[{"data":1,"prerenderedAt":236},["ShallowReactive",2],{"contributor:kitt-peacock":3,"page:1227":129,"page:48":163,"page:321":199},{"id":4,"slug":5,"name":6,"firstName":7,"lastName":8,"bioHtml":9,"articles":10,"events":54,"seo":55},790,"kitt-peacock","Kitt Peacock","Kitt","Peacock","\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>Kitt Peacock\u003C\u002Fstrong> is an interdisciplinary artist-researcher and settler from O’odham Jeweḍ, currently living on the unceded territories of the xwməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), Səl̓ílwətaʔ \u002F Selilwitulh (Tsleil-Waututh) nations. Their practice is centred on the creation and maintenance of trans worlds through storytelling, performance, and installation. They hold a BFA from Emily Carr University of Art + Design (2019) and an MFA from the University of British Columbia (2023). Their work has appeared in exhibitions across North America, Germany, and Japan.\u003C\u002Fp>\n",[11,33],{"id":12,"slug":13,"title":14,"excerpt":15,"date":16,"year":17,"formattedDate":18,"typeIds":19,"typeNames":21,"wordCount":23,"isBlack":24,"image":25,"contributors":31},1910,"submerged-perspectives-dion-smith-dokkie-at-gallery-gachet","Submerged Perspectives \u002F\u002F Dion Smith-Dokkie at Gallery Gachet","\u003Cp>Kitt Peacock reviews Dion Smith-Dokkie’s solo exhibition, \u003Cem>This Will Be The First of a Thousand Worlds We Give Life To\u003C\u002Fem> at Gallery Gachet.\u003C\u002Fp>\n","2024-02-05T09:09:13",2024,"Feb 2024",[20],9,[22],"Review",1186,false,{"src":26,"srcset":27,"width":28,"height":29,"alt":30},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F02\u002Fdionsplash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F02\u002Fdionsplash-768x312.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F02\u002Fdionsplash-1536x623.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F02\u002Fdionsplash-2048x831.jpg 2048w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F02\u002Fdionsplash.jpg 2200w",2200,893,"",[32],{"id":4,"name":6,"slug":5},{"id":34,"slug":35,"title":36,"excerpt":37,"date":38,"year":39,"formattedDate":40,"typeIds":41,"typeNames":43,"wordCount":45,"isBlack":24,"image":46,"contributors":52},791,"what-used-to-be-the-marsh-food-sovereignty-and-cultural-work-in-chinatown","What used to be the marsh: Food sovereignty and cultural work in Chinatown","\u003Cp>Artist and curator Kitt Peacock investigates how cultural organizations are situated within the colonial histories of food subjugation and sovereignty in and around Vancouver’s Chinatown.\u003C\u002Fp>\n","2021-07-05T11:54:57",2021,"Jul 2021",[42],7,[44],"Essay",3572,{"src":47,"srcset":48,"width":49,"height":50,"alt":51},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F07\u002F2021-07-05-Kitt-feature.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F07\u002F2021-07-05-Kitt-feature-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F07\u002F2021-07-05-Kitt-feature-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F07\u002F2021-07-05-Kitt-feature.jpg 1920w",1920,1080,"What used to be the marsh Feature Image",[53],{"id":4,"name":6,"slug":5},[],{"title":56,"robots":57,"og_locale":63,"og_type":64,"og_title":56,"og_description":65,"og_url":66,"og_site_name":67,"article_publisher":68,"article_modified_time":69,"twitter_card":70,"twitter_site":71,"twitter_misc":72,"schema":74},"Kitt Peacock - ReIssue",{"index":58,"follow":59,"max-snippet":60,"max-image-preview":61,"max-video-preview":62},"noindex","follow","max-snippet:-1","max-image-preview:large","max-video-preview:-1","en_US","article","Kitt Peacock is an interdisciplinary artist-researcher and settler from O’odham Jeweḍ, currently living on the unceded territories of the xwməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), Səl̓ílwətaʔ \u002F Selilwitulh (Tsleil-Waututh) nations. Their practice is centred on the creation and maintenance of trans worlds through storytelling, performance, and installation. They hold a BFA from Emily Carr University of Art","https:\u002F\u002Freissue.pub\u002Fcontributor\u002Fkitt-peacock\u002F","ReIssue","https:\u002F\u002Fwww.facebook.com\u002Freissue.pub\u002F","2024-02-03T20:02:53+00:00","summary_large_image","@reissuepub",{"Est. reading time":73},"1 