[{"data":1,"prerenderedAt":238},["ShallowReactive",2],{"contributor:yasmine-whaley-kalaora":3,"page:1227":131,"page:48":165,"page:321":201},{"id":4,"slug":5,"name":6,"firstName":7,"lastName":8,"bioHtml":9,"articles":10,"events":56,"seo":57},1199,"yasmine-whaley-kalaora","Yasmine Whaley-Kalaora","Yasmine","Whaley-Kalaora","\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>Yasmine Whaley-Kalaora\u003C\u002Fstrong> is an artist\u002Fwriter\u002Farts worker living and working on the territories of the xwməθkwəýəm, Skwxwú7mesh, and səlil̓ilw̓ətaʔɬ First Nations. Their practice currently encompasses performance, video, field recordings, collecting\u002Farchiving, and writing, with a special interest in holes\u002Fgaps\u002Fvoids and the productive tension that arises when these fissures are addressed in relation to personal and public archives.\u003C\u002Fp>\n",[11,35],{"id":12,"slug":13,"title":14,"excerpt":15,"date":16,"year":17,"formattedDate":18,"typeIds":19,"typeNames":22,"wordCount":25,"isBlack":26,"image":27,"contributors":33},2112,"a-haunting-resolve-small-file-media-and-states-of-resolution","A haunting resolve: Small-file media and states of resolution","\u003Cp>Yasmine Whaley-Kalaora previews the fifth annual Small Media File Festival.\u003C\u002Fp>\n","2024-10-06T23:06:13",2024,"Oct 2024",[20,21],6,9,[23,24],"Moving Image","Review",1138,false,{"src":28,"srcset":29,"width":30,"height":31,"alt":32},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F10\u002Fsmallfile-web.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F10\u002Fsmallfile-web-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F10\u002Fsmallfile-web-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2024\u002F10\u002Fsmallfile-web.jpg 1920w",1920,1080,"",[34],{"id":4,"name":6,"slug":5},{"id":36,"slug":37,"title":38,"excerpt":39,"date":40,"year":41,"formattedDate":42,"typeIds":43,"typeNames":45,"wordCount":47,"isBlack":26,"image":48,"contributors":54},1200,"locating-again-erdem-tasdelens-a-minaret-for-the-generals-wife","Locating Again \u002F\u002F Erdem Taşdelen’s A Minaret for the General’s Wife","\u003Cp>Yasmine Whaley-Kalaora reviews Erdem Taşdelen’s \u003Cem>A Minaret for the General’s Wife\u003C\u002Fem> at the Richmond Art Gallery.\u003C\u002Fp>\n","2022-07-06T10:34:03",2022,"Jul 2022",[44,21],7,[46,24],"Essay",2404,{"src":49,"srcset":50,"width":51,"height":52,"alt":53},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F07\u002Fminaret-splash-image-scaled.jpg","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F07\u002Fminaret-splash-image-768x432.jpg 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F07\u002Fminaret-splash-image-1536x864.jpg 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F07\u002Fminaret-splash-image-2048x1152.jpg 2048w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F07\u002Fminaret-splash-image-scaled.jpg 2560w",2560,1440,"Splash image of A Minaret for the General's Wife.",[55],{"id":4,"name":6,"slug":5},[],{"title":58,"robots":59,"og_locale":65,"og_type":66,"og_title":58,"og_description":67,"og_url":68,"og_site_name":69,"article_publisher":70,"article_modified_time":71,"twitter_card":72,"twitter_site":73,"twitter_misc":74,"schema":76},"Yasmine Whaley-Kalaora - ReIssue",{"index":60,"follow":61,"max-snippet":62,"max-image-preview":63,"max-video-preview":64},"noindex","follow","max-snippet:-1","max-image-preview:large","max-video-preview:-1","en_US","article","Yasmine