[{"data":1,"prerenderedAt":234},["ShallowReactive",2],{"contributor:simranpreet-anand":3,"page:1227":127,"page:48":161,"page:321":197},{"id":4,"slug":5,"name":6,"firstName":7,"lastName":8,"bioHtml":9,"articles":10,"events":52,"seo":53},1086,"simranpreet-anand","Simranpreet Anand","Simranpreet","Anand","\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>Simranpreet Anand\u003C\u002Fstrong> is an artist, curator, and cultural worker creating and working on the unceded territories of the Kwantlen, Katzie, and Semiahmoo peoples (Surrey, BC) and the lands of the Anishinaabeg – The Three Fire Confederacy of the Ojibwe, Odawa, and Potawatomi Nations, as well as the Wyandot Nation (Ann Arbor, MI). She holds a BFA Honours in Visual Arts along with a second major in Psychology from the University of British Columbia and is currently pursuing an MFA at the Penny W. Stamps School of Art &amp; Design.&nbsp;\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Her art practice interrogates the so-called neutral audience in multicultural society. Her practice is informed by familial and community histories, often engaging materials and concepts drawn from the histories of Punjab and the Punjabi diaspora and the ways in which they have been disrupted by colonialism and forced migration. The reclamation of cultural practice in her work interrogates colonial theft, cultural propaganda, and forces of global capitalism. She has been awarded the Philip B. Lind Emerging Artist Prize (2022) and the William and Meredith Saunderson Prizes for Emerging Artists (2021). Simranpreet is committed to a socially engaged practice, having worked on community engagement and education projects with the Morris and Helen Belkin Art Gallery, Vancouver Art Gallery, the Evergreen Cultural Centre, documenta 14, and the Surrey Art Gallery. \u003C\u002Fp>\n",[11,33],{"id":12,"slug":13,"title":14,"excerpt":15,"date":16,"year":17,"formattedDate":18,"typeIds":19,"typeNames":21,"wordCount":23,"isBlack":24,"image":25,"contributors":31},1436,"what-is-left-unsaid-jagdeep-raina-at-libby-leshgold-gallery","What is left unsaid? \u002F\u002F Jagdeep Raina at Libby Leshgold Gallery","\u003Cp>Simranpreet Anand reviews Jagdeep Raina&#8217;s exhibtion \u003Cem>everything left unsaid\u003C\u002Fem> at Libby Leshgold Gallery.\u003C\u002Fp>\n","2023-02-23T08:51:51",2023,"Feb 2023",[20],9,[22],"Review",1235,false,{"src":26,"srcset":27,"width":28,"height":29,"alt":30},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F02\u002Fraina-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F02\u002Fraina-splash-768x276.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F02\u002Fraina-splash-1536x553.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F02\u002Fraina-splash.jpg 1920w",1920,691,"",[32],{"id":4,"name":6,"slug":5},{"id":34,"slug":35,"title":36,"excerpt":37,"date":38,"year":39,"formattedDate":40,"typeIds":41,"typeNames":43,"wordCount":45,"isBlack":24,"image":46,"contributors":50},1084,"t-i-r-e-d-the-institutional-rhetoric-of-equity-and-diversity","T.I.R.E.D. : The Institutional Rhetoric of Equity and Diversity","\u003Cp>Artist and arts-worker Simranpreet Anand&#8217;s quantitative investigation on diversity and equity within the Canadian arts sector.