[{"data":1,"prerenderedAt":241},["ShallowReactive",2],{"contributor:sonja-ahlers":3,"page:1227":134,"page:48":168,"page:321":204},{"id":4,"slug":5,"name":6,"firstName":7,"lastName":8,"bioHtml":9,"articles":10,"events":59,"seo":60},983,"sonja-ahlers","Sonja Ahlers","Sonja","Ahlers","\n\u003Cp class=\"wp-block-paragraph\">\u003Cmeta charset=\"utf-8\">\u003Cstrong>Sonja Ahlers \u003C\u002Fstrong>is a visual artist and poet based in Victoria, on the unceded territories of the lək̓ʷəŋən (Lekwungen) speaking peoples, now known as the Songhees and Esquimalt Nations. Since the early ’90s, Ahlers has worked primarily in book and book-adjacent formats, in a medium that she calls visual poetry. She is the author of \u003Cem>Temper, Temper\u003C\u002Fem> and \u003Cem>Fatal Distraction\u003C\u002Fem> (Insomniac Press, 1998 and 2004), and \u003Cem>The Selves\u003C\u002Fem> (Drawn & Quarterly, 2010), and was a key contributor to \u003Cem>Rookie Mag\u003C\u002Fem> from 2011 to 2015. \u003Cem>Swan Song\u003C\u002Fem> (Conundrum Press, 2021) is Ahlers’ fourth book. \u003C\u002Fp>\n",[11,41],{"id":12,"slug":13,"title":14,"excerpt":15,"date":16,"year":17,"formattedDate":18,"typeIds":19,"typeNames":21,"wordCount":23,"isBlack":24,"image":25,"contributors":31},972,"the-archive-is-evidence-i-exist-a-conversation-with-sonja-ahlers","The archive is evidence I exist: a conversation with Sonja Ahlers","\u003Cp>A conversation between artist Sonja Ahlers, archivist Alexandra Alisauskas. and critic-curator Godfre Leung.\u003C\u002Fp>\n","2021-11-01T10:45:07",2021,"Nov 2021",[20],5,[22],"Interview",3214,false,{"src":26,"srcset":27,"width":28,"height":29,"alt":30},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F11\u002Fsonja-feature-50.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F11\u002Fsonja-feature-50-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F11\u002Fsonja-feature-50-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F11\u002Fsonja-feature-50.jpg 1920w",1920,1080,"",[32,36,40],{"id":33,"name":34,"slug":35},971,"Alexandra Alisauskas","alexandra-alisauskas",{"id":37,"name":38,"slug":39},518,"Godfre Leung","godfre-leung",{"id":4,"name":6,"slug":5},{"id":42,"slug":43,"title":44,"excerpt":45,"date":46,"year":17,"formattedDate":47,"typeIds":48,"typeNames":50,"wordCount":52,"isBlack":24,"image":53,"contributors":57},943,"excerpt-from-swan-song","Excerpt from Swan Song (2021)","\u003Cp>An excerpt from Ahlers’ newly published book, \u003Cem>Swan Song\u003C\u002Fem>, from Conundrum Press.\u003C\u002Fp>\n","2021-10-18T09:03:03","Oct 2021",[49],4,[51],"Creative",59,{"src":54,"srcset":55,"width":28,"height":56,"alt":30},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F10\u002FSS-feature.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F10\u002FSS-feature-768x359.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F10\u002FSS-feature-1536x718.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F10\u002FSS-feature.jpg 1920w",898,[58],{"id":4,"name":6,"slug":5},[],{"title":61,"robots":62,"og_locale":68,"og_type":69,"og_title":61,"og_description":70,"og_url":71,"og_site_name":72,"article_publisher":73,"article_modified_time":74,"twitter_card":75,"twitter_site":76,"twitter_misc":77,"schema":79},"Sonja Ahlers - ReIssue",{"index":63,"follow":64,"max-snippet":65,"max-image-preview":66,"max-video-preview":67},"noindex","follow","max-snippet:-1","max-image-preview:large","max-video-preview:-1","en_US","article","Sonja Ahlers is a visual artist and poet based in Victoria, on the unceded territories of the lək̓ʷəŋən (Lekwungen) speaking peoples, now known as the Songhees and Esquimalt Nations. Since the early ’90s, Ahlers has worked primarily in book and book-adjacent formats, in a medium that she calls visual poetry. She is the author of Temper, Temper and Fatal","https:\u002F\u002Freissue.pub\u002Fcontributor\u002Fsonja-ahlers\u002F","ReIssue","https:\u002F\u002Fwww.facebook.com\u002Freissue.pub\u002F","2022-11-06T23:24:17+00:00","summary_large_image","@reissuepub",{"Est. reading time":78},"1 