[{"data":1,"prerenderedAt":216},["ShallowReactive",2],{"contributor:hannah-moller":3,"page:1227":109,"page:48":143,"page:321":179},{"id":4,"slug":5,"name":6,"firstName":7,"lastName":8,"bioHtml":9,"articles":10,"events":35,"seo":36},1687,"hannah-moller","Hannah Möller","Hannah","Möller","\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>Hannah Möller\u003C\u002Fstrong> is a visual artist working in the expanded fields of painting, drawing, and sculpture. Transfixed by the non-linear aspects of memory, the malleability of poetry and the whimsey of fiction, she often sees each artwork as its own character and having its own slew of hypotheticals and prose. Möller currently resides in Vancouver on the unceded territory of xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səl̓ilw̓ətaʔɬ (Tsleil-Waututh) Nations.\u003C\u002Fp>\n",[11],{"id":12,"slug":13,"title":14,"excerpt":15,"date":16,"year":17,"formattedDate":18,"typeIds":19,"typeNames":22,"wordCount":25,"isBlack":26,"image":27,"contributors":33},1688,"computer-whisperer-tunnel-visioning-through-a-socket-of-ido-radons-artwork","Computer Whisperer: tunnel vision through a socket of Ido Radon’s artwork","\u003Cp>Hannah Möller responds to Ido Radon’s work from the exhibition \u003Cem>Devin Ronneberg & Ido Radon: Inhuman \u002F\u002F Alien\u003C\u002Fem> curated by Diane Hau Yu Wong at Canton-Sardine.\u003C\u002Fp>\n","2023-10-25T08:43:05",2023,"Oct 2023",[20,21],4,9,[23,24],"Creative","Review",1261,false,{"src":28,"srcset":29,"width":30,"height":31,"alt":32},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F10\u002Fido-hannah-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F10\u002Fido-hannah-splash-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F10\u002Fido-hannah-splash-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F10\u002Fido-hannah-splash.jpg 1920w",1920,1080,"",[34],{"id":4,"name":6,"slug":5},[],{"title":37,"robots":38,"og_locale":44,"og_type":45,"og_title":37,"og_description":46,"og_url":47,"og_site_name":48,"article_publisher":49,"twitter_card":50,"twitter_site":51,"twitter_misc":52,"schema":54},"Hannah Möller - ReIssue",{"index":39,"follow":40,"max-snippet":41,"max-image-preview":42,"max-video-preview":43},"noindex","follow","max-snippet:-1","max-image-preview:large","max-video-preview:-1","en_US","article","Hannah Möller is a visual artist working in the expanded fields of painting, drawing, and sculpture. Transfixed by the non-linear aspects of memory, the malleability of poetry and the whimsey of fiction, she often sees each artwork as its own character and having its own slew of hypotheticals and prose. Möller currently resides in Vancouver","https:\u002F\u002Freissue.pub\u002Fcontributor\u002Fhannah-moller\u002F","ReIssue","https:\u002F\u002Fwww.facebook.com\u002Freissue.pub\u002F","summary_large_image","@reissuepub",{"Est. reading time":53},"1 minute",{"@context":55,"@graph":56},"https:\u002F\u002Fschema.org",[57,69,83,98],{"@type":58,"@id":47,"url":47,"name":37,"isPartOf":59,"datePublished":61,"breadcrumb":62,"inLanguage":64,"potentialAction":65},"WebPage",{"@id":60},"https:\u002F\u002Freissue.pub\u002F#website","2023-10-18T16:24:53+00:00",{"@id":63},"https:\u002F\u002Freissue.pub\u002Fcontributor\u002Fhannah-moller\u002F#breadcrumb","en-US",[66],{"@type":67,"target":68},"ReadAction",[47],{"@type":70,"@id":63,"itemListElement":71},"BreadcrumbList",[72,77,81],{"@type":73,"position":74,"name":75,"item":76},"ListItem",1,"Home","https:\u002F\u002Freissue.pub\u002F",{"@type":73,"position":78,"name":79,"item":80},2,"Contributors","https:\u002F\u002Freissue.pub\u002Fcontributors\u002F",{"@type":73,"position":82,"name":6},3,{"@type":84,"@id":60,"url":76,"name":48,"description":85,"publisher":86,"potentialAction":88,"inLanguage":64},"WebSite","critical discourse for experimental art practices",{"@id":87},"https:\u002F\u002Freissue.pub\u002F#organization",[89],{"@type":90,"target":91,"query-input":94},"SearchAction",{"@type":92,"urlTemplate":93},"EntryPoint","https:\u002F\u002Freissue.pub\u002F?s={search_term_string}",{"@type":95,"valueRequired":96,"valueName":97},"PropertyValueSpecification",true,"search_term_string",{"@type":99,"@id":87,"name":48,"url":76,"logo":100,"image":105,"sameAs":106},"Organization",{"@type":101,"inLanguage":64,"@id":102,"url":103,"contentUrl":103,"width":30,"height":104,"caption":48},"ImageObject","https:\u002F\u002Freissue.pub\u002F#\u002Fschema\u002Flogo\u002Fimage\u002F","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F06\u002Freissue_logo.jpg",1118,{"@id":102},[49,107,108],"https:\u002F\u002Fx.com\u002Freissuepub","https:\u002F\u002Fwww.instagram.com\u002Freissue.pub\u002F",{"id":110,"slug":111,"title":79,"contentHtml":32,"acf":112,"backgroundBlur":114,"seo":115},1227,"contributors",{"background_image":113,"isBlack":26},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Ffreeschoolbannerimage.jpg","url(\"data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 80'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRnQAAABXRUJQVlA4IGgAAACwAwCdASogAAgAPu1iqk2ppaQiMAgBMB2JaQATwAVjXQxl4unL4AD+\u002Fog0WTYOek+\u002F8KEtg3QLxr09jEpZHTwBehobAsHa7kYhpCdHTKJQama6t6eAzq\u002FOfl9nGFQ1K4xFC226u+AAAA=='\u002F%3E%3C\u002Fsvg%3E\")",{"title":116,"robots":117,"og_locale":44,"og_type":45,"og_title":116,"og_url":80,"og_site_name":48,"article_publisher":49,"article_modified_time":118,"twitter_card":50,"twitter_site":51,"schema":119},"Contributors - 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Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">To donate, contact: \u003Ca href=\"mailto:editor@reissue.pub\" rel=\"nofollow\">editor@reissue.pub\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Sign up for our email newsletter\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003C\u002Fp>\n",null,{"title":186,"robots":187,"og_locale":44,"og_type":45,"og_title":186,"og_description":188,"og_url":189,"og_site_name":48,"article_publisher":49,"article_modified_time":190,"twitter_card":50,"twitter_site":51,"twitter_misc":191,"schema":192},"Subscription Banner - ReIssue",{"index":39,"follow":40,"max-snippet":41,"max-image-preview":42,"max-video-preview":43},"ReIssue is unfunded, wild and free. 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