[{"data":1,"prerenderedAt":280},["ShallowReactive",2],{"contributor:kara-stanton":3,"page:1227":173,"page:48":207,"page:321":243},{"id":4,"slug":5,"name":6,"firstName":7,"lastName":8,"bioHtml":9,"articles":10,"events":98,"seo":99},924,"kara-stanton","Kara Stanton","Kara","Stanton","\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>Kara Stanton\u003C\u002Fstrong> is a poet, cultural worker, and editor based on Lekwungen and W̱SÁNEĆ\u003Cstrong> \u003C\u002Fstrong>territories. Their poetry has been published in \u003Cem>Poetry is Dead\u003C\u002Fem>, \u003Cem>Arc Poetry Magazine\u003C\u002Fem>, and \u003Cem>CV2\u003C\u002Fem>. They are assistant editor at ReIssue.\u003C\u002Fp>\n",[11,41,60,79],{"id":12,"slug":13,"title":14,"excerpt":15,"date":16,"year":17,"formattedDate":18,"typeIds":19,"typeNames":21,"wordCount":23,"isBlack":24,"image":25,"contributors":31},1486,"it-lives-on-the-back-of-a-truck-mobile-art-spaces-on-the-island","It lives on the back of a truck: Mobile art spaces on the island","\u003Cp>Kara Stanton interviews Victoria-based curator\u002Fprogrammers Dani Neira and Alexis Hogan about their mobile art projects.\u003C\u002Fp>\n","2023-05-11T12:19:12",2023,"May 2023",[20],5,[22],"Interview",3141,false,{"src":26,"srcset":27,"width":28,"height":29,"alt":30},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002Flichen-feature.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002Flichen-feature-768x558.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002Flichen-feature-1536x1117.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F04\u002Flichen-feature.jpg 1920w",1920,1396,"",[32,33,37],{"id":4,"name":6,"slug":5},{"id":34,"name":35,"slug":36},1516,"Dani Neira","dani-neira",{"id":38,"name":39,"slug":40},1520,"Alexis Hogan","alexis-hogan",{"id":42,"slug":43,"title":44,"excerpt":45,"date":46,"year":17,"formattedDate":47,"typeIds":48,"typeNames":50,"wordCount":52,"isBlack":24,"image":53,"contributors":58},1373,"like-a-slab-of-never-ending-concrete-finding-form-for-sickness-in-freshwater-salt-and-bed-zine-3","like a slab of never-ending concrete \u002F\u002F finding form for sickness in freshwater | salt and Bed Zine Issue 3","\u003Cp>Kara Stanton reviews two zines that engage with sickness, space, and time.\u003C\u002Fp>\n","2023-01-24T16:41:30","Jan 2023",[49],9,[51],"Review",1355,{"src":54,"srcset":55,"width":28,"height":56,"alt":57},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F01\u002Ffreshwater-splash-1.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F01\u002Ffreshwater-splash-1-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F01\u002Ffreshwater-splash-1-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F01\u002Ffreshwater-splash-1.jpg 1920w",1080,"Splash image from freshwater | salt.",[59],{"id":4,"name":6,"slug":5},{"id":61,"slug":62,"title":63,"excerpt":64,"date":65,"year":66,"formattedDate":67,"typeIds":68,"typeNames":70,"wordCount":23,"isBlack":24,"image":72,"contributors":77},984,"grief-city","Grief City","\u003Cp>Kara Stanton explores the reverberations of loss in the Victoria arts community since the pandemic and responds to grief programming by Regan Shrumm.\u003C\u002Fp>\n","2021-11-01T21:30:44",2021,"Nov 2021",[20,69],7,[22,71],"Essay",{"src":73,"srcset":74,"width":75,"height":76,"alt":30},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F11\u002FKara_Grief_Feature-scaled.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F11\u002FKara_Grief_Feature-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F11\u002FKara_Grief_Feature-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F11\u002FKara_Grief_Feature-2048x1152.jpg 2048w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F11\u002FKara_Grief_Feature-scaled.jpg 2560w",2560,1440,[78],{"id":4,"name":6,"slug":5},{"id":80,"slug":81,"title":82,"excerpt":83,"date":84,"year":66,"formattedDate":85,"typeIds":86,"typeNames":88,"wordCount":90,"isBlack":24,"image":91,"contributors":96},925,"reaching-through-the-smoke","Reaching through the smoke: Memory and belonging in Portraits From a Fire and Damascus Dreams","\u003Cp>Kara Stanton reviews two films screening at the Vancouver International Film Festival, opening up their shared interest in filmmaking as a form of collective remembrance and home-making.\u003C\u002Fp>\n","2021-10-04T17:52:20","Oct 2021",[87,49],6,[89,51],"Moving Image",2715,{"src":92,"srcset":93,"width":28,"height":94,"alt":95},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F10\u002FDamascus-Dreams-feature-image.