minute",{"@context":80,"@graph":81},"https:\u002F\u002Fschema.org",[82,94,108,123],{"@type":83,"@id":71,"url":71,"name":61,"isPartOf":84,"datePublished":86,"dateModified":74,"breadcrumb":87,"inLanguage":89,"potentialAction":90},"WebPage",{"@id":85},"https:\u002F\u002Freissue.pub\u002F#website","2021-11-01T21:15:28+00:00",{"@id":88},"https:\u002F\u002Freissue.pub\u002Fcontributor\u002Fsonja-ahlers\u002F#breadcrumb","en-US",[91],{"@type":92,"target":93},"ReadAction",[71],{"@type":95,"@id":88,"itemListElement":96},"BreadcrumbList",[97,102,106],{"@type":98,"position":99,"name":100,"item":101},"ListItem",1,"Home","https:\u002F\u002Freissue.pub\u002F",{"@type":98,"position":103,"name":104,"item":105},2,"Contributors","https:\u002F\u002Freissue.pub\u002Fcontributors\u002F",{"@type":98,"position":107,"name":6},3,{"@type":109,"@id":85,"url":101,"name":72,"description":110,"publisher":111,"potentialAction":113,"inLanguage":89},"WebSite","critical discourse for experimental art practices",{"@id":112},"https:\u002F\u002Freissue.pub\u002F#organization",[114],{"@type":115,"target":116,"query-input":119},"SearchAction",{"@type":117,"urlTemplate":118},"EntryPoint","https:\u002F\u002Freissue.pub\u002F?s={search_term_string}",{"@type":120,"valueRequired":121,"valueName":122},"PropertyValueSpecification",true,"search_term_string",{"@type":124,"@id":112,"name":72,"url":101,"logo":125,"image":130,"sameAs":131},"Organization",{"@type":126,"inLanguage":89,"@id":127,"url":128,"contentUrl":128,"width":28,"height":129,"caption":72},"ImageObject","https:\u002F\u002Freissue.pub\u002F#\u002Fschema\u002Flogo\u002Fimage\u002F","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F06\u002Freissue_logo.jpg",1118,{"@id":127},[73,132,133],"https:\u002F\u002Fx.com\u002Freissuepub","https:\u002F\u002Fwww.instagram.com\u002Freissue.pub\u002F",{"id":135,"slug":136,"title":104,"contentHtml":30,"acf":137,"backgroundBlur":139,"seo":140},1227,"contributors",{"background_image":138,"isBlack":24},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Ffreeschoolbannerimage.jpg","url(\"data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 80'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRnQAAABXRUJQVlA4IGgAAACwAwCdASogAAgAPu1iqk2ppaQiMAgBMB2JaQATwAVjXQxl4unL4AD+\u002Fog0WTYOek+\u002F8KEtg3QLxr09jEpZHTwBehobAsHa7kYhpCdHTKJQama6t6eAzq\u002FOfl9nGFQ1K4xFC226u+AAAA=='\u002F%3E%3C\u002Fsvg%3E\")",{"title":141,"robots":142,"og_locale":68,"og_type":69,"og_title":141,"og_url":105,"og_site_name":72,"article_publisher":73,"article_modified_time":143,"twitter_card":75,"twitter_site":76,"schema":144},"Contributors - 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Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">To donate, contact: \u003Ca href=\"mailto:editor@reissue.pub\" rel=\"nofollow\">editor@reissue.pub\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Sign up for our email newsletter\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003C\u002Fp>\n",null,{"title":211,"robots":212,"og_locale":68,"og_type":69,"og_title":211,"og_description":213,"og_url":214,"og_site_name":72,"article_publisher":73,"article_modified_time":215,"twitter_card":75,"twitter_site":76,"twitter_misc":216,"schema":217},"Subscription Banner - ReIssue",{"index":63,"follow":64,"max-snippet":65,"max-image-preview":66,"max-video-preview":67},"ReIssue is unfunded, wild and free. Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance. To donate, contact: editor@reissue.pub Sign up for our email newsletter","https:\u002F\u002Freissue.pub\u002Fsubscription-banner\u002F","2026-11-13T20:28:08+00:00",{"Est. reading time":78},{"@context":80,"@graph":218},[219,227,231,237],{"@type":83,"@id":214,"url":214,"name":211,"isPartOf":220,"datePublished":221,"dateModified":215,"breadcrumb":222,"inLanguage":89,"potentialAction":224},{"@id":85},"2020-12-15T23:44:21+00:00",{"@id":223},"https:\u002F\u002Freissue.pub\u002Fsubscription-banner\u002F#breadcrumb",[225],{"@type":92,"target":226},[214],{"@type":95,"@id":223,"itemListElement":228},[229,230],{"@type":98,"position":99,"name":100,"item":101},{"@type":98,"position":103,"name":207},{"@type":109,"@id":85,"url":101,"name":72,"description":110,"publisher":232,"potentialAction":233,"inLanguage":89},{"@id":112},[234],{"@type":115,"target":235,"query-input":236},{"@type":117,"urlTemplate":118},{"@type":120,"valueRequired":121,"valueName":122},{"@type":124,"@id":112,"name":72,"url":101,"logo":238,"image":239,"sameAs":240},{"@type":126,"inLanguage":89,"@id":127,"url":128,"contentUrl":128,"width":28,"height":129,"caption":72},{"@id":127},[73,132,133],1794704120407]