[{"data":1,"prerenderedAt":218},["ShallowReactive",2],{"contributor:sara-wylie":3,"page:1227":110,"page:48":145,"page:321":181},{"id":4,"slug":5,"name":6,"firstName":7,"lastName":8,"bioHtml":9,"articles":10,"events":35,"seo":36},616,"sara-wylie","Sara Wylie","Sara","Wylie","\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>Sara Wylie \u003C\u002Fstrong>is a non-fiction filmmaker, producer and researcher from the unceded traditional territories of the Musqueam, Squamish and Tsleil-Waututh First Nations (aka Vancouver). She has directed short films (\u003Cem>A Radiant Sphere\u003C\u002Fem>, 2019), and produced award-winning documentaries (\u003Cem>Handsome & Majestic\u003C\u002Fem>, 2016) and a feature film (\u003Cem>Wizard Mode\u003C\u002Fem>, 2016). Sara graduated with distinction from Ryerson University’s Documentary Media MFA Program in 2019, and her latest documentary \u003Cem>The Garden Collective\u003C\u002Fem> (2020), about the Prison For Women Memorial Collective in Kingston, Ontario, is currently playing in film festivals.\u003C\u002Fp>\n",[11],{"id":12,"slug":13,"title":14,"excerpt":15,"date":16,"year":17,"formattedDate":18,"typeIds":19,"typeNames":22,"wordCount":25,"isBlack":26,"image":27,"contributors":33},622,"abolitionist-futures-towards-an-anti-carceral-aesthetics-in-documentary-film","Abolitionist Futures: Towards an anti-carceral aesthetics in documentary film","\u003Cp>Sara Wylie critiques the carceral image, and outlines a set of provisional aesthetic strategies practiced by filmmakers working towards a future free of prisons.\u003C\u002Fp>\n","2021-03-01T12:37:36",2021,"Mar 2021",[20,21],6,7,[23,24],"Moving Image","Essay",3039,false,{"src":28,"srcset":29,"width":30,"height":31,"alt":32},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F02\u002Fsarawylie-feature-50.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F02\u002Fsarawylie-feature-50-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F02\u002Fsarawylie-feature-50-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F02\u002Fsarawylie-feature-50.jpg 1920w",1920,1080,"Sara Wylie Feature Image",[34],{"id":4,"name":6,"slug":5},[],{"title":37,"robots":38,"og_locale":44,"og_type":45,"og_title":37,"og_description":46,"og_url":47,"og_site_name":48,"article_publisher":49,"article_modified_time":50,"twitter_card":51,"twitter_site":52,"twitter_misc":53,"schema":55},"Sara Wylie - ReIssue",{"index":39,"follow":40,"max-snippet":41,"max-image-preview":42,"max-video-preview":43},"noindex","follow","max-snippet:-1","max-image-preview:large","max-video-preview:-1","en_US","article","Sara Wylie is a non-fiction filmmaker, producer and researcher from the unceded traditional territories of the Musqueam, Squamish and Tsleil-Waututh First Nations (aka Vancouver). She has directed short films (A Radiant Sphere, 2019), and produced award-winning documentaries (Handsome & Majestic, 2016) and a feature film (Wizard Mode, 2016). Sara graduated with distinction from Ryerson University’s","https:\u002F\u002Freissue.pub\u002Fcontributor\u002Fsara-wylie\u002F","ReIssue","https:\u002F\u002Fwww.facebook.com\u002Freissue.pub\u002F","2022-11-06T23:33:08+00:00","summary_large_image","@reissuepub",{"Est. reading time":54},"1 minute",{"@context":56,"@graph":57},"https:\u002F\u002Fschema.org",[58,70,84,99],{"@type":59,"@id":47,"url":47,"name":37,"isPartOf":60,"datePublished":62,"dateModified":50,"breadcrumb":63,"inLanguage":65,"potentialAction":66},"WebPage",{"@id":61},"https:\u002F\u002Freissue.pub\u002F#website","2021-02-14T23:52:29+00:00",{"@id":64},"https:\u002F\u002Freissue.pub\u002Fcontributor\u002Fsara-wylie\u002F#breadcrumb","en-US",[67],{"@type":68,"target":69},"ReadAction",[47],{"@type":71,"@id":64,"itemListElement":72},"BreadcrumbList",[73,78,82],{"@type":74,"position":75,"name":76,"item":77},"ListItem",1,"Home","https:\u002F\u002Freissue.pub\u002F",{"@type":74,"position":79,"name":80,"item":81},2,"Contributors","https:\u002F\u002Freissue.pub\u002Fcontributors\u002F",{"@type":74,"position":83,"name":6},3,{"@type":85,"@id":61,"url":77,"name":48,"description":86,"publisher":87,"potentialAction":89,"inLanguage":65},"WebSite","critical discourse for experimental art