[{"data":1,"prerenderedAt":253},["ShallowReactive",2],{"contributor:steffanie-ling":3,"page:1227":146,"page:48":180,"page:321":216},{"id":4,"slug":5,"name":6,"firstName":7,"lastName":8,"bioHtml":9,"articles":10,"events":71,"seo":72},1057,"steffanie-ling","Steff Hui Ci Ling","Steff Hui Ci","Ling","\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>Steff Hui Ci Ling \u003C\u002Fstrong>is cultural worker, labour researcher, and occasional critic, poet, and film programmer living as a guest on the unceded territories of the xwməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), Səl̓ílwətaʔ \u002F Selilwitulh (Tsleil-Waututh) and kʷikʷəƛ̓əm (Kwikwetlem) First Nations. Her most recent book is \u003Cem>MIXED MARTIAL ARTS\u003C\u002Fem> (House House Press, 2022), a book of anti-work poems in response to the “work poetry” of the Vancouver Industrial Writer’s Union (1987–1993). She is a PhD student in Sociology at Simon Fraser University where she also works as a teaching and research assistant in Labour Studies, and the School for Communications. For fun, she designs and co-edits \u003Cem>STILLS: moving image tract \u003C\u002Fem>and organizes study groups.\u003C\u002Fp>\n",[11,33,53],{"id":12,"slug":13,"title":14,"excerpt":15,"date":16,"year":17,"formattedDate":18,"typeIds":19,"typeNames":21,"wordCount":23,"isBlack":24,"image":25,"contributors":31},1755,"in-praise-of-hockey-players-on-canvas-artworkers-from-class-division-to-new-solidarities","In praise of hockey players on canvas: Artworkers from class division to new solidarities","\u003Cp>Steff Hui Ci Ling responds to Mitch Speed’s essay, “Notes on the Control of Society Through Art and Culture.”\u003C\u002Fp>\n","2023-11-23T08:01:09",2023,"Nov 2023",[20],7,[22],"Essay",4478,false,{"src":26,"srcset":27,"width":28,"height":29,"alt":30},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002Fsteffsplash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002Fsteffsplash-768x246.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002Fsteffsplash-1536x492.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2023\u002F11\u002Fsteffsplash.jpg 1920w",1920,615,"",[32],{"id":4,"name":6,"slug":5},{"id":34,"slug":35,"title":36,"excerpt":37,"date":38,"year":39,"formattedDate":40,"typeIds":41,"typeNames":43,"wordCount":45,"isBlack":24,"image":46,"contributors":51},1163,"on-mediocrity-risk-and-proletarian-realism-in-sara-wylies-a-more-radiant-sphere","On Mediocrity, risk, and proletarian realism in Sara Wylie’s A More Radiant Sphere","\u003Cp>Steff Hui Ci Ling dives deep into Sara Wylie’s \u003Cem>A More Radiant Sphere\u003C\u002Fem>.\u003C\u002Fp>\n","2022-06-06T10:42:40",2022,"Jun 2022",[42,20],6,[44,22],"Moving Image",3103,{"src":47,"srcset":48,"width":49,"height":50,"alt":30},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F06\u002FAMRS-splash.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F06\u002FAMRS-splash-768x276.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F06\u002FAMRS-splash-1536x552.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F06\u002FAMRS-splash.jpg 2000w",2000,719,[52],{"id":4,"name":6,"slug":5},{"id":54,"slug":55,"title":56,"excerpt":57,"date":58,"year":39,"formattedDate":59,"typeIds":60,"typeNames":62,"wordCount":64,"isBlack":24,"image":65,"contributors":69},1058,"against-pomposity-and-phantasmagoria-cornelia-wyngaarden-at-libby-leshgold-gallery","Against Pomposity and Phantasmagoria \u002F\u002F Cornelia Wyngaarden at Libby Leshgold Gallery","\u003Cp>Steffanie Ling reviews Cornelia Wyngaarden’s \u003Ci>At Face Value\u003C\u002Fi> at Libby Leshgold Gallery.\u003C\u002Fp>\n","2022-02-07T11:16:23","Feb 2022",[20,61],9,[22,63],"Review",2907,{"src":66,"srcset":67,"width":28,"height":68,"alt":30},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F02\u002Fcory-splash-50.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F02\u002Fcory-splash-50-768x305.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F02\u002Fcory-splash-50-1536x610.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F02\u002Fcory-splash-50.jpg 1920w",763,[70],{"id":4,"name":6,"slug":5},[],{"title":73,"robots":74,"og_locale":80,"og_type":81,"og_title":73,"og_description":82,"og_url":83,"og_site_name":84,"article_publisher":85,"article_modified_time":86,"twitter_card":87,"twitter_site":88,"twitter_misc":89,"schema":91},"Steff Hui Ci Ling - ReIssue",{"index":75,"follow":76,"max-snippet":77,"max-image-preview":78,"max-video-preview":79},"noindex","follow","max-snippet:-1","max-image-preview:large","max-video-preview:-1","en_US","article","Steff Hui Ci Ling is cultural worker, labour researcher, and occasional critic, poet, and film programmer living as a guest on the unceded territories of the xwməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), Səl̓ílwətaʔ \u002F Selilwitulh (Tsleil-Waututh) and kʷikʷəƛ̓əm (Kwikwetlem) First Nations. Her most recent book is MIXED MARTIAL ARTS (House House Press, 2022), a book of anti-work","https:\u002F\u002Freissue.pub\u002Fcontributor\u002Fsteffanie-ling\u002F","ReIssue","https:\u002F\u002Fwww.facebook.com\u002Freissue.pub\u002F","2024-01-19T02:38:01+00:00","summary_large_image","@reissuepub",{"Est. reading time":90},"1 minute",{"@context":92,"@graph":93},"https:\u002F\u002Fschema.org",[94,106,120,135],{"@type":95,"@id":83,"url":83,"name":73,"isPartOf":96,"datePublished":98,"dateModified":86,"breadcrumb":99,"inLanguage":101,"potentialAction":102},"WebPage",{"@id":97},"https:\u002F\u002Freissue.pub\u002F#website","2022-02-07T18:40:11+00:00",{"@id":100},"https:\u002F\u002Freissue.pub\u002Fcontributor\u002Fsteffanie-ling\u002F#breadcrumb","en-US",[103],{"@type":104,"target":105},"ReadAction",[83],{"@type":107,"@id":100,"itemListElement":108},"BreadcrumbList",[109,114,118],{"@type":110,"position":111,"name":112,"item":113},"ListItem",1,"Home","https:\u002F\u002Freissue.pub\u002F",{"@type":110,"position":115,"name":116,"item":117},2,"Contributors","https:\u002F\u002Freissue.pub\u002Fcontributors\u002F",{"@type":110,"position":119,"name":6},3,{"@type":121,"@id":97,"url":113,"name":84,"description":122,"publisher":123,"potentialAction":125,"inLanguage":101},"WebSite","critical discourse for experimental art practices",{"@id":124},"https:\u002F\u002Freissue.pub\u002F#organization",[126],{"@type":127,"target":128,"query-input":131},"SearchAction",{"@type":129,"urlTemplate":130},"EntryPoint","https:\u002F\u002Freissue.pub\u002F?s={search_term_string}",{"@type":132,"valueRequired":133,"valueName":134},"PropertyValueSpecification",true,"search_term_string",{"@type":136,"@id":124,"name":84,"url":113,"logo":137,"image":142,"sameAs":143},"Organization",{"@type":138,"inLanguage":101,"@id":139,"url":140,"contentUrl":140,"width":28,"height":141,"caption":84},"ImageObject","https:\u002F\u002Freissue.pub\u002F#\u002Fschema\u002Flogo\u002Fimage\u002F","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F06\u002Freissue_logo.jpg",1118,{"@id":139},[85,144,145],"https:\u002F\u002Fx.com\u002Freissuepub","https:\u002F\u002Fwww.instagram.com\u002Freissue.pub\u002F",{"id":147,"slug":148,"title":116,"contentHtml":30,"acf":149,"backgroundBlur":151,"seo":152},1227,"contributors",{"background_image":150,"isBlack":24},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Ffreeschoolbannerimage.jpg","url(\"data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 80'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRnQAAABXRUJQVlA4IGgAAACwAwCdASogAAgAPu1iqk2ppaQiMAgBMB2JaQATwAVjXQxl4unL4AD+\u002Fog0WTYOek+\u002F8KEtg3QLxr09jEpZHTwBehobAsHa7kYhpCdHTKJQama6t6eAzq\u002FOfl9nGFQ1K4xFC226u+AAAA=='\u002F%3E%3C\u002Fsvg%3E\")",{"title":153,"robots":154,"og_locale":80,"og_type":81,"og_title":153,"og_url":117,"og_site_name":84,"article_publisher":85,"article_modified_time":155,"twitter_card":87,"twitter_site":88,"schema":156},"Contributors - 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Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">To donate, contact: \u003Ca href=\"mailto:editor@reissue.pub\" rel=\"nofollow\">editor@reissue.pub\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Sign up for our email newsletter\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003C\u002Fp>\n",null,{"title":223,"robots":224,"og_locale":80,"og_type":81,"og_title":223,"og_description":225,"og_url":226,"og_site_name":84,"article_publisher":85,"article_modified_time":227,"twitter_card":87,"twitter_site":88,"twitter_misc":228,"schema":229},"Subscription Banner - ReIssue",{"index":75,"follow":76,"max-snippet":77,"max-image-preview":78,"max-video-preview":79},"ReIssue is unfunded, wild and free. Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance. To donate, contact: editor@reissue.pub Sign up for our email newsletter","https:\u002F\u002Freissue.pub\u002Fsubscription-banner\u002F","2026-11-13T20:28:08+00:00",{"Est. reading time":90},{"@context":92,"@graph":230},[231,239,243,249],{"@type":95,"@id":226,"url":226,"name":223,"isPartOf":232,"datePublished":233,"dateModified":227,"breadcrumb":234,"inLanguage":101,"potentialAction":236},{"@id":97},"2020-12-15T23:44:21+00:00",{"@id":235},"https:\u002F\u002Freissue.pub\u002Fsubscription-banner\u002F#breadcrumb",[237],{"@type":104,"target":238},[226],{"@type":107,"@id":235,"itemListElement":240},[241,242],{"@type":110,"position":111,"name":112,"item":113},{"@type":110,"position":115,"name":219},{"@type":121,"@id":97,"url":113,"name":84,"description":122,"publisher":244,"potentialAction":245,"inLanguage":101},{"@id":124},[246],{"@type":127,"target":247,"query-input":248},{"@type":129,"urlTemplate":130},{"@type":132,"valueRequired":133,"valueName":134},{"@type":136,"@id":124,"name":84,"url":113,"logo":250,"image":251,"sameAs":252},{"@type":138,"inLanguage":101,"@id":139,"url":140,"contentUrl":140,"width":28,"height":141,"caption":84},{"@id":139},[85,144,145],1794704120206]