Whaley-Kalaora is an artist\u002Fwriter\u002Farts worker living and working on the territories of the xwməθkwəýəm, Skwxwú7mesh, and səlil̓ilw̓ətaʔɬ First Nations. Their practice currently encompasses performance, video, field recordings, collecting\u002Farchiving, and writing, with a special interest in holes\u002Fgaps\u002Fvoids and the productive tension that arises when these fissures are addressed in relation to personal and public archives.","https:\u002F\u002Freissue.pub\u002Fcontributor\u002Fyasmine-whaley-kalaora\u002F","ReIssue","https:\u002F\u002Fwww.facebook.com\u002Freissue.pub\u002F","2022-11-06T23:18:48+00:00","summary_large_image","@reissuepub",{"Est. reading time":75},"1 minute",{"@context":77,"@graph":78},"https:\u002F\u002Fschema.org",[79,91,105,120],{"@type":80,"@id":68,"url":68,"name":58,"isPartOf":81,"datePublished":83,"dateModified":71,"breadcrumb":84,"inLanguage":86,"potentialAction":87},"WebPage",{"@id":82},"https:\u002F\u002Freissue.pub\u002F#website","2022-07-06T17:01:02+00:00",{"@id":85},"https:\u002F\u002Freissue.pub\u002Fcontributor\u002Fyasmine-whaley-kalaora\u002F#breadcrumb","en-US",[88],{"@type":89,"target":90},"ReadAction",[68],{"@type":92,"@id":85,"itemListElement":93},"BreadcrumbList",[94,99,103],{"@type":95,"position":96,"name":97,"item":98},"ListItem",1,"Home","https:\u002F\u002Freissue.pub\u002F",{"@type":95,"position":100,"name":101,"item":102},2,"Contributors","https:\u002F\u002Freissue.pub\u002Fcontributors\u002F",{"@type":95,"position":104,"name":6},3,{"@type":106,"@id":82,"url":98,"name":69,"description":107,"publisher":108,"potentialAction":110,"inLanguage":86},"WebSite","critical discourse for experimental art practices",{"@id":109},"https:\u002F\u002Freissue.pub\u002F#organization",[111],{"@type":112,"target":113,"query-input":116},"SearchAction",{"@type":114,"urlTemplate":115},"EntryPoint","https:\u002F\u002Freissue.pub\u002F?s={search_term_string}",{"@type":117,"valueRequired":118,"valueName":119},"PropertyValueSpecification",true,"search_term_string",{"@type":121,"@id":109,"name":69,"url":98,"logo":122,"image":127,"sameAs":128},"Organization",{"@type":123,"inLanguage":86,"@id":124,"url":125,"contentUrl":125,"width":30,"height":126,"caption":69},"ImageObject","https:\u002F\u002Freissue.pub\u002F#\u002Fschema\u002Flogo\u002Fimage\u002F","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F06\u002Freissue_logo.jpg",1118,{"@id":124},[70,129,130],"https:\u002F\u002Fx.com\u002Freissuepub","https:\u002F\u002Fwww.instagram.com\u002Freissue.pub\u002F",{"id":132,"slug":133,"title":101,"contentHtml":32,"acf":134,"backgroundBlur":136,"seo":137},1227,"contributors",{"background_image":135,"isBlack":26},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Ffreeschoolbannerimage.jpg","url(\"data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 80'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRnQAAABXRUJQVlA4IGgAAACwAwCdASogAAgAPu1iqk2ppaQiMAgBMB2JaQATwAVjXQxl4unL4AD+\u002Fog0WTYOek+\u002F8KEtg3QLxr09jEpZHTwBehobAsHa7kYhpCdHTKJQama6t6eAzq\u002FOfl9nGFQ1K4xFC226u+AAAA=='\u002F%3E%3C\u002Fsvg%3E\")",{"title":138,"robots":139,"og_locale":65,"og_type":66,"og_title":138,"og_url":102,"og_site_name":69,"article_publisher":70,"article_modified_time":140,"twitter_card":72,"twitter_site":73,"schema":141},"Contributors - 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ReIssue",{"index":60,"follow":61,"max-snippet":62,"max-image-preview":63,"max-video-preview":64},"https:\u002F\u002Freissue.pub\u002Fhome\u002F","2026-11-14T21:58:11+00:00",{"@context":77,"@graph":178},[179,187,191,197],{"@type":80,"@id":175,"url":175,"name":173,"isPartOf":180,"datePublished":181,"dateModified":176,"breadcrumb":182,"inLanguage":86,"potentialAction":184},{"@id":82},"2018-04-21T23:04:08+00:00",{"@id":183},"https:\u002F\u002Freissue.pub\u002Fhome\u002F#breadcrumb",[185],{"@type":89,"target":186},[175],{"@type":92,"@id":183,"itemListElement":188},[189,190],{"@type":95,"position":96,"name":97,"item":98},{"@type":95,"position":100,"name":97},{"@type":106,"@id":82,"url":98,"name":69,"description":107,"publisher":192,"potentialAction":193,"inLanguage":86},{"@id":109},[194],{"@type":112,"target":195,"query-input":196},{"@type":114,"urlTemplate":115},{"@type":117,"valueRequired":118,"valueName":119},{"@type":121,"@id":109,"name":69,"url":98,"logo":198,"image":199,"sameAs":200},{"@type":123,"inLanguage":86,"@id":124,"url":125,"contentUrl":125,"width":30,"height":126,"caption":69},{"@id":124},[70,129,130],{"id":202,"slug":203,"title":204,"contentHtml":205,"acf":26,"backgroundBlur":206,"seo":207},321,"subscription-banner","Subscription Banner","\n\u003Cp class=\"wp-block-paragraph\">ReIssue is unfunded, wild and free. Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">To donate, contact: \u003Ca href=\"mailto:editor@reissue.pub\" rel=\"nofollow\">editor@reissue.pub\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Sign up for our email newsletter\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003C\u002Fp>\n",null,{"title":208,"robots":209,"og_locale":65,"og_type":66,"og_title":208,"og_description":210,"og_url":211,"og_site_name":69,"article_publisher":70,"article_modified_time":212,"twitter_card":72,"twitter_site":73,"twitter_misc":213,"schema":214},"Subscription Banner - ReIssue",{"index":60,"follow":61,"max-snippet":62,"max-image-preview":63,"max-video-preview":64},"ReIssue is unfunded, wild and free. Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance. To donate, contact: editor@reissue.pub Sign up for our email newsletter","https:\u002F\u002Freissue.pub\u002Fsubscription-banner\u002F","2026-11-13T20:28:08+00:00",{"Est. reading time":75},{"@context":77,"@graph":215},[216,224,228,234],{"@type":80,"@id":211,"url":211,"name":208,"isPartOf":217,"datePublished":218,"dateModified":212,"breadcrumb":219,"inLanguage":86,"potentialAction":221},{"@id":82},"2020-12-15T23:44:21+00:00",{"@id":220},"https:\u002F\u002Freissue.pub\u002Fsubscription-banner\u002F#breadcrumb",[222],{"@type":89,"target":223},[211],{"@type":92,"@id":220,"itemListElement":225},[226,227],{"@type":95,"position":96,"name":97,"item":98},{"@type":95,"position":100,"name":204},{"@type":106,"@id":82,"url":98,"name":69,"description":107,"publisher":229,"potentialAction":230,"inLanguage":86},{"@id":109},[231],{"@type":112,"target":232,"query-input":233},{"@type":114,"urlTemplate":115},{"@type":117,"valueRequired":118,"valueName":119},{"@type":121,"@id":109,"name":69,"url":98,"logo":235,"image":236,"sameAs":237},{"@type":123,"inLanguage":86,"@id":124,"url":125,"contentUrl":125,"width":30,"height":126,"caption":69},{"@id":124},[70,129,130],1794704119925]