\u003C\u002Fp>\n","2022-04-04T10:25:56",2022,"Apr 2022",[42],7,[44],"Essay",3760,{"src":47,"srcset":48,"width":28,"height":49,"alt":30},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F04\u002Fdiversity-feature-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F04\u002Fdiversity-feature-splash-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F04\u002Fdiversity-feature-splash-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F04\u002Fdiversity-feature-splash.jpg 1920w",1080,[51],{"id":4,"name":6,"slug":5},[],{"title":54,"robots":55,"og_locale":61,"og_type":62,"og_title":54,"og_description":63,"og_url":64,"og_site_name":65,"article_publisher":66,"article_modified_time":67,"twitter_card":68,"twitter_site":69,"twitter_misc":70,"schema":72},"Simranpreet Anand - ReIssue",{"index":56,"follow":57,"max-snippet":58,"max-image-preview":59,"max-video-preview":60},"noindex","follow","max-snippet:-1","max-image-preview:large","max-video-preview:-1","en_US","article","Simranpreet Anand is an artist, curator, and cultural worker creating and working on the unceded territories of the Kwantlen, Katzie, and Semiahmoo peoples (Surrey, BC) and the lands of the Anishinaabeg – The Three Fire Confederacy of the Ojibwe, Odawa, and Potawatomi Nations, as well as the Wyandot Nation (Ann Arbor, MI). She holds a","https:\u002F\u002Freissue.pub\u002Fcontributor\u002Fsimranpreet-anand\u002F","ReIssue","https:\u002F\u002Fwww.facebook.com\u002Freissue.pub\u002F","2023-02-23T21:52:20+00:00","summary_large_image","@reissuepub",{"Est. reading time":71},"1 minute",{"@context":73,"@graph":74},"https:\u002F\u002Fschema.org",[75,87,101,116],{"@type":76,"@id":64,"url":64,"name":54,"isPartOf":77,"datePublished":79,"dateModified":67,"breadcrumb":80,"inLanguage":82,"potentialAction":83},"WebPage",{"@id":78},"https:\u002F\u002Freissue.pub\u002F#website","2022-04-04T17:05:38+00:00",{"@id":81},"https:\u002F\u002Freissue.pub\u002Fcontributor\u002Fsimranpreet-anand\u002F#breadcrumb","en-US",[84],{"@type":85,"target":86},"ReadAction",[64],{"@type":88,"@id":81,"itemListElement":89},"BreadcrumbList",[90,95,99],{"@type":91,"position":92,"name":93,"item":94},"ListItem",1,"Home","https:\u002F\u002Freissue.pub\u002F",{"@type":91,"position":96,"name":97,"item":98},2,"Contributors","https:\u002F\u002Freissue.pub\u002Fcontributors\u002F",{"@type":91,"position":100,"name":6},3,{"@type":102,"@id":78,"url":94,"name":65,"description":103,"publisher":104,"potentialAction":106,"inLanguage":82},"WebSite","critical discourse for experimental art practices",{"@id":105},"https:\u002F\u002Freissue.pub\u002F#organization",[107],{"@type":108,"target":109,"query-input":112},"SearchAction",{"@type":110,"urlTemplate":111},"EntryPoint","https:\u002F\u002Freissue.pub\u002F?s={search_term_string}",{"@type":113,"valueRequired":114,"valueName":115},"PropertyValueSpecification",true,"search_term_string",{"@type":117,"@id":105,"name":65,"url":94,"logo":118,"image":123,"sameAs":124},"Organization",{"@type":119,"inLanguage":82,"@id":120,"url":121,"contentUrl":121,"width":28,"height":122,"caption":65},"ImageObject","https:\u002F\u002Freissue.pub\u002F#\u002Fschema\u002Flogo\u002Fimage\u002F","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F06\u002Freissue_logo.jpg",1118,{"@id":120},[66,125,126],"https:\u002F\u002Fx.com\u002Freissuepub","https:\u002F\u002Fwww.instagram.com\u002Freissue.pub\u002F",{"id":128,"slug":129,"title":97,"contentHtml":30,"acf":130,"backgroundBlur":132,"seo":133},1227,"contributors",{"background_image":131,"isBlack":24},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Ffreeschoolbannerimage.jpg","url(\"data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 80'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRnQAAABXRUJQVlA4IGgAAACwAwCdASogAAgAPu1iqk2ppaQiMAgBMB2JaQATwAVjXQxl4unL4AD+\u002Fog0WTYOek+\u002F8KEtg3QLxr09jEpZHTwBehobAsHa7kYhpCdHTKJQama6t6eAzq\u002FOfl9nGFQ1K4xFC226u+AAAA=='\u002F%3E%3C\u002Fsvg%3E\")",{"title":134,"robots":135,"og_locale":61,"og_type":62,"og_title":134,"og_url":98,"og_site_name":65,"article_publisher":66,"article_modified_time":136,"twitter_card":68,"twitter_site":69,"schema":137},"Contributors - ReIssue",{"index":56,"follow":57,"max-snippet":58,"max-image-preview":59,"max-video-preview":60},"2022-10-02T05:40:33+00:00",{"@context":73,"@graph":138},[139,147,151,157],{"@type":76,"@id":98,"url":98,"name":134,"isPartOf":140,"datePublished":141,"dateModified":136,"breadcrumb":142,"inLanguage":82,"potentialAction":144},{"@id":78},"2022-09-18T20:17:50+00:00",{"@id":143},"https:\u002F\u002Freissue.pub\u002Fcontributors\u002F#breadcrumb",[145],{"@type":85,"target":146},[98],{"@type":88,"@id":143,"itemListElement":148},[149,150],{"@type":91,"position":92,"name":93,"item":94},{"@type":91,"position":96,"name":97},{"@type":102,"@id":78,"url":94,"name":65,"description":103,"publisher":152,"potentialAction":153,"inLanguage":82},{"@id":105},[154],{"@type":108,"target":155,"query-input":156},{"@type":110,"urlTemplate":111},{"@type":113,"valueRequired":114,"valueName":115},{"@type":117,"@id":105,"name":65,"url":94,"logo":158,"image":159,"sameAs":160},{"@type":119,"inLanguage":82,"@id":120,"url":121,"contentUrl":121,"width":28,"height":122,"caption":65},{"@id":120},[66,125,126],{"id":162,"slug":163,"title":93,"contentHtml":30,"acf":164,"backgroundBlur":167,"seo":168},48,"home",{"background_image":165,"isBlack":24,"header_text":166},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2026\u002F11\u002Fdaisy_reissue_2.jpg","ReIssue: art and criticism in \u003Cbr>\r\nthe cosmos of cultural production","url(\"data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 213'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRoIAAABXRUJQVlA4IHYAAADwBACdASogABUAPu1qqlEppaOiqAqpMB2JZwAAKf0c+TYjyG8vhTeRaShCpli8uAAA\u002FnFf8QBzP1T7FqMQfN+5P0sEZp4TM\u002FtvUeu\u002F6PKH+GHrebLLz8IW4Q6wQ5kHZO6aqggnKrdkv+u62izeOgqi4jMyAAAA'\u002F%3E%3C\u002Fsvg%3E\")",{"title":169,"robots":170,"og_locale":61,"og_type":62,"og_title":169,"og_url":171,"og_site_name":65,"article_publisher":66,"article_modified_time":172,"twitter_card":68,"twitter_site":69,"schema":173},"Home - 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Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">To donate, contact: \u003Ca href=\"mailto:editor@reissue.pub\" rel=\"nofollow\">editor@reissue.pub\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Sign up for our email newsletter\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003C\u002Fp>\n",null,{"title":204,"robots":205,"og_locale":61,"og_type":62,"og_title":204,"og_description":206,"og_url":207,"og_site_name":65,"article_publisher":66,"article_modified_time":208,"twitter_card":68,"twitter_site":69,"twitter_misc":209,"schema":210},"Subscription Banner - ReIssue",{"index":56,"follow":57,"max-snippet":58,"max-image-preview":59,"max-video-preview":60},"ReIssue is unfunded, wild and free. 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To donate, contact: editor@reissue.pub Sign up for our email newsletter","https:\u002F\u002Freissue.pub\u002Fsubscription-banner\u002F","2026-11-13T20:28:08+00:00",{"Est. reading time":71},{"@context":73,"@graph":211},[212,220,224,230],{"@type":76,"@id":207,"url":207,"name":204,"isPartOf":213,"datePublished":214,"dateModified":208,"breadcrumb":215,"inLanguage":82,"potentialAction":217},{"@id":78},"2020-12-15T23:44:21+00:00",{"@id":216},"https:\u002F\u002Freissue.pub\u002Fsubscription-banner\u002F#breadcrumb",[218],{"@type":85,"target":219},[207],{"@type":88,"@id":216,"itemListElement":221},[222,223],{"@type":91,"position":92,"name":93,"item":94},{"@type":91,"position":96,"name":200},{"@type":102,"@id":78,"url":94,"name":65,"description":103,"publisher":225,"potentialAction":226,"inLanguage":82},{"@id":105},[227],{"@type":108,"target":228,"query-input":229},{"@type":110,"urlTemplate":111},{"@type":113,"valueRequired":114,"valueName":115},{"@type":117,"@id":105,"name":65,"url":94,"logo":231,"image":232,"sameAs":233},{"@type":119,"inLanguage":82,"@id":120,"url":121,"contentUrl":121,"width":28,"height":122,"caption":65},{"@id":120},[66,125,126],1794704120129]