[{"data":1,"prerenderedAt":241},["ShallowReactive",2],{"contributor:paloma-pacheco":3,"page:1227":134,"page:48":168,"page:321":204},{"id":4,"slug":5,"name":6,"firstName":7,"lastName":8,"bioHtml":9,"articles":10,"events":59,"seo":60},1233,"paloma-pacheco","Paloma Pacheco","Paloma","Pacheco","\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>Paloma Pacheco\u003C\u002Fstrong> is a writer and journalist based in Vancouver, on unceded Musqueam territory. Her work has appeared in the \u003Cem>Globe and Mail\u003C\u002Fem>, \u003Cem>The Tyee\u003C\u002Fem>, \u003Cem>Maisonneuve\u003C\u002Fem>, \u003Cem>POV Magazine\u003C\u002Fem> and \u003Cem>cléo journal\u003C\u002Fem>, among other publications.\u003C\u002Fp>\n",[11,37],{"id":12,"slug":13,"title":14,"excerpt":15,"date":16,"year":17,"formattedDate":18,"typeIds":19,"typeNames":21,"wordCount":23,"isBlack":24,"image":25,"contributors":31},1266,"on-memorializing-through-truth-and-fiction-an-interview-with-tara-mcguire","On memorializing through truth and fiction \u002F\u002F An interview with Tara McGuire","\u003Cp>Paloma Pacheco interviews Tara McGuire about her book of memoir-fiction, \u003Cem>Holden After and Before: Love Letter for a Son Lost to Overdose.\u003C\u002Fem>\u003C\u002Fp>\n","2022-10-21T17:16:44",2022,"Oct 2022",[20],5,[22],"Interview",2869,false,{"src":26,"srcset":27,"width":28,"height":29,"alt":30},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F10\u002FHolden-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F10\u002FHolden-splash-768x431.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F10\u002FHolden-splash-1536x862.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F10\u002FHolden-splash.jpg 1920w",1920,1078,"Splash image for \"On memorializing through truth and fiction\"",[32,33],{"id":4,"name":6,"slug":5},{"id":34,"name":35,"slug":36},1268,"Tara McGuire","tara-mcguire",{"id":38,"slug":39,"title":40,"excerpt":41,"date":42,"year":17,"formattedDate":43,"typeIds":44,"typeNames":47,"wordCount":50,"isBlack":24,"image":51,"contributors":57},1234,"anyox-and-geographies-of-solitude-documenting-destruction-and-preserving-place-in-contemporary-landscape-film","Anyox and Geographies of Solitude: documenting destruction and preserving place in contemporary landscape film","\u003Cp>Paloma Pacheco reviews \u003Cem>Anyox\u003C\u002Fem> by Jessica Johnson and Ryan Ermacora, and \u003Cem>Geographies of Solitude\u003C\u002Fem> by Jacquelyn Mills. Both films screen at Vancouver International Film Festival, running from September 29th — October 9th.\u003C\u002Fp>\n","2022-09-30T10:56:14","Sep 2022",[45,46],6,9,[48,49],"Moving Image","Review",1700,{"src":52,"srcset":53,"width":54,"height":55,"alt":56},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F09\u002Fanyox-splash-scaled.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F09\u002Fanyox-splash-768x235.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F09\u002Fanyox-splash-1536x469.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F09\u002Fanyox-splash-2048x626.jpg 2048w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F09\u002Fanyox-splash-scaled.jpg 2560w",2560,782,"",[58],{"id":4,"name":6,"slug":5},[],{"title":61,"robots":62,"og_locale":68,"og_type":69,"og_title":61,"og_description":70,"og_url":71,"og_site_name":72,"article_publisher":73,"article_modified_time":74,"twitter_card":75,"twitter_site":76,"twitter_misc":77,"schema":79},"Paloma Pacheco - ReIssue",{"index":63,"follow":64,"max-snippet":65,"max-image-preview":66,"max-video-preview":67},"noindex","follow","max-snippet:-1","max-image-preview:large","max-video-preview:-1","en_US","article","Paloma Pacheco is a writer and journalist based in Vancouver, on unceded Musqueam territory. Her work has appeared in the Globe and Mail, The Tyee, Maisonneuve, POV Magazine and cléo journal, among other publications.","https:\u002F\u002Freissue.pub\u002Fcontributor\u002Fpaloma-pacheco\u002F","ReIssue","https:\u002F\u002Fwww.facebook.com\u002Freissue.pub\u002F","2022-11-06T23:17:56+00:00","summary_large_image","@reissuepub",{"Est. reading time":78},"1 