[{"data":1,"prerenderedAt":259},["ShallowReactive",2],{"contributor:lauren-lavery":3,"page:1227":152,"page:48":186,"page:321":222},{"id":4,"slug":5,"name":6,"firstName":7,"lastName":8,"bioHtml":9,"articles":10,"events":77,"seo":78},739,"lauren-lavery","Lauren Lavery","Lauren","Lavery","\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>Lauren Lavery\u003C\u002Fstrong> is a writer, artist, Editor of \u003Cem>Peripheral Review\u003C\u002Fem>, and Managing Editor of \u003Cem>The Capilano Review\u003C\u002Fem>. She has published art writing for \u003Cem>Contemporary Art Review LA,\u003C\u002Fem> \u003Cem>The Capilano Review\u003C\u002Fem>, \u003Cem>ReIssue\u003C\u002Fem>, \u003Cem>BlackFlash\u003C\u002Fem>, \u003Cem>Cornelia Magazine\u003C\u002Fem>, \u003Cem>Public Parking\u003C\u002Fem>, \u003Cem>Peripheral Review\u003C\u002Fem>, \u003Cem>LUMA Quarterly\u003C\u002Fem>, and in exhibition texts for Wil Aballe Projects, Martha Street Studios, Xpace Cultural Centre, and Y+ Contemporary. She holds a Bachelor of Fine Arts from Simon Fraser University’s School for the Contemporary Arts, and is currently based in Vancouver, BC, on the unceded territories of the xʷməθkʷəy̓əm , Sḵwx̱wú7mesh and səl̓ilwətaɁɬ Nations.\u003C\u002Fp>\n",[11,33,54],{"id":12,"slug":13,"title":14,"excerpt":15,"date":16,"year":17,"formattedDate":18,"typeIds":19,"typeNames":21,"wordCount":23,"isBlack":24,"image":25,"contributors":31},1474,"lines-like-hands-like-borders-christian-vistan-at-unit-17","Lines like hands like borders \u002F\u002F Christian Vistan at Unit 17","\u003Cp>Lauren Lavery reviews Christian Vistan’s \u003Cem>from–about\u003C\u002Fem> at Unit 17.\u003C\u002Fp>\n","2023-03-22T09:57:04",2023,"Mar 2023",[20],9,[22],"Review",803,false,{"src":26,"srcset":27,"width":28,"height":29,"alt":30},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002Flauren-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002Flauren-splash-768x222.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002Flauren-splash-1536x443.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F03\u002Flauren-splash.jpg 1920w",1920,554,"",[32],{"id":4,"name":6,"slug":5},{"id":34,"slug":35,"title":36,"excerpt":37,"date":38,"year":39,"formattedDate":40,"typeIds":41,"typeNames":43,"wordCount":45,"isBlack":24,"image":46,"contributors":52},1135,"violet-lines-i-see-you-mean-by-lucy-lippard","Violet Lines \u002F\u002F I See \u002F You Mean by Lucy Lippard","\u003Cp>Lauren Lavery reads Lucy Lippard’s \u003Cem>I See \u002F You Mean\u003C\u002Fem> while on a month-long residency at The Sointula Art Shed.\u003C\u002Fp>\n","2022-05-01T22:39:58",2022,"May 2022",[42,20],4,[44,22],"Creative",1844,{"src":47,"srcset":48,"width":49,"height":50,"alt":51},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F05\u002FLL-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F05\u002FLL-splash-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F05\u002FLL-splash-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F05\u002FLL-splash.jpg 2016w",2016,1134,"Splash image for I See \u002F You Mean Review",[53],{"id":4,"name":6,"slug":5},{"id":55,"slug":56,"title":57,"excerpt":58,"date":59,"year":60,"formattedDate":61,"typeIds":62,"typeNames":64,"wordCount":66,"isBlack":24,"image":67,"contributors":71},758,"ososo-corbin-union-at-the-contemporary-art-gallery","OSOSO \u002F\u002F Corbin Union at the Contemporary Art Gallery","\u003Cp>In this collaborative essay-review, writers Lauren Lavery and Michael Loncaric respond to Corbin Union’s exhibition, \u003Cem>OSOSO\u003C\u002Fem> at the Contemporary Art Gallery.