[{"data":1,"prerenderedAt":219},["ShallowReactive",2],{"event:freeschool-06-art-reviews-with-casey-wei":3,"page:298":110,"page:48":146,"page:321":182},{"id":4,"slug":5,"title":6,"excerpt":7,"date":8,"image":9,"contributors":15,"featured":20,"contentHtml":21,"vimeo":22,"signupLink":22,"followUpHtml":23,"contributorBios":24,"seo":29},1047,"freeschool-06-art-reviews-with-casey-wei","FreeSchool 06: Art Reviews with Casey Wei","\u003Cp>Who ordered a hot-take? With a side of ‘hey now’? So you have an opinion about an exhibition\u002Fperformance\u002Fevent you just saw. However gushy or spicy or ambivalent that opinion is, you feel compelled to put it into words, perhaps to share it publicly. What is that process? Interdisciplinary artist and ReIssue editor Casey Wei hosts \u003C\u002Fp>\n","2022-01-12T12:16:36",{"src":10,"srcset":11,"width":12,"height":13,"alt":14},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F01\u002F2FS06_CaseyHorizontal.png","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F01\u002F2FS06_CaseyHorizontal-768x432.png 768w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F01\u002F2FS06_CaseyHorizontal-1536x864.png 1536w, https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F01\u002F2FS06_CaseyHorizontal.png 1920w",1920,1080,"FreeSchool 06 Promo Image",[16],{"id":17,"name":18,"slug":19},444,"Casey Wei","casey-wei",false,"\n\u003Ch4 class=\"wp-block-heading\">\u003Cem>Who ordered a hot-take? With a side of ‘hey now’?\u003C\u002Fem>\u003C\u002Fh4>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">So you have an opinion about an exhibition\u002Fperformance\u002Fevent you just saw. However gushy or spicy or ambivalent that opinion is, you feel compelled to put it into words, perhaps to share it publicly. What is that process? Interdisciplinary artist and ReIssue editor Casey Wei hosts a three session workshop to share methods of approach on review writing. Whether it’s an art exhibition, concert, book, or something else, there are conventions to follow as well as to question when writing your hot-take. Participants work towards writing and presenting a review (approximately 500 words) over the three sessions.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">*\u003Cstrong>\u003Cem>Registration is closed*\u003C\u002Fem>\u003C\u002Fstrong>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>Session 1:\u003C\u002Fstrong>\u003Cbr>After introductions, Casey will examine and deconstruct a few reviews she finds successful. This will be followed by a pair of writing exercises that aim to develop the skill of \u003Cem>Description\u003C\u002Fem> and of \u003Cem>Analysis\u003C\u002Fem>. Afterwards, participants will share what they plan on reviewing and why they want to review it. Any participants who wish to receive feedback on their writing exercises can submit them to Casey for feedback via email.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>Session 2:\u003C\u002Fstrong>\u003Cbr>Participants will present their in-progress reviews, and talk about their process of writing. Each person will be provided with a rubric, which will be used to assist in giving feedback. Following these mini-presentations, the group will reconvene to do a writing exercise on \u003Cem>Form\u003C\u002Fem>. Any participants who wish to receive feedback on their writing exercises can submit them to Casey for feedback via email.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>Session 3:\u003C\u002Fstrong>\u003Cbr>Participants will each present their review to the group, followed by a chill hang to chat about anything art related. The work’s done, let’s hang!