minute",{"@context":75,"@graph":76},"https:\u002F\u002Fschema.org",[77,89,103,118],{"@type":78,"@id":66,"url":66,"name":56,"isPartOf":79,"datePublished":81,"dateModified":69,"breadcrumb":82,"inLanguage":84,"potentialAction":85},"WebPage",{"@id":80},"https:\u002F\u002Freissue.pub\u002F#website","2021-07-05T18:08:23+00:00",{"@id":83},"https:\u002F\u002Freissue.pub\u002Fcontributor\u002Fkitt-peacock\u002F#breadcrumb","en-US",[86],{"@type":87,"target":88},"ReadAction",[66],{"@type":90,"@id":83,"itemListElement":91},"BreadcrumbList",[92,97,101],{"@type":93,"position":94,"name":95,"item":96},"ListItem",1,"Home","https:\u002F\u002Freissue.pub\u002F",{"@type":93,"position":98,"name":99,"item":100},2,"Contributors","https:\u002F\u002Freissue.pub\u002Fcontributors\u002F",{"@type":93,"position":102,"name":6},3,{"@type":104,"@id":80,"url":96,"name":67,"description":105,"publisher":106,"potentialAction":108,"inLanguage":84},"WebSite","critical discourse for experimental art practices",{"@id":107},"https:\u002F\u002Freissue.pub\u002F#organization",[109],{"@type":110,"target":111,"query-input":114},"SearchAction",{"@type":112,"urlTemplate":113},"EntryPoint","https:\u002F\u002Freissue.pub\u002F?s={search_term_string}",{"@type":115,"valueRequired":116,"valueName":117},"PropertyValueSpecification",true,"search_term_string",{"@type":119,"@id":107,"name":67,"url":96,"logo":120,"image":125,"sameAs":126},"Organization",{"@type":121,"inLanguage":84,"@id":122,"url":123,"contentUrl":123,"width":49,"height":124,"caption":67},"ImageObject","https:\u002F\u002Freissue.pub\u002F#\u002Fschema\u002Flogo\u002Fimage\u002F","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F06\u002Freissue_logo.jpg",1118,{"@id":122},[68,127,128],"https:\u002F\u002Fx.com\u002Freissuepub","https:\u002F\u002Fwww.instagram.com\u002Freissue.pub\u002F",{"id":130,"slug":131,"title":99,"contentHtml":30,"acf":132,"backgroundBlur":134,"seo":135},1227,"contributors",{"background_image":133,"isBlack":24},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Ffreeschoolbannerimage.jpg","url(\"data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 80'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRnQAAABXRUJQVlA4IGgAAACwAwCdASogAAgAPu1iqk2ppaQiMAgBMB2JaQATwAVjXQxl4unL4AD+\u002Fog0WTYOek+\u002F8KEtg3QLxr09jEpZHTwBehobAsHa7kYhpCdHTKJQama6t6eAzq\u002FOfl9nGFQ1K4xFC226u+AAAA=='\u002F%3E%3C\u002Fsvg%3E\")",{"title":136,"robots":137,"og_locale":63,"og_type":64,"og_title":136,"og_url":100,"og_site_name":67,"article_publisher":68,"article_modified_time":138,"twitter_card":70,"twitter_site":71,"schema":139},"Contributors - 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ReIssue",{"index":58,"follow":59,"max-snippet":60,"max-image-preview":61,"max-video-preview":62},"https:\u002F\u002Freissue.pub\u002Fhome\u002F","2026-11-14T21:58:11+00:00",{"@context":75,"@graph":176},[177,185,189,195],{"@type":78,"@id":173,"url":173,"name":171,"isPartOf":178,"datePublished":179,"dateModified":174,"breadcrumb":180,"inLanguage":84,"potentialAction":182},{"@id":80},"2018-04-21T23:04:08+00:00",{"@id":181},"https:\u002F\u002Freissue.pub\u002Fhome\u002F#breadcrumb",[183],{"@type":87,"target":184},[173],{"@type":90,"@id":181,"itemListElement":186},[187,188],{"@type":93,"position":94,"name":95,"item":96},{"@type":93,"position":98,"name":95},{"@type":104,"@id":80,"url":96,"name":67,"description":105,"publisher":190,"potentialAction":191,"inLanguage":84},{"@id":107},[192],{"@type":110,"target":193,"query-input":194},{"@type":112,"urlTemplate":113},{"@type":115,"valueRequired":116,"valueName":117},{"@type":119,"@id":107,"name":67,"url":96,"logo":196,"image":197,"sameAs":198},{"@type":121,"inLanguage":84,"@id":122,"url":123,"contentUrl":123,"width":49,"height":124,"caption":67},{"@id":122},[68,127,128],{"id":200,"slug":201,"title":202,"contentHtml":203,"acf":24,"backgroundBlur":204,"seo":205},321,"subscription-banner","Subscription Banner","\n\u003Cp class=\"wp-block-paragraph\">ReIssue is unfunded, wild and free. Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">To donate, contact: \u003Ca href=\"mailto:editor@reissue.pub\" rel=\"nofollow\">editor@reissue.pub\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Sign up for our email newsletter\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003C\u002Fp>\n",null,{"title":206,"robots":207,"og_locale":63,"og_type":64,"og_title":206,"og_description":208,"og_url":209,"og_site_name":67,"article_publisher":68,"article_modified_time":210,"twitter_card":70,"twitter_site":71,"twitter_misc":211,"schema":212},"Subscription Banner - ReIssue",{"index":58,"follow":59,"max-snippet":60,"max-image-preview":61,"max-video-preview":62},"ReIssue is unfunded, wild and free. Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance. 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