practices",{"@id":88},"https:\u002F\u002Freissue.pub\u002F#organization",[90],{"@type":91,"target":92,"query-input":95},"SearchAction",{"@type":93,"urlTemplate":94},"EntryPoint","https:\u002F\u002Freissue.pub\u002F?s={search_term_string}",{"@type":96,"valueRequired":97,"valueName":98},"PropertyValueSpecification",true,"search_term_string",{"@type":100,"@id":88,"name":48,"url":77,"logo":101,"image":106,"sameAs":107},"Organization",{"@type":102,"inLanguage":65,"@id":103,"url":104,"contentUrl":104,"width":30,"height":105,"caption":48},"ImageObject","https:\u002F\u002Freissue.pub\u002F#\u002Fschema\u002Flogo\u002Fimage\u002F","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F06\u002Freissue_logo.jpg",1118,{"@id":103},[49,108,109],"https:\u002F\u002Fx.com\u002Freissuepub","https:\u002F\u002Fwww.instagram.com\u002Freissue.pub\u002F",{"id":111,"slug":112,"title":80,"contentHtml":113,"acf":114,"backgroundBlur":116,"seo":117},1227,"contributors","",{"background_image":115,"isBlack":26},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Ffreeschoolbannerimage.jpg","url(\"data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 80'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRnQAAABXRUJQVlA4IGgAAACwAwCdASogAAgAPu1iqk2ppaQiMAgBMB2JaQATwAVjXQxl4unL4AD+\u002Fog0WTYOek+\u002F8KEtg3QLxr09jEpZHTwBehobAsHa7kYhpCdHTKJQama6t6eAzq\u002FOfl9nGFQ1K4xFC226u+AAAA=='\u002F%3E%3C\u002Fsvg%3E\")",{"title":118,"robots":119,"og_locale":44,"og_type":45,"og_title":118,"og_url":81,"og_site_name":48,"article_publisher":49,"article_modified_time":120,"twitter_card":51,"twitter_site":52,"schema":121},"Contributors - 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ReIssue",{"index":39,"follow":40,"max-snippet":41,"max-image-preview":42,"max-video-preview":43},"https:\u002F\u002Freissue.pub\u002Fhome\u002F","2026-11-14T21:58:11+00:00",{"@context":56,"@graph":158},[159,167,171,177],{"@type":59,"@id":155,"url":155,"name":153,"isPartOf":160,"datePublished":161,"dateModified":156,"breadcrumb":162,"inLanguage":65,"potentialAction":164},{"@id":61},"2018-04-21T23:04:08+00:00",{"@id":163},"https:\u002F\u002Freissue.pub\u002Fhome\u002F#breadcrumb",[165],{"@type":68,"target":166},[155],{"@type":71,"@id":163,"itemListElement":168},[169,170],{"@type":74,"position":75,"name":76,"item":77},{"@type":74,"position":79,"name":76},{"@type":85,"@id":61,"url":77,"name":48,"description":86,"publisher":172,"potentialAction":173,"inLanguage":65},{"@id":88},[174],{"@type":91,"target":175,"query-input":176},{"@type":93,"urlTemplate":94},{"@type":96,"valueRequired":97,"valueName":98},{"@type":100,"@id":88,"name":48,"url":77,"logo":178,"image":179,"sameAs":180},{"@type":102,"inLanguage":65,"@id":103,"url":104,"contentUrl":104,"width":30,"height":105,"caption":48},{"@id":103},[49,108,109],{"id":182,"slug":183,"title":184,"contentHtml":185,"acf":26,"backgroundBlur":186,"seo":187},321,"subscription-banner","Subscription Banner","\n\u003Cp class=\"wp-block-paragraph\">ReIssue is unfunded, wild and free. Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">To donate, contact: \u003Ca href=\"mailto:editor@reissue.pub\" rel=\"nofollow\">editor@reissue.pub\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Sign up for our email newsletter\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003C\u002Fp>\n",null,{"title":188,"robots":189,"og_locale":44,"og_type":45,"og_title":188,"og_description":190,"og_url":191,"og_site_name":48,"article_publisher":49,"article_modified_time":192,"twitter_card":51,"twitter_site":52,"twitter_misc":193,"schema":194},"Subscription Banner - ReIssue",{"index":39,"follow":40,"max-snippet":41,"max-image-preview":42,"max-video-preview":43},"ReIssue is unfunded, wild and free. Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance. To donate, contact: editor@reissue.pub Sign up for our email newsletter","https:\u002F\u002Freissue.pub\u002Fsubscription-banner\u002F","2026-11-13T20:28:08+00:00",{"Est. reading time":54},{"@context":56,"@graph":195},[196,204,208,214],{"@type":59,"@id":191,"url":191,"name":188,"isPartOf":197,"datePublished":198,"dateModified":192,"breadcrumb":199,"inLanguage":65,"potentialAction":201},{"@id":61},"2020-12-15T23:44:21+00:00",{"@id":200},"https:\u002F\u002Freissue.pub\u002Fsubscription-banner\u002F#breadcrumb",[202],{"@type":68,"target":203},[191],{"@type":71,"@id":200,"itemListElement":205},[206,207],{"@type":74,"position":75,"name":76,"item":77},{"@type":74,"position":79,"name":184},{"@type":85,"@id":61,"url":77,"name":48,"description":86,"publisher":209,"potentialAction":210,"inLanguage":65},{"@id":88},[211],{"@type":91,"target":212,"query-input":213},{"@type":93,"urlTemplate":94},{"@type":96,"valueRequired":97,"valueName":98},{"@type":100,"@id":88,"name":48,"url":77,"logo":215,"image":216,"sameAs":217},{"@type":102,"inLanguage":65,"@id":103,"url":104,"contentUrl":104,"width":30,"height":105,"caption":48},{"@id":103},[49,108,109],1794704121434]