minute",{"@context":80,"@graph":81},"https:\u002F\u002Fschema.org",[82,94,108,123],{"@type":83,"@id":71,"url":71,"name":61,"isPartOf":84,"datePublished":86,"dateModified":74,"breadcrumb":87,"inLanguage":89,"potentialAction":90},"WebPage",{"@id":85},"https:\u002F\u002Freissue.pub\u002F#website","2022-09-30T17:28:23+00:00",{"@id":88},"https:\u002F\u002Freissue.pub\u002Fcontributor\u002Fpaloma-pacheco\u002F#breadcrumb","en-US",[91],{"@type":92,"target":93},"ReadAction",[71],{"@type":95,"@id":88,"itemListElement":96},"BreadcrumbList",[97,102,106],{"@type":98,"position":99,"name":100,"item":101},"ListItem",1,"Home","https:\u002F\u002Freissue.pub\u002F",{"@type":98,"position":103,"name":104,"item":105},2,"Contributors","https:\u002F\u002Freissue.pub\u002Fcontributors\u002F",{"@type":98,"position":107,"name":6},3,{"@type":109,"@id":85,"url":101,"name":72,"description":110,"publisher":111,"potentialAction":113,"inLanguage":89},"WebSite","critical discourse for experimental art practices",{"@id":112},"https:\u002F\u002Freissue.pub\u002F#organization",[114],{"@type":115,"target":116,"query-input":119},"SearchAction",{"@type":117,"urlTemplate":118},"EntryPoint","https:\u002F\u002Freissue.pub\u002F?s={search_term_string}",{"@type":120,"valueRequired":121,"valueName":122},"PropertyValueSpecification",true,"search_term_string",{"@type":124,"@id":112,"name":72,"url":101,"logo":125,"image":130,"sameAs":131},"Organization",{"@type":126,"inLanguage":89,"@id":127,"url":128,"contentUrl":128,"width":28,"height":129,"caption":72},"ImageObject","https:\u002F\u002Freissue.pub\u002F#\u002Fschema\u002Flogo\u002Fimage\u002F","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F06\u002Freissue_logo.jpg",1118,{"@id":127},[73,132,133],"https:\u002F\u002Fx.com\u002Freissuepub","https:\u002F\u002Fwww.instagram.com\u002Freissue.pub\u002F",{"id":135,"slug":136,"title":104,"contentHtml":56,"acf":137,"backgroundBlur":139,"seo":140},1227,"contributors",{"background_image":138,"isBlack":24},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Ffreeschoolbannerimage.jpg","url(\"data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 80'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRnQAAABXRUJQVlA4IGgAAACwAwCdASogAAgAPu1iqk2ppaQiMAgBMB2JaQATwAVjXQxl4unL4AD+\u002Fog0WTYOek+\u002F8KEtg3QLxr09jEpZHTwBehobAsHa7kYhpCdHTKJQama6t6eAzq\u002FOfl9nGFQ1K4xFC226u+AAAA=='\u002F%3E%3C\u002Fsvg%3E\")",{"title":141,"robots":142,"og_locale":68,"og_type":69,"og_title":141,"og_url":105,"og_site_name":72,"article_publisher":73,"article_modified_time":143,"twitter_card":75,"twitter_site":76,"schema":144},"Contributors - 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Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">To donate, contact: \u003Ca href=\"mailto:editor@reissue.pub\" rel=\"nofollow\">editor@reissue.pub\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Sign up for our email newsletter\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003C\u002Fp>\n",null,{"title":211,"robots":212,"og_locale":68,"og_type":69,"og_title":211,"og_description":213,"og_url":214,"og_site_name":72,"article_publisher":73,"article_modified_time":215,"twitter_card":75,"twitter_site":76,"twitter_misc":216,"schema":217},"Subscription Banner - ReIssue",{"index":63,"follow":64,"max-snippet":65,"max-image-preview":66,"max-video-preview":67},"ReIssue is unfunded, wild and free. Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance. To donate, contact: editor@reissue.pub Sign up for our email newsletter","https:\u002F\u002Freissue.pub\u002Fsubscription-banner\u002F","2026-11-13T20:28:08+00:00",{"Est. reading time":78},{"@context":80,"@graph":218},[219,227,231,237],{"@type":83,"@id":214,"url":214,"name":211,"isPartOf":220,"datePublished":221,"dateModified":215,"breadcrumb":222,"inLanguage":89,"potentialAction":224},{"@id":85},"2020-12-15T23:44:21+00:00",{"@id":223},"https:\u002F\u002Freissue.pub\u002Fsubscription-banner\u002F#breadcrumb",[225],{"@type":92,"target":226},[214],{"@type":95,"@id":223,"itemListElement":228},[229,230],{"@type":98,"position":99,"name":100,"item":101},{"@type":98,"position":103,"name":207},{"@type":109,"@id":85,"url":101,"name":72,"description":110,"publisher":232,"potentialAction":233,"inLanguage":89},{"@id":112},[234],{"@type":115,"target":235,"query-input":236},{"@type":117,"urlTemplate":118},{"@type":120,"valueRequired":121,"valueName":122},{"@type":124,"@id":112,"name":72,"url":101,"logo":238,"image":239,"sameAs":240},{"@type":126,"inLanguage":89,"@id":127,"url":128,"contentUrl":128,"width":28,"height":129,"caption":72},{"@id":127},[73,132,133],1794704119873]