\u003C\u002Fp>\n","2021-05-05T11:07:07",2021,"May 2021",[63,20],7,[65,22],"Essay",1910,{"src":68,"srcset":69,"width":28,"height":70,"alt":30},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F05\u002Fososo-feature-50.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F05\u002Fososo-feature-50-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F05\u002Fososo-feature-50-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F05\u002Fososo-feature-50.jpg 1920w",1080,[72,73],{"id":4,"name":6,"slug":5},{"id":74,"name":75,"slug":76},740,"Michael Loncaric","michael-loncaric",[],{"title":79,"robots":80,"og_locale":86,"og_type":87,"og_title":79,"og_description":88,"og_url":89,"og_site_name":90,"article_publisher":91,"article_modified_time":92,"twitter_card":93,"twitter_site":94,"twitter_misc":95,"schema":97},"Lauren Lavery - ReIssue",{"index":81,"follow":82,"max-snippet":83,"max-image-preview":84,"max-video-preview":85},"noindex","follow","max-snippet:-1","max-image-preview:large","max-video-preview:-1","en_US","article","Lauren Lavery is a writer, artist, Editor of Peripheral Review, and Managing Editor of The Capilano Review. She has published art writing for Contemporary Art Review LA, The Capilano Review, ReIssue, BlackFlash, Cornelia Magazine, Public Parking, Peripheral Review, LUMA Quarterly, and in exhibition texts for Wil Aballe Projects, Martha Street Studios, Xpace Cultural Centre, and Y+ Contemporary. She holds a Bachelor of Fine Arts from Simon","https:\u002F\u002Freissue.pub\u002Fcontributor\u002Flauren-lavery\u002F","ReIssue","https:\u002F\u002Fwww.facebook.com\u002Freissue.pub\u002F","2023-03-22T17:27:39+00:00","summary_large_image","@reissuepub",{"Est. reading time":96},"1 minute",{"@context":98,"@graph":99},"https:\u002F\u002Fschema.org",[100,112,126,141],{"@type":101,"@id":89,"url":89,"name":79,"isPartOf":102,"datePublished":104,"dateModified":92,"breadcrumb":105,"inLanguage":107,"potentialAction":108},"WebPage",{"@id":103},"https:\u002F\u002Freissue.pub\u002F#website","2021-04-30T19:08:40+00:00",{"@id":106},"https:\u002F\u002Freissue.pub\u002Fcontributor\u002Flauren-lavery\u002F#breadcrumb","en-US",[109],{"@type":110,"target":111},"ReadAction",[89],{"@type":113,"@id":106,"itemListElement":114},"BreadcrumbList",[115,120,124],{"@type":116,"position":117,"name":118,"item":119},"ListItem",1,"Home","https:\u002F\u002Freissue.pub\u002F",{"@type":116,"position":121,"name":122,"item":123},2,"Contributors","https:\u002F\u002Freissue.pub\u002Fcontributors\u002F",{"@type":116,"position":125,"name":6},3,{"@type":127,"@id":103,"url":119,"name":90,"description":128,"publisher":129,"potentialAction":131,"inLanguage":107},"WebSite","critical discourse for experimental art