"id":154,"slug":155,"title":123,"contentHtml":30,"acf":156,"backgroundBlur":158,"seo":159},1227,"contributors",{"background_image":157,"isBlack":24},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Ffreeschoolbannerimage.jpg","url(\"data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 80'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRnQAAABXRUJQVlA4IGgAAACwAwCdASogAAgAPu1iqk2ppaQiMAgBMB2JaQATwAVjXQxl4unL4AD+\u002Fog0WTYOek+\u002F8KEtg3QLxr09jEpZHTwBehobAsHa7kYhpCdHTKJQama6t6eAzq\u002FOfl9nGFQ1K4xFC226u+AAAA=='\u002F%3E%3C\u002Fsvg%3E\")",{"title":160,"robots":161,"og_locale":87,"og_type":88,"og_title":160,"og_url":124,"og_site_name":91,"article_publisher":92,"article_modified_time":162,"twitter_card":94,"twitter_site":95,"schema":163},"Contributors - 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Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">To donate, contact: \u003Ca href=\"mailto:editor@reissue.pub\" rel=\"nofollow\">editor@reissue.pub\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Sign up for our email newsletter\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003C\u002Fp>\n",null,{"title":230,"robots":231,"og_locale":87,"og_type":88,"og_title":230,"og_description":232,"og_url":233,"og_site_name":91,"article_publisher":92,"article_modified_time":234,"twitter_card":94,"twitter_site":95,"twitter_misc":235,"schema":236},"Subscription Banner - ReIssue",{"index":82,"follow":83,"max-snippet":84,"max-image-preview":85,"max-video-preview":86},"ReIssue is unfunded, wild and free. Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance. To donate, contact: editor@reissue.pub Sign up for our email newsletter","https:\u002F\u002Freissue.pub\u002Fsubscription-banner\u002F","2026-11-13T20:28:08+00:00",{"Est. reading time":97},{"@context":99,"@graph":237},[238,246,250,256],{"@type":102,"@id":233,"url":233,"name":230,"isPartOf":239,"datePublished":240,"dateModified":234,"breadcrumb":241,"inLanguage":108,"potentialAction":243},{"@id":104},"2020-12-15T23:44:21+00:00",{"@id":242},"https:\u002F\u002Freissue.pub\u002Fsubscription-banner\u002F#breadcrumb",[244],{"@type":111,"target":245},[233],{"@type":114,"@id":242,"itemListElement":247},[248,249],{"@type":117,"position":118,"name":119,"item":120},{"@type":117,"position":122,"name":226},{"@type":128,"@id":104,"url":120,"name":91,"description":129,"publisher":251,"potentialAction":252,"inLanguage":108},{"@id":131},[253],{"@type":134,"target":254,"query-input":255},{"@type":136,"urlTemplate":137},{"@type":139,"valueRequired":140,"valueName":141},{"@type":143,"@id":131,"name":91,"url":120,"logo":257,"image":258,"sameAs":259},{"@type":145,"inLanguage":108,"@id":146,"url":147,"contentUrl":147,"width":28,"height":148,"caption":91},{"@id":146},[92,151,152],1794704121646]