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F10\u002FDamascus-Dreams-feature-image-768x420.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F10\u002FDamascus-Dreams-feature-image-1536x839.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F10\u002FDamascus-Dreams-feature-image.jpg 1920w",1049,"Feature image for Damascus Dreams",[97],{"id":4,"name":6,"slug":5},[],{"title":100,"robots":101,"og_locale":107,"og_type":108,"og_title":100,"og_description":109,"og_url":110,"og_site_name":111,"article_publisher":112,"article_modified_time":113,"twitter_card":114,"twitter_site":115,"twitter_misc":116,"schema":118},"Kara Stanton - ReIssue",{"index":102,"follow":103,"max-snippet":104,"max-image-preview":105,"max-video-preview":106},"noindex","follow","max-snippet:-1","max-image-preview:large","max-video-preview:-1","en_US","article","Kara Stanton is a poet, cultural worker, and editor based on Lekwungen and W̱SÁNEĆ territories. 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ReIssue",{"index":102,"follow":103,"max-snippet":104,"max-image-preview":105,"max-video-preview":106},"https:\u002F\u002Freissue.pub\u002Fhome\u002F","2026-11-14T21:58:11+00:00",{"@context":119,"@graph":220},[221,229,233,239],{"@type":122,"@id":217,"url":217,"name":215,"isPartOf":222,"datePublished":223,"dateModified":218,"breadcrumb":224,"inLanguage":128,"potentialAction":226},{"@id":124},"2018-04-21T23:04:08+00:00",{"@id":225},"https:\u002F\u002Freissue.pub\u002Fhome\u002F#breadcrumb",[227],{"@type":131,"target":228},[217],{"@type":134,"@id":225,"itemListElement":230},[231,232],{"@type":137,"position":138,"name":139,"item":140},{"@type":137,"position":142,"name":139},{"@type":148,"@id":124,"url":140,"name":111,"description":149,"publisher":234,"potentialAction":235,"inLanguage":128},{"@id":151},[236],{"@type":154,"target":237,"query-input":238},{"@type":156,"urlTemplate":157},{"@type":159,"valueRequired":160,"valueName":161},{"@type":163,"@id":151,"name":111,"url":140,"logo":240,"image":241,"sameAs":242},{"@type":165,"inLanguage":128,"@id":166,"url":167,"contentUrl":167,"width":28,"height":168,"caption":111},{"@id":166},[112,171,172],{"id":244,"slug":245,"title":246,"contentHtml":247,"acf":24,"backgroundBlur":248,"seo":249},321,"subscription-banner","Subscription Banner","\n\u003Cp class=\"wp-block-paragraph\">ReIssue is unfunded, wild and free. Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">To donate, contact: \u003Ca href=\"mailto:editor@reissue.pub\" rel=\"nofollow\">editor@reissue.pub\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Sign up for our email newsletter\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003C\u002Fp>\n",null,{"title":250,"robots":251,"og_locale":107,"og_type":108,"og_title":250,"og_description":252,"og_url":253,"og_site_name":111,"article_publisher":112,"article_modified_time":254,"twitter_card":114,"twitter_site":115,"twitter_misc":255,"schema":256},"Subscription Banner - ReIssue",{"index":102,"follow":103,"max-snippet":104,"max-image-preview":105,"max-video-preview":106},"ReIssue is unfunded, wild and free. Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance. To donate, contact: editor@reissue.pub Sign up for our email newsletter","https:\u002F\u002Freissue.pub\u002Fsubscription-banner\u002F","2026-11-13T20:28:08+00:00",{"Est. reading time":117},{"@context":119,"@graph":257},[258,266,270,276],{"@type":122,"@id":253,"url":253,"name":250,"isPartOf":259,"datePublished":260,"dateModified":254,"breadcrumb":261,"inLanguage":128,"potentialAction":263},{"@id":124},"2020-12-15T23:44:21+00:00",{"@id":262},"https:\u002F\u002Freissue.pub\u002Fsubscription-banner\u002F#breadcrumb",[264],{"@type":131,"target":265},[253],{"@type":134,"@id":262,"itemListElement":267},[268,269],{"@type":137,"position":138,"name":139,"item":140},{"@type":137,"position":142,"name":246},{"@type":148,"@id":124,"url":140,"name":111,"description":149,"publisher":271,"potentialAction":272,"inLanguage":128},{"@id":151},[273],{"@type":154,"target":274,"query-input":275},{"@type":156,"urlTemplate":157},{"@type":159,"valueRequired":160,"valueName":161},{"@type":163,"@id":151,"name":111,"url":140,"logo":277,"image":278,"sameAs":279},{"@type":165,"inLanguage":128,"@id":166,"url":167,"contentUrl":167,"width":28,"height":168,"caption":111},{"@id":166},[112,171,172],1794704120475]