practices",{"@id":130},"https:\u002F\u002Freissue.pub\u002F#organization",[132],{"@type":133,"target":134,"query-input":137},"SearchAction",{"@type":135,"urlTemplate":136},"EntryPoint","https:\u002F\u002Freissue.pub\u002F?s={search_term_string}",{"@type":138,"valueRequired":139,"valueName":140},"PropertyValueSpecification",true,"search_term_string",{"@type":142,"@id":130,"name":90,"url":119,"logo":143,"image":148,"sameAs":149},"Organization",{"@type":144,"inLanguage":107,"@id":145,"url":146,"contentUrl":146,"width":28,"height":147,"caption":90},"ImageObject","https:\u002F\u002Freissue.pub\u002F#\u002Fschema\u002Flogo\u002Fimage\u002F","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F06\u002Freissue_logo.jpg",1118,{"@id":145},[91,150,151],"https:\u002F\u002Fx.com\u002Freissuepub","https:\u002F\u002Fwww.instagram.com\u002Freissue.pub\u002F",{"id":153,"slug":154,"title":122,"contentHtml":30,"acf":155,"backgroundBlur":157,"seo":158},1227,"contributors",{"background_image":156,"isBlack":24},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Ffreeschoolbannerimage.jpg","url(\"data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 80'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRnQAAABXRUJQVlA4IGgAAACwAwCdASogAAgAPu1iqk2ppaQiMAgBMB2JaQATwAVjXQxl4unL4AD+\u002Fog0WTYOek+\u002F8KEtg3QLxr09jEpZHTwBehobAsHa7kYhpCdHTKJQama6t6eAzq\u002FOfl9nGFQ1K4xFC226u+AAAA=='\u002F%3E%3C\u002Fsvg%3E\")",{"title":159,"robots":160,"og_locale":86,"og_type":87,"og_title":159,"og_url":123,"og_site_name":90,"article_publisher":91,"article_modified_time":161,"twitter_card":93,"twitter_site":94,"schema":162},"Contributors - ReIssue",{"index":81,"follow":82,"max-snippet":83,"max-image-preview":84,"max-video-preview":85},"2022-10-02T05:40:33+00:00",{"@context":98,"@graph":163},[164,172,176,182],{"@type":101,"@id":123,"url":123,"name":159,"isPartOf":165,"datePublished":166,"dateModified":161,"breadcrumb":167,"inLanguage":107,"potentialAction":169},{"@id":103},"2022-09-18T20:17:50+00:00",{"@id":168},"https:\u002F\u002Freissue.pub\u002Fcontributors\u002F#breadcrumb",[170],{"@type":110,"target":171},[123],{"@type":113,"@id":168,"itemListElement":173},[174,175],{"@type":116,"position":117,"name":118,"item":119},{"@type":116,"position":121,"name":122},{"@type":127,"@id":103,"url":119,"name":90,"description":128,"publisher":177,"potentialAction":178,"inLanguage":107},{"@id":130},[179],{"@type":133,"target":180,"query-input":181},{"@type":135,"urlTemplate":136},{"@type":138,"valueRequired":139,"valueName":140},{"@type":142,"@id":130,"name":90,"url":119,"logo":183,"image":184,"sameAs":185},{"@type":144,"inLanguage":107,"@id":145,"url":146,"contentUrl":146,"width":28,"height":147,"caption":90},{"@id":145},[91,150,151],{"id":187,"slug":188,"title":118,"contentHtml":30,"acf":189,"backgroundBlur":192,"seo":193},48,"home",{"background_image":190,"isBlack":24,"header_text":191},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2026\u002F11\u002Fdaisy_reissue_2.jpg","ReIssue: art and criticism in \u003Cbr>\r\nthe cosmos of cultural production","url(\"data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 213'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRoIAAABXRUJQVlA4IHYAAADwBACdASogABUAPu1qqlEppaOiqAqpMB2JZwAAKf0c+TYjyG8vhTeRaShCpli8uAAA\u002FnFf8QBzP1T7FqMQfN+5P0sEZp4TM\u002FtvUeu\u002F6PKH+GHrebLLz8IW4Q6wQ5kHZO6aqggnKrdkv+u62izeOgqi4jMyAAAA'\u002F%3E%3C\u002Fsvg%3E\")",{"title":194,"robots":195,"og_locale":86,"og_type":87,"og_title":194,"og_url":196,"og_site_name":90,"article_publisher":91,"article_modified_time":197,"twitter_card":93,"twitter_site":94,"schema":198},"Home - ReIssue",{"index":81,"follow":82,"max-snippet":83,"max-image-preview":84,"max-video-preview":85},"https:\u002F\u002Freissue.pub\u002Fhome\u002F","2026-11-14T21:58:11+00:00",{"@context":98,"@graph":199},[200,208,212,218],{"@type":101,"@id":196,"url":196,"name":194,"isPartOf":201,"datePublished":202,"dateModified":197,"breadcrumb":203,"inLanguage":107,"potentialAction":205},{"@id":103},"2018-04-21T23:04:08+00:00",{"@id":204},"https:\u002F\u002Freissue.pub\u002Fhome\u002F#breadcrumb",[206],{"@type":110,"target":207},[196],{"@type":113,"@id":204,"itemListElement":209},[210,211],{"@type":116,"position":117,"name":118,"item":119},{"@type":116,"position":121,"name":118},{"@type":127,"@id":103,"url":119,"name":90,"description":128,"publisher":213,"potentialAction":214,"inLanguage":107},{"@id":130},[215],{"@type":133,"target":216,"query-input":217},{"@type":135,"urlTemplate":136},{"@type":138,"valueRequired":139,"valueName":140},{"@type":142,"@id":130,"name":90,"url":119,"logo":219,"image":220,"sameAs":221},{"@type":144,"inLanguage":107,"@id":145,"url":146,"contentUrl":146,"width":28,"height":147,"caption":90},{"@id":145},[91,150,151],{"id":223,"slug":224,"title":225,"contentHtml":226,"acf":24,"backgroundBlur":227,"seo":228},321,"subscription-banner","Subscription Banner","\n\u003Cp class=\"wp-block-paragraph\">ReIssue is unfunded, wild and free. Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">To donate, contact: \u003Ca href=\"mailto:editor@reissue.pub\" rel=\"nofollow\">editor@reissue.pub\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Sign up for our email newsletter\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003C\u002Fp>\n",null,{"title":229,"robots":230,"og_locale":86,"og_type":87,"og_title":229,"og_description":231,"og_url":232,"og_site_name":90,"article_publisher":91,"article_modified_time":233,"twitter_card":93,"twitter_site":94,"twitter_misc":234,"schema":235},"Subscription Banner - ReIssue",{"index":81,"follow":82,"max-snippet":83,"max-image-preview":84,"max-video-preview":85},"ReIssue is unfunded, wild and free. Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance. To donate, contact: editor@reissue.pub Sign up for our email newsletter","https:\u002F\u002Freissue.pub\u002Fsubscription-banner\u002F","2026-11-13T20:28:08+00:00",{"Est. reading time":96},{"@context":98,"@graph":236},[237,245,249,255],{"@type":101,"@id":232,"url":232,"name":229,"isPartOf":238,"datePublished":239,"dateModified":233,"breadcrumb":240,"inLanguage":107,"potentialAction":242},{"@id":103},"2020-12-15T23:44:21+00:00",{"@id":241},"https:\u002F\u002Freissue.pub\u002Fsubscription-banner\u002F#breadcrumb",[243],{"@type":110,"target":244},[232],{"@type":113,"@id":241,"itemListElement":246},[247,248],{"@type":116,"position":117,"name":118,"item":119},{"@type":116,"position":121,"name":225},{"@type":127,"@id":103,"url":119,"name":90,"description":128,"publisher":250,"potentialAction":251,"inLanguage":107},{"@id":130},[252],{"@type":133,"target":253,"query-input":254},{"@type":135,"urlTemplate":136},{"@type":138,"valueRequired":139,"valueName":140},{"@type":142,"@id":130,"name":90,"url":119,"logo":256,"image":257,"sameAs":258},{"@type":144,"inLanguage":107,"@id":145,"url":146,"contentUrl":146,"width":28,"height":147,"caption":90},{"@id":145},[91,150,151],1794704121072]