\u003C\u002Fp>\n",null,"\u003Cp>\u003Cb>Casey Wei\u003C\u002Fb> \u003Cspan style=\"font-weight: 400;\">is an interdisciplinary artist, musician, and writer based in Vancouver, BC, on the unceded territories of the xwməθkwəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səl̓ilw̓ətaʔɬ (Tsleil-Waututh) peoples. She holds an MFA from Simon Fraser University. Her moving image works include \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Murky Colors \u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\">(2012), \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Vater und Sohn\u002FFather and Son\u002F父与子 \u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\">(2013), \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Kingsgate Mall Happenings\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\"> (2014), \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">art rock? The Popular Esoteric\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\"> (2018), \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Tuning to Oblivion: Piece for Monsanto Corn\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\"> (2019), and various others. She runs the music and printed matter label, \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Agonyklub\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\">, and is an editor at \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">ReIssue.pub\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\">. She currently is working on the final film in her 父母 trilogy titled, \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">The Zhang Clan\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\">, and plays in the band Kamikaze Nurse.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n",[25],{"id":17,"slug":19,"name":18,"firstName":26,"lastName":27,"bioHtml":28},"Casey","Wei","\n\u003Cp class=\"wp-block-paragraph\">\u003Cstrong>\u003Ca href=\"http:\u002F\u002Fcaseywei.com\" target=\"_blank\" rel=\"noreferrer noopener\">Casey Wei\u003C\u002Fa> \u003C\u002Fstrong>is an interdisciplinary artist, musician, and writer based in Vancouver, BC, on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh peoples. She is a PhD candidate in Contemporary Arts at Simon Fraser University, where her practice-based research in film-making, writing, and performance is informed by participatory activities such as editing, publishing, and programming. Recent works include the book \u003Cem>Tuning to Oblivion: an artist residency\u003C\u002Fem> (M:ST Performative Art, 2023), and the album \u003Cem>Stimuloso\u003C\u002Fem> (Mint Records, 2022) with her band, Kamikaze Nurse.\u003C\u002Fp>\n",{"title":30,"robots":31,"og_locale":37,"og_type":38,"og_title":30,"og_description":39,"og_url":40,"og_site_name":41,"article_publisher":42,"article_modified_time":43,"og_image":44,"twitter_card":47,"twitter_site":48,"twitter_misc":49,"schema":51},"FreeSchool 06: Art Reviews with Casey Wei - ReIssue",{"index":32,"follow":33,"max-snippet":34,"max-image-preview":35,"max-video-preview":36},"noindex","follow","max-snippet:-1","max-image-preview:large","max-video-preview:-1","en_US","article","Who ordered a hot-take? With a side of ‘hey now’? So you have an opinion about an exhibition\u002Fperformance\u002Fevent you just saw. However gushy or spicy or ambivalent that opinion is, you feel compelled to put it into words, perhaps to share it publicly. What is that process? Interdisciplinary artist and ReIssue editor Casey Wei hosts","https:\u002F\u002Freissue.pub\u002Fevents\u002Ffreeschool-06-art-reviews-with-casey-wei\u002F","ReIssue","https:\u002F\u002Fwww.facebook.com\u002Freissue.pub\u002F","2024-01-17T23:01:55+00:00",[45],{"width":12,"height":13,"url":10,"type":46},"image\u002Fpng","summary_large_image","@reissuepub",{"Est. reading time":50},"2 minutes",{"@context":52,"@graph":53},"https:\u002F\u002Fschema.org",[54,69,71,85,100],{"@type":55,"@id":40,"url":40,"name":30,"isPartOf":56,"primaryImageOfPage":58,"image":60,"thumbnailUrl":10,"datePublished":61,"dateModified":43,"breadcrumb":62,"inLanguage":64,"potentialAction":65},"WebPage",{"@id":57},"https:\u002F\u002Freissue.pub\u002F#website",{"@id":59},"https:\u002F\u002Freissue.pub\u002Fevents\u002Ffreeschool-06-art-reviews-with-casey-wei\u002F#primaryimage",{"@id":59},"2022-01-12T20:16:36+00:00",{"@id":63},"https:\u002F\u002Freissue.pub\u002Fevents\u002Ffreeschool-06-art-reviews-with-casey-wei\u002F#breadcrumb","en-US",[66],{"@type":67,"target":68},"ReadAction",[40],{"@type":70,"inLanguage":64,"@id":59,"url":10,"contentUrl":10,"width":12,"height":13,"caption":14},"ImageObject",{"@type":72,"@id":63,"itemListElement":73},"BreadcrumbList",[74,79,83],{"@type":75,"position":76,"name":77,"item":78},"ListItem",1,"Home","https:\u002F\u002Freissue.pub\u002F",{"@type":75,"position":80,"name":81,"item":82},2,"Events","https:\u002F\u002Freissue.pub\u002Fevents\u002F",{"@type":75,"position":84,"name":6},3,{"@type":86,"@id":57,"url":78,"name":41,"description":87,"publisher":88,"potentialAction":90,"inLanguage":64},"WebSite","critical discourse for experimental art practices",{"@id":89},"https:\u002F\u002Freissue.pub\u002F#organization",[91],{"@type":92,"target":93,"query-input":96},"SearchAction",{"@type":94,"urlTemplate":95},"EntryPoint","https:\u002F\u002Freissue.pub\u002F?s={search_term_string}",{"@type":97,"valueRequired":98,"valueName":99},"PropertyValueSpecification",true,"search_term_string",{"@type":101,"@id":89,"name":41,"url":78,"logo":102,"image":106,"sameAs":107},"Organization",{"@type":70,"inLanguage":64,"@id":103,"url":104,"contentUrl":104,"width":12,"height":105,"caption":41},"https:\u002F\u002Freissue.pub\u002F#\u002Fschema\u002Flogo\u002Fimage\u002F","https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2022\u002F06\u002Freissue_logo.jpg",1118,{"@id":103},[42,108,109],"https:\u002F\u002Fx.com\u002Freissuepub","https:\u002F\u002Fwww.instagram.com\u002Freissue.pub\u002F",{"id":111,"slug":112,"title":81,"contentHtml":113,"acf":114,"backgroundBlur":117,"seo":118},298,"events","",{"background_image":115,"isBlack":20,"featured_event":116},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2021\u002F01\u002Ffreeschoolbannerimage.jpg",2021,"url(\"data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 80'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRnQAAABXRUJQVlA4IGgAAACwAwCdASogAAgAPu1iqk2ppaQiMAgBMB2JaQATwAVjXQxl4unL4AD+\u002Fog0WTYOek+\u002F8KEtg3QLxr09jEpZHTwBehobAsHa7kYhpCdHTKJQama6t6eAzq\u002FOfl9nGFQ1K4xFC226u+AAAA=='\u002F%3E%3C\u002Fsvg%3E\")",{"title":119,"robots":120,"og_locale":37,"og_type":38,"og_title":119,"og_url":82,"og_site_name":41,"article_publisher":42,"article_modified_time":121,"twitter_card":47,"twitter_site":48,"schema":122},"Events - ReIssue",{"index":32,"follow":33,"max-snippet":34,"max-image-preview":35,"max-video-preview":36},"2024-03-31T23:11:20+00:00",{"@context":52,"@graph":123},[124,132,136,142],{"@type":55,"@id":82,"url":82,"name":119,"isPartOf":125,"datePublished":126,"dateModified":121,"breadcrumb":127,"inLanguage":64,"potentialAction":129},{"@id":57},"2020-07-31T00:19:29+00:00",{"@id":128},"https:\u002F\u002Freissue.pub\u002Fevents\u002F#breadcrumb",[130],{"@type":67,"target":131},[82],{"@type":72,"@id":128,"itemListElement":133},[134,135],{"@type":75,"position":76,"name":77,"item":78},{"@type":75,"position":80,"name":81},{"@type":86,"@id":57,"url":78,"name":41,"description":87,"publisher":137,"potentialAction":138,"inLanguage":64},{"@id":89},[139],{"@type":92,"target":140,"query-input":141},{"@type":94,"urlTemplate":95},{"@type":97,"valueRequired":98,"valueName":99},{"@type":101,"@id":89,"name":41,"url":78,"logo":143,"image":144,"sameAs":145},{"@type":70,"inLanguage":64,"@id":103,"url":104,"contentUrl":104,"width":12,"height":105,"caption":41},{"@id":103},[42,108,109],{"id":147,"slug":148,"title":77,"contentHtml":113,"acf":149,"backgroundBlur":152,"seo":153},48,"home",{"background_image":150,"isBlack":20,"header_text":151},"https:\u002F\u002Fcms.reissue.pub\u002Fwp-content\u002Fuploads\u002F2026\u002F11\u002Fdaisy_reissue_2.jpg","ReIssue: art and criticism in \u003Cbr>\r\nthe cosmos of cultural production","url(\"data:image\u002Fsvg+xml;charset=utf-8,%3Csvg xmlns='http:\u002F\u002Fwww.w3.org\u002F2000\u002Fsvg' viewBox='0 0 320 213'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\u002F%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\u002F%3E%3CfeComposite operator='out' in='s'\u002F%3E%3CfeComposite in2='SourceGraphic'\u002F%3E%3CfeGaussianBlur stdDeviation='20'\u002F%3E%3C\u002Ffilter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\u002Fwebp;base64,UklGRoIAAABXRUJQVlA4IHYAAADwBACdASogABUAPu1qqlEppaOiqAqpMB2JZwAAKf0c+TYjyG8vhTeRaShCpli8uAAA\u002FnFf8QBzP1T7FqMQfN+5P0sEZp4TM\u002FtvUeu\u002F6PKH+GHrebLLz8IW4Q6wQ5kHZO6aqggnKrdkv+u62izeOgqi4jMyAAAA'\u002F%3E%3C\u002Fsvg%3E\")",{"title":154,"robots":155,"og_locale":37,"og_type":38,"og_title":154,"og_url":156,"og_site_name":41,"article_publisher":42,"article_modified_time":157,"twitter_card":47,"twitter_site":48,"schema":158},"Home - ReIssue",{"index":32,"follow":33,"max-snippet":34,"max-image-preview":35,"max-video-preview":36},"https:\u002F\u002Freissue.pub\u002Fhome\u002F","2026-11-14T21:58:11+00:00",{"@context":52,"@graph":159},[160,168,172,178],{"@type":55,"@id":156,"url":156,"name":154,"isPartOf":161,"datePublished":162,"dateModified":157,"breadcrumb":163,"inLanguage":64,"potentialAction":165},{"@id":57},"2018-04-21T23:04:08+00:00",{"@id":164},"https:\u002F\u002Freissue.pub\u002Fhome\u002F#breadcrumb",[166],{"@type":67,"target":167},[156],{"@type":72,"@id":164,"itemListElement":169},[170,171],{"@type":75,"position":76,"name":77,"item":78},{"@type":75,"position":80,"name":77},{"@type":86,"@id":57,"url":78,"name":41,"description":87,"publisher":173,"potentialAction":174,"inLanguage":64},{"@id":89},[175],{"@type":92,"target":176,"query-input":177},{"@type":94,"urlTemplate":95},{"@type":97,"valueRequired":98,"valueName":99},{"@type":101,"@id":89,"name":41,"url":78,"logo":179,"image":180,"sameAs":181},{"@type":70,"inLanguage":64,"@id":103,"url":104,"contentUrl":104,"width":12,"height":105,"caption":41},{"@id":103},[42,108,109],{"id":183,"slug":184,"title":185,"contentHtml":186,"acf":20,"backgroundBlur":22,"seo":187},321,"subscription-banner","Subscription Banner","\n\u003Cp class=\"wp-block-paragraph\">ReIssue is unfunded, wild and free. Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance.\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">To donate, contact: \u003Ca href=\"mailto:editor@reissue.pub\" rel=\"nofollow\">editor@reissue.pub\u003C\u002Fa>\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">Sign up for our email newsletter\u003C\u002Fp>\n\n\n\n\u003Cp class=\"wp-block-paragraph\">\u003C\u002Fp>\n",{"title":188,"robots":189,"og_locale":37,"og_type":38,"og_title":188,"og_description":190,"og_url":191,"og_site_name":41,"article_publisher":42,"article_modified_time":192,"twitter_card":47,"twitter_site":48,"twitter_misc":193,"schema":195},"Subscription Banner - ReIssue",{"index":32,"follow":33,"max-snippet":34,"max-image-preview":35,"max-video-preview":36},"ReIssue is unfunded, wild and free. Any donation will go towards: 1) paying our contributors; 2) maintaining the site; 3) physical publications and events—in that order of importance. To donate, contact: editor@reissue.pub Sign up for our email newsletter","https:\u002F\u002Freissue.pub\u002Fsubscription-banner\u002F","2026-11-13T20:28:08+00:00",{"Est. reading time":194},"1 minute",{"@context":52,"@graph":196},[197,205,209,215],{"@type":55,"@id":191,"url":191,"name":188,"isPartOf":198,"datePublished":199,"dateModified":192,"breadcrumb":200,"inLanguage":64,"potentialAction":202},{"@id":57},"2020-12-15T23:44:21+00:00",{"@id":201},"https:\u002F\u002Freissue.pub\u002Fsubscription-banner\u002F#breadcrumb",[203],{"@type":67,"target":204},[191],{"@type":72,"@id":201,"itemListElement":206},[207,208],{"@type":75,"position":76,"name":77,"item":78},{"@type":75,"position":80,"name":185},{"@type":86,"@id":57,"url":78,"name":41,"description":87,"publisher":210,"potentialAction":211,"inLanguage":64},{"@id":89},[212],{"@type":92,"target":213,"query-input":214},{"@type":94,"urlTemplate":95},{"@type":97,"valueRequired":98,"valueName":99},{"@type":101,"@id":89,"name":41,"url":78,"logo":216,"image":217,"sameAs":218},{"@type":70,"inLanguage":64,"@id":103,"url":104,"contentUrl":104,"width":12,"height":105,"caption":41},{"@id":103},[42,108,109],1794704117961]